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Wireless Bluetooth HandFree Sport Stereo Eearphone Headset Headphone Colours vary as per availability    Built in microphone; take and receive calls without changing headsets.  The Wireless Sport Earphones Permits you to stream your digital sound collection from a Bluetooth enabled audio device, without the need for wires. The Wireless Sport Earphones also contain an integrated microphone, allowing you to switch between audio streaming and call handling without eliminating the headset for seamless listening, ideal to be used when working out. Bluetooth Headsets offers excellent audio and call quality with outstanding performance,       Product details Version: 4.2 Bluetooth Earphone Speaker: 10mm Battery: Built in rechargeable battery Handsfree/Redial/Volume Control/ Smart Power Off/

Power On LED Indicator - Stereo Headphone Output Level Controls Stereo Headphone 1/4'' TRS Output Jacks (6.35mm) 12V/150mA DC Power Supply Included Power On LED Indicator - Stereo Headphone Output Level Controls Stereo Headphone 1/4'' TRS Output Jacks (6.35mm) Stereo Headphone 1/4'' TRS Output Jacks (6.35mm) 12V/150mA DC Power Supply Included Dimensions: 4.07''W x 1.18''H x 2.24''D Collection is allowed in JHB area, please make contact with us once the order is placed. For any heavy (+2kg) or large items (+2 cubic meters) please ask us for shipping costs IF you have any questions please make us of the Q&A function, we are here to help

Power & Control The Hartke Kilo raises the standard for bass amplification. It offers Hartke's classic tone, enhanced flexibility and an abundance of power, along with all the newest concepts in bass amplification design. Its amazing power and control make the Kilo Bass Amplifier the ideal choice for every situation—from recording studios, to small clubs, to giant stadiums.The Kilo delivers 500 watts at 2 ohms of power per side in stereo mode, and a massive watts at 4 ohms in the bridged mono mode. To sculpt your sound, the Kilo has an all-tube class-A preamp, and logically arranged tone controls. The amp offers a classic tone stack three-band EQ, with Hartke's variable Shape circuit. For additional tone shaping, there is a 10-band graphic equalizer, as well as selectable Deep and Brite EQ curves. To add some “dirt” to your sound, there is a variable tube Overdrive circuit, and to round out the dynamics, there is a fast and articulate Compressor circuit. To connect your amplifier to speaker cabinets, the Kilo has both Speakon® and 1/4-inch output jacks. It also provides an abundance of connections and signal routing features, including multi-point direct output switching, stereo Effects Loop, front and rear panel tuner outputs and footswitch jacks to remotely control the Mute, Overdrive, EFX, and EQ functions. Not only does it pack optimal tone control and more than enough power to drive any cabinet, the Kilo's rugged design is perfect for life on the road. Its solid 3-rackspace construction, solid die cast front panel and oversized handles make the Kilo an eminently road-worthy. The Kilo Bass Amplifier is a robust bass head with full-range power and control that will shake the foundation for discriminating players in every style. Features: Stereo amps offer 500 watts per side at 2 ohms, watts at 4 ohms in bridged mono mode Class-A all tube (3 x 12AX7) high-voltage preamp circuit Classic 3-band tone stack equalizer with variable Shape control Selectable Deep and Brite EQ curves Variable compressor 10-band constant-q graphic equalizer with independent level control Variable tube overdrive Stereo Effect Loop send and return jacks Dedicated front panel switches and footswitch jacks for Mute, Overdrive, EFX, and EQ Multi-point direct output with level control Speakon® and 1⁄4-inch parallel output connectors Front and rear panel tuner output jacks Separate left and right channel Preamp Out and Amplifier In jacks Rugged 3-rackspace construction Solid die cast front panel and oversized front panel handles 1 year limited guarantee For more info on this product please click here

Warwick's first entry into the field of lightweight Bass Amps is the W LWA. This convenient package of 2 input channels with full Eq section and compressor on each channel combined with a power amp stage that is designed using the latest advances in so called Class D technology gives you a chameleon that can be used in pretty much any situation. The configuring of the Amp to give 500W at 8 Ohms and W at 4 Ohms makes it possible to have the power you need for the gig regardless of the size of the venue. The 2 inputs lets you have 2 Basses plugged in and ready to go with their own unique settings already dialed in. The Pre amp is based on Warwick signature Class A/Low Z circuitry made famous with the WA and BC series of amps. This technology makes sure you have the warm huge distortion free sound you desire without disturbing noise. The advancement in Power supply technology and error correction circuitry in the Class D power amp used in the LWA allows for tighter and stronger bass response than previously possible in this type of amps. Making it comparable in sound to much heavier Class A/B amps. Watt Bass Amplifier Head Delivers Watts of power at less than 1% THD Lightweight and ultra-portable Noise-free Class A preamp circuitry Class D power amp section Two independent channels Channels can be selected remotely with footswitch Separate Input Gain control for each channel Mute function (separate for each channel) 4-Band equalizer (separate for each channel) Adjustable Compressor with bypass function (separate for each channel) Compression knob simultaneously controls the compression amount and make-up gain. Stereo auxiliary input jack for connecting MP3 player, CD player etc. Headphone out with Integrated stereo headphone amplifier Serial FX Loop Tuner Output Line Output Studio quality balanced DI output with Pre/Post and Ground Lift switches Combined Neutrik / ¼" jack lockable speaker connector. Internal temperature regulating fan control circuitry Dimensions (W/H/D): 270mm x 98mm x 146mm (10.6" x 3.86") Weight: 2.75 kg (5.95 lbs.) Including a metal Footswitch for switching between channels and TRS foot switch cable Available in Aluminium and Black Amp Bag (W A RB ) and Rack Ears (W A LWA RE BLACK, W A LWA RE SILVER) also available

Now Hear This! Are you and your session players and bandmates tired of straining to hear underpowered headphones? We were too. That’s why Jim Odom and his jambalaya-fueled team of engineers designed 150 mW headphone amps for the HP4 headphone-distribution system. These headphone amps are not just loud enough for session and stage use, they’re loud enough to explode the oysters in a Po’ Boy sandwich. Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to hear—assuming they are capable of hearing. Be careful with that level control! Simplicity is the HP4’s hallmark. You get left and right line inputs, left and right line outputs with level control, and the four headphone outs. You can globally mute the headphone outs, adjust the overall headphone level, sum the stereo signals to mono, and mute the rear-panel Monitor outputs. The HP4 can sit on a tabletop or can be screw-mounted to a standard rack tray (not included), where it requires just 1/3 rackspace. And if your needs grow, you can use the line outputs to feed the inputs of a second HP4 or an HP60. Chain as many headphone systems as you need. So listen up! Quit struggling with mediocre headphone amps. Get the HP4 and hear everything loud and clear. You owe it to your musicInput/Output 4 screaming-loud (150 mW per channel) stereo ¼” headphone outputs (front panel) 2 balanced ¼” line outputs (monitor outputs) 2 balanced ¼” line inputs Meters, Controls, and Features Headphone level control for each channel Mono summing switch for each channel Monitor level control Monitor mute switch Daisy-chain multiple units via monitor outputs Physical Compact 1/3U rack-mount chassis Sealed, detented, metal rotary controls External 16 VAC power supply

The Problem Solver “Turn my headphones up!” “More me, I can’t hear myself!” “Turn down that click!” It gets old. Change that tune with the HP60 headphone distribution system. The HP60 is more than just a half-dozen headphone amps, it’s a field-tested solution to a host of common headphone-monitoring problems. Let’s start with “turn my headphones up.” Each of the HP60’s six headphone amps has its own level control and puts out 150 mW, which is loud enough to drive the alligators out of the Louisiana swamps. If they can’t hear this headphone system, they’re stone deaf. More likely they’ll scream, “turn it down, you’re killing me!” Problem solved. Now let’s solve “turn down that click.” The HP60 features two sets of line-level, stereo inputs that are routed to all six headphones; a Mix control that sets their relative levels for each headphone output. So you can feed the main control-room mix to channel A and the click to channel B and use the Mix controls to individually raise or lower the click relative to the main mix for each musician. Problem solved. As for “more me,” in addition to the two pairs of main stereo inputs, you get an external stereo input pair with level control for each headphone channel. A Mono switch lets you sum the left and right inputs. Additionally, a mute switch is provided for each headphone output. So you can send each person a feed of just their instrument or voice and can control the level separately for each. Problem solved. Take Command With the HP60, when you talk, everyone listens. Hit the Talk button and use the talkback-mic input and your favorite dynamic mic to tell ‘em what to do. You can even use a footswitch to control the talkback hands-free. Each channel also has stereo line outputs that can send a copy of the line-level headphone-channel mix to additional headphone amplifiers or monitor systems. So if you have a large band and need more than six headphones, you can chain two or more HP60s. So get the problem solver, the most flexible and advanced headphone-mixing system in its price class: the PreSonus HP60.Input/Output 6 screaming-loud (150 mW/channel) headphone outputs (front panel) 6 unbalanced stereo ¼” line outputs (1 per channel); carries a copy of the channel mix 6 unbalanced stereo ¼” external analog line inputs (1 per channel) for “more me,” with trim controls 4 balanced ¼” analog line inputs (L/R Mix input pairs A and B) 1 balanced XLR Talkback input for external dynamic microphone 1 ¼” footswitch jack for hands-free Talkback operation Meters, Controls, and Features 2 stereo input channels (A and B) Channel controls External input level Headphone level control for each headphone output Mix A/B control (blends signals from input pairs A and B) Mono switch for external input Mute switch (mutes input pairs A and B) Master controls Input A level Input B level Talk button (momentary switch) Talkback-mic level Physical 1U 19” rack-mountable, rugged steel chassis Internal power supply with standard IEC connector

Skullcandy - S6MMDM-059 MMM 2.0 Red W/Mic3 Get cheery listening to your favourite music with the Skullcandy MMM S6MMDM-059 Red with Mic3 headphone.This pair of stylish headphone features custom styled drivers, highest-grade materials, and list of world class features. This headphone with over-the-head design filters the sound that reaches your ear drums and effectively isolates external noise. Every Skullcandy product features engineering designed to fit the anatomy of your head and ear. This ergonomically designed headphone includes other amazing features like volume control, track control with play/pause and take/make calls feature. It also features a mute button that lets you silence the boom. With its supreme sound design, this headphone delivers

Skullcandy - SGAVFM-121 Navigator Hot Green/Gray W/Mic3 Get cheery listening to your favourite music with the Skullcandy MMM S6MMDM-059 Red with Mic3 headphone.This pair of stylish headphone features custom styled drivers, highest-grade materials, and list of world class features. This headphone with over-the-head design filters the sound that reaches your ear drums and effectively isolates external noise. Every Skullcandy product features engineering designed to fit the anatomy of your head and ear. This ergonomically designed headphone includes other amazing features like volume control, track control with play/pause and take/make calls feature. It also features a mute button that lets you silence the boom. With its supreme sound design, this headphone delivers

Ampeg’s Portaflex PF-500 bass head delivers a staggering 500W of power in an ultra-compact design providing pure Ampeg tone in an extremely portable package. Precise tone controls and gig-friendly input/output options provide ultimate flexibility. Pair it with our PF Series flip-top cabinets for the vintage styling and portability of Ampeg’s iconic Portaflex originals.RMS power output: 500W @ 4 ohms Preamp: MOSFET Power amp: Class D Tone controls: Bass, mid, treble Mid-tone control: 5-position Ultra Hi/Lo boosts Onboard compressor Balanced direct out Pre/post EQ option -40 dB pad Ground lift FX loop with dedicated mix control (footswitchable) Power amp in/ preamp out 1/8” headphone out / line in -15 dB input pad Mute (footswitchable) Power supply: switching Dimensions (H x W x D inches): 3 x 14 x 11 Handling weight: 11 lbs / 5 kg

The PF-800 delivers the superior performance of Ampeg’s Portaflex Series bass heads in an ultra-compact 800-watt design perfect for power-hungry bassists that demand uncompromising tone. Plug into a pair of Portaflex bass enclosures for a vintage-styled rig that is extremely powerful, portable and undeniably Ampeg.RMS power output: 800W @ 4 ohms Preamp: MOSFET Power amp: Class D Tone controls: Bass, mid, treble Mid-tone control: 5-position Ultra Hi/Lo boosts Onboard compressor Balanced direct out Pre/post EQ option -40 dB pad Ground lift FX loop with dedicated mix control (foot switchable) Power amp in/preamp out 1/8” headphone out / line in -15 dB input pad Mute (foot switchable) Power supply: switching Dimensions (H x W x D inches): 3 x 15 x 11 Handling weight: 11.8 lbs / 5.35 kg

Description • Speaker Driver Diameter: Ø40mm • Sensitivity(S.P.L): 105dB±3dB/mW (at 1KHz) • Impedance: 32 Ohms ± 15% • Frequency Response: 20Hz~20,000Hz • Maximum Power Input: 100mW • Microphone Unit: 6x5mm/ -58dB±2dB • Cable Length: 2m • Plug Type: USB 2.0                                                                                 System Requirements:   1.It is fit to personal computer with USB port. 2.CPU Pentium 300MHz or above 1. Button "â–³" for volume up 3.Memory 64M or above. 2. Button "â–½" for volume down 4.Operation System: Windows series or Mac OS 3. Button “MT” for speaker mute 5.USB data interface. 4. Button “MIC.MUTE” for microphone mute 6.CD-ROM drive (for Windows 98 system)

Audio-Technica ATH-M50xWH Professional Studio Headphone (White) -INCLUDES- Antlion Audio ModMic Attachable Boom Microphone - Noise Cancelling w/ Mute Switch + Y Splitter - ULTIMATE GAMING BUNDLE

Product Overview MSRP 259 Euro    Elemental Watson Class-A Valve/Mosfet Hybrid Headphone Amplifier Features Full Class-A amplification at all stages Dual mono design for best channel separation and stereo Quiet operation during power on/off and low residue noise NOS 6AK5 military grade tubes for longer stable lifespan Extended bandwidth meeting Hi-Res standard Optional pre-amplifier output with dedicated terminals High performance at entry level price The amplifier sets a new standard on cost/performance ratio Elemental Amps is proudly to present the Elemental Sigma, a class-A valve/Mosfet hybrid headphone amplifier. Targeting entry-level price and high-end performance, Elemental Sigma is a unique product. Just close eyes and hooking up favorite headphones, you will be surprised by what you have heard. A powerful and delicate sound accompanied by the warmth of valve, a wonderful combo. Dual mono construction in a compact chassis By trimming down unnecessary luxury and focusing on core competence, we are able to build Elemental Sigma in a dual mono configuration, a highly touted feature in high-end gear. Two military NOS 6AK5 tubes are the center piece of each channels gain stage. They deliver rich harmonics, which are the charm of single- ended topology drawing countless audiophiles addiction. Followed by class-A power MOSFET output stage, it provides almost limitless driving current while preserving the tubes charming signature. The configuration also guarantees best channel separation (stereo image), easy maintenance and adjustment on individual channel. Thoughtful design through smart simplicity First, there is no pop noise during power on and off. You no longer have to worry the pulse energy may cause damage to precious headphones. Secondly, the volume adjustment is adapted to logarithmic curve, the most natural to human interface and hearing by integrating the gain of amp and linear potentiometers. The Heart of Sigma, 6AK5 military NOS valve Developed by Bell Labs / Western Electric and used extensively as an I.F. amplifier in  WWII radar systems, 6AK5 yields excellent high-frequency performance. On the other  hand, a poorly designed 6AK5 tends to be unstable. We carefully characterize 6AK5 to be audio amplifier that delivers transparent and airy atmosphere rare to find in peer products. Another advantage is easy to find equivalent replacement at reasonable price for tube rolling. Specification Frequency Response 10 Hz 100 kHz (-3dB) Output power 250 mW + 250 mW (300 ohm) 2000 mW + 2000 mW (30 ohm) Headphone impedance 30 ohm 600 ohm Power supply 26V/0.8A DC adaptor Dimensions mm Net weight gram Full Class-A Amplification Dual Mono Design 2W+2W (30 ohm) output customer Wide Bandwidth for Hi-Res Music 6AK5 military grade vacuum tubes   Class A Valve/MOSFET hybrid tube desktop headphone amplifier Supports 30- 600 Ohm impedance headphones. Dual Mono Contruction Delivers rish harmonics in single-ended topology. Western Electric Triodes Uses two Bell Lab/Western Electric 6AK5 valve tubes yields and produces excellent high-frequency performance. Smart Power Deisgn Eliminates any 'Pop' sound when switching  power on/off. Thus, no concern for pulse energy damage to your headphones. Compact and light-weight Easy handling size and small footprint. Portable.     Product Specs Description Specifications Frequency Response:  10Hz to 100kHz(-3dB) Output Power (30, Single-Ended):   2,000 mW Output Voltage (600, Single-Ended):   250 mW Input Voltage (Pro iCAN):   DC 26V/0.8A Power Consumption:   22W idle, 50W max. Dimensions:   140 (l) x 90 (w) x 130 (h) mm Weight:  320  grams

Features:     Powerful Tube sound for Audio players     Parallel 3.5mm and RCA stereo inputs     High-quality Shuguang 12AU7 tube, Pure Class A Tube amp, No op amp IC     Cute and Beautiful looking     Powerful dynamic and sweet TUBE sound In Put Power: DC24V Input Sensitivity: 100mV Input Impedance: 100KOhm Out-Put Impedance: Ohm Gain: 30dB Frequency response: 10Hz-60KHz +/- 0.25dB Signal/Noise Ratio: >90dB Dynamic range: 84.6dBA(300 ohm) 89.8dBA(33 ohm) THD: ohm) ohm)I MD + Noise: ohm) ohm) Dimension: 79mm (D) X 79mm (W) X 44mm (H) Input: Stereo RCA x1, Stereo 3.5mm x1 Outpu: Stereo 6.35mm x1 Package Include: Bravo V2 Tube Headphone Amp x1 ShuGuang 12AU7 Tube x1 AC Power Adapter V/ Hz, 24V1A x1 6.5mm to 3.5mm Headphone Jack adapter x1 Power Cable w/ wall plug x1 This item is shipped from Hong Kong.        

Description • Speaker Driver Diameter: Ø40mm • Sensitivity(S.P.L): 105dB±3dB/mW (at 1KHz) • Impedance: 32 Ohms ± 15% • Frequency Response: 20Hz~20,000Hz • Maximum Power Input: 100mW • Microphone Unit: 6x5mm/ -58dB±2dB • Cable Length: 2m • Plug Type: USB 2.0 System Requirements: 1.fit to personal computer with USB port. 2.CPU Pentium 300MHz or above 1. Button "â–³" for volume up 3.Memory 64M or above. 2. Button "â–½" for volume down 4.Operation System: Windows series or Mac OS 3. Button “MT” for speaker mute 5.USB data interface. 4. Button “MIC.MUTE” for microphone mute 6.CD-ROM drive (for Windows 98 system)