Rde

Anatolian - US 22 RDE 22"Ride Ultimate - Modern tuned cymbals with plug and luminous character, which also lacks sensitivity, smoothness and nebolavé comfortable height. Suitable for rock and pop all situations where you need higher penetration whilst maintaining sensitivity.

Anatolian - US 20 RDE 20"Ride Ultimate - Modern tuned cymbals with plug and luminous character, which also lacks sensitivity, smoothness and nebolavé comfortable height. Suitable for rock and pop all situations where you need higher penetration whilst maintaining sensitivity.

The RDE NTG3 super-cardioid shotgun microphone is designed for professional use on film, television, electronic news gathering and wherever high-resolution broadcast audio is required. As RDE's premier directional microphone the NTG3 exhibits superlative audio quality with a rich, warm quality and a full frequency response. Its RF bias technology makes it almost completely resistant to moisture, making it the only option when recording in demanding environments where condensation is an issue. Machined from solid brass and available in either anti-glare, nickel-plated finish or matte black (NTG3B), the NTG3 is incredibly robust while remaining light weight. Its precise yet forgiving polar pattern ensures that whether used on-camera or on a boom pole, the NTG3 will capture audio clearly every time. A durable aluminum storage cylinder is supplied to provide the ultimate protection for the NTG3 while in storage and transport. Tightly sealed at both ends the cylinder is highly weatherproof, adding to the microphone's rugged performance credentials. The RDE NTG3 shotgun microphone is designed and made in Australia, and covered by RDE Microphones' industry leading 10 year warranty.

The RDE M2 is a rugged live-performance condenser microphone designed to provide a full frequency response and premium performance on stage. Featuring a tailored-for-stage super-cardioid polar pattern and an internally shock mounted 1/2" condenser capsule, the M2 provides a high quality alternative to dynamic microphones for live performance. The addition of an on/off switch adds versatility for artists that prefer greater control over their sound, while a lock ensures that the microphone cannot be accidentally switched. The RDE M2 live condenser microphone is designed and made in Australia, and covered by RDE Microphones' industry leading 10 year warranty.

The RDE Broadcaster is a large diaphragm, end-address condenser microphone designed to provide the ultimate performance for broadcast vocal applications. Its rich, full quality tailored response has an emphasised proximity effect that has made it a standard in radio stations the world over. It is equally suitable as a voice-over microphone for film and television The Broadcaster features an internal pop filter, designed to minimise plosives sounds that can overload the microphone capsule and distort the audio output. In addition to the Broadcaster's native 20Hz-20kHz response, a selectable high-pass filter at 75Hz is available which will prevent low-end noise such as air conditioners and traffic from being recorded. The Broadcaster features an innovative 'On-Air' indicator on the body that can be wired for external activation by the 'Channel On/Mute' function on many consoles. If not connected to a console or switch, the indicator will remain lit whenever the microphone has power. The RDE Broadcaster microphone is designed and made in Australia, and covered by RDE Microphones' industry leading 10 year warranty.

The RDE K2 is a premium valve condenser microphone featuring dual 1 gold sputtered diaphragms. Infinitely variable control of the polar pattern from omnidirectional through cardioid and bidirectional/figure-8 provides the freedom and flexibility to excel in any recording situation. High-performance specifications (including a maximum SPL of 162dB) are combined with the character and subtleties of the legendary mics of the 1950s to provide a microphone that not only provides world-class vocals but is perfectly at home recording a wide range of instruments both up-close or in a wider room capacity. The RDE K2 microphone is designed and made in Australia, and covered by RDE Microphones' industry leading 10 year warranty.

The RDE M3 is a highly versatile end-address condenser microphone, designed to be completely at home in the studio, on stage or on location. It is equally suitable as an instrument microphone for guitars, drums and percussion or even vocals. Featuring a heavy duty metal body and internally shock mounted 1/2' condenser capsule mounted for end-address, the M3 can be powered either via P48 phantom power, or an internal 9V battery. A -10dB and -20dB level attenuator (pad), selectable from inside the battery compartment, allows recording of loud sound sources, such as a guitar amplifier or snare drum. A high-pass filter selectable on the microphone power switch introduces a filter at 80Hz to reduce low frequency sounds and handling noise. The RDE M3 microphone is designed and made in Australia, and covered by RDE Microphones' industry leading 10 year warranty.

The RDE HS2 is a low profile, ergonomic and lightweight headset microphone that provides clean, clear and pronounced audio for any application where the microphone needs to be in close proximity to presenter's mouth. The result of an extensive and complete redesign process, the RDE HS2 features an adjustable corrosion resistant stainless spring-steel boom arm and headband connected to pliable hypoallergenic silicone ear strips for maximum flexibility and user comfort. Coated in a durable ceramic painted finish in either black (HS2-B) or pink (HS2-P) the HS2 is also available in two different sizes (small or large) to ensure the perfect fit and function for any individual. The headset is connected via a 1.2m (4') braid shielded, Kevlar reinforced cable, terminating at a gold plated 3.5mm TRS output with a removable locking nut to ensure a secure connection to a wide range of recording devices and wireless transmitters, including the RDE Filmmaker and Newsshooter kits. The HS2's light weight, comfortable fit, low self-noise, minimal appearance and user friendly omni-directional polar pattern make it an ideal microphone for film, television, video, theatre, house of worship and live vocal performance. Updated low-profile ergonomic design Ultra-Lightweight construction for complete comfort Adjustable corrosion resistant stainless spring steel boom arm and headband Flexible hypoallergenic sillicone ear strips Durable ceramic painted finish available in black or pink Available in small or large sizes Omni-directional polar pattern Low handling noise Includes Mini-furry and pop filter / windshield 1.2m Kevlar reinforced braid shielded cable Gold plated 3.5mm TRS output with removable locking nut Five year extended warranty when you register your microphone

The RDE NT2000 microphone is a studio-quality large diaphragm condenser with seamlessly variable polar patterns. Its polar patterns selection, filter and pad are conveniently located on the front of the microphone body for ease of use. Audiophile quality surface-mount electronics combined with a gold-sputtered dual 1' capsule provide extremely low self-noise (7dBA) and a maximum SPL of 147 dB (up to 157 dB with pad fully engaged) giving an incredible amount of versatility and ensuring exceptional results. The RDE NT2000 microphone is designed and made in Australia, and covered by RDE's industry leading 10 year warranty.

The RDE MiConTM connector system provides seamless integration between the RDE HS1 headset,PinMic and Lavalier microphones and a wide range of wireless systems. The MICON-2 is designed to connect to a standard 3.5mm stereo minijack, with a power supply of 1V minimum.

The NT5 is RDE's premier small-diaphragm cardioid condenser microphone, sometimes referred to as a 'pencil mic'. Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2' capsule, an active J-FET impedance converter with bipolar output buffer. Its tight cardioid pickup pattern also makes it ideal for use as an indoor dialogue microphone for filmmaking on a mic stand or boom. Expanding the NT5's versatility, an interchangeable omnidirectional capsule (NT45-O) is available. Finished in durable satin nickel, the NT5 available as a single microphone or as an acoustically matched pair. The NT5 is designed and made in Australia, and covered by RDE's industry leading 10 year warranty.

The RDE MiConTM connector system provides seamless integration between the RDE HS1 headset,PinMic and Lavalier microphones and a wide range of wireless systems. The MiCon-4 is designed to connect to Audio Technica UniPakTM Body-Pack transmitters 1800, 2000 and 3000. Audio Technica, Uni-Pak and the Audio Technica products listed are registered names and trademarks owned by Audio Technica.

The SC4 is a high-quality shielded adaptor, designed to allow microphones with a 3.5mm output to connect to TRRS smartphones and tablets. This is ideal for users wanting to connect their RDE VideoMic to their iPhone, and record using the RDE Rec app for iOS. The gold-plated contacts are colour coded, with grey indicating the TRRS output. While the SC4 was designed to operate with Apple iOS devices such as the iPhone and iPad, it is compatible with the majority of Android devices on the market. Note that the SC4 is compatible with stereo microphones, with both left and right channels combined to a mono signal to be compatible with TRRS. SC4 Specifications Weight 20.00gm Dimensions 30.00mmH x 10.00mmW x 170.00mmD Warranty 1 year

The RDE MiConTM connector system provides seamless integration between the RDE HS1 headset, PinMic and Lavalier microphones and a wide range of wireless systems. The MICON-11 is designed to connect to TRRS devices such as the iPhone, iPad, iPod touch and select Android devices.

The RDE MiConTM connector system provides seamless integration between the RDE HS1 headset,PinMic and Lavalier microphones and a wide range of wireless systems. The MICON-1 is designed to connect to the Sennheiser transmitters SK 500 G3, SK 300 G3, SK 100 G3, SK 500 G2, SK 300 G2, SK 2 Freeport Sennheiser and the Sennheiser products listed are registered names and trademarks owned by Sennheiser.

Like the NT5, the RDE NT55 is a small-diaphragm, true-condenser cardioid microphone, sometimes referred to as a 'pencil mic'. The NT55 adds both a three position pad (0, -10dB, -20dB) and three stage high pass filter (Off, 75Hz, 150Hz), and includes the interchangeable NT45-O omnidirectional capsule. Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2' capsule, an active J-FET impedance converter with bipolar output buffer. Its tight cardioid pickup pattern also makes it ideal for use as an indoor dialogue microphone for filmmaking on a mic stand or boom. Finished in durable satin nickel, the NT55 available as a single microphone or as an acoustically matched pair. The NT55 is designed and made in Australia, and covered by RDE's industry leading 10 year warranty.

The PSA1 is a studio boom arm for radio, broadcast, studio and home use. The PSA1 offers a horizontal reach of 820mm, a vertical reach of 840mm and full 360 degree rotation. It is supplied with velcro cable wraps and both desk-clamp and desk-insert style attachments for versatile mounting in desks up to 55mm thick (clamp) or 70mm (insert). Designed for the RDE Procaster and Podcaster, the PSA1 supports most microphones weighing between 700g (1.5lb) and 1.1kg (2.4lb) when combined with shock mount. Please note that the PSM1 shock mount is sold separately.

Designed and made in Australia, the M5 is a compact cardioid condenser microphone with low noise and a full frequency response. A result of many years experience building the award-winning NT5 microphone, RDE has succeeded in making a high-quality pencil style permanently polarized condenser that will impress even the most demanding of artists and engineers. Ideal for studio recording and live on stage, the M5 is equally at home on a range of acoustic instruments, choirs, or anywhere you would employ a small diaphragm condenser microphone, either individually or as a stereo array. This matched pair has been carefully selected to ensure a variation of no more than 1dB sensitivity between the microphones. A premium foiled certificate is supplied to verify the authenticity of the pair. The M5 is finished with RDEs proprietary ceramic coating which offers a sleek matt black finish, and is supplied with WS5 windshields and RM5 stand mounts.

The DeadWombat windshield is designed for minimising wind noise when recording in high wind conditions using the RDE Blimp. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.

The Lav-Headset is an innovative and ergonomic headset-style wearable mount that offers increased versatility for users of the RDE Lavalier and smartLav+ lapel microphones. It allows the microphone to be worn in close proximity to the mouth for optimal audio performance. Engineered from spring steel that has been plated for lifelong durability, the mount is designed to hold its shape throughout the rigors of repeated use. Integrated cable management at the rear of the mount ensures that the microphone cable is tightly secured and provides strain relief. The Lav-headset is available in three sizes to comfortably accommodate a range of head sizes. As a general guide the sizes are: Junior Ages up to 13 Medium Teen to Adult Large Larger Adult

Rode Stereo VideoMic Pro The RDE Stereo VideoMic Pro ('SVMP') is the latest camera microphone on the market. With a just as spectacular as discreet design meets it its actual purpose, Bravours: namely natural stereo signals - Live Music performances, natural and sports Atmos, corporate human Round etc. Sendefhiger Radio quality to transfer any type of. To ensure that Sowenig as possible sound there's no need for mechanical Verursachtes interference noise - is absorbed the SVMP has a clever Ausgetftelte Built-in elastic holders. The camera is mounted via the base including built in hot shoe adapter. The use of your SVMP 2 1/2 inch cardioid capsules in precise stair-like x/y. The result is an extremely powerful stereo recording of their respective sound source - comes with full mono compatibility By the way and completely makes sense: thanks to their high border sound level of 134dB (example: Compressed air hammer, 1 m distance), the SVMP is also ideal for Trial Raummitschnitte all types of music. Rode VC1 extension cable for VideoMic Length: 3 m Compatible microphones: VideoMic, Stereo VideoMic Pro, stereo Videomic stereo Videomic Pro

The RDE Mini-Boompole is a lightweight, high grade professional boom pole. The Mini-Boompole allows you to mount your microphone securely and swivel it in a range of directions that will allow you to easily change positions and follow your sound source. Extends from 0.84m (33') to 2.05m (81').

Rode Microphones SC2 3.5mm TRS Patch Cable Product Description | The SC2 is a high-quality shielded 3 5mm TRS patch cable The cable extends from 170mm to up to 400mm, and features right-angle connectors for ergonomic use It is ideal for connecting the output of an Apple iPhone using a RDE i-XY microphone to a DSLR or video camera for capturing scratch audio to camera while the iPhone records the broadcast-quality track