Reproduction fantacy build

Full-sized jog wheels with digital sticker and cue countdown The DDJ-SZ is the first controller to inherit 206-mm jog wheels from the flagship CDJ-NXS to make it the best digital controller for scratch DJs. Features include: - On Jog Display: white backlit track playback position  - Digital cue point marker: illumination accurately counts down cue points   - Jog illumination: LED ring shows which deck is in play in Blue or White - Jog Feeling Adjust: dedicated dials for jog wheel tension control and brake speed to create longer or shorter backspins and brake effects. - Enhanced operation: conductive technology for smoother, faster performance Performance Pads with multi-coloured cue point LEDs The club-standard 30mm x 30mm Performance Pads are the largest in Pioneer DJ’s Serato controller range, enabling a greater level of control and physicality. DJs can instantly trigger Quantized Hot Cues, Roll, Slicer and Sampler, or hit Shift to save and activate Cue and Slicer Loops — while Velocity Mode lets them control the sample volume with the amount of pressure they apply. The multi-coloured backlit LEDs give a visual reference to which modes are in play, and will reflect cue points that DJs have pre-set in Serato DJ.  PIONEER EXCLUSIVE: magnetic crossfader for enhanced operability and durability The DDJ-SZ is equipped with Pioneer’s own magnetic crossfader for smooth, steady control. Two metal shafts support the fader knobs, while the contact-free magnetic system is designed to last for millions of performances. The operational load, fader curve and cut lag can be adjusted to suit the DJ’s preference. Two USB sound cards for smooth DJ handovers Two sound cards and USB ports enable two computers to be connected at the same time. A dedicated A/B button on each side of the controller enables DJs to split the controller and assign each half between the two USB ports for seamless DJ handovers with no more awkward gaps in the music. Supports DVS control and can be used as a stand-alone mixer The four external inputs allow DJs to connect CDJs and turntables and use the DDJ-SZ as a stand-alone four-channel mixer. In addition, the unit has two dedicated MIC inputs with Hi/Low EQ, enabling voice MCing without sacrificing mixer channels. Plus two Master Out ports (balanced and RCA) and one balanced Booth Out port mean DJs can connect to a variety of PA set-ups. The DDJ-SZ is DVS-ready, so DJs can connect CDJs/turntables to the DDJ-SZ and use a timecode CD/vinyl to control Serato directly through the mixer — there’s no need for an external sound card.   High-quality FX and filters on every channel, including MICs and sampler DJs can enjoy even more creative freedom thanks to a high/low pass filter on every channel, including the two MIC channels and sampler, plus Master channel, while each effect can be fine-tuned using the large rotary parameter dial. High-quality FX include the popular Sound Colour FX — Pitch, Echo, Jet and Filter — while the new Oscillator adds Noise, Siren, Cymbal and Horn samples. Slip Mode for precision scratching Slip Mode silently continues track playback during a loop, reverse or scratch, and brings the music back at the right point when the DJ exits the performance. It also adds a further level to the Performance Pads, enabling tricks such as Slip Hot Cue. High-quality audio circuitry delivers a professional sound The DDJ-SZ inherits high-quality audio circuitry from Pioneer DJ’s pro-DJ equipment, including two built-in 24-bit sound cards, and a precision engineered Wolfson DAC providing a signal-to-noise ratio of 111 dB on the Master Out to ensure incredibly pure sound reproduction. Professional build quality with a stylish finish to suit any environment The top plate and jog wheels are built with an aluminium finish that looks great and yet is tough enough to withstand the rigours of frequent use. Plus Pioneer DJ’s P-LOCK Fader Caps are impossible to pull off in the heat of a mix. Other features Meters next to the Master and every channel mean DJs are always aware of input and output levels, while the peak limiter prevents distortion from the Master Out — even at very high outputs. - Needle Search: touch strip for intuitive, fast searches - MIDI compatible: control any DJ software

PRECISION TUNED BY THE SPEAKER BRAINS AT EAW: The new C Series passive Loudspeakers represent Mackie's first lightweight passive speakers tuned exclusively by the EAW loudspeaker engineering team. We're talking about the same team with more than 25 years of high-output loudspeaker expertise, having created loudspeaker systems for critical applications as diverse as the Super Bowl, Iron Maiden, and the Pope. And although loudspeakers for these mega-systems cost exponentially more than the stalwart C300z, many of the same concepts applied, namely: designing custom 12" LF drivers with a frequency range from 50 Hz - Hz and a 3" voice coil that can take a pounding. And a 1.75" High-Frequency titanium Driver and Horn providing a wide, controlled dispersion pattern and precise reproduction of the critical Hz - Hz upper mid-range and high frequencies. CROSSOVERS TUNED TO PERFECTION: Tuning a crossover (i.e. voicing a system), involves dozens of critical decisions that many manufacturers overlook. In the end, it is all about balancing the design so that you get the best subjective results from the speaker while maintaining a good technical implementation. The crossover in the C Series is a unique Low Impedance Compensated Crossover (LICC) design with an asymmetrical slope. With EQ and crossover points meticulously chosen so that beamwidth patterns match in both drivers, C Series loudspeakers offer natural sound at all volume levels. ULTRA-WIDE DISPERSION: Ever been to a show where the music sounds great in front, but craps out once you get to the back or sides of the room? We have, and that's why we gave the C300z a multi-cell horn throat aperture. Sure, it's hard to say, but what it does is allow for much wider and more even dispersion of high and mid frequencies—so the wallflowers get the same great listening experience as those up front.  BETTER THAN YOUR AVERAGE BOX: Anyone with a factory can build a box and stick some speakers in it (and that's just what many do). But low-frequency transducers in square boxes can create resonances that reflect off the rear wall and pass through the woofer cone out of phase, and ready to mess up your sound. The C300z enclosure is an asymmetrical monocoque design with no parallel surfaces, causing mid and high frequency resonance's to be reflected at angles into internal damping materials, instead of interfering with the woofer doing its thing.. SUPERB FLOOR MONITOR: A good floor monitor plays loudly without generating feedback through vocal microphones. A poor floor monitor, on the other hand, will generate feedback just about the time you turn it up to a useable level. Floor monitor feedback is often caused by uneven frequency response and dispersion; some frequencies arrive at the microphone much louder than others. These "spikes" are what trigger feedback as the floor monitor volume is increased. The C300z has incredibly smooth, spike-free response and dispersion over a wide range of treble frequencies. So you can increase its volume without boosting those nasty, feedback-inducing spikes. Without extensive tuning, no passive speaker or specialized floor wedge in this class can even come close. ACOUSTIC PERFORMANCE: SYSTEM SPECIFICATIONS: Frequency Response (–3 dB): 55Hz – 18kHz  Frequency Range (–10 dB): 45Hz – 20kHz  Maximum SPL Long-term @ 1m: 123dB  Crossover Frequency: Hz  AUDIO: Input Type: Speakon®-style NL4 jack 1/4-inch TS phone jack  Input Impedance: 8 ohms  Power Handling: (RMS) 300 watts, (peak) 750 watts FEATURES: Portable Precision Passive loudspeaker with 1.75" HF compression driver and 12" LF transducer  HF compression driver mounted on a multi-celled aperture, with a constant directivity horn for room-wide 90° x 45° dispersion  Precise reproduction of critical upper mid-range and high frequencies  Tough, impact-resistant enclosure with sturdy handles, pole-mount, and integrated rigging points  Designed for optimum performance with Mackie powered mixers and power amplifiers  750W peak power handling  Three setup configurations: pole mount, flyable and wedge  Passive version of the best-selling SRM year limited guarantee. For more info on this product please click here

Behringer B1220PRO Loudspeaker Each - The new B1220 PRO loudspeaker is yet another addition to our outstanding EUROLIVE series, and is geared towards real professional applications. This reference 1,200-Watt loudspeaker with a great price-to-performance ratio is intended for PA applications, and can also be used as floor monitor. Its extremely versatile enclosure profile allows different positioning: 10 & 35 degree cluster and stacking mode, stand mounting with 35-mm pole socket or positioning as a floor monitor wedge. The technical highlights include extremely high sound pressure levels (95 dB full space 1 W @ 1 m), an ultra-wide 50 Hz - 18 kHz frequency range and a proprietary 13/4" titanium diaphragm compression driver for brilliant, natural high-frequency reproduction. Built-in overload-protection circuitry ensures optimal HF driver protection. The B1220 PRO¿s distinctive design and build quality truly deliver unrivalled sonic excellence. Features: High-performance 1,200-Watt loudspeaker for use as PA speaker or floor monitor Extremely powerful 12' long-excursion driver provides incredibly deep bass and acoustic power Proprietary 1.75' titanium-diaphragm compression driver for exceptional high-frequency reproduction Ultra-wide 50 Hz ¿ 18 kHz frequency range (-10 dB), impedance 8 Ohms Extremely high sound pressure level (95 dB full space 1 W @ 1 m) Versatile enclosure profile allows different positioning: - 10 & 35 degree cluster and stacking mode - stand mounting with 35-mm pole socket - stand mounting with 35-mm pole socket - floor monitor wedge Rotatable, unsymmetrical horn design allows driver adjustment for either horizontal floor monitor application or upright position Overload-protection circuitry ensures optimal HF driver protection Parallel input connectors allow linking of additional loudspeakers Ergonomically shaped handles for easy transport Rugged steel grill for optimal speaker protection Professional speaker connectors, compatible with Neutrik Speakon connectors High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany *

Akai - RPM500 Active Nearfield Reference Monitors Per Pair Engineered for meticulous reproduction of even the most complex modern music, Akai Professional's RPM500 studio monitors easily handle layer after layer of sound, providing critical detail and the tools needed to mix with confidence. The fast Kevlar cone provides lucid low-end agility, reproducing intricate bass patterns with ease. It's authoritative sound for the craft of music production, only from Akai Professional. RPM500 offers pure and accurate frequency response from 50Hz to 30kHz. The 90-Watt distributed Class A/B provides the woofer and tweeter dedicated amplification - 80 Watts to the woofer, 40 Watts to the tweeter - meaning you get ultra-efficient power and minimal distortion. The flared rear-firing bass port delivers low-frequency depth and definition Dedicated proximity and EQ-tailoring controls give you the ability to fine-tune the speaker in diverse mixing environments. RPM500 also features HF Trim, MF Boost, and LF Cutoff controls, which allow you to find the right balance in any environment. The included monitor isolation pad dramatically decreases structure-borne resonances, and the integrated radio frequency protection preserves signal purity. RPM500 includes XLR, balanced 14-inch TRS, and RCA inputs. RPM500's cabinet is painstakingly reinforced to minimize flex, combating unwanted coloration while blocking anomalies and sound artifacts from polluting your mix. The no-compromise build quality is reflected even in components you'll never see such as the recess-mounted amp, on/off transient protection, and 14-gauge wiring to transducers. RPM500 also features a built-in output current limiter, over-temperature limiter, and subsonic filter - a full array of top-notch components that you can't see but make all the difference in the purity that you hear.

Akai - RPM800 Active Nearfield Reference Monitors Per Pair Engineered for meticulous reproduction of even the most complex modern music, Akai Professional's RPM800 studio monitors easily handle layer after layer of sound, providing critical detail and the tools needed to mix with confidence. The fast Kevlar cone provides lucid low-end agility, reproducing intricate bass patterns with ease. It's authoritative sound for the craft of music production, only from Akai Professional. RPM800 offers pure and accurate frequency response from 38Hz to 30kHz. The 120-Watt distributed Class A/B provides the woofer and tweeter dedicated amplification - 80 Watts to the woofer, 40 Watts to the tweeter - meaning you get ultra-efficient power and minimal distortion. The flared rear-firing bass port delivers low-frequency depth and definition Dedicated proximity and EQ-tailoring controls give you the ability to fine-tune the speaker in diverse mixing environments. RPM800 also features HF Trim, MF Boost, and LF Cutoff controls, which allow you to find the right balance in any environment. The included monitor isolation pad dramatically decreases structure-borne resonances, and the integrated radio frequency protection preserves signal purity. RPM800 includes XLR, balanced 1/4" TRS, and RCA inputs. RPM800's cabinet is painstakingly reinforced to minimize flex, combating unwanted coloration while blocking anomalies and sound artifacts from polluting your mix. The no-compromise build quality is reflected even in components you'll never see such as the recess-mounted amp, on/off transient protection, and 14 gauge wiring to transducers. RPM800 also features a built-in output current limiter, over-temperature limiter, and subsonic filter - a full array of top-notch components that make all the difference in the purity that you hear.

8" bass-reflex powered subwoofer delivers solid 30Hz - 120Hz frequency response. 150 watts dynamic power. XLR and TRS phone jack inputs accept balanced or unbalanced signals. Balanced XLR L and R outputs connect to the main left and right speakers. L/R mix output connects to a second subwoofer if required. Level control facilitates precise overall system level matching. Phase switch simplifies phase alignment. Low-pass filter control and high-pass filter control with ON/OFF switch. Full magnetic shielding. When choosing reference monitors for mixing and music production, accuracy is the prime consideration. Speakers that sound "good" on first impression may not necessarily be accurate. What you really need is an honest reference for your mix, rather than monitors that have been tweaked or colored to deceptively sound impressive. The new HS series reference monitors have been created by Yamaha's studio monitor engineering team to deliver exceptionally flat, accurate response that you can trust. Unlike "monitor" speakers with exaggerated bass and treble that make a good first impression but can't be relied on for accuracy, the HS series were designed to be true studio reference monitors in the tradition of the legendary Yamaha NS10M. Whether you're mixing for stereo or 5.1 surround, mixes that sound good on Yamaha HS series reference monitors will translate accurately to the widest possible range of reproduction systems … which is engineer-speak that simply means they'll sound good on anything. And that is the ultimate goal of any reference monitor. We should also mention that the HS-series monitors not only sound great, they look great, too. If Your Mixes Sound Good on These, They Sound Good on Anything The new HS Series powered monitors were designed to be true studio reference monitors in the tradition of the famous NS10Ms. When choosing your next pair of near field reference monitors, remember it's not just important that they sound good; they have to be an honest reference for your mix. The new HS Series of reference monitors were designed to give you exceptionally flat response so you can really trust what you hear. That means that mixes that sound good on Yamaha HS speakers will sound good on anything. In fact, that's the ultimate test of a reference monitor. Even better than that, HS series speakers not only sound good, they look great, too. The HS Series is a two-way, internally powered speaker system designed to provide affordable, high quality reference monitoring for all types of recording and multimedia applications ¿ home studios, computer-based music production, gaming systems, keyboards rigs and personal computer systems. All products are sold and packaged individually, making it easy to build flexible monitor setups and 5.1 systems. The 70-watt HS50M (5-in. cone and 3/4-in. dome tweeter) and 120-watt HS80M (8-in. cone and 1-in. dome tweeter) are housed in bass reflex-type cabinets, and reproduce surprisingly tight low end and smooth, high frequency response to beyond 20 kHz. Inputs include a balanced XLR and 1/4-in. phone jack. In addition to master level controls, each speaker has trim switches that allow you to custom-tailor low, mid and high frequency response for different applications. The HS10W powered subwoofer contains a long-stroke, 8-in. 120-watt woofer and bass reflex design cabinet that maintains high efficiency and low distortion. Connections include dual XLR and 1/4-in. inputs, and three balanced XLR outputs (Mix, L&R). Controls include master level, phase and low/high cutoff frequency. The HS10W complements the HS speakers, and easily handles today's bass-enhanced music or the most dramatic surround effects. HS Series cabinets look as great as they sound. Enclosures are constructed of high-quality MDF material and a multiple layer finish that minimizes resonance. Design elements include a black finish and lighted Yamaha tuning fork logo. White polypropylene woofer cones recall the look of the classic Yamaha NS10M, and include low-damping rubber surrounds and full magnetic shielding.

*NEW* Nakamichi NW501 Headphones, wireless transmitter for all Apple accessories up to iPhone 4S. Provides up to 5m of super high fidelity wireless audio reproduction! With rechargeable battery and auto shut-down function! Wired connector included. Can be used with cell phones to make calls. Build in volume on headset. Great for travelling and on flights. Includes carry case. These sell for $169 - get them for R499.

This complete wireless package includes the BLX4 receiver along with the BLX handheld transmitter with a Shure SM58 capsule. The BLX4 receiver is a lightweight, durable ABS polymer chassis. It has a smaller footprint than previous receivers, and features an enhanced group and channel scan. Equipped with true diversity and a rugged build quality, this easy to use wireless receiver brings unprecedented quality into this price range. The SM58 capsule hardly needs an introduction. The SM58 is the industry standard microphone, tailored here in a wireless context to deliver warm and clear vocal reproduction. Features Up to 12 compatible systems per frequency band (region dependent) Microprocessor-controlled internal antenna diversity One-touch QuickScan frequency selection quickly locates the best frequency 1/4¿ and XLR audio outputs

Behringer B212XL 800-Watt 2-Way PA Speaker System with 12" Woofer and 1.75" Titanium Compression Driver High-power 2-way PA sound reinforcement speaker system for live and playback applications (200 Watts Continuous / 800 Watts Peak Power) Ultra-compact and light weight system delivers excellent sound even at extreme sound pressure levels Extremely powerful 12 long-excursion driver provides incredibly deep bass and acoustic power State-of-the-art 1.75 titanium-diaphragm compression driver for exceptional high-frequency reproduction Ultra-wide dispersion, large-format exponential horn Overload-protection circuitry ensures optimal HF driver protection Versatile trapezoidal enclosure design allows different positioning: - Stand mounting with 35-mm pole socket - Tilts on its side for use as a floor monitor Ergonomically shaped handles for easy carrying and setup 2 professional speaker connectors plus a quarter jack connectors High-quality components and exceptionally rugged construction ensure long life Even Better Than Before These loudspeakers take everything musicians love about the original B212 loudspeakers and upgrade them with the same bass and treble/mid transducers found in our wildly popular B212A active version for even better sound and power handling. And with integrated overload protection circuitry, they arrive ready to push it to the limit without putting their high or low frequency drivers in danger. Triumphant Transducers Every stitch of these loudspeakers is built to deliver, but the fact is that their transducers (woofers and tweeters) are the only part you actually hear. While some manufacturers are okay with putting off-the-shelf transducers in their boxes, we custom-design and build ours from scratch. Not only do we wind our own voice coils, we grow the trees that are processed into the paper pulp that becomes the cones. We even machine the frames and backplates. Behringers quality is truly under control. Big Sound, Lightweight, Low Price Big here, small there, lots of this, light on that everyones got their preferences, but the EUROLive B212XL has proportions we can all agree upon. These loudspeakers pack a clean, punchy wallop (and can handle up to 800 Watts), they are easy to lift by their recessed handles (24 lbs) and are available at insanely low prices. Who wouldnt want to hook up with one of these beauties Get on the Stick…or Get on Down The B212XL is perfect either as part of a PA system or as an onstage monitor. If the situation calls for a PA, mount the speakers on stands via the 35mm pole socket. From there, send a line from the MAIN OUT of a mixer (such as a Xenyx 1202FX) to a power amplifier (like the EUROPOWER EP1500). Finally, attach a B212XL to each of the amps outputs. These loudspeakers have inputs for both professional speaker cable and a quarter inch cable. Because they have two parallel inputs, you can connect up to two of them to any channel on a power amp. But these loudspeakers dont have to be confined to an upright position. Just lay them on their sides for use as a floor monitor. Youll find that they tilt to the ideal angle for onstage monitor wedge applications. Choose White, Black, on or Off the Wall You asked for it, and now were proud to offer these amazing loudspeakers in black or white. We now also make swiveling wall-mount brackets for the B212XL. That means theyre ready to fit even more comfortably into a venues color scheme and layout. No matter what your sound or aesthetic needs may be, we make one thats just right for you