Tascam professional

Tascam CD 160MK2 Professional CD/MP3 player in Road Ready 3U flight case. Immaculate condition including remote control. Please see technical specs below. Contact 082 881 3950. Already one of the industry's most popular and reliable CD players, the CD-160mkII is an update from TASCAM. The player has gained MP3 playback for hours of playback, and has both optical and coaxial digital outputs. The look of the CD-160MKII CD player has also been updated. Contractors count on TASCAM for installed playback systems that keep on working. The CD-160 has been one of our most-popular affordable CD players, and the updated version is everything Contractors and System Integrators have come to expect from TASCAM. Features MP3 File Playback Single Repeat, all repeat, and folder repeat (Repeat Album) for MP3 CDs Optical and Coaxial S/PDIF digital output 40 seconds of Electronic Shock Protection (ESP) Headphone Output with Level Control ±12% Pitch Control Intro Check Wireless Remote Control (included) Shuffle Play and Program Play Modes Single Repeat and all Repeat for Audio CD RCA unbalanced analog outputs 2U rackmount size

Tascam - DR-100MK2 Tascam Linear PCM Recorder The DR-100mkII from Tascam is portable stereo digital audio recorder designed with high-end recording features aimed at musicians and engineers. Four built-in microphones, two cardioid and two omnidirectional, deliver great sound via the high-gain and low-noise microphone preamps. A pair of XLR inputs can accommodate external microphones and provide switchable phantom power for use with condenser microphones. The 24-bit/96kHz linear PCM recorder features dedicated stereo mini balanced line in and out connectors in addition to an S/PDIF digital input. Also available is the ability to connect balanced line inputs via the locking XLR connectors. An upgrade to the DR-100, an already versatile unit, the rugged DR-100mkII extends the functionality of a professional portable recorder while improving the overall sound.

Tascam - MU-1000 32-Channel Meter Bridge The Tascam MU-1000 delivers more channels, more inputs, more of everything that made the Tascam DM-24 a pedigreed studio workhorse. Plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing exibility, easier and robust data backup / restore, greatly expanded mix storage using compact flash media and much more. The MU-1000 is a 32-channel digital mixing console, even at its full 96kHz / 24-bit audio resolution. It features 48 inputs at mixdown, 4-band fully-parametric EQ and dynamics on every channel, and two effects processors. It mixes in surround, panning up to 6.1 output channels, and the optional IF-SM/DM expansion card adds surround monitoring and downmixing to the DM-3200. An additional expansion card, the IF-FW/DM FireWire card, turns the console into a 24-channel computer audio interface, making it a complete studio solution for professional DAW recording.

Tascam - TAS 202MK6 Double Cassette Deck TASCAM's 202mkVI dual cassette deck is the only choice for professional studios, houses of worship and other installations needing reliable cassette performance. The dual twin-head decks can each be used for recording or playback, or can be used together for normal or high-speed dubbing. Sync reverse dubbing is also available. Return to zero and A-B repeat features are included, which can play back a section of tape up to 20 times. Deck 1 has ±12% pitch control, and a front panel microphone input is available for convenient recording. Rely on TASCAM's 202mkVI for consistent cassette recording you can mount in any rack..

Tascam DM-4800 48 Channel Digital Mixing Console The TASCAM DM-4800 is the ultimate digital console for professional users who demand a flexible, 64-channel mix platform that configures to fit their needs. A "fat channel" strip in the center of the board provides instant access to 4-band parametric EQ, dynamics and aux controls available for the first 48 channels. Twenty-four studio-grade mic preamps provide enough inputs for a live event, and more can be added using expansion cards with external preamps.

Tascam LA-80 Converter For professional applications where balanced and unbalanced equipment need to be connected, the LA-80 and LA-81 will properly convert between the two levels, maintaining the highest possible quality.

48-input Digital Mixer! More channels. More inputs. The new TASCAM DM- has more of everything that made the DM-24 a pedigreed studio workhorse, plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing flexibility, easier and robust data backup/ restore, greatly expanded mix storage using compact flash media and much more. With the DM-, TASCAM brings the functionality of a big console to the world of DAWs. You can't go wrong with the DM-! TASCAM DM- At-a-Glance: Music Tracking Post Production and Game Production Live Sound and House of Worship Project Studio Recording Music Tracking When you're tracking a band in your studio, there are certain features that musicians and producers demand from a recording console. The DM- gives you eight aux sends so that you can give individual cue mixes to each musician and have some left over to buss to the two built-in effects. It has a professional control room section with talkback mic and slate functions as well as three playback source selection switches. For recording large ensembles you get 16 microphone preamps, each with analog insert, phantom power (selectable in groups of four) and a -20dB pad switch. Four assignable analog inputs are provided, for inserting your favorite tube compressor on a console channel, or you can use the 4-band EQ and dynamics found on every channel. When the sound is dialed in, send that channel to its own track with the Direct button or combine inputs to the 16 busses. There are plenty of digital and analog I/O options to combine stand-alone hard disk recorders (like the TASCAM X-48), analog tape recorders or computer-based DAW recorders. The affordable DM- handles all of the routing and bussing you need in a professional studio, allowing you to concentrate on running your session. Post Production and Game Production Mixing inside of a computer is difficult enough in stereo, and when you start working on surround projects, managing and monitoring all of the ins and outs becomes more like air traffic control. The DM- becomes your control center for mixing large projects with dozens of channels. It can mix your tracks with one snapshot, and with two button presses you're ready to transfer them to a dubber or video deck. Just connect your DAW interface, like Digidesign's 192 Digital I/O for Pro Tools, to one of the digital connections on the rear panel (or use our optional IF-FW/DM FireWire interface card). The DM- even acts as a HUI controller for Pro Tools, allowing you to mix some channels in the DAW and others in the console. The DM- is an outstanding choice for mixing in surround, with 5.1 and even 6.1 automated panning. The 16 busses become two surround busses in surround mode, allowing you to buss channels to discrete stems. The optional IF-SM/DM Surround Monitoring card provides downmixing to stereo, individual output solo/mute and bass management features to the console. Live Sound and House of Worship Like the DM-24, the DM- makes a reliable choice for sound reinforcement. Its 16 mic inputs give you plenty of channels for performances or services, and more mic inputs can be added as needed using external rackmount preamps with digital outputs. Each of the 32 channels features four-band parametric EQ, gating and compression processing. Two built-in effects processors can access a variety of great-sounding effects processors, including a reverb processor by TC Works. If you're the one installing the DM- into a facility, you can program a variety of settings and back up your programs to a Compact Flash card. Recalling snapshots is done using dedicated buttons on the front panel, so loading a mixer setting is as simple as changing channels on a TV remote. The rear panel of the DM- is well-stocked with balanced and digital I/O, allowing ample connectivity to crossovers, as well as CD and cassette recorders such as our popular CC-222 mkII. Project Studio Recording Add the optional IF-FW/DM interface card to the DM-, and it becomes the ultimate computer interface and mixing surface for your workstation software. The IF-FW/DM allows a single FireWire cable to transmit 32 channels from your computer to the DM- and another 16 channels back to the computer for recording. Using this expansion card, no other interface or hardware is needed for recording to a computer. The DM- has a fader layer, labeled 'Remote', that's dedicated to controlling the mixing facilities in your DAW software. There are two modes of control: Mackie Control and Mackie HUI emulation. The DM-'s solid transport keys can be mapped to your software in any fader layer, and adjustments to your software mixer is a fader layer away. The DM- + IF-FW/DM combination gives you the best of both worlds: computer recording and DAW control with world-class mixing, automation and monitoring features. Tascam DM- Features: 32 channels and 16 auxiliary returns for 48 total inputs 16 busses 8 Aux Sends 16 analog mic/line inputs with phantom power for condenser mics and analog inserts 24 channels of TDIF and 8 channels of ADAT built in 2 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog & TDIF cards Dedicated cascade port supports cascade of two DM-s Per channel LED ring encoders for pan, aux sends and EQ Built-in DAW control All inputs, effects and processing are available at 96k -- no features are sacrificed at full sampling rate Transport controls Powerful automation with touch-sensitive motorized faders EQ and compression on each channel Two built-in effects processors at k or k Flexible routing Offload data to convenient Compact Flash media using built-in CF slot Optional MU- meter bridge Stylish, professional design with rear panel I/O connections TASCAM Mixer Companion software

64-input, 24-bus Digital Console/Control Surface with 24 Preamps TASCAM has a knack for observing trends in audio production and coming up with products that address at once, all of the issues that audio professionals face. The DM- is just such a product. This is the ultimate digital console for professional users who require a flexible, 64-input mix platform that configures to fit their needs. A "fat channel" strip in the center of the board provides instant access to 4-band parametric EQ, dynamics and aux controls available for the first 48 channels. Twenty-four studio-grade mic preamps provide enough inputs for a live event, and more can be added using expansion cards with external preamps. The standard compliment of analog and digital I/O is more than you'll find on consoles costing three times as much, and a completely configurable 24-buss routing system allows you to re-patch the board at the flick of a switch. TASCAM's DM- fits seamlessly into the modern recording environment based around a computer DAW. Its Remote layer provides 24-fader Mackie HUI or Mackie Control emulation for control of premiere workstations like Pro Tools, Logic, SONAR and Nuendo. The optional IF-FW/ DM mkII interface card provides 32 channels to and from a computer at 96kHz over a single FireWire cable. And the optional surround monitoring card provides downmixing, bass management and level control for mixing in up to 6.1 surround. No matter what your application, the TASCAM DM- adapts to the needs of any professional audio installation. TASCAM DM- Features: 48 channels and 16 returns for 64 total inputs 24 busses 12 Aux Sends 24 analog mic/line inputs with phantom power for condenser mics and analog inserts 24 channels of TDIF and 8 channels of ADAT built in 4 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog, TDIF and Surround Monitoring cards Dedicated cascade port supports cascade of two DM-s Channel Strip section for EQ, Dynamics and Aux control of selected channel Per-channel LED ring encoders for pan, aux sends and EQ Built-in DAW control layer compatible with Pro Tools, Logic Pro, SONAR, Cubase, Nuendo, and Digital Performer Assignable Transport controls Powerful automation with touch-sensitive motorized faders 4-band EQ, compression and gating on each channel Compression for each aux, buss and main output Two built-in effects processors, each able to run TC Reverb programs Flexible routing allows any input to be routed to any channel or output Offload data to convenient Compact Flash media using built-in CF slot Optional MU- meter bridge (as shown) Stylish, professional design with rear panel I/O connections TASCAM Mixer Companion software (WinXP/OSX) with Driverless USB connection to computer Backup/restore data via USB On screen timecode, transport and meter displays 24 XLR mic/line inputs with analog inserts plus phantom power for condenser mics " TRS Analog inserts 24 Balanced 1/4" TRS line inputs 3x 8-channel TDIF digital inputs and outputs 8-channel ADAT optical digital input and output 4 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog & TDIF cards (listed below) 2 Stereo AES/EBU digital inputs on XLR connectors 2 Stereo S/PDIF digital inputs on coaxial connectors 2 Stereo AES/EBU digital outputs on XLR connectors 2 Stereo S/PDIF digital outputs on coaxial connectors Stereo XLR balanced line outputs 1/4" Stereo TRS balanced Large Monitor outputs 1/4" Stereo TRS balanced Small Monitor outputs Stereo 1/4" TRS balanced Studio outputs Stereo RCA 2-Track input 8 1/4" TRS balanced Assignable Insert sends 8 1/4" TRS balanced Assignable insert returns RCA Timecode input MIDI In, Out and Thru connectors BNC Word Sync Input and Out/Thru with termination GPI output for parallel control RS-422 connector for device control USB 1.1 connector 1/4" Footswitch jack Dedicated cascade port supports cascade of two DM- mixers Connector for (optional) MU--channel meter bridge

New from TASCAM, the MD-CD1 combines CD playback and MiniDisc recording in a single rackmount unit designed to save rack space and installation budgets. Like all of TASCAM's products designed for fixed installation, the MD-CD1 is a reliable player designed for years of trouble-free use. The unit is stocked with features, such as 12% pitch control, MP3 CD playback, RS-232 control and an optional balanced I/O board that allow it to be spec'd into a wide variety of applications. The TASCAM MD-CD1 has a host of professional features like RS-232 control, digital I/O and an optional I/O board for balanced interfacing. CDs can be played back at up to 12% higher or lower, and can even be played back faster without changing the pitch for a "chipmunk" effect. Discs can be duplicated from CD to MiniDisc at up to 4x speed, and a wireless IR remote is included.

Answering the call of remote recording engineers, the TASCAM HD-P2 Portable High-Definition Stereo Audio Recorder is the professional solution for challenging live and on-location applications. Co-developed with Frontier Design Group, it records at up to 192kHz/24-bit resolution to Compact Flash media, and its audio files are instantly available to DAWs through the built-in high-speed FireWire computer connection. Unlike consumer MP3 sketchpads, the professional HD-P2 incorporates high-end features like a SMPTE timecode input for synchronization to external devices while in record or playback. The user interface is designed for fast and intuitive use under stressful one-take-only situations, and its large, angled LCD is perfect for any application from over-the-shoulder location recording to concert recording and commercial use.

The TASCAM DM- is the ultimate digital console for professional users who demand a flexible, 64-channel mix platform that configures to fit their needs. A "fat channel" strip in the center of the board provides instant access to 4-band parametric EQ, dynamics and aux controls available for the first 48 channels. Twenty-four studio-grade mic preamps provide enough inputs for a live event, and more can be added using expansion cards with external preamps.

The Tascam  HD-P2 is a lightweight, moderately priced professional 2-channel stereo field recorder. The machine records to Compact Flash and Microdrive storage media, and writes the audio in the Broadcast Wave File format. The  HD-P2 is equipped with comprehensive SMPTE and Video synchronization, Firewire connectivity for seamless file transfer to DAW applications, and a transparent user interface with familiar tape machine-style transports. The  HD-P2 also features a large, backlit LCD display, phantom power for condenser microphones, and a separate headphone amplifier with a dedicated volume control. Portable stereo high definition recorder with up to 24-bit/192kHz resolution, Firewire and Time Code; 8 x "AA" Alkaline or Rechargeable NiCad or NiMH battery operation Supports CF card capacities from 512MB to 8GB with total of 13.5 hrs. at 16-bit/44.1kHz, 2 hrs. at 24-bit/192kHz on 8GB card Front panel system and transport control or PS/2 keyboard input; familiar tape machine-type transport and large 240 x 160-dot backlit display Jog/Shuttle data wheel, separate headphone amp and volume control, dedicated input level and Main volume controls Built-in limiter, 48V phantom power, -20dB Pad, High-pass filter and 10-second pre-record buffer Writes audio to Compact Flash and Microdrive in Broadcast WAVE File (BWF) format for simplified universal transfer to DAW editing and post production software applications Windows XP and MAC OSX v. compatible Coaxial SPDIF digital I/O, Time Code in, Video and Word Clock In, Firewire output for seamless digital audio, video and DAW integration Sample Clock refs include SPDIF, NTSC or PAL Video, LTC and Word; comprehensive SMPTE frame rate support Timestamps Broadcast WAVE recordings from SMPTE input, chase locks to incoming SMPTE timecode, Video clock input resolves to house clock Tri-level sync support for HDTV applications, includes Frame Lock, Lock and Release and flexible Freewheel settings for erratic timecode sources; Pull-up and Pull-down sample rates included XLR Mic/Line inputs, RCA Line in/out, built-in mono microphone and speaker for desktop interview applications

For professional applications where balanced and unbalanced equipment need to be connected, the LA-80 and LA-81 will properly convert between the two levels, maintaining the highest possible quality.

In excellent condition. Like new. Good build quality. Was bought for a house of worship but never saw more than 10 hours of use. Balanced audio outs, digital outs, and rack mountable. In perfect mechanical and cosmetic condition.