Rhythm performer

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 15 - 20 working days Features Contributors Cee-Lo Green, A Tribe Called Quest (Performer) Format Vinyl record Release date 20151218

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days Features Contributors Harry Farmer (Performer), Chris Hamalton & His Hammond Organs (Performer), The Harry Farmer Rhythm Ensemble (Performer) Format CD Release date 20100705

    PROFESSIONAL FULL-SIZE CARNATIC GHATAM IN D SRUTI. DIRECT FROM THANJAVUR. NOT TO BE CONFUSED WITH NORTH-INDIAN MADE CERAMIC MATKAS BEING SOLD AS GHATAMS GHATAM  is the mud pot used to provide rhythmic accompaniment in concerts of Indian Music. It is one of the ancient time-keeping instruments and is mentioned in the Ramayana. It is also used by the rural folk in their concerts of folk music. The mouth of the Ghatam is open and is somewhat narrow compared to the mud pots used for domestic purposes. When the mouth is covered with a parchment it becomes the pot-drum. They clay used for making the Ghatam is mixed with iron-filings and baked. Our strong, durable and resonant ghatams are made in Manamadurai in South India. It is played with the two hands, wrists, ten fingers and nails. The mouth of the pot is sometimes pressed against the stomach of the performer and with resounding strokes. The instrument is also held vertical (i.e., the mouth facing upwards) and played; sometimes the pot is held in horizontal posture, the mouth facing the audience. The instrument, towards the close of a rhythmic solo, is thrown up in the air and caught successively in consonance with rhythm. In fact this is the only concert instrument wherein the holding posture is changed in the course of play. Finger strokes are given at the neck, center and bottom of the outer surface. A very high degree of speed is possible on this instrument. As a  UPA TALA VADYA  (Secondary rhythmic accompaniment) it takes its place on the side of the Kanjeera. Like the bamboo flute, it is an instrument made of single homogenous material and has no detachable parts. The pitch of the Ghatam is determined at its make. Professional performers on Ghatam have a number at ghatams of varying pitches. When engaged to perform, they carry to the concert hall the particular Ghatam whose pitch agrees with the pitch of the performer or its Panchama.       TERMS OF SALE   This item ships from India. Approximate airmail time for doorstep postal  delivery is 7 to 30 days (Depending upon time take by SA Post  for customs clearances). Please note that for some large packages there may be additional customs duties of approximately 10%   * Please note that this is suggested postal time and actual delivery time can sometimes be even more, depending on customs clearance time and how efficient the postal service is in your zone. We request your patience with regards to deliveries from abroad to your country. We will ship out asap but we are NOT responsible for delays of customs or postal services

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 10 - 20 working days Features Contributors Michael Canfield (Performer), Rhythm Section Africa (Performer) Format CD Release date 20070629

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 8 - 13 working days Once dubbed "The Face of 1968" by the British music press, the one-time teen idol Peter Framptonhas been a blues-rocker in Humble Pie, a platinum-selling '70s superstar, and a latter-day session guitarist for David Bowie. His 2006 album of instrumentals features a variety of British rock and jazz talent, including the saxophonist Courtney Pine, the seminal 1960s guitarist Hank Marvin, and the reunited Rolling Stones' rhythm section Bill Wyman and Charlie Watts, in a varied set that runs the gamut of contemporary musical styles, from Latin, blues, and R&B, to hard rock, funk, and Django Reinhardt-influenced jazz. Features Summary Once dubbed "The Face of 1968" by the British music press, the one-time teen idol Peter Framptonhas been a blues-rocker in Humble Pie, a platinum-selling '70s superstar... Contributors Peter Frampton (Author), Frampton;peter (Performer) Format CD Release date 20060912

Achieve the ultimate in control over your mix with the Allen & Heath ME-1 Personal Mixer. Each performer can tailor their monitor mix easily and quickly with this networked solution. The compact and smart design of the ME-1 makes operation and setup a breeze. Give your musicians control of up to a 40-source mix. A dimmable OLED is easy to read on both dark and bright stages. Connect multiple units together and to the source via Dante, EtherSound, or MADI. This unit also works with other personal monitoring systems, call your Sweetwater Sales Engineer to learn more. Allen & Heath ME-1 Personal Mixer at a Glance: Take control with a personal monitor mixer Easy-to-use controls Assignable keys for quick recall Take control with a personal monitor mixer Add a personal monitor system to your Allen & Heath iLive and GLD digital mixers with the ME-1 Personal Mixer. This lets you give the entire band control of their own monitor mixes. Simple to setup and operate, the ME-1 offers powerful control that's perfect for houses of worship, studios, rehearsals, stages of all sizes, and more. Standard PoE Ethernet hubs let you daisy chain these personal monitors together to give the entire band personalized control over what they hear. When set to compatibility mode the Allen & Heath ME-1 Personal Mixer integrates with Aviom monitor systems. Easy-to-use controls The Allen & Heath ME-1 Personal Mixer's large OLED screen displays all the info you need to tweak your mix to perfection. It clearly shows level and pan for each channel, system setup, and menus. You can navigate the functions and menus of the Allen & Heath ME-1 using a simple 1-knob control. This large rotary knob gives you access to all the functions you need including level, pan, master EQ, limiter, trim, and more. If you can turn a knob, you can use the Allen & Heath ME-1. Assignable keys for quick recall Customize the Allen & Heath ME-1 Personal Mixer your way with 16 backlight programmable keys. Each key can be assigned to a single mono/stereo source or to a group. Set up one key for the vocal mic, another for the entire drum kit, the entire rhythm section, or whatever you need to call up at a moments notice. Set up each button to recall the channels you want with the level, pan, and more set to your liking. You can save, transfer, and load your settings via a USB key for quick archiving and loading to other ME-1 personal mixers. Allen & Heath ME-1 Personal Mixer Features: Personal monitor mixer that will handle up to 40 sources (from GLD and iLive mixer) Simple 1-knob control over major functions Easy to read OLED screen 16 assignable keys Daisy chain mixers or use standard PoE Ethernet hub Built-in ambiance mic USB port for archiving and transferring user presets Compatibility mode integrates mixer with Aviom systems