Native american art

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 12 working days Native American culture is founded on stories told orally and handed down through the generations, outlining myths that reveal the origin of a tribe, legends that chronicle heroes who fought the gods, stories that tell of malevolent trickster spirits, and canny morality tales for the ages. In Native American Myths & Legends you can read about characters such as Old Man, Rabbit Boy, Blue Jay (the trickster bird), the Double-Faced Ghost, the Splinter-Foot Girl and Mondawmin, the Corn Spirit. You will also discover the meaning of the Potlatch Feast, the legend of the Great Turtle and the myth of the Bear Foster-Son. The book is divided into seven chapters, covering creation myths; people, family and culture; the natural world; ghosts and spirits; gods, demons and heroes; love, morality and death; and warfare. Illustrated with 180 photographs and artworks, Native American Myths & Legends is an exciting and informative exploration of the beliefs and culture of North America's first inhabitants. Features Summary Native American culture is founded on stories told orally and handed down through the generations, outlining myths that reveal the origin of a tribe, legends that chronicle heroes who fought the gods... Author Chris McNab Publisher Amber Books Ltd Release date 20180524 Pages 224 ISBN 1-78274-628-5 ISBN 13 978-1-78274-628-7

We combine postage, so do look at our other items on offer. Postage prices outside of South African borders will differ. Please enquire before purchasing. Dispatched within 3 business days. Our books are protected with a removable plastic cover and sent with care. Condition: Good. This book celebrates the endurance of the Native American Church, which now has some 80 chapters throughout the country. Prayer meetings, the sacramental use of peyote, and the significance of various practices and objects are described. Eloquent testimony of Church members from different tribes demonstrates that peyote is not used to obtain "visions" but to heal the body and spirit and to teach righteousness. "Two very important books have appeared in 1996: 'Reuben Snake: Your Humble Serpent' and 'One Nation Under God: The Triumph of the Native America Church.' I say they're important because they are designed for the U.S. Government and the American people as an audience. The books are not teaching Indigenous people about peyote; they're documents to voice the concerns of indigenous Nations, to protect those of us who participate in the spirituality of peyote -- as members of the Native American Church or as individuals". (The Native American Press, Ojibwe News)" "One Nation Under God is an essential and informative contribution to Native American studies reading lists". (The Midwest Book Review)" Reuben Snake's personal testimony on behalf of the sacred peyote is seconded and supported by the chapter 'Voices of the Native American Church, ' which presents a persuasive collection of short, heartfelt testimonials... about the life-affirming teachings of love and respect that are at the heart of the peyote way". (Shaman's Drum)   Bibliographic information:   Title One nation under God: the triumph of the Native American church Authors Huston Smith, Reuben Snake Editors Huston Smith, Reuben Snake Edition illustrated Publisher Clear Light Publishers, 1996, Hardback ISBN 0940666715, 9780940666719 Length 176 pages Subjects Social Science/   Ethnic Studies/   Native American Studies Please Click ---> HERE PTO Books is selling.

Buy What the Native Amercans Wore - NATIVE AMERICAN LIFE for R25.00

Through Indian Eyes: The Untold Story of Native American Peoples 1995Readers Digest Good condition 400 pages full of illustrations. It looks like it has not been read. Would be great for someone interested in Indigenous American culture and history.

Song of the Earth Native American Lore and Legend By: Michael Hoadley ***Signed Copy*** A first edition softcover published by Capall Bann in 2003 Picture cover boards are clean & bright, binding is tight & strong, SIGNED by the author with a gift inscription on the title page Postage within South Africa R50.00 Overseas Customers can contact us for a Postal Quotation Abe #  

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 15 working days Features Author Thomas E. Mails Publisher Millichap Books Release date 20161214 Pages 336 ISBN 1-937462-06-4 ISBN 13 978-1-937462-06-2

Buy 15 American Art Songs (High Voice) By Compiled by Gary Arvin for R435.00

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 8 - 15 working days Features Author Tim Glynne-Jones Publisher Arcturus Publishing Ltd Release date 20170715 Pages 384 ISBN 1-78428-621-4 ISBN 13 978-1-78428-621-7

Native Nostalgia In this, his first book, Jacob Dlamini writes about growing up in Katlehong in Gauteng, in the tradition of Orhan Pamuk's and Walter Benjamin's accounts of their childhoods in Istanbul and Berlin respectively. Using fragments from his own childhood, he examines the nostalgia that many black people feel for the past their lives under apartheid. In arguing that people do not stop being moral agents just because they are politically oppressed or discriminated against, the author seeks to recover the moral content of black life under apartheid. This book is about nostalgia, an affliction of the heart that began life as a passing ailment but became an incurable modern condition. The book uses the life of a young black South African who spent his childhood under apartheid to ask the following question: What does it mean to remember a (black) life lived under apartheid with fondness and longing? The nostalgia examined here should not be understood the same way that the archetypal black pensioner trotted out by newspapers at each general election in South Africa says: "Things were better under apartheid." No, apartheid had no virtue. But the author insists that we confront facile accounts of black life under apartheid that paint the 46 years in which the system existed as one vast moral desert, as if blacks produced no art, literature, music, bore no morally upstanding children or, at the very least, children who knew the difference between right and wrong even if those children did not grow up to make the "right" moral choices in their lives. This is not to say there was no poverty, crime or moral degradation. There was, of course. But none of this determined the shape of black life in its totality. This is not to suggest that all black families were happy the same way. Each family was, of course, unhappy in its own way. The differences between black families extended beyond questions of domestic bliss or strife. There were class, ethnic and gender differences aplenty. It behoves any history worthy of the name to take these differences seriously, which could be as small as the type of lawn one had in one's yard, the type of furniture in each bedroom, or the type of fencing one had around the yard whether the concrete slabs colloquially called "stop nonsense" or a wire mesh fence. The author is interested also in the role of the senses in a person's experience of nostalgia. He uses fragments drawn randomly from the past to look at his childhood in Katlehong as a lived experience of the senses. He tries to imagine how one might relay the history of Katlehong in terms of the senses of smell, hearing, taste, touch and sight. He uses his sensory experience of Katlehong, for example, to examine the place of radio in the life of an urban black family in apartheid South Africa. Here he does not simply wish to relay the auditory experience of listening to the radio but to look, rather, at how the very instrument that was supposed to be the government's propaganda tool actually had the opposite effect, awakening in him a political consciousness that saw him adopt a politics at odds with the political gradualism and religious conservatism of his mother. Again, he looks at how black schools, intended by government to be a great downward leveller of black ambition, inadvertently served to heighten class consciousness within black society, often pitting the local elite against the mass of the great black unwashed. Finally, he studies how local political identities were formed in relation to both a national black identity and a much broader black diasporic identity. About the Author Jacob Dlamini is one of South Africa's bright young intellectuals. A PhD student at Yale, he has written for a number of magazines and newspapers such as the Sunday Times. Author Jacob Dlamini ISBN 9781770097551 Format Paperback Pages 169p. _

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 15 working days Originally accompanying the Languages volume of the Handbook of North American Indians series, this indispensable map is now widely available for the first time. It shows the locations and distribution of the known languages spoken by Native peoples across North America at the time of first contact. Each language is grouped and color-coded according to family. An accompanying text provides background information about the distribution and classification of the languages and also features a useful classification table of the languages and language families depicted. The map is available in two sizes. A portable storage sleeve makes the folded study map ideal for use in the classroom, on trips, or in the field. The wall display map is the first and only map large enough to show the location of every known Native North American language. Colorful, attractive, accurate, and up-to-date, these maps are an essential reference for anyone interested in the histories and cultures of the original inhabitants of North America. Features Summary Originally accompanying the Languages volume of the Handbook of North American Indians series, this indispensable map is now widely available for the first time... Author Ives Goddard (Compiled by), National Museum of the American Indian, U.S. (Author) Publisher University of Nebraska Press Release date 19991001 ISBN 0-8032-9269-4 ISBN 13 978-0-8032-9269-7

Challenging the stereotype that black people who lived under South African apartheid have no happy memories of the past, this examination into nostalgia carves out a path away from the archetypal musings. Even though apartheid itself had no virtue, the author, himself a young black man who spent his childhood under apartheid, insists that it was not a vast moral desert in the lives of those living in townships. In this deep meditation on the experiences of those who lived through apartheid, it points out that despite the poverty and crime, there was still art, literature, music, and morals that, when combined, determined the shape of black life during that era of repression.Price: R170.00Edition: First editionPublished: 2009Publishers: JacanaISBN: 9781770097551Condition: Paperback in very good condition — very minor shelf wear around the edges of the cover. Internally in near-pristine condition.

  This first volume of the critically acclaimed series collects issues #1-5 and follows two stories: one written by Scott Snyder and one written by Stephen King, both with art by superstar Rafael Albuquerque. Snyder's tale follows Pearl, a young woman living in 1920s Los Angeles, who is brutally turned into a vampire and sets out on a path of righteous revenge against the European monsters who tortured and abused her. And in King's story set in the days of America's Wild West, readers learn the origin of Skinner Sweet, the original American vampire - a stronger, faster creature than any vampire ever seen before.

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 15 working days Conceived as a challenge to long-standing conventional wisdom, Creating the Future is a work of social history/cultural criticism that examines the premise that the progress of art in Los Angeles ceased during the 1970s--after the decline of the Ferus Gallery, the scattering of its stable of artists (Robert Irwin, Ed Kienholz, Ed Moses, Ed Rusha and others), and the economic struggles throughout the decade--and didn't resume until sometime around 1984 when Mark Tansey, Alison Saar, Judy Fiskin, Carrie Mae Weems, David Salle, Manuel Ocampo, among others became stars in an exploding art market. However, this is far from the reality of the L.A. art scene in the 1970s. The passing of those fashionable 1960s-era icons, in fact, allowed the development of a chaotic array of outlandish and independent voices, marginalized communities, and energetic, sometimes bizarre visions that thrived during the stagnant 1970s. Fallon's narrative describes and celebrates, through twelve thematically arranged chapters, the wide range of intriguing artists and the world--not just the objects--they created. He reveals the deeper, more culturally dynamic truth about a significant moment in American art history, presenting an alternative story of stubborn creativity in the face of widespread ignorance and misapprehension among the art cognoscenti, who dismissed the 1970s in Los Angeles as a time of dissipation and decline. Coming into being right before their eyes was an ardent local feminist art movement, which had lasting influence on the direction of art across the nation; an emerging Chicano Art movement, spreading Chicano murals across Los Angeles and to other major cities; a new and more modern vision for the role and look of public art; a slow consolidation of local street sensibilities, car fetishism, gang and punk aesthetics into the earliest version of what would later become the "Lowbrow" art movement; the subversive co-opting, in full view of Pop Art, of the values, aesthetics, and imagery of Tinseltown by a number of young and innovative local artists who would go on to greater national renown; and a number of independent voices who, lacking the support structures of an art movement or artist cohort, pursued their brilliant artistic visions in near-isolation. Despite the lack of attention, these artists would later reemerge as visionary signposts to many later trends in art. Their work would prove more interesting, more lastingly influential, and vastly more important than ever imagined or expected by those who saw it or even by those who created it in 1970's Los Angeles. Creating the Future is a visionary work that seeks to recapture this important decade and its influence on today's generation of artists. Features Summary Conceived as a challenge to long-standing conventional wisdom, Creating the Future is a work of social history/cultural criticism that examines the premise that the progress of art in Los Angeles ceased during the 1970s--after the decline of the Ferus Gallery... Author Michael Fallon Publisher Counterpoint Release date 20140828 Pages 405 ISBN 1-61902-343-1 ISBN 13 978-1-61902-343-7

Buy A New and Native Beauty, The Art and Craft of Greene and Greene (ed) E. R. Bosley and A. E. Mallek for R300.00

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days In 1859, the American Fur Company set out on what would then be the longest steamboat trip in North American history--a headline-making, 6,200-mile trek along the Missouri River from St. Louis to Fort Benton in present-day Montana, and back again. Steamboats West is an adventure story that navigates the rocky rapids of the upper Missouri to offer a fascinating account of travel to the raw frontier past the pale of settlement. It was a venture that extended trade deep into the Northwest and made an enormous stride in transportation. Drawing on the journals of Dr. Elias Marsh and Charles Henry Weber and the official accounts of Charles P. Chouteau and Capt. William Franklin Raynolds, who traveled aboard the steamboats "Spread Eagle "and "Chippewa," authors Lawrence H. Larsen and Barbara J. Cottrell weave together firsthand accounts of the river journey with helpful commentary. Along the way, they interject the river's environmental history and portraits of the Native peoples who lived along the upper Missouri. Marsh and Weber remark on everything from the Montana landscape to mosquitoes to Mandan villages, and Weber's never-before-published journal illustrates the recent technological changes that made their voyage possible. In the years after the Lewis and Clark expedition and before the Civil War, steamboats were crucial in establishing commercial water routes in the inland West. Larsen and Cottrell's depiction of this one celebrated ride brings steamboat transport back to life as modern, fast, and imposing--an apt symbol of the westward expansion that spawned it. Features Summary In 1859, the American Fur Company set out on what would then be the longest steamboat trip in North American history--a headline-making, 6,200-mile trek along the Missouri River from St... Author Lawrence H. Larsen (Author), Barbara J. Cottrell (Author) Publisher Arthur H. Clark Co Release date 20101201 Pages 256 ISBN 0-87062-385-0 ISBN 13 978-0-87062-385-1