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A daring story of imprisonment and escape under the Nazi regime and a moving and engrossing symbol of resilience and integrity. by Lene Fogelberg by Leslie Gilbert-Lurie by Ali Eteraz by John Carlin by Isabella Leitner by John Hoskison by Doc Hendley by Melissa Cistaro by Cathy Glass by Erin Seidemann by Alan Parks by Abraham Bolden by Domingo Martinez by Richard Dawkins by Trudi Kanter by Jacky Donovan by Armstrong Diane by Alberto Granado 9781628723762 Paperback Jean Hlion was a noted French modernist painter and author. He was a member of the Free French Forces during World War II. His work later influenced Roy Lichtenstein, Nell Blaine, and Leland Bell. He died in 1987. Deborah M. Rosenthal, consulting editor for the Artists & Art series, is a New York painter and writer. She is a professor of art in the School of Fine and Performing Arts at Rider University. Jacqueline Hlion, the widow of the painter, lives in Paris. Editorial Reviews From the Publisher "A meticulously observed description of the lives of French POWs as virtual slaves of the Third Reich, with vivid delineations of both captors and captives." --The Wall Street Journal John Ashbery Jean Hlion was one of France's leading modernist painters, even before his capture by the Germans in 1940 when he was 33. His account of his adventures in captivity is both terrifying and funny (one of his tormentors was the appropriately-names Kommandofuhrer Jurk), somewhat in the Vein of Tarantino's film Inglorious Basterds. A best-seller after it was published in America while the war was still raging, it has remained for many, including Helion's legions of admirers in both France and the United States, a one-of-a-kind classic. It's wonderful to have it back in print again. The Wall Street Journal The French armistice with the Third Reich, signed by Vichy's aging Marshal Ptain on June 22, 1940, stipulated the following: "The French armed forces in the territory to be occupied by Germany are to be hastily withdrawn into the territory not to be occupied, and be discharged." No wonder, then, that hundreds of thousands of exhausted French soldiers allowed themselves to be encircled by German troops and held in barbed-wire enclosures pending their expected demobilization. Most believed they would be going home. The German high command had a different agenda. Hitler, who would break his pact with Stalin and invade the Soviet Union within a year of signing the Vichy agreement, planned to replace the German manpower needed for the Russian front with the labor of the surrendered French army. Trains crammed with prisoners would soon make the four-day journey to hastily constructed barracks at dozens of sites near the former Polish border. Such was the fate of close to a million and a half French prisoners of war, most of whom would not see their home again for five years; 25,000 would never return. In New York, in 1943, a detailed eyewitness account of the conditions in German POW camps was published by a French escapee, Jean Hlion (1904-87). Hlion was by then an internationally known painter who had been living in New York at the outbreak of World War II. He returned to France for military service, only to be part of the debacle that followed the German invasion. At the request of E.P. Dutton publishers, he set down his experience in "They Shall Not Have Me," a meticulously observed description of the lives of French POWs as virtual slaves of the Third Reich, with vivid delineations of both captors and captives. Written in English and never published in France, the book became a best seller, and its author found himself in demand for lectures and interviews, trying, as he said, to tell Americans what it was like to be hungry, devoured by lice, worked to the bone, and harassed and sometimes beaten by armed guards. Long a cult classic sought out by artist-admirers of Hlion, "They Shall Not Have Me" has now been reissued in Arcade's Artists and Art series, with an illuminating introduction by the artist Deborah Rosenthal. In an afterword, Hlion's widow, Jacqueline, has filled in information about those who helped in her husband's escape, members of a Resistance network whose identities he could not reveal at the time. Hlion arrived in France in 1940 in time to experience the military's disarray as French troops, believing they were to make a stand along the Loire, marched on clogged roads under strafing by German planes. Instead came the humiliating news of the armistice. Hlion was among the surrendered French soldiers shipped to a prison camp in Pomerania, near the Baltic Sea, from which he was sent to a local estate as a laborer. There the prisoners slept on lice-infested straw, subsisted on thin soup and hard bread, and spent the day digging and gathering potatoes; the temperatures were freezing, and adequate footwear and clothing were lacking. Conditions grew worse when Hlion was transferre Jean Helion Jean Helion Michael Tisserand Tamara Saviano Marina Abramovic Sebastian Smee Peter M. Wolf Rhonda K. Garelick Susan Branch Kate Berridge Patti Smith Ross King Alison Bechdel