Switchable

1) Capacity/Accuracy: 200g x 0.01g / 500g x 0.1g 2) Pull and Push LCD display with bluebacklight 3) Unit: dwt/ozt/g/oz/gn/c 4) Auto-calibration function 5) Overload protective system 6) A high capacity tray 7) Switchable weighing modes - Precision mode -High capacity mode 8) Power: 2x AAA Batteries(included) 9) Size: 85x85x20mm

Performance Plus MCT-1S High Z to Low Z Switchable Transformer Microphone Cable, 1/4" Male to XLR Female Product Description The Performance Plus MCT-1S is a switchable Low Z to High Z microphone-matching transformer that provides 24 dB of signal increase gain. It has balanced female XLR and unbalanced high impedance male 1/4'' pigtail phone plug connectors, and may be used in reverse. The MCT-1S is typically used to connect a balanced low-impedance microphone output to an unbalanced high impedance input on a mixer or recorder. | Performance Plus line transformers are quiet, durable and designed to last a lifetime. | Switchable from Low Z to High Z | Permits use of long microphone cables | Maintains high frequency response | Reduces noise pickup

Colorful Switchable Diving Lens Filter kit For Gopro Hero 3 Plus 4 Sport Camera   Feature:   Compatible with Hero 4 3+ Standard Housing ONLY. 50+ feet red filters, universal green water filter and night activity yellow filter)  Full water depth coverage and perfect for diving (Blue water: 5-20 feet; 20-50 feet Capture your best footages with the right color lens filter according to water depth 3 Red filters for blue water, magenta filter for green water, yellow filter for night activity Weight: 0.045kgs Package included: 1 x Filter Mounting Frame (Not included  camera) 5 x Lens Filters  1 x Safety Tether  1 x Cleaning Cloth Derail pictures:

Electro Voice - Q44-II 2 x 450W 2U, switchable LPN class AB amplifier The Q44 is based on EV¿s reference-standard P-Series. It guarantees the same high-quality construction and output with a maximum power capability of 2x450 watts @4 Ohms. The Q44 is designed for cost-limited, mobile applications and an excellent choice for small full-range tops and utility loudspeakers, such as ZX1, Sx Series or EVID series.

Rolls - RM424 Switchable 4 Zone Mixer The new ROLLS RM424 Four Zone Mixer combines two paging microphones with two line level source inputs. Each input is switch selected to output to any combination of four zone outputs. The outputs are all balanced XLR connectors, Remote Volume provides each zone with the means for external volume control. The Microphone inputs feature selectable ducking for paging. Front panel speaker makes pre assignment monitoring for each channel possible with individual switching for each channel. The RM424 is easy for anyone to use from the front, but from the rear it is just complex enough it will fill even the most demanding four zone installation requirements. With the included external power supply the RM424 has just about every approval known to man so you can spec it in almost any installation. The RM424 is the ideal solution for restaurants, offices, night clubs, etc.

The Shure A15AS Switchable In-Line Attenuator reduces the level of any balanced microphone or line-level signal by 15, 20, or 25 db. It is specially suited to reducing the level of a high-output microphone to prevent it from overloading the microphone input of a mixer or recorder in applications with high sound pressure levels. In addition, the A15AS may be used to reduce the level of a line-level mixer output to prevent overloading the aux-level input of a recorder.

Buy 5 Colorful Switchable Diving Lens Filter Kit For Hero 5 for R270.00

Buy Caline CP-31 DC 9V Black Hot Spice Wah Pedal Switchable 2 in 1 Guitar Effects Pedal for R1,220.01

Buy QIUNIU 45m Waterproof Filter Switchable Dome Port Diving Housing Case + Trigger Grip for GoPro Her for R2,346.00

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Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression Switchable dynamic Enhancer for brilliant, lively audio even with heavy compression IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks Switchable Low contour filter prevents "pumping" due to low-frequency dominated compression Stereo couple function selectable for channels 1/2 and 3/4 Separate 8-segment LED meters for input/output levels and gain reduction Selectable operating level (+4 dBu/-10 dBV) Servo-balanced inputs and outputs with

Switchable Supercardioid, Omni and Figure-8 pickup patterns Dual 19mm capsule design Switchable high-pass filter and 10dB pad Gold-plated XLR connectors Carry Case & swivel mount included *This price excludes delivery Please complete the order and we will quote the postage/delivery charges

Switchable Screen with 4:3 and 16:9 aspect ratios GUI (Graphical User Interface) High-Quality Video Circuits (3D Digital Noise Reduction, 3D Y/C Separation, 3-Line Digital Comb Filter)Multi-System Video Compatibility (NTSC/NTSC4.43/PAL/PAL-60Hz./PAL-M/ PAL-N/SECAM) DLP Display Technology 800 ANSI Lumens x 720 Native Resolution 16:9 Native Aspect Ratio Contrast Ratio 20.9 lbs HDTV Ready 2 Year Warranty

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. Interactive Reference-Class 2-Channel Expander/Gate/Compressor/ Peak limiter with Integrated De-Esser, Dynamic Enhancer, Tube Simulation and low Contour Filter Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics Integrated de-esser with switchable male/female voice recognition removes excessive sibilance from your vocal tracks IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks Switchable dynamic enhancer for brilliant, lively audio even with heavy compression IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression Switchable tube simulation for the extra warmth and transparency of classic tube circuitry Automatically or manually adjustable attack and release times Switchable low contour filter prevents pumping due to low-frequency dominated compression Stereo couple function with independent output level settings Switchable side chain input with side chain monitor function Ultra low-noise operational amplifiers and state-of-the-art VCA's Separate 12-segment lED meters for input/output levels and gain reduction Dedicated traffic light threshold and de-esser level displays High-quality detented potentiometers and illuminated switches Servo-balanced inputs and outputs with ¼ TRS and gold-plated XlR connectors Relay-controlled hard bypass switch with auto bypass function in case of power failure Conceived and designed by BEHRINGER Germany

Reference-Class 2-Channel Expander/Gate/Compressor/Peak Limiter with Integrated De-Esser, Dynamic Enhancer and Tube Simulation Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics Integrated De-esser with switchable male/female voice recognition removes excessive sibilance from your vocal tracks IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks Switchable dynamic Enhancer for brilliant, lively audio even with heavy compression IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression Switchable Tube simulation for the extra warmth and transparency of classic tube circuitry Automatically or manually adjustable attack and release times Switchable Low contour filter prevents "pumping" due to low-frequency dominated compression Stereo couple function with independent output level settings Switchable side chain input with monitor function Separate 12-segment LED meters for input/output levels and gain reduction Dedicated "traffic light" Threshold and De-esser level displays Servo-balanced inputs and outputs with ¼" TRS and gold-plated XLR connectors Relay-controlled hard bypass switch with auto bypass function in case of power failure High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

Behringer MDX2600 2 Channel Compressor/Limiter - Whether you¿re recording, mixing or mastering, the COMPOSER PRO-XL MDX2600 gives you total dynamic control. It includes all of the features you would expect from a reference class compressor¿plus a voice-adaptive de-esser, a new dynamic enhancer, authentic tube emulation and much more. These are some of the indispensable tools for producing clean, consistent audio with virtually no loss in signal quality. Features Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics Integrated de-esser with switchable male/female voice recognition removes excessive sibilance from your vocal tracks IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks Switchable dynamic enhancer for brilliant, lively audio even with heavy compression IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression Switchable tube simulation for the extra warmth and transparency of classic tube circuitry Automatically or manually adjustable attack and release times Switchable low contour filter prevents "pumping" due to low-frequency dominated compression Stereo couple function with independent output level settings Switchable side chain input with side chain monitor function Ultra low-noise 4580 operational amplifiers and state-of-the-art VCA's Separate 12-segment LED meters for input/output levels and gain reduction Dedicated "traffic light" threshold and de-esser level displays High-quality detented potentiometers and illuminated switches Servo-balanced inputs and outputs with ¼" TRS and gold-plated XLR connectors Relay-controlled hard bypass switch with auto bypass function in case of power failure Conceived and designed by BEHRINGER Germany *

Reference-Class 2-Channel Expander/Gate/Compressor/Peak Limiter with Integrated Dynamic Enhancer, De-Esser and Low Contour Filter Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics Adjustable dynamic Enhancer with level meter for brilliant, lively audio even with heavy compression IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks Switchable De-esser removes excessive sibilance from your vocal tracks IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression Automatically or manually adjustable attack and release times Switchable Low contour filter prevents "pumping" due to low-frequency dominated compression Stereo couple function with independent output level settings Switchable side chain input with monitor function Separate 12-segment LED meters for input/output levels and gain reduction Dedicated "traffic light" Threshold and Enhancer level displays Servo-balanced inputs and outputs with ¼" TRS and gold-plated XLR connectors High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

Building on the momentum of the incredibly successful CTRL-SIX USB DJ controller, Gemini is taking functionality to the next level with the CNTRL-7. Now, you can enjoy the added versatility of fully mappable MIDI. That means no matter what DJ software you use Traktor, Virtual DJ, Algoriddim, MixVibes, etc. it can be mapped to the CNTRL-7. CNTRL-7 provides two individual channels, each with a touch-sensitive jog wheel. Manual beat matching can be done with the Pitch Control slider or you can use the Sync button to automatically match the tempos of your tracks, effectively taking the BPM guesswork out of beat matching. For crafting your own unique sound, the CNTRL-7 boasts a Loop Section with Loop Adjust, as well as Sampler and Effects sections, plus the included Virtual DJ LE software offers a variety of samples and sample banks so you can build an imaginative, expert sounding mix that is distinctively your own. Whether youre just getting started in the digital DJ revolution or youre a seasoned pro, the CNTRL-7 provides a mobile, dynamic, cost-effective way to refine your skills and get recognized. Full MIDI controls freely assignable for use with any software Sound card provides multi-output operation Switchable between USB bus-power or DC power Cross fader with adjustable X-Y slope Adjustable channel faders Large, touch-sensitive jog wheels Includes Virtual DJ LE 2-Channel switchable line/phono w/ground screw Record, Master, and Booth RCA outputs Balanced XLR output 1/4 and mm) headphone out w/ volume control XLR and 1/4 mic input w/ mic volume controlFull MIDI controls freely assignable for use with any software Traditional mixer/CD player layout for quick and easy access Large, touch-sensitive jog wheels Adjustable channel faders w/ 3-band EQ and gain control Cross fader with adjustable X-Y slope Loop controls with and 2x adjust Sampler controls including sample select, play, and volume Pitch/tempo controls including pitch adjustment, pitch slider, sync and pitch bend Effects parameter controls Switchable between USB bus-power or DC power Comes with Virtual DJ LE 2-channel switchable line/phono with ground screw Rec, Master and Booth RCA outputs Balanced XLR output and mm) headphone out with volume control XLR and mic input with mic volume control 14 x x x 260 x 64 mm) Unit Weight 4.46 lbs. (2.0 Kg)

Small diaphragm true condenser microphone (supercardioid) This true condenser microphone provides an enormous versatility due to its neutral sound and accurate design. The features of the MC 950 include the wide frequency response of 40 - 20,000 Hz and a signal-to-noise ratio of 72 dB. The MC 950 is suitable as a main or spot microphone for miking choirs, piano / grand piano, organ, orchestras and most instruments. Due to the switchable pre-attenuation of 15 dB it provides excellent performance at high sound pressure levels. The switchable low-cut filter with 6 dB/octave below 250 Hz compensates for the proximity effect. With the WS 101 wind shield, the MC 950 can be used for speech and vocals. The MC 950 is phantom powered (11 - 52 V) and therefore suitable for all live or studio applications and installations. Due to its supercardioid polar pattern, the MC 950 has an excellent gain-before-feedback and eliminates noise from the rear. It is not only a first-class tool for studios, but also for PA systems, where excellent sound and maximum gain-before-feedback are required. Features Supercardioid polar pattern Switchable pre-attenuation -15 dB Switchable bass roll-off filter with 6 dB/Octave at 250 Hz Uncoloured off-axis response

  IN EXCELLENT CONDITION LIKE NEW   The MULTICOM PRO  MDX4600  from  Behringer  provides four channels of Interactive Knee Adaptation (IKA) compression/limiting, housed in a single rack space chassis. A peak limiter on all channels helps prevent clipping of the audio source.  Each compressor features program dependent attack and release times with a switchable side-chain filter to help with bass dominated compression. Channels 1/2 and 3/4 can be switched as independent pairs for stereo operation and accurate metering and professional connections provide extensive processing power. Program adaptive compression circuitry (IKA) combines the advantages of both hard and soft knee characteristics Compression characteristics switchable between IKA and hard knee characteristics Interactive gain control peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks Switchable high-pass filter in the control signal path prevents "pumping" due to low-frequency dominated compression Stereo couple function for channels 1 & 2 and 3 & 4 selectable with real totaling RMS output Accurate 8-segment LED meters for input/output levels and gain reduction High quality detented potentiometers and backlit switches Operating level switchable from +4dBu to -10dBV Servo balanced inputs and outputs with gold-plated XLR and 1/4" TRS connectors

OVERVIEW: The versatile AT2050 provides consistent, superior performance in switchable cardioid, omnidirectional and figure-of-eight polar pattern settings. Its dual large diaphragms are gold-vaporized and aged to achieve optimum characteristics over years of use. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the microphone is ideal for studio and live sound use on vocals, piano, strings, drum overheads, guitar amps, and more. Three switchable polar patterns: omni, cardioid, figure-of-eight Switchable 80 Hz high-pass filter and 10 dB pad Large diaphragm for smooth, natural sound and low noise State-of-the-art surface-mount electronics ensure compliance with A-T’s stringent consistency and reliability standards Includes shock mount & protective pouch ELEMENT                             Externally-polarized (DC bias) condenser POLAR PATTERNS            Cardioid, Omnidirectional, Figure-of-Eight FREQUENCY RESPONSE 20-20,000 Hz LOW FREQUENCY ROLL-OFF        80 Hz, 12 dB/octave OPEN CIRCUIT SENSITIVITY          –42 dB (7.9 mV) re 1V at 1 Pa IMPEDANCE                       120 ohms MAXIMUM INPUT SOUND LEVEL              149 dB SPL, 1 kHz at 1% T.H.D.; 159 dB SPL, with 10 dB pad (nominal) NOISE   17 dB SPL DYNAMIC RANGE (typical)           132 dB, 1 kHz at Max SPL SIGNAL-TO-NOISE RATIO             77 dB, 1 kHz at 1 Pa PHANTOM POWER REQUIREMENTS        11-52V DC, 4.7 mA typical SWITCHES           Polar selection; Flat, roll-off; 10 dB pad (nominal) WEIGHT               412 g (14.5 oz) DIMENSIONS     170.0 mm (6.69") long, 52.0 mm (2.05") maximum body diameter OUTPUT CONNECTORS Integral 3-pin XLRM-type ACCESSORIES FURNISHED            AT8458 shock mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. Desktop audio solved The MultiMix 4 USB is a four-channel desktop mixer with a USB digital audio interface built in. This compact mixer is perfect for using in basic computer-recording setups video editing and production studios and portable podcasting setups because it outputs not only line-level analog audio but also stereo 16-bit 44.1 kHz digital audio over USB for low-noise easy computer connection. The MultiMix 4 USB mixer has four input channels all of which can accept a 1/4 line input. You can can plug XlR microphones into channels one and two including condensers thanks to the mixer's switchable 48V-phantom power supply. You can also plug a guitar or bass directly into channel one's switchable high-impedance input. Channels one and two offer switchable high-pass filtering at 75Hz to eliminate low-frequency rumble handling and wind noise. Each channel has an independent pan control and channels one and two provide high and low-shelving EQs. Channels one and two have independent gain trims while channels three and four are configured as a stereo pair at the level and pan controls. The MultiMix 4 USB has a two channel five stage multicolor lED meter for visual monitoring the main output level. A stereo 1/4 headphone output has its own level control.

The CEL-2a Compressor/Expander/Limiter is designed for use in all live performance and recording applications, and can be incorporated as either two independent compressors or one synched stereo compressor with true RMS summing. Voltage-controlled amplifier and RMS-integrated circuits maintain low distortion and excellent noise performance.•Stereo or dual mono operation •Switchable low cut filter on each channel •Switchable de-esser on each channel •1/4 inch TRS insert capability •Fully adjustable compressor/limiter/expander •Full gain reduction metering •Input/Output switchable meters •Weight Unpacked: 7.50 lb( kg) •Weight Packed: lb( kg) •Width Packed: cm) •Height Packed: cm) •Depth Packed: cm)

Sound of success for lead vocals, acoustic guitar and brass instruments The Perception P220 is a large-diaphragm true condenser microphone offering a warm and clear sound for lead vocals, acoustic guitar and brass instruments. A switchable bass-cut filter and attenuation pad make it perfectly suited for use on loud sound sources with sound pressure levels up to 155dB SPL. The rugged and roadworthy design also makes the Perception P220 a perfect choice for on-stage applications. The Perception P220 represents the most popular and successful microphone within the Perception Series. It comes complete with a spider-type shock mount in an aluminum carrying case. One-inch large-diaphragm, true condenser transducer delivers a classic warm and clear sound Rugged all-metal body and robust design a reliable and roadworthy tool Switchable bass-cut filter eliminates rumble or footfall noise Switchable attenuation pad for high-SPL applications up to 155dB Designed and engineered in Vienna, Austria contains the essence of six decades of mic engineeringGeneral Audio Frequency bandwidth 20 to Hz Sensitivity 18 mV/Pa Equivalent Noise Level 16 dB-A Signal to Noise 78 dB-A Preattenuation Pad -20 dB Bass Cut Filter 300 Hz Electrical Impedance 200 Ohms Recommended Load Impedance Ohms Polar Patterns Cardiod Powering Interface Voltage 44 to 52 V Current 2 mA Audio Output Type Balanced XLR Gender Male Contacts 3-pin Design Finish metallic blue/nickel grille Dimensions / Weight Height 165 mm Diameter 53 mm Net Weight 525 g

P120 Large-diaphragm condenser microphone Clear. Accurate. Affordable. for vocals, speech and instrument recording in project studios The Perception P120 is a 2/3-inch diaphragm true condenser microphone that offers solidly built quality, outstanding performance and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail for vocals, speech and instrument recording in project studios. The Perception P120 provides a switchable 20dB attenuation pad for high-SPL applications up to 150dB and a bass-cut filter to eliminate rumble noise. Incorporated in a heavy-duty, all-metal chassis, it delivers the legendary AKG sound to project studios and to every stage. 2/3-inch diaphragm true condenser capsule with integrated pop filter delivers a clear sound with accurate sonic detail Rugged all-metal body and robust design withstand tough day-to-day use Switchable bass-cut filter eliminates rumble or footfall noise Switchable attenuation pad for high SPL applications up to 150dB SPL Designed and engineered in Vienna, Austria contains the essence of six decades of mic engineeringTechnical Specification General Audio Frequency bandwidth 20 to Hz Sensitivity 22 mV/Pa Equivalent Noise Level 22 dB-A Signal to Noise 72 dB-A Preattunation Pad -20 dB Bass Cut Filter 300 Hz Electrical Impedance 200 Ohms Recommended Load Impedance Ohms Polar Patterns Cardiod Powering Interface Voltage 44 to 52 V Current 3 mA Audio Output Type Balanced XLR Gender Male Contacts 3-pin Design Finish metallic blue Dimensions / Weight Height 165 mm Diameter 53 mm Net Weight 525 g

A SOUND INVESTMENT FOR EVERY STUDIO a studio and on-stage standard for vocals, guitar, drums and brass instruments The C high-performance, large-diaphragm condenser microphone has been a standard for live applications and studio recording for almost two decades. It is an excellent choice for vocals, electric and acoustic guitars, drum overhead and brass instrument miking. The switchable attenuation pad and low-cut filter enable high SPL up to 150dB and eliminate proximity effect. The redesigned C presents itself as a cost-effective, rugged workhorse with a sleek and classy finish.Proven performance for more than 15 years the standard for live applications and studio recording Ultralow-noise electronics and switchable attenuation pad enable high dynamic range and allow SPL up to 150dB Switchable low-cut filter eliminates proximity effect Classic sound made affordable gold-sputtered one-inch capsule tuned in the tradition of AKG´s sonic expertise Heavy-duty die-cast metal housing provides maximum protection on stage and in the studio

Alesis Multimix 4 USB Mixer The MultiMix 4 USB is a four-channel desktop mixer with a USB digital audio interface built in. This compact mixer is perfect for using in basic computer-recording setups, video editing and production studios, and portable podcasting setups because it outputs not only line-level analog audio, but also stereo 16-bit, 44.1 kHz digital audio over USB for low-noise, easy computer connection. You can also monitor back from your computer through the same USB connection. The MultiMix 4 USB mixer has four input channels, all of which can accept a 1/4" line input. You can can plug XLR microphones into channels one and two, including condensers thanks to the mixer's switchable 48V-phantom power supply. You can also plug a guitar or bass directly into channel one's switchable high-impedance input. Channels one and two offer switchable high-pass filtering at 75Hz to eliminate low-frequency rumble, handling and wind noise. Each channel has an independent pan control and channels one and two provide high and low-shelving EQs. Channels one and two have independent gain trims, while channels three and four are configured as a stereo pair at the level and pan controls. The MultiMix 4 USB has a two channel, five stage, multicolor LED meter for visual monitoring the main output level. A stereo, 1/4" headphone output has its own level control.