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This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 4 - 8 working days "An opportunity to record this album, This Is My Time wouldn't have come at a better time. I had plenty of time to bare my soul open for my fans whilst in Las Vegas. I was inspired immensely by knowing that the studio that I had an opportunity to record in had housed the industry greats. This was a once in a lifetime opportunity right in front of my eyes and I knew it's my time. I had to take charge and make things happen" Brian Temba Born Brian Thembalethu Makiwane; otherwise known as Brian Temba. This highly gifted musician needs no introduction to the South African music industry. He is the humble, romantic, soulful crooner with a unique voice and has shared the stage with numerous local and international RnB / Soul heavyweights that have visited our shores in the past few years. Features Summary "An opportunity to record this album, This Is My Time wouldn't have come at a better time. I had plenty of time to bare my soul open for my fans whilst in Las Vegas... Contributors Brian Temba Format CD Release date 20120901

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. 1-channel low-noise microphone preamplifier, for mains operation or battery operation. 1 microphone input, XlR, bal. Gain, 11 steps dB lED green/red for operation/peak Phantom power +24V, can be switched on additionally Switchable microphone phase lo cut 100Hz, hi cut 12kHz, 12dB/oct., switchable 1 preamplifier output 1 stereo line input 1 stereo line output level control and panorama control for mixing the microphone signal to the stereo line channel Technical Specification Frequency range: HzInput sensitivity: mV, switchableInput impedance: Mic: 2.2k¿ Stereo line: 10k¿Outputs: line, bal.: 1V/V max. Stereo line: 1V/Vmax. Stereo master: -Filter, low cut: 100Hz/-3dB, 12dB/oct.Filter, high cut: 12kHz/-3dB, 12dB/oct.Filter, subsonic: Gain, mic: dBGain, stereo line: 0dBS/N ratio, mic: > 66dB (unweighted)S/N ratio, line: 80dB (unweighted)THD:

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. 2-channel low-noise microphone preamplifier 2 microphone inputs, XlR, bal. Gain, 11 steps dB 2 level controls ±5dB lED green/red for operation/peak Phantom power +12V, can be switched on additionally Microphone phase can be switched for each channel lo cut Hz, continuously adjustable Subsonic filter 15Hz, 18dB/oct. 2 line outputs, XlR bal. 2 line outputs, RCA unbal. PC&Music "The MPA-202 provides a clear signal of low noise without any noticeable colouring. This two-channel unit is suitable for everyone looking for a clear sound and a favourable price." Technical Specification Frequency range: HzInput sensitivity: mV, switchableInput impedance: Mic: 4.4k¿ bal., 2.2k¿ unbal. Stereo line: -Outputs: line, bal.: 1V/Vmax. Stereo line: 1V/Vmax. Stereo master: -Filter, low cut: Hz, 6dB/oct.Filter, high cut: -Filter, subsonic: 15Hz, 18dB/oct.Gain, mic: dBGain, stereo line: -S/N ratio, mic: > 68dB (unweighted) > 87dB (weighted)S/N ratio, line: -THD:

i was a highly successful elvis presley impersonator for 7 years with my own sound system. i have now branched out as a tribute artist and t...171203425

i was a highly successful elvis presley impersonator for 7 years with my own sound system. i have now branched out as a tribute artist and t...171318274

T This stunning Breedlove guitar is big, ringy, powerful when pushed, and ready for any stage. The LR Bagg's LR-T CV Tuner Preamp pickup features volume, 3-band EQ, presence, phase, and a stealthy chromatic tuner.. Professionally set up and serviced · Jumbo, Extra-Deep Body, Soft Cutaway · Solid Englemann Spruce Top · Flamed Maple Laminate Back and Sides with Toner · Extra Deep Body · Ivoroid Binding, top, back, neck, and corner caps · Abalone Rosette with Black Border · STAGE Inlay Pattern by Kim Breedlove · Glossy Finish, Satin Neck · Rosewood Bridge, Fretboard, and Headstock overlay · Nut width 1-11/16" (43mm) · Compensated Saddle · Double Action Truss Rod, sound hole adjustable · Chrome Grover Mini Tuners · L.R. Baggs LR-T CV Tuner Preamp with onboard chromatic tuner with in-line mute, phase, EQ Breedlove Hardshell Case included

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. Features: Red and green two colors light. 4 pictures in 1. It can send out various shapes and patterns of gypsophila,loving heart, smile face etc. With voice-control and auto mode two operating modes. Built-in cooling system, low noise. High quality warranty, safe and reliable. long working life, excellent stability. Small and exquisite appearance, it is easy and simple to handle. Suitable for disco, ballroom, KTV, bar, stage, party etc. Notice: The product must be powered off after continuously working two hours to let the laser diode cool down. Specifications: laser color: Red, green Input voltage: AC V Output voltage: DC 5V, 1A Rated frequency: Hz laser power: 650nm/100mW,532nm/50mW Control mode: Auto mode, Voice-control Item color: Blue or Black Item weight:321g Item size: cm Package Included: 1 * laser stage light 1 * Power supply 1 * Tripod 1 * Instruction manual

Introduction: If you are a professional magician When you are at the time of your magic shows Your both hands aren't idle You don't have the 3rd hands to hold the microphone You need a microphone hands free brace right now! Don't be tied down by a microphone stand! Hands Free for Magicians You can hang the mic on your chest Very practical to every professional magician Fully adjustable! Special professional also can be used,Such as teachers,the commander,VJ,Dj... Descriptions: Name: Microphone Neck Hanging Stand Material: Nylon + Metal Color:Black Package includes: 1x Microphone Neck Stand (Not include Microphone)

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. Specifications: Control Mode: Auto strobe, voice-activated laser color: red, green, two-color Red wavelength: 650nm, power: 100mW Green laser wavelength: 532nm, power: 50mW Cooling system: Fan forced cooling system power Output: 12v 1.5A Supply voltage: V / AC Frequency: Hz Dimension: cm (length, width, height) Weight: NW: 0.75KG Color: Black With 1x Blue Concave-convex lens lED light Service commitment: Full 12 MONTH warranty. Man-made damage the warranty does not cover Application DJ, Ballroom, KTV, family party, Disco, Pubs, night Clubs, theater and other entertainment place.   Safety Capacity Sound active mode with the shut-off function if there is no sound. Based on the safe design and good performance, it will not appear single dot at any time which is safer to people and environment. Packages include 1× Black Stage lighting 1× AC Adaptor 1× Tripod

  1. LIFE UPON THE WICKED STAGE 2. NOBODY ELSE BUT ME 3. CAN'T HELP LOVIN' THAT MAN OF MINE 4. BALLYHOO DANCE 5. I MIGHT FALL BACK ON YOU 6. YOU ARE LOVE 7. MAKE BELIEVE 8. BILL 9. MIS'RY'S COMIN' AROUND 10. HAPPY THE DAY 11. AFTER THE BALL 12. WHY DO I LOVE YOU? 13. OLD MAN RIVER

On Stage - LTA8770 U Mount Lighting Clamp All the ease and convenience of the u-mount clamp is now available for your lighting fixtures. The keyed pressure pad of the LTA8770 will never rotate, meaning your lighting bars won’t be marred by bolts like other designs. The incorporated 40mm bolt and wingnut will easily accommodate most common lighting fixtures. Mounts to any bars up to 1.5” in diameter including the popular LS7730 Lighting Truss System.

ELVIS PRESLEY RECORDED LIVE ON STAGE IN MEMPHIS 1974 SA PRESS RECORD VINYL LP EXCELLENT FREE DELIVERY IF TOTAL ORDER EXCEEDS R500.00 CONDITION = EXCELLENT   CONDITION DETAIL NEW                NEW ITEM, USUALLY SEALED LIKE NEW       UNUSED BUT UNSEALED NEAR MINT    MAY NOT HAVE MORE THAN A FEW TINY IMPERFECTIONS EXCELLENT     CLEARER IMPERFECTIONS THAT DOES NOT AFFECT PLAYBACK GOOD              IMPERFECTIONS + CLEAR USAGE, THAT DOES NOT AFFECT PLAYBACK FAIR                OBVIOUS SIGNS OF USE, PLAYBACK / SLEEVE MOST LIKELY AFFECTED POOR               BAD SHAPE, UNPLAYABLE SHOULD SELL FOR A FRACTION OF IT'S VALUE T&C'S REFUNDS AND RETURNS ARE POSSIBLE WITHIN 14 DAYS ON PRODUCT ONLY (NOT DELIVERY) FOR DELIVERY WE USE TRACKED POST AND POSTNET TO POSTNET. ANY OTHER PREFFERED SERVICES WILL NEED TO BE ORGANISED BY THE BUYER NOW GO CHECK OUT OUR OTHER LISTINGS:)     SUPPLIED BY african music nerds!    

How can the On-Stage Stands RS4000 combo amplifier stand improve your performances? You may not have realized it, but all the raging tone coming out of your amp is being muffled by the floor, deadening your tone. It's subtle, but you'll hear the difference as soon as you put your combo amp on the RS4000. It also angles the amp towards your ears, so you'll be able to hear the nuances of your playing better. Not to mention that it helps reduce the risk of a careless bandmate from accidentally kicking your amp's speaker right in during stage setup, too. Don't let your combo amp sit on the floor like a discarded ticket stub - give it a sturdy stand, with the On-Stage Stand RS4000 combo amp stand.

Bargain ! NEW ! Boxed ! Quality ON STAGE stage speaker stands ! Aluminum/ steel for strength and light weight ! Great build quality ! ONLY R 580 for both ! Don't miss them !

Forget All About Embarrassing Plosives!Recording vocals? Don't even think about putting up a microphone without a pop filter in front of it. The On-Stage AXVS6-GB pop filter is designed to do one thing: filter the pops, consistently, while letting your vocals come through to the mic like they're supposed to. If you've ever had a vocal take ruined by a huge blast of air on a "P" that seemed so harmless on the lyric sheet, you'll know just how important this detail is! Don't Record Vocals Without It!Okay, so you've written some songs that rock. You got yourself a USB interface, a working knowledge of your chosen DAW, and a microphone. Your cables are all labeled and plugged in. Your vocalist's poised in front of the mic, lyric sheet in hand. As the progress bar scans across the screen, you find yourself pushed back in your chair as a look of horror works its way across your previously confident mug. The "P's" and "T's" that you so cleverly used to rhyme "power" with "tower" are popping everywhere. Vocal track ruined! As you sulk in the corner of your basement studio, head in hands, your cries are heard form miles away. Cries of, "Why? Why didn't anyone remind me about the plosives?" Plosives are Easy to PreventEditing plosives out of vocal takes is a chore. Why not use a pop filter like the On-Stage ASVS-6GB, and prevent htem in the first place. A pop screen is a small detail that makes a world of difference. And no, an old stocking stretched across a coat hanger will not suffice. You need a quality pop filter. One that's easily adjustable, but doesn't slip. You need a pop filter that will...filter the pops, consistently. You need the On-Stage ASVS-6GB. Features:- Prevents blasts of air on plosive sounds from reaching your vocal microphone - Attaches to mic stands or booms up to 7/8" in diameter - Easy Grip Clamp and V-shaped bracket - Includes 6-inch bar and 13-inch steel gooseneck for exact placement in front of your mic

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. Specification: ¿Carrier Frequency: MHz-434MHz ¿Frequency Response: 50Hz-17kHz ¿S/N Ratio: ¿45dB ¿Power: ¿10mW ¿Transmitter Power Supply: DC 12V/300mA ¿Receiver Power Supply: 2 x 1.5V AA Alkaline Battery ¿Receiver Operating Current: 50mA±20mA ¿Channel Separation: ¿30dB ¿Operating Range: Approx. 30m Package include: ¿1x Receiver ¿1x Earphones

Estimated delivery time: working days (Imported from America) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. Snark Pedal Tuner SN 10S offers a large, bright display, true bypass switching and pitch calibration.

Estimated delivery time: working days (Imported from the UK) - T&C's Apply This item includes free delivery within South Africa. Specification: ¿Carrier Frequency: MHz-434MHz ¿Frequency Response: 50Hz-17kHz ¿S/N Ratio: ¿45dB ¿Power: ¿10mW ¿Transmitter Power Supply: DC 12V/300mA ¿Receiver Power Supply: 2 x 1.5V AA Alkaline Battery ¿Receiver Operating Current: 50mA±20mA ¿Channel Separation: ¿30dB ¿Operating Range: Approx. 30m Package include: ¿1x Receiver ¿1x Earphones

Designed for the fixed installation market, the high performance T Series features MC² Audio’s complementary Class AB bipolar topology and the unique MC² Audio current driven floating drive stage. Conventional analogue level controls help deliver the cleanest sound available coupled with ultra-high standards of reliability. The T Series’ proprietary control and protection circuitry continuously checks for fault conditions including shorted outputs, DC on outputs, excessive temperature, and component failure. If such an event occurs the outputs are disconnected, saving expensive driver repair bills. Sophisticated 'side chain' limiters prevent distortion and speaker damage but are out-of-circuit until the onset of clipping. The control circuitry provides full protection against inrush current limiting with delayed 'turn on'. Low noise vari-speed fans are utilized to minimize mechanical noise, making the T Series an ideal choice for live theatre. Optional internal crossover cards available. Specifications: Number of Channels:      2 Output Power: (per channel)    8ohms      575W    4 ohms   W   2 ohms   W Output Power: (bridged) 8 ohms W        4 ohms W   THD%: (@1dB below max output) @ 1kHz  20Hz to 20kHz Gain /Sensitivity Gain 32dB Sensitivity (for max power) +5.5 dBu  (5.0V) Frequency Response:  20Hz to 20kHz (+ 0/- 0.5dB) Power Consumption: Nominal @ 240v into 4 ohms   2.5A Nominal @ 120v into 4 ohms   5.0A Dimensions: (2U) (mm) Amplifier   88(h) x 482(w) x 428(d) Weight: 17.7kgs 1 year limited guarantee For more info on this product please click here

Designed for the fixed installation market, the high performance T Series features MC² Audio’s complementary Class AB bipolar topology and the unique MC² Audio current driven floating drive stage. Conventional analogue level controls help deliver the cleanest sound available coupled with ultra-high standards of reliability. The T Series’ proprietary control and protection circuitry continuously checks for fault conditions including shorted outputs, DC on outputs, excessive temperature, and component failure. If such an event occurs the outputs are disconnected, saving expensive driver repair bills. Sophisticated 'side chain' limiters prevent distortion and speaker damage but are out-of-circuit until the onset of clipping. The control circuitry provides full protection against inrush current limiting with delayed 'turn on'. Low noise vari-speed fans are utilized to minimize mechanical noise, making the T Series an ideal choice for live theatre. Optional internal crossover cards available. Specifications: Number of Channels:      2 Output Power: (per channel)    8ohms    W    4 ohms   W   2 ohms     N/A Output Power: (bridged) 8 ohms W        4 ohms   N/A   THD%: (@1dB below max output) @ 1kHz  20Hz to 20kHz Gain /Sensitivity Gain dB Sensitivity (for max power) +9/5 dBu  (V) Frequency Response:  20Hz to 20kHz (+ 0/- 0.5dB) Power Consumption: Nominal @ 240v into 4 ohms   4.2A Nominal @ 120v into 4 ohms   8.4A Dimensions: (2U) (mm) Amplifier   88(h) x 482(w) x 460(d) Weight: 22.7kgs 1 year limited guarantee For more info on this product please click here

Designed for the fixed installation market, the high performance T Series features MC² Audio’s complementary Class AB bipolar topology and the unique MC² Audio current driven floating drive stage. Conventional analogue level controls help deliver the cleanest sound available coupled with ultra-high standards of reliability. The T Series’ proprietary control and protection circuitry continuously checks for fault conditions including shorted outputs, DC on outputs, excessive temperature, and component failure. If such an event occurs the outputs are disconnected, saving expensive driver repair bills. Sophisticated 'side chain' limiters prevent distortion and speaker damage but are out-of-circuit until the onset of clipping. The control circuitry provides full protection against inrush current limiting with delayed 'turn on'. Low noise vari-speed fans are utilized to minimize mechanical noise, making the T Series an ideal choice for live theatre. Optional internal crossover cards available. Specifications: Number of Channels:      2 Output Power: (per channel)    8ohms     625W    4 ohms   W   2 ohms    W Output Power: (bridged) 8 ohms W        4 ohms  W THD%: (@1dB below max output) @ 1kHz  20Hz to 20kHz Gain /Sensitivity Gain dB Sensitivity (for max power) + dBu  (V) Frequency Response:  20Hz to 20kHz (+ 0/- 0.5dB) Power Consumption: Nominal @ 240v into 4 ohms   2.8A Nominal @ 120v into 4 ohms   5.6A Dimensions: (2U) (mm) Amplifier   88(h) x 482(w) x 460(d) Weight: 20.4kgs 1 year limited guarantee For more info on this product please click here

Designed for the fixed installation market, the high performance T Series features MC² Audio’s complementary Class AB bipolar topology and the unique MC² Audio current driven floating drive stage. Conventional analogue level controls help deliver the cleanest sound available coupled with ultra-high standards of reliability. The T Series’ proprietary control and protection circuitry continuously checks for fault conditions including shorted outputs, DC on outputs, excessive temperature, and component failure. If such an event occurs the outputs are disconnected, saving expensive driver repair bills. Sophisticated 'side chain' limiters prevent distortion and speaker damage but are out-of-circuit until the onset of clipping. The control circuitry provides full protection against inrush current limiting with delayed 'turn on'. Low noise vari-speed fans are utilized to minimize mechanical noise, making the T Series an ideal choice for live theatre. Optional internal crossover cards available. Specifications: Number of Channels:      2 Output Power: (per channel)    8ohms      450W    4 ohms     750W   2 ohms   W Output Power: (bridged) 8 ohms W        4 ohms W   THD%: (@1dB below max output) @ 1kHz  20Hz to 20kHz Gain /Sensitivity Gain 32dB Sensitivity (for max power) +3.5 dBu  (1.2V) Frequency Response:  20Hz to 20kHz (+ 0/- 0.5dB) Power Consumption: Nominal @ 240v into 4 ohms   1.9A Nominal @ 120v into 4 ohms   3.8A Dimensions: (2U) (mm) Amplifier   88(h) x 482(w) x 428(d) Weight: 13.8kgs 1 year limited guarantee For more info on this product please click here

Title: Cutting Room Starring: Richard T. Jones, Mark Elias Synopsis: A serial killer on the loose...This psycho-thriller dark comedy will have you laughing one second and jumping out of your seat the next. What could possibly go wrong on the set of a shlock horror flick organized by a volatile mix of desperate has-beens and quirky first time wannabes, filmed on a possessed sound stage and financed by the mafia,B-movie extraordinaire Charles Drake (Weetus Cren) and the naive writer/director (Mark Elias) learn first hand that life imitates art when a real-life serial killer disposes of people one by one in gruesome and creative ways. Starring E.G. Daily (The Devil's Rejects, Pee-wee's Big Adventure), Jon Polito (The Big Lebowski, Miller's Crossing, Flags of Our Fathers) and Richard T. Jones (Collateral, Phone Booth).

SELECTED OPTION: PLUG: UKPLUG CLICK HERE for more options in this item. Specifications: Material: ABS Power: 6W Light Source: LED Input Voltage: AC100-240V Output Voltage: 6V 1A Power cord length: 5m Waterproof level: IP65 Plug Type:EU Plug,UK Plug,US Plug,AU Plug Features: 15 Replaceable Full Color Images: star, Halloween, Christmas, Birthday, snowflake, pigeon, butterfly and more festival designs. Soft LED Light: beautiful effect at night and it won't irritate your eyes. Multi-functional RF Remote Controller: On/Off; Light mode changing; Timer; Speed Up/Down, etc. Perfect for Halloween, Christmas and other festivals for year round use. Ideal for interior and exterior walls, landscapes, dance floors and more.   Package Included: 1 x Projection Lamp 1 x Ground Nail 1 x Support 15 x Film Pieces 1 x Remote Controller 1 x Plug

SELECTED OPTION: PLUG: USPLUG CLICK HERE for more options in this item. Specifications: Material: ABS Power: 6W Light Source: LED Input Voltage: AC100-240V Output Voltage: 6V 1A Power cord length: 5m Waterproof level: IP65 Plug Type:EU Plug,UK Plug,US Plug,AU Plug Features: 15 Replaceable Full Color Images: star, Halloween, Christmas, Birthday, snowflake, pigeon, butterfly and more festival designs. Soft LED Light: beautiful effect at night and it won't irritate your eyes. Multi-functional RF Remote Controller: On/Off; Light mode changing; Timer; Speed Up/Down, etc. Perfect for Halloween, Christmas and other festivals for year round use. Ideal for interior and exterior walls, landscapes, dance floors and more.   Package Included: 1 x Projection Lamp 1 x Ground Nail 1 x Support 15 x Film Pieces 1 x Remote Controller 1 x Plug

VG+/VG+/VG+ AMLH 63704   VINYL GRADING: (2nd) EX (Excellent): Pretty much like a new LP but it isn't sealed. VG+ (Very Good +): Looks relatively flawless, with only superficial signs of use. VG (Very Good): May exhibit minor surface marks with some mild surface noise. VG- (Very Good -): May have numerous light scratches or marks that will affect music quality some, but readily playable. G (Good): Heavier wear and surface noise, but will likely still play. (Most vinyl conditions are visually graded, not play tested.) COVER (SLEEVE) GRADING: (1st) SEALED: Still Sealed. EX: Like new. VG+: May have light corner bumps or very minor scuffmarks. VG: Rougher corners, creasing to cover and may have some light splitting at the seams and ringwear. VG-: The defects as described under VG are exacerbated. G: Not really good enough.

Inverter: Ultra Clean Pure Sine Wave, Inductive and Resistant Loads, Allow 300% powerful surge power for start up of motors and compressors, built for years of reliable service. Batteries:Lead Lead Dioxide Systems and sealed and usable in any position, UL recognised components, Maintenance Free Operation; Long service life, Design Life 10 Years for 120AH; 8 Years for 150AH Intelligent Charger: Powerful Smart Charger, Programmable High Current 3 Stage Charger, Will not Over-Charge or have Accidental Depletion 600W/W/W/W/W Inverters available. Battery bank with wheels 2hr/4hr available

T he MC6000Mk2 is Denon DJ’s next generation, flagship professional DJ controller and digital mixer. Created to be the definitive tool for contemporary club and mobile DJ’s, the slimline, table-top steel chassis unit combines a 4 channel/8 source real-time matrix operational digital mixer with a 24-bit, class-leading digital and analog audio interface. This Mark 2 incarnation operates out of the box with the bundled Serato DJ Intro (upgradable to Serato DJ) and is fully MIDI compliant to work with other software solutions via supplied or created mappings. The MC6000Mk2 enables dual-deck functionality, opening up the creative possibilities of 4 deck mixing, with the unit’s top panel featuring all important transport, pitch, EQ, loop, hot-cue/sample, navigation and FX controls - ergonomically positioned to ensure optimal, error free live performance. DJ’s can now also take advantage of the world renowned video mixing features of the optional Serato Video plug-in, allowing them to programme, mix, add transition FX and scratch video just as they would with audio. Operated as a fully functional DJ software controller or as a stand-alone digital mixer, the MC6000MK2 accommodates a multitude of connectivity options to suit a DJ’s preferred workflow. Table top CD and Vinyl decks, plus auxiliary input sources can easily be integrated, with USB audio input routing adding even more flexibility. The logical, illuminated control interface gives DJ’s the confidence that all faders, dials and buttons are exactly where they need to be - freeing them to be totally focused on their creative performance. The unit’s top panel ensures maximum ease and efficiency when controlling Serato Intro, allowing access of such ‘on-trend’ DJ performance modes as ‘Roll’, ‘Sensor’ and ‘Slip’ Instant screen view preferences like Serato’s ‘Panel’, ‘View’, ‘Area’ and ‘List’ can also be selected with individual buttons and in addition, with the MK2 unit’s, now four, independent deck layer keys, fast accurate deck/track selection is guaranteed. For recording and playback, the MC6000MK2 features a Line 1/2 Thru to PC Mode, for connection to both Mac and PC hardware. Additional control features are added to this new and improved unit, bringing Beats Parameter knob (dedicated for controlling beat attributes), FX Tap Button (to add BPM data), FX Mode Change and now 8 Assign keys for fluid and comprehensive effects control. The MC6000MK2 also offers dual balanced mic inputs (with independent echo FX and EQ). Uncompromising professional balanced and non-balanced audio outs ensure source sound quality is world class, whether the DJ is playing a live radio gig, small house-party or a large festival stage. Being a 100%, fully MIDI compliant controller, the MC6000MK2 is unlimited in its ability to partner alternative DJ software solutions, natively supported by Serato DJ (full version)*, Virtual DJ* and Mixvibes Cross*. Denon DJ supplied mappings ensure compatibility with Native Instruments Traktor software.

A Must-have Mic for Studio and Stage! Pick up a Shure SM57, and you've got a great dynamic microphone for life. Accounts of its heroic toughness lie at the center of countless music-industry legends, most of which are perfectly true. What's also true about the SM57 is that it sounds great on a wide variety of sources. Probably more than 90% of the snare drums and a good chunk of the guitar cabinets and vocal tracks recorded in the last several decades owe their sound to the SM57. Pick one up, and you'll find out why more live sound professionals and seasoned studio engineers swear by the Shure SM57 than any other microphone on the planet Shure SM57 Dynamic Microphone at a Glance: Clear and present sound that's great for a wide range of sources Exceptional versatility onstage and in the studio Built to withstand a lifetime of serious abuse Clear and present sound that's great for a wide range of sources From the biggest live stages, to the top recording studios world wide, to the presidential podium, the Shure SM57 is one of the most widely used microphones the world over. One of the things that defines the Shure SM57 as the quintessential workhorse microphone is its signature frequency response and presence boost. This natural presence boost brings out clarity in vocals, snap in snare drums, and bite in guitar amps. In general, you'll be able to use your SM57 on anything. In fact, it's common practice in many studios and on virtually every live stage to use the SM57 as a default microphone for everything. Exceptional versatility onstage and in the studio The sound of the SM57 isn't the only thing that makes it a fantastic workhorse microphone. Its tight cardioid polar pattern gives you exceptional isolation. In fact, one of the reasons the the Shure SM57 is such a popular snare drum microphone is that you can easily position it so that it rejects the sound of the nearby hi-hat. But the SM57's stellar off-axis noise rejection isn't just great in the studio. Onstage, it's easy to position the SM57 so that it doesn't pick up the sound of the PA, allowing you to get maximum gain before feedback. Built to withstand a lifetime of serious abuse Of course, you can't talk about Shure's SM57 without mentioning its heroic toughness. There are epic videos on YouTube and countless stories of people running SM57s over with trucks, dropping them off of buildings, submerging them in salt water, and burying them in the Earth for months - all without so much as affecting their frequency responses. What that translates into for you is that the typical day-after-day, show-after-show abuse of any studio or stage microphone is simply no match for this mighty mic. The only reason you'll ever have for buying another Shure SM57 is because you want more than one. Shure SM57 Dynamic Microphone Features: The most popular dynamic microphone on the planet Great workhorse microphone live or in the studio

Digital mixing has revolutionized so much of the live-entertainment production workflow. But one thing that hasn't changed is having to roll out that heavy, cumbersome old analog snake. That is until now! The new S16 Digital Snake from BEHRINGER takes the burden out of connecting your FOH (Front of House) console with the talent. The S16 provides 16 fully programmable, remotely controllable high-end mic preamps plus 8 analog, balanced XLR returns at the stage end, and connects to the FOH via a single CAT5 cable without the need for a dedicated router. KLARK TEKNIK, a longtime industry-leader in the development of high-end digital audio processing, provided the SuperMAC technology that made all of this possible & BEHRINGER made it affordable. Massive Connectivity When used as part of a complete X32 system, two S16 Stage Boxes can be cascaded via the built-in AES50 ports, providing connectivity for up to 32 mic/line inputs, 16 balanced outputs and the incredibly-affordable POWERPLAY P-16 Personal Monitoring System, which can feed up to 48 individual monitor mixers. We also included two optical ADAT sockets for connecting channels 1-8 and 9-16 to outboard devices, a convenient USB port for system updates via your PC, plus MIDI I/O for lighting systems and sound module control. Standalone Snake Mode Although the S16 was initially designed for use with our flagship X32 digital console, any mixing board with AES50 networking capability can tap into the S16's powerful feature set. So if you happen to work on an analog mixing board occasionally, you could use two pairs of S16 and ADA to form a high-performance, lightweight 16 x 16 digital snake, all on one CAT5 connection, keeping the preamp remote control functionality. Remotely Controllable Preamps Make Setup a Breeze Having to run back and forth to FOH, or trying to communicate with a tech on stage tracking down a bad cable or connection, can really put a crimp in the gig. S16's ingenious monitoring / head amp control section allows you to select any one of the 16 inputs, 8 bus outputs or P16 output streams, for immediate line checks. In addition to signal metering at the stage box, you can set individual input channel Gain, apply +48 V phantom power, plus you have the option of listening directly to the input signal via headphones and much more. Once set, all configuration settings can be locked at the console for total system security. Seamless Integration with P-16 Personal Monitoring System The ULTRANET port on the S16 lets you connect directly to the BEHRINGER POWERPLAY P16 system, which provides an easy, affordable way to give your musicians and vocalists what they really want--"more me!" P16-M Personal Mixers let each performer take control of what they hear, allowing you to concentrate on providing the audience with the best possible listening experience. Fast and easy to set up, a basic system can be installed and configured in a matter of minutes and the system can be expanded to adapt to changing needs. KLARK TEKNIK AES50 KLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the S16 its high-capacity digital interconnectivity with ultra-low latency operation, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with BEHRINGER product developers to ensure the S16 meets, or exceeds, the requirements of live performance entertainers and their professional audio engineers. Some of the outstanding features are: 48 bidirectional audio channels over CAT5 cable (48 kHz) 24 bidirectional audio channels over CAT5 cable (96 kHz) Single cable duplex interconnection for audio and sample clocks Ethernet physical layer audio data transmission High channel count and ultra-low deterministic latency Accurate phase-aligned clock distribution. Comprehensive error detection and management Provision for redundant networking Minimal configuration total ease of deployment and use Ethernet TCP/IP protocol-compatible auxiliary data channel Royalty-free implementations available as Xilinx FPGA cores OEM modules available from developer partners Extreme Value As you can see, the S16 is an extremely versatile 16 x 8 digital stage box solution with lots of unique features, at a price that anyone can afford. Built tough to withstand the rigors of the road, S16 only takes up two rack spaces and connects to FOH with a single, inexpensive CAT5 cable. Now you can have the missing link between the stage and FOH at a fraction of the cost of competing systems, and we back it with a comprehensive warranty program Product Features: 16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality 8 analog, servo-balanced XLR outputs AES50 network ports featuring KLARK TEKNIKs SuperMAC networking capability for ultra-low jitter and latency Up to 100 m networking capability via CAT-5e cable (not included) Dual AES50 ports for cascading S16 unitsno merger or router required Precise LED metering plus 7-segment displays for signal control on stage Phones output assignable to any of the inputs/outputs for on-stage monitoring Connectivity for BEHRINGER's P-16 Personal Monitoring System for In-Ear applications (not included) Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices USB connector for system updates via PC "Planet Earth" switching power supply for maximum flexibility ( V~), noise-free audio, superior transient response plus low power consumption for energy saving "Built like a tank" yet compact, all-steel 2U rack-mount chassis High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany