Swing college band s

Buy The Dutch Swing College Band Dutch Swing College At The Sport Palast, Berlin - Vinyl LP Rec... for R249.00

Buy Dutch Swing College Band D.S.C. At The European Jazz Festival Vinyl LP Record - Opened - V... for R249.00

DUTCH SWING COLLEGE BAND - TRIBUTE TO LOUIS ARMSTRONG - RSA - VG / VG ARTIST / ALBUM / PRESSING / SLEEVE GRADING / RECORD GRADING RECORDS VISUALLY GRADED ONLY FOR SHIPPING PLEASE READ UNDER SHIPPING TAB, WORK OUT YOUR SHIPPING AND ENTER IN WHEN PAYING AND CHECKING OUT. ALL RECORDS ARE SOLD WITH NEW PLASTIC OUTER SLEEVES, CLEANED AND SENT IN PROFESSIONAL HARD CARDBOARD MAILERS.   COVER (SLEEVE) GRADING:  SEALED: Still Sealed. EX (Excellent): Like new    VG+ (Very Good): May have light corner wear or a sticker    VG: Rougher corners and seams may have some light splitting VG-: Some splitting or wear.  G+: Rougher overall appearance with heavier splitting.    VINYL GRADING: (2nd) EX: Pretty much like a new LP but it isn't sealed. VG+: Very Good +. Looks relatively flawless, with only superficial signs of use. VG: Very Good.  May exhibit minor surface marks with some mild surface noise. VG-: Very Good-.  May have numerous light scratches or marks that will affect music quality some, but quite readily playable. G+: Good.  Heavier Wear, usually from improper storage, This record will definitely have some noise due to its markings, but could be worthwhile buy for sentimental reasons.   (Most vinyl conditions are visually graded, not play tested.)    

1960 German 7inch 45rpm single PHILIPS Mono pressing, release number 318 398 PF, by DUTCH SWING COLLEGE BAND: Es hängt ein Pferdehalfter an der Wand / Oh, Baby. The track details are as shown on the images provided. The record has numerous partly effective light sleeve-scratches & scuff-lines, otherwise still in a very good condition. The plain white sleeve is new. VG / M  

Buy The Dutch Swing College Band & Teddy Wilson - Vinyl LP Record - Opened - Very-Good+ Quality (VG+) for R249.00

Buy The Dutch Swing College Band A Swinging Affair - Vinyl LP Record - Very-Good+ Quality (VG+) for R290.00

1970 Hard to find German gate-fold double album HÖR ZU EXCLUSIV / EMI ELECTROLA pressing, release number 1C 134-32 453/54 M, of compilation by VARIOUS ARTISTS: JAZZ IN DEUTSCHLAND VOL. 3: SWING & JAZZ DER “TRÜMMERJAHRE” (1941-1948). The tracks are, with performing credits, RECORD 1, SIDE 1: Sand: HANS REHMSTEDT MIT SEINEN SOLISTEN / Dich liebe ich: KLEINES TANZ-ORCHESTER MEG TEVELIAN / Pampas: WILLY BERKING MIT SEINEM ORCHESTER / Sie will nicht Blumen und nicht Schokolade: HORST WINTER MIT SEINEM ORCHESTER / Heiße Tage: KURT WIDMANN MIT SEINEM TANZ-ORCHESTER / Andante perpetuo: ADOLF STEIMEL MIT SEINEM ORGANIUM TANZORCHESTER. - SIDE 2: Hallo, Hella!: HELMUT ZACHARIAS MIT SEINEN SOLISTEN / Tullio's Rhythmen: TULLIO MOBIGLIA MIT SEINEM BAR-ORCHESTER / So ist es, so bleibt es: BENNY DE WEILLE UND SEIN SEXTETT / Rendezvous in Lausanne: JEAN OMER UND SEIN ORCHESTER / Musik für Erika: TANZ-ORCHESTER FUD CANDRIX / So You Left...: CHARLIE AND HIS ORCHESTRA. - RECORD 2, SIDE 3: Tanz der Pinguine: HARRY VAN DYK MIT SEINEN SOLISTEN / Excentric: BROCKSIEPER SOLISTEN-ORCHESTER / Grand Hotel: WILLI STANKE MIT SEINEM ORCHESTER / Foxtrott-Studie: HEINZ SANDBERG MIT SEINEM KAMMER-TANZ-ORCHESTER / Wenn die Woche keinenSonntag hätt': WERNER SCHWARZ MIT SEINEN SOLISTEN / The Killer Diller: LUBO D'ORIO MIT SEINEM ORCHESTER. - SIDE 4: Hey Ba-Be-Re-Bop: KURT WIDMANN UND SEIN ORCHESTER / Jimmie Lunceford: RBT-ORCHESTER, Leitung HORST KUDRITZKY / In The Mood: SWINGBAND DES BERLINER RUNDFUNKS, Leitung WALTER DOBSCHINSKI / Bugle Call Rag: KURT HOHENBERGER UND SEINE SOLISTEN / Blue Lou: REX STEWART'S “HOT CLUB BERLIN” SESSION / Honeysuckle Rose: BERLINER STAR BAND. Both records show the signs of having been played more than a few times, with a number of ineffective scuff-lines and light surface-scratches, which do not deteriorate the playing quality. They are therefore still grade-able as very good plus. The cover has some lightly crinkled and scuffed edges, lightly scuffed corners and a number of the tracks have been indicated with a ballpoint X on the back, otherwise in very good shape. 

More classic jazz from Hudson Music, this tape features over 20 of the legendary giants and unsung greats of jazz percussion in solos, in battle and in the groups they helped make famous. Highlights include films of the legendary Sid Catlett with Louis Armstrong, Ray Bauduc with Jack Teagarden, Gene Krupa and Buddy Rich with their own orchestras, Gus Johnson with the rarely-heard Count Basie small group, Joe Harris with the pioneering Dizzy Gillespie Orchestra, Panama Francis with Cab Calloway, Lionel Hampton's Band, never-before-seen solo footage of Philly Joe Jones, singular small-group examples of Stan Levey and the groundbreaking bop of Kenny Clarke and many others.

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days Third Eye Blind blasted out of San Francisco when "Semi-Charmed Life" went to # 1 at Modern Rock and their self-titled album sold 5 million copies worldwide. This debut album contained several other chart-topping singles such as Jumper, How s It Going To Be, Graduate and others cementing the band's place in music history. The unique combination of brutal and controversial lyrics mixed with infectious melodies made an indelible connection with fans it s a phenomenon that defines Third Eye Blind and has made them the most requested band on college campuses. The band s song Jumper was recently used in Jim Carrey s movie Yes Man and regularly sells over 5,000 singles a week, 10 years after its release. Third Eye Blind is an unprecedented story of a band coming into focus with the help of an entirely new youth culture and causing an underground sensation it s a fan relationship that had driven the band and Ursa Major, their first album in six years. In a sense, Third Eye Blind s fans are so inextricably linked that they re considered another member of the band.From 2007 2009, the band performed before a remarkable 1 million people, marking them the most-requested artist at colleges nationwide. Pure and authentic, a canon of songs with no media coverage or radio play have compelled a new generation of followers by organic word of mouth alone. Fans attached themselves to songs like Slow Motion and Motorcycle Drive By, the former of which was censored by their record company but began appearing on file-sharing sites with full lyrics, and is now hailed as a masterpiece being covered by countless other bands.Emotional, reflective, aggressive, and sometimes outwardly political, Ursa Major features some of the most intense music of Third Eye Blind s career. Features Summary Third Eye Blind blasted out of San Francisco when "Semi-Charmed Life" went to # 1 at Modern Rock and their self-titled album sold 5 million copies worldwide... Contributors Third Eye Blind Format CD Release date 20090817

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days What makes this classic recording endure is the monumental level of intensity the band brings to each number. Ellington, in speaking of the band's competitive nature, recalled that they were all in a particularly fesity mode for this performance. That crackling energy translates to every number, and even extended to Count Basie's original drummer Jo Jones, who sat grinning from ear to ear in the front row, so moved by the swing of it all that he beat time for the band with a rolled up copy of The Christian Science Monitor. From Johnny Hodges' ultra-suave "Jeep's Blues", to Paul Gonsalves' epic tenor marathon on "Diminuendo And Crescendo In Blue" (which set the crowd to dancing and screaming), ELLINGTON AT NEWPORT is one of the really great big band recordings. Features Summary What makes this classic recording endure is the monumental level of intensity the band brings to each number. Ellington, in speaking of the band's competitive nature... Contributors Duke Ellington Format CD Release date 19991105

  BBb (SiB)  FULL BRASS  Double Loop  Sousaphone - Not Cheap Fiberglass. Giant 44 inches with a Huge 24 inch Bell. Free Mouthpiece. Excellent Intonation & Projection. Natural brass finish, unlacquered, recommended to be played with gloves to minimize the need for regular brass polishing. UNLACQUERED to retain the original brass shine once polished regularly. Retail price of EUR 2800 on this excellent entry-grade quality instrument. Beautiful and bright sound from this giant instrument. Excellent for the street band and college band market, not recommended for professional orchestral play, for that you need to invest in a $7500 pro instrument.       Comes complete with mouthpiece. Don't expect a pro-grade instrument finish or Monel-grade valves, but for it's price this entry-grade instrument is an excellent value purchase. Designed primarily for the college and streetband market,, a beautiful piece, in a very impressive size. Classic traditional heavyweight  METAL instrument, not a fiber glass pass off of the real thing! TERMS OF SALE This item ships from India. Approximate airmail time for doorstep postal  delivery is 7 to 30 days (Depending upon time take by SA Post  for customs clearances). Please note that for some large packages there may be additional customs duties of approximately 10%   * Please note that this is suggested postal time and actual delivery time can sometimes be even more, depending on customs clearance time and how efficient the postal service is in your zone. We request your patience with regards to deliveries from abroad to your country. We will ship out asap but we are NOT responsible for delays of customs or postal services.       

  BBb (SiB)  FULL BRASS  Double Loop  Sousaphone - Not Cheap Fiberglass. Giant 44 inches with a Huge 24 inch Bell. Free Mouthpiece. Excellent Intonation & Projection. Retail price of EUR 2800 on this excellent entry-grade quality instrument. Beautiful and bright sound from this giant instrument. Excellent for the street band and college band market, not recommended for professional orchestral play, for that you need to invest in a $7500 pro instrument.... Beautiful brand new chrome-pla ted zero-maintenance sousaphone made of quality brass. Comes complete with mouthpiece. Don't expect a pro-grade instrument finish or Monel-grade valves, but for it's price this entry-grade instrument is an excellent value purchase. Designed primarily for the college and streetband market,, a beautiful piece, in a very impressive size. Classic traditional heavyweight  METAL instrument, not a fiber glass pass off of the real thing! TERMS OF SALE This item ships from India. Approximate airmail time for doorstep postal  delivery is 7 to 30 days (Depending upon time take by SA Post  for customs clearances). Please note that for some large packages there may be additional customs duties of approximately 10%   * Please note that this is suggested postal time and actual delivery time can sometimes be even more, depending on customs clearance time and how efficient the postal service is in your zone. We request your patience with regards to deliveries from abroad to your country. We will ship out asap but we are NOT responsible for delays of customs or postal services.       

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 4 - 8 working days While the trombone was ever-present during the Swing and bebop eras, there weren't that many players on the avant-garde scene. One of the earliest and best modernist trombonists was and remains Grachan Moncur III. SOME OTHER STUFF, originally issued in 1964, is one of Moncur's few discs as a leader. He assembled a tremendous band for this session: three-fifths of the classic Miles Davis 1960s quintet (Herbie Hancock, Tony Williams, and Wayne Shorter) and bass ace Cecil McBee. STUFF is hardly a free-for-all, though--Moncur's originals feature knotty melodies, fiercely focused ensemble playing, and off-kilter yet potent swing. Features Summary While the trombone was ever-present during the Swing and bebop eras, there weren't that many players on the avant-garde scene. One of the earliest and best modernist trombonists was and remains Grachan Moncur III... Contributors Grachan Moncur Iii Format CD Release date 20090112

Introduction to the Rhythmic Patterns Technique” This piano lessons course is ideal for: students who are brand new to music. - Those who already play the piano or keyboard from written sheet music, but would like to break away and play by ear. By learning to play the piano using the powerful technique of “Rhythmic Patterns”, you’ll unleash your creative potential as a songwriter, accompanist and musician! If you would like to get the music out of your head and onto the keyboard, this is the ideal technique for you. At first, this music course begins with one simple pattern. Immediately, we’ll use this one simple pattern to play an entire song. Then you’ll learn a second pattern. Here’s where it really begins to get interesting – we’ll play the same song again, but this time, we’ll alternate the two patterns to give the music some variation. The course advances quickly, eventually working through advanced college level techniques. By the end of the course, you’ll have a whole arsenal of patterns under your hands, and you’ll be able to mix and match them, any way you like, to come up with fantastic arrangements of any song – by ear! ___________________The secret to learning to play by ear is learning to play using the revolutionary technique of ‘Rhythmic Patterns’. The technique of using rhythmic Patterns’ to play by year isn’t a secret. Guitar players of been doing this for years – they learn a few simple strumming patterns plus a few chords and they’re enjoying musical right away. Somehow keyboard and piano players of missed out. Why? Traditional piano lessons have focused on reading sheet music. Now while reading is important, it’s not the whole musical picture – by the time piano lessons are done most students can read but if the notes aren’t written down they can’t play their way out of a paper bag! Does that sound familiar? Rhythmic patterns are equally effective in playing by ear whether you play the piano or the keyboard. Finally set your hands free! Whether you’re an absolute beginner or a seasoned pro who would like to learn to play by ear, you’ll learn to use these powerful rhythmic patterns that are very effective whether you’re playing solo or with a band. FOR more detail contact or whatsapp me: 084 ..

Introduction to the Rhythmic Patterns Technique” This piano lessons course is ideal for: students who are brand new to music. - Those who already play the piano or keyboard from written sheet music, but would like to break away and play by ear. By learning to play the piano using the powerful technique of “Rhythmic Patterns”, you’ll unleash your creative potential as a songwriter, accompanist and musician! If you would like to get the music out of your head and onto the keyboard, this is the ideal technique for you. At first, this music course begins with one simple pattern. Immediately, we’ll use this one simple pattern to play an entire song. Then you’ll learn a second pattern. Here’s where it really begins to get interesting – we’ll play the same song again, but this time, we’ll alternate the two patterns to give the music some variation. The course advances quickly, eventually working through advanced college level techniques. By the end of the course, you’ll have a whole arsenal of patterns under your hands, and you’ll be able to mix and match them, any way you like, to come up with fantastic arrangements of any song – by ear! ___________________The secret to learning to play by ear is learning to play using the revolutionary technique of ‘Rhythmic Patterns’. The technique of using rhythmic Patterns’ to play by year isn’t a secret. Guitar players of been doing this for years – they learn a few simple strumming patterns plus a few chords and they’re enjoying musical right away. Somehow keyboard and piano players of missed out. Why? Traditional piano lessons have focused on reading sheet music. Now while reading is important, it’s not the whole musical picture – by the time piano lessons are done most students can read but if the notes aren’t written down they can’t play their way out of a paper bag! Does that sound familiar? Rhythmic patterns are equally effective in playing by ear whether you play the piano or the keyboard. Finally set your hands free! Whether you’re an absolute beginner or a seasoned pro who would like to learn to play by ear, you’ll learn to use these powerful rhythmic patterns that are very effective whether you’re playing solo or with a band. ~~~~~~~~~~~~~~ For more info contact or whatsapp me. ..