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Pro Audio - SAN-15 passive speaker The ProAudio brand was designed with the notion that every musician should have access to high quality Pro Audio gear at an affordable price! Whether it is for the garage band, live sound, stage, or studio¿ProAudio is bang for the buck, the best Pro Audio gear for all PA applications!

The ProAudio brand was designed with the notion that every musician should have access to high quality Pro Audio gear at an affordable price! Whether it is for the garage band, live sound, stage, or studioProAudio is bang for the buck, the best Pro Audio gear for all PA applications! The TA-218SUB is a dedicated subwoofer system with two 18 (4 VC) in a heavy duty paint 15mm MDF enclosure. It is ideal for portable or permanent installations. It includes wheels for easy transportability.

SM Pro Audio QAMP Headphone Amplifier SM Pro Audio’s compact Value series of audio products has received a major revision in terms of appearance and performance. Upgraded to include SM Pro Audio’s E-Series circuit design improvements, the Q-Amp delivers high quality audio in a stylish compact format. E-Series circuit design, component selection, and manufacturing offer an additional level of quality to the already successful HP4V. The unit is housed in a stylish extruded aluminium external chassis that can be rack-mounted using SM Pro Audio’s Q-Rack rack-mount adaptor. Robust connectors are provided for all inputs and outputs.

SM Pro Audio 500 Series Phasebox Phase Controller The Phase Box is a 500 series compatible phase manipulation tool designed to correct problematic audio phase alignment when recording multiple signal sources. A high quality analog device, the Phase Box helps deliver smooth natural sounding phase curves and adds warmth to your recordings. Simple to use, the variable phase control knob and switchable low cut filter puts you in control of audio phase manipulation. Do some of your microphone recorded tracks sound thin? If so, this could be due to misaligned phase of your audio signal. Audio phase inconsistencies can arise in all manner of day-to-day recording environments. This is especially true when combining two signals to capture that elusive "fat" recorded sound. Audio signal from two sources can often become incoherent and in the worst situations cancel each other out unless phase alignment is controlled. The Phase Box can be inserted in-line (directly after a microphone / instrument preamp) or via the insert bus of a mixer or DAW. The audio signals phase can be manipulated by up to 180 degrees with the front panel rotary encoder. Bypass, Low-cut filter, and phase reverse switches are provided along with output level adjustment and VU metering. Guitar, bass, and drum recordings can be significantly improved by correcting misaligned signal phase during the recording process. Capture warmth and thickness in recordings like never before by zeroing in on the "sweet spot" with the Phase Box. Utilising low noise and wide dynamic range LME op-amps and built to the same high specifications as other SM Pro Audio 500 Series units, the Phase Box is a "go to" tool when capturing the perfect recording. The Phase Box is slated for release in June .

SM Pro Audio MPATCH4 Monitor Controller Front End Audio frequently has gear that has been used briefly for demonstration purposes in our showroom or studio. Our demo gear is just like new and you may not even be able to detect that it has ever been opened. Demo gear comes with a full manufacturer's warranty, as well as our commitment to service. Please note, Clearance Center items are priced to move fast so no other discounts or promotional codes can be applied to our already discounted prices. SM Pro Audio Mpatch 4M Monitor Controller Details For busy studios, the SM Pro Audio MPatch 4M delivers an ideal all-in-one solution: monitor control with mute, mixing, level-matching, headphone monitoring, stereo- to-mono summing, and talkback. Control room outputs are automatically ducked 20dB when talkback is engaged; use the built-in mic or plug in your own, and control it from the front panel or a remote switch. Master attenuator features a discrete film-resistor network for exceptional accuracy at all volume levels. Designed for desktop or rackmount use.

SM Pro Audio ACTPACK Monitor Controller Enhance your studio for great recordings with the Active Speaker Pack by SM Pro Audio. Hear the true sound of your recordings and control the volume with the touch of a finger by using this great value pack. If you own a pair of studio monitor speakers, the Active Speaker Pack will improve the quality of your home studio. SM Pro Audio Active Starter Pack Includes Nano Patch Plus Volume Controller 2 x Isolation Pads: 170mm x 300mm x 40mm 4 XLR to TRS cables 3 meters

SM Pro Audio Bluetooth DI Box The Blue Box is a Bluetooth enabled wireless audio receiver and media player. Don't be fooled by the Blue Box's compact size. With a host of input and output options this little beast packs serious punch. Bluetooth - Receive high quality audio from any Bluetooth enabled device and output via the Blue Box's balanced/unbalanced audio output options. Perfect for playing audio stored on your mobile/cell phone or computer on professional audio equipment. Why not add a Bluetooth receiver to you home Hi-Fi or mixing desk! MP3/WMA Media - USB and SD Memory Card input options allow direct connection of digital media. Browse and play your media via the front panel back-lit LCD and control switches or the included IR remote control. The Blue Box features analog outputs in XLR, RCA, and 3.5mm formats. Additionally it accommodates an analog AUX input if you wish to use the unit as a standard DI (direct injection unit) to convert unbalanced audio signal to XLR balanced output format. Built for toughness and reliability, the Blue Box will undoubtedly make a great addition to your audio equipment, equally useful in professional audio environments or around the home.

SM Pro Audio DIDOCKWHT DI Box Designed to support portable audio devices in the field, the DI-Dock delivers audio signal conversion from connected devices to a fully balanced transformer isolated stereo output pair. Many portable audio devices tend to introduce increased levels of noise when connected to larger professional PA systems. The DI-Dock solves many of the issues typically encountered when introducing consumer-based products into professional environments. A must have tool for roadies, engineers, or musicians wishing to integrate portable audio devices.

SM Pro Audio DIDOCKBLK DI Box Designed to support portable audio devices in the field, the DI-Dock delivers audio signal conversion from connected devices to a fully balanced transformer isolated stereo output pair. Many portable audio devices tend to introduce increased levels of noise when connected to larger professional PA systems. The DI-Dock solves many of the issues typically encountered when introducing consumer-based products into professional environments. A must have tool for roadies, engineers, or musicians wishing to integrate portable audio devices.

SM Pro Audio MPATCH2 Monitor Controller The M-Patch 2 is a compact desktop/rack-mountable sized passive volume attenuator and patch control device. Building on the success of the original M-Patch, the new M-Patch 2 is a feature packed passive problem solver for nearly all production environments. A great way to passively attenuate stereo signals from soundcards, CD players, pre-amps, and mixers, the M-Patch 2 front panel rotary controls allow precise level adjustments for two input sources. Featuring balanced combo XLR/TRS input jacks and XLR outputs, RCA & 3.5mm jack inputs, mono/stereo summing switch, Mute switch, A/B output pairs, and a built in stereo headphone amplifier, the M-Patch 2 has all bases covered. No more bit loss! One of the benefits of passive volume attenuation is that you no longer have to control volumes with your software master volume fader. Reducing audio levels from software only reduces your bit depth. It is much more appropriate to keep your software masters at unity and passively attenuate the audio to your active monitors. No active circuitry, buffers, transistors, batteries, or power supply of any kind can interfere with the main passive output of the M-Patch 2. It simply delivers attenuated signal. That's it.. pure, simple transparent. The M-Patch 2 is a true problem solver. It will work seamlessly within your system, is very transparent and silent. You will now be able to keep your bit levels up in your system, eliminate using your mixer, and keep all volumes at an acceptable level. This is a very handy tool for a wide variety of applications. You can use M-Patch 2 anywhere you want to trim the amount of gain; ie, reduce the volume of analog audio signals. For example, you could use one to trim the output of a microphone pre-amplifier. With its high-quality potentiometer, the M-Patch 2 passes signal more accurately, and sounds better than most built-in volume controls. Another use might be to trim the levels of a 5.1 or greater multi-channel monitor system -- either one pair of channels, or two, or all of them. You can also use a M-Patch 2 to trim the output level of a Digital to Analog Converter like those found in high end pre-amplifiers. Or as a local volume control for distributed audio systems. The possibilities are endless.

SM Pro Audio 500 Series Tubebox Mic Preamp Tubebox — a single-slot 500-series tube microphone preamp that boasts pristine audio output, superior-quality high-end design, and a value price. The small but mighty device features a Class A tube preamplifier, switchable phantom power, phase invert, selectable -20dB pad, and a super fast in-line optical compressor. The front panel includes a TRS microphone input—a standout feature typically not found on 500-series preamps. The easy-access interchangeable 12AX7 preamp tube allows you to experiment with a variety modern and vintage tubes to customize the Tubebox’s sound and performance to your taste. The switchable (in/out) compressor provides adjustable attack and release, and when it’s in use, the on-board VU meter automatically changes from displaying master level to amount of gain reduction, so you can view the exact results of the compression being applied. Editing is done using our smooth, responsive (and eye-catching!) hand-machined controls. And last but not least: The Tubebox audio circuit uses LME ultra-low distortion/low noise Op Amps, for suberb audio output. Think you can’t get a full-featured, great-sounding 500-series mic pre for an exceptional price? Think again!

SM Pro Audio DI8E DI Box with Line Mixer It is not often that you would come accross a product and say.... 'WOW I need one of these! The DI8E is such a product with it's multiple features and high quality components. The DI8E features 8 channels of Unbalanced to Balanced converters with 20dB pad and earth lift selector provided per channel. The DI8E is suitable for many applications right out of the box but with the addition of a built in line mixer (Volume and Pan control for each channel and master volume) with headphone amp the DI8E becomes an indispensable tool solving many problems in the audio field today. If you are a keyboard player, electronic drummer, PA/Studio owner, pro musician or a hobby player, the DI8E will find a place in your rack. Imagine running your 4 keyboard or modules on stage directly onto the DI8E and being able to send off balanced signal to the front of house rig while providing your own dedicated monitoring mix...all on a single rack-mount direct injection box/line mixer! You will be amazed at how often you would utilize the DI8E. We even included a LINK function so that multiple DI8 units can be linked to a single stereo output, so if you have more than .... inputs of unbalanced signal they can all be routed and monitored through the one output pair!

Buy SM Pro Audio ADDA 192-S Analog / Digital Audio Interface DAC Mic Pre for R1,799.00

SM Pro Audio 500 Series MBC502 Optical Compressor The MBC502 is a custom-designed, optical multi-band compressor in a dual-slot 500-series format. Each channel—low-frequency and high-frequency—offers control over level, compression amount, and attack and release times. Switches allow you to mute one of the compression channels so that the other can act as a filter, with the filter’s center frequency determined by the setting of the front panel Frequency selector knob. The VU meter displays the master output level, while gain reduction is shown on the LED meters. Editing is performed via a complement of dedicated oil damped rotary controls, with each compression band sporting independent controls. The exception is the Master Level knob, which gives you convenient, simultaneous control over the output levels of both compressor bands. Finally, like the Tubebox, the MBC502 audio circuit uses the LME ultra-low distortion/low noise Op Amps, for uncompromised audio output. Whether you’re taming vocal peaks, getting a bass to sit in the pocket, or looking to do serious sound-sculpting, our MBC502 is more than ready to lend a hand.