Respect

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 10 - 20 working days From the instant the title track of Lucky Dube's Respect swings out of your sound system it's clear that the undisputed African reggae king is intent on delivering an album that gives more than a small nod to his roots while simultaneously catapulting his trademark reggae music onto a massive new level. Features Summary From the instant the title track of Lucky Dube's Respect swings out of your sound system it's clear that the undisputed African reggae king is intent on delivering an album that gives more than a small nod to his roots while simultaneously catapulting his trademark reggae music onto a massive new level.. Contributors Lucky Dube Format CD Release date 20060317

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 4 - 8 working days Features Contributors Trompies Format CD Release date 20100629

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 4 - 8 working days Features Contributors Heavy K Format CD Release date 20130509

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days Features Contributors Aretha Franklin Format CD Release date 20020603

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 4 - 8 working days Features Contributors Aretha Franklin Format CD Release date 20021201

Buy The Slam Factory - Respect (scarce 1991 SA released 12`,33 RPM,Maxi-Single NM / NM) for R300.00

1 Wena 2 Katalina 3 Gunsong 4 Tshimakanga 5 Coming Home 6 Yini 7 By Your Side 8 Isela 9 Bliss 10 Beautiful War 11 Infinite Boys CDRBL 701

Price stickers may be on covers and grading does not include stickers. Can be shipped internationally - contact seller for rates prior to buying.    Grading: Printed Artwork [Cover / sleeve] - first], then Record [disc itself] VG+  / VG+ SAPO with tracking R 70 5 vinyls max SPEED SERVICES R 90 Counter to counter 5 vinyls max POSTNET R 110 Counter to counter 10 Vinyls max 

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days Features Contributors The Staple Singers Format CD Release date 20110516

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days Features Contributors Emmure Format Vinyl record Release date 20130506

Respect Think Freeway Of Love Baby, I Love You A Natural Woman (You Make Me Feel) Day Dreaming I Say A Little Prayer The House That Jack Built (Sweet Sweet Baby) Since You've Been Gone Spanish Harlem Jump To It I Knew You Were Waiting (For Me) - George Michael Chain Of Fools Rock Steady Who's Zoomin' Who Until You Come Back To Me (That's What I'm Gonna Do) I Never Loved A Man (The Way I Love You) Call Me Do Right Woman - Do Right Man Bridge Over Troubled Water

INTERNATIONAL ACCOUNTING STANDARD (IAS_ICB) PAPERS I assist in writing and analysing the strength and weakness of any particular IAS paper according to the International Standard with the sole purpose of having a summarized international critique with respect to particular Standard such as IAS 16, IAS 40, IAS 36, IAS 2 etc… Among the ICB qualified dissertations includes; Property, Plant & Equipment Investment Property Impairment of Assets Inventories Dissertation and Research Proposals for the following: MBA DISSERTATION MSc THESIS RESEARCH PROPOSAL (MSc, MBA, MA & PhD) ASSIGNMENTS (ESSAYS) LONG PAPERS All the Writing are consistent and meets the examiner requirement of a Positive international critique with respect to the perceived strengths of the Standard and the Negative international critique with respect to the perceived weaknesses of the Standard together with the Practical evidence supporting the research findings. CELL: 632 - show phone -

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 4 - 8 working days George Thorogood & The Destroyers have delivered 30 years of pure rockin¿ and rollin¿ with absolute respect to the masters who came before them and the fans in front of them. The 16-song, 78-minute compilation features their biggest tracks, ¿Bad To The Bone,¿ ¿One Bourbon, One Scotch, One Beer,¿ ¿Move It On Over,¿ ¿You Talk Too Much,¿ ¿If You Don¿t Start Drinking (I¿m Gonna Leave),¿ and 11 others. The album also debuts an unreleased version of ¿ Rockin¿ My Life Away,¿ a track that had originally been cut in February 1993 for the Haircut sessions, recorded by Terry Manning and produced by Terry & the band, at Compass Point Studios in Nassau, The Bahamas. Features Summary George Thorogood & The Destroyers have delivered 30 years of pure rockin’ and rollin’ with absolute respect to the masters who came before them and the fans in front of them... Contributors George Thorogood And The Destroyers Format CD Release date 20130913

mirrorless-camera-shoulder-bag-sony-alpha-a6000-a7r-ii-a7s-a6300-a6500-a5000-a5100-a30 Product Description The Vangoddy Metric is distinct, set apart from the rest. Camouflaged as a functional day bag, this gem has a removable DSLR padded compartment that allows even the most experienced photographer to take a timeless minimalistic approach to carrying their essential gear. Setting photography aside, the Metric is a roomy cross body bag for those in search of an organized day bag that fits small 8￯﾿ﾽ tablets safely within. The Metric was created using two of Vangoddy's prime materials. Both materials are simple to maintain and weather resistant; actively repelling liquids without absorbing a single drop. Our textured vegan leather was selected for its sensory experience, and its respect for animal life. The Metric was crafted with metal hardware and signature Vangoddy zipper pulls The exterior features a hidden vertical zipper at the front, perfect for quick access items like a phone, keys or the like. The top opens up as a box frame to allow maximum access to its contents within. Inside includes a removable padded divider, that is ideal for separating camera bodies from its accessories like strobes/flashes, and compact lenses. The back side of the bag has a fully zippered compartment with two padded mesh organizer pockets and room for plenty more within. At the top of the bag are two metal clasps that connect the removable messenger strap, and a sturdy handle which is soft and comfortable to the touch. Perfect for Sony Mirrorless Camera. Exterior Dimension 8.5in L x 4.5in W x 6.6in H. Interior Dimension 7.25in L x 3.8in W x 6.25in HThe Vangoddy Metric is distinct, set apart from the rest. Camouflaged as a functional day bag, this gem has a removable DSLR padded compartment that allows even the most experienced photographer to take a timeless minimalistic approach to carrying their essential gear. Setting photography aside, the Metric is a roomy cross body bag for those in search of an organized day bag that fits small 8￯﾿ﾽ tablets safely within. The Metric was created using two of Vangoddy's prime materials. Both materials are simple to maintain and weather resistant; actively repelling liquids without absorbing a single drop. Our textured vegan leather was selected for its sensory experience, and its respect for animal life. The Metric was crafted with metal hardware and signature Vangoddy zipper pulls.The exterior features a hidden vertical zipper at the front, perfect for quick access items like a phone, keys or the like. The top opens up as a box frame to allow maximum access to its contents within. Inside includes a removable padded divider, that is ideal for separating camera bodies from its accessories like strobes/flashes, and compact lenses.The back side of the bag has a fully zippered compartment with two padded mesh organizer pockets and room for plenty more within. At the top of the bag are two metal clasps that connect the removable messenger strap, and a sturdy handle which is soft and comfortable to the touch. Exterior Dimension 8.5in L x 4.5in W x 6.6in H. Interior Dimension 7.25in L x 3.8in W x 6.25in H Our Guarantee to You We guarantee the utmost in Quality, Authenticity and Customer Satisfaction All our Items are Brand New and 100% Authentic with Original Box and Papers Price Beat or Match, if we can't (which is hardly ever), we will give you R150 off your next order with us. At these prices stocks are very limited, so order now to avoid disappointment Please view our other listings HERE Looking for something that we have not listed. Let us know - Will will get the best price for you

The KMS 104 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems. The KMS 104 has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field. The user can thus select the version that is optimally suited to the specific application. Acoustic features The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. In spite of excellent pop protection, sibilants and S sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 vocal microphones when they are used with a stage sound system. Electrical features Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules. In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (-3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound. Mechanical features Microphones designed for use on stage require a particularly robust construction. The KMS 104 have thick-walled metal housings, which also provide effective protection against handling noise. The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters. Delivery Range The KMS 104 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.

In pristine condition and only used once. Don't switch from my mm lens. Absolutely perfect in every respect.

The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57 is a consistent choice of professional performers. It is also the standard microphone used on the podium of the U.S. President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make this "workhorse" the choice of performers, producers, and sound engineers the world over. Features: Contoured frequency response for clean, instrumental reproduction and rich vocal pickup Professional-quality reproduction for drum, percussion, and instrument amplifier miking Uniform cardioid pickup pattern isolates the main sound source while reducing background noise Pneumatic shock-mount system cuts down handling noise Extremely durable under the heaviest use Technical Specifications: Type: Dynamic Frequency Response: 40 to Hz Polar Pattern: Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency. Sensitivity (at Hz): Open Circuit Voltage: –54.5 dBV/Pa* (1.9 mV)*(1 Pa = 94 dB SPL) Impedance: Rated impedance is 150 ohms (310 ohms actual) for connection to microphone inputs rated low impedance. Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3. Connector: Three-pin professional audio connector (male XLR type) Case: Dark gray, enamel-painted, die-cast steel with a polycarbonate grille and a stainless steel screen. Swivel Adapter: Positive-action, break-resistant, adjustable through 180°, with standard 5/8 in.-27 thread Net Weight (without cable): 284 grams (10 oz) 1 year limited guarantee For more info on this product please click here

price negotiable FeaturesA Wide Variety of 100 Stunning AWM Sounds AWM (Advanced Wave Memory) tone generation system. The same system that has gained the respect of professional musicians world-wide.

1: 1 Alone In The Night Engelbert Humperdinck 1: 2 Una Paloma Blanca George Baker 1: 3 Knock Three Times Tony Orlando _ Dawn 1: 4 Lost In France Bonnie Tyler 1: 5 The Peacemaker Albert Hammond 1: 6 Can't Keep It In Cat Stevens 1: 7 Bette Davis Eyes Kim Carnes 1: 8 Crossfire Bellamy Brothers 1: 9 Gloria Laura Branigan 1: 10 One Last Kiss Clive Bruce 1: 11 Clap Your Hands, Stamp Your Feet Die Campbells 1: 12 CCR Keurspel: Nashville Trio Have You Ever Seen The Rain Proud Mary Up Around The Bend Midnight Special 1: 13 Footloose Snotkop 1: 14 Grandma's Feather Bed John Denver 1: 15 Bye Bye Love Everly Brothers 1: 16 Some People Cliff Richard 1: 17 Jessie Joshua Kadison 1: 18 Man On The Moon Ballyhoo 1: 19 Nikita Kurt Darren 1: 20 Do You Wanna Make Love Silwer _ Goud Disk 2 2: 1 Crying In The Rain A-HA 2: 2 Boy Oh Boy Racey 2: 3 Baby You've Been Good To Me Robin Auld 2: 4 A Little Respect Erasure 2: 5 Darlin' Frankie Miller 2: 6 If You Think You Know How To Love Me Smokie 2: 7 Power Of Love Monique 2: 8 Special Star Mango Groove 2: 9 Why Don't You Spend The Night Ray Dylan 2: 10 I Will Love You All My Life Foster _ Allen 2: 11 Now And Forever Richard Marx 2: 12 Silver Dream Machine David Essex 2: 13 Stumblin' In Heinz Winckler _ Monique 2: 14 Have You Ever Been Lonely (Have You Ever Been Blue) Manie Jackson _ Petro Liebenberg 2: 15 Have You Ever Been Lonely (Have You Ever Been Blue) Manie Jackson _ Petro Liebenberg 2: 16 Lady In Black Bad Boys Blue 2: 17 Come Back (Life's Got A Hold On Me) Haddaway 2: 18 Rivers Of Babylon Romanz 2: 19 Winter's Tale Kurt Darren 2: 20 Endless Road Nikki Lalo

An impressionable and vulnerable Arab man gets thrust into a hellish prison, and ironically discovers greater opportunities for success than he ever possessed outside of the bars, in this violent melodrama from emerging French master filmmaker Jacques Audiard (THE BEAT THAT MY HEART SKIPPED). Tahar Rahim stars as Malik El Djebena, a petty criminal incarcerated for six years. Once inside and subjected to all of the standard brutalities that most prisoners endure, he is quickly educated in the "ways" of the prison, an institution torn violently between gangs of Corsicans and Arabs. The head Corsican thug, Csar Luciani (Niels Arestrup), offers Malik an ultimatum: either he rubs out an Arab inmate named Reyeb (Hichem Yacoubi), or he himself dies. Not only does Malik succeed with the hit, he earns the begrudging respect of the other prisoners, and -- after securing several days' release for good behavior -- uses off-time to forge a deeper and more multi-layered network of criminal ties than he ever dreamed possible. But as his own power and confidence grow, they threaten to outstrip Cesar's own insistence on submission and obedience at all costs.    

Stephen Fry stars as Peter Kingdom a solicitor whose dogged professionalism and compassion has made him a pillar of the Market Shipborough the picturesque town in which he lives. Despite his accolades and the respect of the local people Peters life is clouded by the disappearance of his brother and business partner Simon.    

Product Description Ron Howard directs this biographical drama chronicling the intenserivalry between Formula 1 drivers James Hunt (Chris Hemsworth) and NikiLauda (Daniel Brhl) during the 1976 season. Polar opposites both onand off the track, the rancour between dashing, devil-may-care Britishplayboy Hunt and the efficient and cool Austrian Lauda knows no boundsas the two battle it out to be the 1976 Formula 1 World Champion. Butwhen a horrifying crash at Germany's Nrburgring leaves Lauda badlyburned and scarred, his miraculous return to the track in just sixweeks earns the grudging respect of Hunt, in the process setting up aclimactic end to the season as both drivers pursue the ultimate prize.    

New. Not Sealed. IN STOCK and in mint condition. Immediate dispatch after cleared payment   SICK OF IT ALL Blood, Sweat And No Tears Label: Century Media Cat#: 66007-2 Bar Code: 7277016600729 Format: CD, Album, Reissue Country: Germany Released: 1999   Tracklist 1 The Blood & The Sweat 1:50 2 Clobberin' Time / Pay The Price 1:37 3 Give Respect 1:08 4 Breeders Of Hate 1:12 5 Pushed Too Far 0:56 6 Friends Like You 1:07 7 B.S.Justice 1:30 8 Rat Pack 0:44 9 Pete's Sake 0:56 10 Stick Together 0:51 11 G.I. Joe Headstomp 1:19 12 Alone 1:58 13 My Life 0:42 14 World Full Of Hate 2:05 15 My Revenge 1:12 16 No Labels 0:59 17 Disillusion 2:05 18 The Deal 1:08 19 Injustice System! 2:07 

1. Who Needs Love 2. Heavenly Action 3. Oh L'amour 4. Sometimes 5. It Doesn't Have To Be 6. Victim Of Love 7. The Circus 8. Ship Of Fools 9. Chains Of Love 10. A Little Respect 11. Stop! 12. Drama! 13. You Surround Me 14. Blue Savannah 15. Star 16. Chorus 17. Love To Hate You 18. Am I Right? 19. Breath Of Life 20. Take A Chance On Me 21. Who Needs Love - Hamburg Mix

For capturing audio the QLXD24/B87A Handheld Wireless Microphone System by Shure is a good choice. It can be used for mid-size events and installations in businesses, hotels, government offices, schools, houses of worship, live performance spaces, and more. It features 24-bit digital audio, network control, and AES-256 encryption. The QLX-D wireless system is built with switching diversity and automatic channel scan, and has IR sync capabilities to make finding an open frequency quick. Featuring a frequency range of 20 Hz to 20 kHz, it offers more than 60 available channels per frequency band. The handheld also has a backlit LCD display to allow for navigation though the menus and controls. With clearly defined performance the QLX-D delivers clean audio and provides professional features for demanding live sound events and installations. The QLXD24/B87A system includes a QLXD4 receiver, QLXD2 Transmitter with Beta 87A capsule, PS23 power supply, two 1/2 wave antennas, two 2' BNC cables with bulkhead adapters, zipper bag, two AA Alkaline batteries, and rackmount hardware. Specs: Interchangeable Beta 87A microphone cartridge 120 dB dynamic range Digital predictive switching diversity 64 MHz tuning bandwidth Up to 17 compatible systems per 6 MHz TV band, and 22 systems per 8 MHz band Easy pairing of transmitters and receivers over IR scan and sync Automatic channel scan Selectable display mode showing group/channel, frequency, or battery runtime Rugged metal construction RF Carrier Frequency Range G50: 470 to 534 MHz Working Range 328' (100 m) Note: Actual range depends on RF signal absorption, reflection and interference RF Tuning Step Size: 25 kHz, varies by region Image Rejection Greater than 70 dB, typical RF Sensitivity -97 dBm at 10-5 BER Latency Less than 2.9 ms Audio Frequency Response QLXD1: 20 Hz - 20 kHz (±1 dB) QLXD2: Dependent on microphone type Audio Dynamic Range System Gain @ +10: Greater than 120 dB, A-weighted, typical Total Harmonic Distortion (THD) -12 dBFS Input, System Gain @ +10: Less than 0.1% Polarity System Audio: Positive pressure on microphone diaphragm produces positive voltage on pin 2 (with respect to pin 3 of XLR output) and the tip of the 1/4" (6.35 mm) output Operating Temperature Range 0 to 122°F (-18 to 50°C) Note: Battery characteristics may limit this range Storage Temperature Range -20 to 165°F (-29 to 74°C) Note: Battery characteristics may limit this range. Receiver Housing Steel Power Requirement 12 VDC @ 0.4 A, supplied by external power supply (tip positive) RF Input Spurious Rejection: Greater than 80 dB, typical Connector Type: BNC Impedance: 50 ohms Audio Output Gain Adjustment Range: -18 to +42 dB in 1 dB steps Configuration: 1/4" (6.35 mm), Impedance balanced (Tip=audio, Ring=no audio, Sleeve=ground) XLR: Balanced (1=ground, 2=audio +, 3=audio -) Impedance 1/4" (6.35 mm), 100 ohms (50 ohms Unbalanced) XLR: 100 ohms Full Scale Output: 1/4" (6.35 mm), +12 dBV XLR: LINE setting= +18 dBV, MIC setting= -12 dBV Mic/Line Switch: 30 dB pad Phantom Power Protection: 1/4" (6.35 mm), Yes XLR: Yes Networking Network Interface: Single Port Ethernet 10/100 Mbps Network Addressing Capability: DHCP or Manual IP address Maximum Ethernet Cable Length: 328' (100 m) Dimensions (H x W x D) 1.63 x 7.75 x 5.94" (41 x 197 x 151 mm) Weight 1.71 lb (777 g) Handheld Transmitter Housing Machined aluminum Mic Offset Range 0 to 21 dB (in 3 dB steps) Battery Type Shure SB900 rechargeable Li-Ion or AA batteries 1.5 V Battery Runtime At 10 mW: Shure SB900: up to 10 hours Alkaline: up to 9 hours Audio Input Configuration: Unbalanced RF Output Antenna Type: Integrated Single Band Helical Occupied Bandwidth: Less than 200 kHz Modulation Type: Shure proprietary digital Power: 1 mW or 10 mW Varies by region Dimensions (L x Diam) 10.1 x 2.0" (256 x 51 mm) Weight 12.2 oz (347 g) Mic Capsule Type Beta 87A: Electret Condenser Frequency Response 20 Hz to 20 kHz Polar Pattern Super Cardioid

The KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems. The KMS 104 has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field. The user can thus select the version that is optimally suited to the specific application. Acoustic features The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. In spite of excellent pop protection, sibilants and S sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 vocal microphones when they are used with a stage sound system. Electrical features Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules. In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (-3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound. Mechanical features Microphones designed for use on stage require a particularly robust construction. The KMS 104 have thick-walled metal housings, which also provide effective protection against handling noise. The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters. Delivery Range The KMS 104 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.

Roland CUBE-20XL Guitar Amplifier Age ~ 8 years Usage ~ 3 years (once every 2 weeks for around 2 hours) Storage: After the first 3 years of usage I kept it in my study in a storage compartment where it was not exposed to direct sunlight nor extreme temperatures and was not used since then until i gave it a quick dust off this year. Specification by manufacturer(link): https://www.roland.com/global/products/cube-20xl/ Bought first hand at Matt's Music School, now known as Marshal Music I think. Never used it on high volume since it sounds great on low volume and keeps the neighbors happy. Never intentionally abused it. Used it as any guitar student which would contradict my pervious statement but I gave this amplifier plenty respect. It has a few funky FX functions that was always fun to play around with. The in-built guitar tuner is best for electric guitars but it isn't as accurate but good for on the fly tuning non the less.

For capturing audio, the QLXD24/B58 Handheld Wireless Microphone System by Shure is a good choice. It can be used for mid-size events and installations in businesses, hotels, government offices, schools, houses of worship, live performance spaces, and more. It features 24-bit digital audio, network control and AES-256 encryption. The QLXD wireless system is built with switching diversity and automatic channel scan, and has IR sync capabilities to make finding an open frequency quick. Featuring a frequency range of 20 Hz to 20 kHz, it offers more than 60 available channels per frequency band. The handheld also has a backlit LCD display to allow for navigation though the menus and controls. With clearly defined performance, the QLX-D delivers good clean audio and provides professional features for demanding live sound events and installations. The QLXD24/B58A system includes a QLXD4 receiver, QLXD2 Transmitter with Beta58A capsule, PS23 power supply, two 1/2 wave antennas, two 2' BNC cables with bulkhead adapters, zipper bag, two AA alkaline batteries, and rackmount hardware. Specs: Interchangeable Beta58A microphone cartridge 120 dB dynamic range Digital predictive switching diversity receiver to capture the clearest sound 64 MHz tuning bandwidth Up to 17 compatible systems per 6 MHz TV band, and 22 systems per 8 MHz band Easy pairing of transmitters and receivers over IR scan and sync Automatic channel scan Selectable display mode showing group/channel, frequency, or battery runtime Rugged metal construction RF Carrier Frequency Range G50: 470-534 MHz Working Range 328' (100 m) Note: Actual range depends on RF signal absorption, reflection and interference RF Tuning Step Size: 25 kHz, varies by region Image Rejection Greater than 70 dB, typical RF Sensitivity -97 dBm at 10-5 BER Latency Less than 2.9 ms Audio Frequency Response QLXD1: 20 Hz - 20 kHz (±1 dB) QLXD2: Dependent on microphone type Audio Dynamic Range System Gain @ +10: Greater than 120 dB, A-weighted, typical Total Harmonic Distortion (THD) -12 dBFS Input, System Gain @ +10: Less than 0.1% Polarity System Audio: Positive pressure on microphone diaphragm produces positive voltage on pin 2 (with respect to pin 3 of XLR output) and the tip of the 1/4" (6.35 mm) output Operating Temperature Range 0 to 122°F (-18 to 50°C) Note: Battery characteristics may limit this range Storage Temperature Range -20 to 165°F (-29 to 74°C) Note: Battery characteristics may limit this range. Mic Capsule Type Beta 58A Frequency Response 20 Hz to 20 kHz Polar Pattern Cardioid Receiver Housing Steel Power Requirement 12 VDC @ 0.4 A, supplied by external power supply (tip positive) RF Input Spurious Rejection: Greater than 80 dB, typical Connector Type: BNC Impedance: 50 ohms Audio Output Gain Adjustment Range: -18 to +42 dB in 1 dB steps Configuration: 1/4" (6.35 mm), Impedance balanced (Tip=audio, Ring=no audio, Sleeve=ground) XLR: Balanced (1=ground, 2=audio +, 3=audio -) Impedance 1/4" (6.35 mm), 100 ohms (50 ohms Unbalanced) XLR: 100 ohms Full Scale Output: 1/4" (6.35 mm), +12 dBV XLR: LINE setting= +18 dBV, MIC setting= -12 dBV Mic/Line Switch: 30 dB pad Phantom Power Protection: 1/4" (6.35 mm), Yes XLR: Yes Networking Network Interface: Single Port Ethernet 10/100 Mbps Network Addressing Capability: DHCP or Manual IP address Maximum Ethernet Cable Length: 328' (100 m) Dimensions (H x W x D) 1.63 x 7.75 x 5.94" (41 x 197 x 151 mm) Weight 1.71 lb (777 g) Handheld Transmitter Housing Machined aluminum Mic Offset Range 0 to 21 dB (in 3 dB steps) Battery Type Shure SB900 rechargeable Li-Ion or AA batteries 1.5 V Battery Runtime At 10 mW: Shure SB900: up to 10 hours Alkaline: up to 9 hours Audio Input Configuration: Unbalanced RF Output Antenna Type: Integrated Single Band Helical Occupied Bandwidth: Less than 200 kHz Modulation Type: Shure proprietary digital Power: 1 mW or 10 mW Note: See Frequency Range and Ouput Power table, varies by region Dimensions (L x Diam) 10.1 x 2.0" (256 x 51 mm) Weight 12.2 oz (347 g)

THE SHAPE OF THINGS TO COME With its responsive touchscreen, 25 motor faders and acclaimed AnalogiQTM recallable preamps, Qu-24 combines exceptional ease of use with class-leading audio performance. Drawing on the technologies and workflow pioneered on our GLD and iLive touring systems, Qu makes Allen & Heath digital mixing more accessible and more compact than ever. Qu-16 and Qu-24 harness the full potential of digital mixing technology, with total recall of settings (including the all-important fader position and preamp gain), convenient recording and playback solutions, iPad control, personal monitoring options and the choice of local or remote Cat5 I/O. We have been creating high end mixing consoles for some of the most discerning ears in the business since 1969. Were not a software house, we dont make stomp boxes or cable testers creating excellent mixers is, has been and always will be our great passion. Qu-16 and Qu-24 have been designed by our in-house research and development team in Cornwall, Great Britain, and are directly directly descended from the GLD and iLive digital mixing systems that have earned the industrys respect night after night on tour and in live venues across the globe so you can be confident that youre standing behind a premium mixer that looks, feels, and sounds like a pro. I