Muddy

Buy MUDDY WATERS King Bee LP [LOCAL] LP VINYL RECORD for R150.00

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 24 hours Features Contributors Joe Bonamassa Format CD Release date 20150329

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days Features Contributors Joe Bonamassa Format CD Release date 20150329

Buy The Rough Guide to Muddy Waters - Country Blues (Reborn and Remastered) (Vinyl record) for R235.00

Buy THE BLUES COLLECTION Vol 11 MUDDY WATERS Chicago Blues for R50.00

Used CD but has no to minimal visible damage. I have many of these CDs in stock from the BLUES COLLECTION, so please check my listings using the search engine using the words "THE BLUES COLLECTION". Sold as is, no returns and ships only within South Africa. 

Boss DS-1 Distortion THE BENCHMARK IN GUITAR DISTORTION The DS-1 Distortion is a true icon in the world of guitar effects. Introduced in 1978, BOSS’s first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that’s been a staple of players for generations. The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today. Features: Legendary distortion used by guitarists everywhere since 1978 Classic tones for all types of music Hard-edged attack remains clear even at maximum distortion settings, ideal for heavy rhythms and cutting solos Works great as a booster at low distortion settings Unique tone control offers a wide range of sound shaping Doesn’t mask the unique sound characteristics of different guitars, pickups, and styles Turning down the guitar’s volume cleans up the tone without introducing muddiness BOSS five-year warranty Genre-Defining Distortion Before the DS-1, most distortion pedals produced harsh, buzzy tones and muddy sound at high gain settings. In 1978, BOSS engineers changed all that by developing a unique distortion circuit for the DS-1 that produces tight, hard-edged gain with rich harmonics while retaining the unique characteristics of different guitars and playing techniques. Hard rock, metal, and punk styles began to flourish in the ‘70s and ‘80s, and the DS-1’s tone had a defining influence on these genres. That trend has endured through multiple generations, and players around the world continue to seek out the classic DS-1 sound. Gain from Mild to Heavy From its modest three-knob interface, many different sound colors can be coaxed from the DS-1. Its pioneering two-stage circuit incorporates both transistor and op-amp gain stages. This approach is critical to the DS-1’s characteristic low-frequency fullness, which is loved by guitarists that play heavy music genres. The distortion knob offers an extremely wide range, from a mild boost for driving amps and pedals to full-throttle gain for monster rock riffs. Powerful Tone Shaping Unlike typical tone controls that only cut highs, the DS-1’s tone circuit features an innovative design that offers far more range. Turning the knob clockwise increases highs and decreases lows, while going counter-clockwise has the opposite effect. This lets you dial in everything from tight, cutting rhythm sounds to smooth, fat lead voices. The tone control is particularly effective for maintaining low-end definition when using the DS-1 as a booster with vintage-style amps, which often sound muddy when driven with other distortion pedals. Specifications: Nominal Input Level-20 dBu Input Impedance 470 k Ω Nominal Output Level-20 dBu Output Impedance1 k Ω Recommended Load Impedance10 k Ω or greater Controls -Pedal switch -TONE knob -LEVEL knob -DIST knob Indicator CHECK indicator (Used for indication of check battery) Connectors -INPUT jack: 1/4-inch phone type -OUTPUT jack: 1/4-inch phone type -DC IN jack Power Supply Alkaline battery (9 V, 6LR61) or Carbon-zinc battery (9 V, 6F22) AC adaptor (PSA series: sold separately Current Draw10 mA Expected battery life under continuous use Carbon: Approx. 50 hours Alkaline: Approx. 80 hours Accessories Owner's manual Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information") Carbon-zinc battery (9 V, 6F22) Option (sold separately) AC adaptor (PSA series) SIZE AND WEIGHT (INCL. BATTERY): Width 73 mm Depth 129 mm Height 59 mm Weight 400 g Please confirm stock availability before purchasing We are an authorized dealer of the best sound, dj equipment, studio equipment and lighting Free delivery anywhere in the country on orders over a R1000 Delivery 24-48 hours to all major cities 48-72 hours to outlying areas Warranty Type: Authorized Dealer 12 Months Warranty. All go

EMG EXG Guitar Expander Active Tone Control Product Description For flexibility in tone at your fingertips there is no better choice than the EXG Guitar Expander. The frequency response of the EXG is similar to normal guitar amp equalization. The lows and highs are boosted while the midrange is dipped out. The EXG is great for creating a fuller tone that doesn't get muddy, while keeping it clean and clear, letting your guitar stand out in the mix. | Tone control for guitar | Frequency response similar to guitar amp equalization | Creates fuller tone that doesn't get muddy | Works with both active and passive pickups | Includes output jack and battery clip set

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. From your first strum you'll know that the M1 is pure magic. What makes it so differentIJ The secret is the breakthrough patent-pending TriAxial Dynamic Technology developed by Gary Garrett and lloyd Baggs. This new technology allows the pickup to respond to the guitar's string and body vibrations. The M1 redefines what is possible from a soundhole pickup and eliminates the trade-off between ease and performance. It's never been easier to get superior live sound! Details FEATURES - Highly feedback-resistant - Adjustable pole pieces - A perfect blend of string and body signal - Quiet, hum-free operation - Built-in gold plated 1/8 jack makes moving or removing the pickup a snap - Includes a pre-wired strapjack harness and 10' cable for no cut installation THE M1 EXPOSED The M1 is a humbucking pickup -- with a twist. In a common stacked humbucker, the second, lower coil cancels hum, but doesn't contribute anything positive to the sound. In fact, it can muddy the sound of the main coil. We unlock the second coil. This allows it to make a positive sonic contribution while maintaining the pure open sound of a single coil -- but without the hum. TRIAXIAl DYNAMIC TECHNOlOGY EXPlAINED In the M1, the hum-canceling coil is suspended under the main coil by a tuned support that allows it to move in three dimensions. The primary coil moves with the guitar top and creates a body signal in the suspended secondary coil. This brings the M1 to life, with string and body sound all in one. It's like having a dual pickup system in your soundhole. We've carefully tuned the support to control motion in all three dimensions. This allows us to selectively add the presence and realism from the body signal while suppressing runaway feedback.

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. The Biyang OD-10 Mad Driver is a souped up Tube Screamer with more options. Has three modes with varying EQ and Gain levels. There is Normal mode which is a Tube Screamer but less muddy in the mid ranges. There is also Bright mode which has more trebly attack in the clipping. lastly, there is the truly great Warm mode which has a bit more compression so feels oh so velvety. This is a fantastic overdrive pedal that is simply better than a TS. No need to pay boutique prices. Sounds great, and is built like a tank. Features: Warm Analog Overdrive Three Modes: Normla, Bright, and Warm Volume, Tone, and Drive Controls True Bypass Super solid metal casing Uses 9V battery or standard Boss style adapter Package included: 1 * effects pedal (without battery)

PA12-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 12 input (8 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA12-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA12-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

PA20-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA20-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA20-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA12 is a robust, compact 12 input (8 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA12 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp Socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA28 is a robust, compact 28 input (24 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA28 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

Samson's Auro X12D 2-Way Active Loudspeaker provides outstanding reliability and sound quality for musicians, DJs and other live sound professionals. When sound matters, the Auro X12D is the solution. asting impressive power in a roadworthy, lightweight design, the X12D features a -watt Class D amplifier that produces sound with incredible clarity and definition at all volume levels. The speaker's bi-amplified circuit ensures its high and low frequency drivers are able to output high-integrity signal without distortion. The X12D offers Samson's proprietary Reactive Alignment digital signal processing technology. Through a meticulous study of transducer response, Samson engineers were able to program the ideal EQ adjustments needed to overcome traditional loudspeaker issues such as masked high frequencies from horn reflections and muddy mid-range from woofer surface reflections. In addition, the X12D’s crossover network features Infinite Impulse Response (IIR) filters and transducer time alignment algorithms for superb frequency balance. Designed to provide exceptional reliability, the X12D's integrated overcurrent and temperature sensors constantly monitor the power supply and amplifier while quietly applying necessary adjustments. No fans, no worries… just great sound. The X12D features a custom 12” low frequency driver and a 1.34” titanium compression driver. Both drivers are carefully designed to provide fast recovery with minimal distortion. The compression driver is mounted to a 60° x 90° horn, matching the larger dispersion angle of the LF driver. This creates a balanced sound for the entire audience, especially when it comes to vocals that reside in the critical upper-mid frequencies. The X12D’s dedicated 2-channel mixer provides Volume controls for each channel, as well as a Master Volume control for the system’s overall output level. In addition, Channel 1 features a Mic/Line switch for both microphone and line-level connections. The speaker’s XLR line output circuit gives you extra routing options to expand your system. The X12D delivers superior application flexibility with its 3-position high pass filter (HPF) and EQ presets. For additional versatility, its cabinet design supports dual-angle floor monitor positioning and provides a standard locking pole mount receptacle for stand and satellite mounting. Compact, lightweight Class D 2-way active loudspeaker watts of output power 12" extended range low frequency driver mm) titanium compression driver Samson's R.A.M.P. (Reactive Alignment/Maximum Protection) DSP technology Two XLR-1/4" combo input channels with independent volume controls Selectable Mic/Line Level Switch(Channel 1) Master Volume control with peak indicator 3-position EQ and HPF presets XLR Link output allows expanded sound to additional speakers Solid polypropylene enclosure with impact resistant design Full metal grill protects all speaker components Two large ergonomic carry handles Integrated 1 3/8" speaker stand mount Dual-angle floor monitor positioning options

Samson's Auro X15D 2-Way Active Loudspeaker provides outstanding reliability and sound quality for musicians, DJs and other live sound professionals. When sound matters, the Auro X15D is the solution. Boasting impressive power in a roadworthy, lightweight design, the X15D features a -watt Class D amplifier that produces sound with incredible clarity and definition at all volume levels. The speaker’s bi-amplified circuit ensures its high and low frequency drivers are able to output high-integrity signal without distortion. The X15D offers Samson's proprietary Reactive Alignment digital signal processing technology. Through a meticulous study of transducer response, Samson engineers were able to program the ideal EQ adjustments needed to overcome traditional loudspeaker issues such as masked high frequencies from horn reflections and muddy mid-range from woofer surface reflections. In addition, the X15D's crossover network features Infinite Impulse Response (IIR) filters and transducer time alignment algorithms for superb frequency balance. Designed to provide exceptional reliability, the X15D's integrated overcurrent and temperature sensors constantly monitor the power supply and amplifier while quietly applying necessary adjustments. No fans, no worries… just great sound. The X15D features a custom 15” low frequency driver and a 1.34” titanium compression driver. Both drivers are carefully designed to provide fast recovery with minimal distortion. The compression driver is mounted to a 60° x 90° horn, matching the larger dispersion angle of the LF driver. This creates a balanced sound for the entire audience, especially when it comes to vocals that reside in the critical upper-mid frequencies. The X15D's dedicated 2-channel mixer provides Volume controls for each channel, as well as a Master Volume control for the system’s overall output level. In addition, Channel 1 features a Mic/Line switch for both microphone and line-level connections. The speaker's XLR line output circuit gives you extra routing options to expand your system. The X15D delivers superior application flexibility with its 3-position high pass filter (HPF) and EQ presets. For additional versatility, its cabinet design supports dual-angle floor monitor positioning and provides a standard locking pole mount receptacle for stand and satellite mounting. Compact, lightweight Class D 2-way active loudspeakers watts of output power 15" extended range low frequency driver mm) titanium compression driver Samson's R.A.M.P. (Reactive Alignment/Maximum Protection) DSP technology Master Volume control with peak indicator Two XLR-1/4" combo input channels with independent volume controls 3-position EQ and HPF presets XLR Link output allows expanded sound to additional speakers Solid polypropylene enclosure with impact resistant design Full metal grill protects all speaker components Two large ergonomic carry handles Integrated 1 3/8" speaker stand mount Dual-angle floor monitor positioning options

Oregon Scientific ATC Mini Action Video Camera Product Info Introducing the latest action camera from Oregon Scientific; the ATC Mini Action Camera is a super lightweight, compact, waterproof and rugged action camera suitable for the toughest of conditions. The camera records at 720P HD video and can plunge to depths of 20 meters making it suitable for all your on-land, off-land and even underwater activities. The ATC Mini is a self-contain action camera recording straight to a micro SD (expandable up to 32GB) and includes a removal and rechargeable lithium battery which offers you over 1.5 hours of recording time. The unit includes both a TV-Out jack and Mini USB allowing you to watch video on your TV plus Edit, Save and Share via your PC/Mac. The ATC Mini features a new super robust mounting system that not only keeps your camera secure and wobble-free during filming it also allows you adjust the camera in any angle or elevation to get that perfect shot. A full range of accessories are available including hard-shell helmet mount, handle bar mount, surf mount and vented helmet mount. Tough enough to follow you anywhere. You don¿t have to be a pro to look like one on film, thanks to the ATCMini Action Camera! Go extreme and capture every action-packed moment, whether you¿re at the skatepark, biking down a muddy mountain trail, or catching that killer wave on your surfboard, all without breaking the bank. The lightweight ATCMini is hands-free and so simple to use, it will never come between you and the adventure! Features: Records 720P HD and 1.3MP photos Waterproof up to 20m (60ft) FOV 110°lens Tolerates temperatures ranging from 0º C to 40º C Removable rechargeable lithium battery offers 1.5 hours recording time Silicone sleeve TV-out jack Mini USB jack (cable included) Micro SD card slot Built-in microphone Buzzer Mac-compatible Vented helmet mount included Energy consumption: DC3.7V 0.92W Package Contents: Oregon Scientific ATC Mini Action Video Camera

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 4 - 8 working days Powerful African voices and rhythms convey the deep connection of the blues to it's African roots. This collection is the musical equivalent of a family reunion. Blues music was born in the southern United States, but its DNA is undeniably African. The trajectory of African and African-American music is like separate halves of a circle; while they started in the same place, they grew apart for a while and then curved back to meet each other again. When Africans were finally reunited with the blues created by their African-American cousins, they were amazed by the similarities with their own music. The pentatonic scale and the penchant for bending notes to enhance the emotional poignancy of a melody are still fundamental aspects of African and African-American music. In the mid-1900s, when Africans started hearing music by American blues legends such as John Lee Hooker and Muddy Waters, it resonated with them. They began to imitate the styles they heard on records and the radio. In recent years, many American and European musicians have recorded and performed with musicians from Africa, and several songs on this collection represent these cross-cultural collaborations. Features Summary Powerful African voices and rhythms convey the deep connection of the blues to it's African roots. This collection is the musical equivalent of a family reunion... Contributors Various Format CD Release date 20150303

Style Name:With Mic | Colour Name:Purple Product Description Lightweight Ergonomic Fit Click here for a larger image Skullcandy Uprock 2.0 On-Ear Headphones Skullcandy's Uprock musical burn unit brags twin 40mm drivers, tangle-proof flat cables and a mixed-material composition sturdy enough to deal your beats and withstand opposing jerks, drops and hustle without breaking. Don't mistake the ergonomic design, soft-touch finish, and plush ear pillows for weakness this headphone thrives on around-the-clock rocking. True to its urban dance-based namesake, Uprock is the ideal tool of engagement for synchronizing music with your daily routine. Plus, you can keep your colours correct without losing your shirt. About Skullcandy Skullcandy became the world's most distinct audio brand by bringing colour, character and performance to an otherwise monochromatic space; revolutionising the audio arena by introducing headphones, earbuds and other audio and wireless lifestyle products that possess unmistakable style and exceptional performance. From the award-winning, optic-inspired Roc Nation Aviator headphones to the evolutionary fitting FIX earbuds and a roster of the world's finest athletes, musicians and artists, Skullcandy continues to redefine world-class audio performance and style. Tangle-Free Flat Cable Click here for a larger image Skullcandy is committed to innovative designs, ensuring your favourite headphones perform according to your needs. The ergonomics of Skullcandy product features are engineered to perfectly fit the anatomy of your head and ear. Skullcandys unique design solutions conquer industry and user problems. Skullcandy has developed a number of headphone collections to enhance end-user style and keep you true to your core. Supreme Sound Tuning Skullcandy is committed to delivering true, premium audio and their new Supreme Sound tuning gives your favourite music the full range of attacking bass, natural vocals and precision highs. Created by a team of the world's leading acoustic engineers, Supreme Sound is the exclusive audio experience only Skullcandy can deliver. It is engineered to the consumers playlist to deliver the best possible tonal balance of bass, vocals and highs. 40mm Audio Drivers Click here for a larger image Bass, Vocals & Highs These three audio components encompass the entire audio spectrum and are the foundation of the Supreme Sound Experience. Through Supreme Sound, Skullcandy has defined the way bass, vocals and highs should sound in all of their products. Consumer headphones often deliver suppressed muddy bass or exaggerated boomy bass. Attacking Bass packs a sound that is punchy and powerful. Natural Vocals Conventional headphones can sound tinny and hollow like they are being pushed through an AM radio. Supreme Sound creates a warm and smooth listening experience so you can hear every inflection in your favourite songwriters lyrics, as if you were standing beside them. Precision Highs Typical headphones in the market create a harsh or dull sound that can be fatiguing to the ears, however, Skullcandy engineer their headphones to produce clean and spacious highs, not piercing or muted highs like you may have heard in other headphones. Supreme Sound delivers perfect highs for the final element of an amazing audio experience. Box Contains Skullcandy Uprock On Ear Headphones With Mic    

Skullcandy - S6HSGY-399 Hesh 2.0 W/MIC1 Bunny CoralL/LHT Gry Whether you're commuting or pushing your board to catch class, Hesh 2 provides a premium music experience. Housed in a sleek design with simplified aesthetic, it proves that even the rebellious evolve. An innovative upgrade from its iconic predecessor, Hesh 2 is built for everyday. Most headphones' bass is either suppressed and muddy or exaggerated and boomy. Our Supreme Sound "Attacking Bass" experience hits with punchy and powerful bass that's engineered for your music. We've all heard headphones with hollow or tinny vocals that sound like they're coming from an AM radio. Supreme Sound let's you hear warm and smooth vocals as if you were standing beside your favorite songwriter. We engineer our headphones to produce clean f spacious highs, not piercing or muted highs like you've probably heard in other headphones. Supreme Sound delivers perfect highs for the final element of an amazing audio experience. Mic1 allows you to take and make calls with most smartphones. Play, pause and skip trackis with the push of a button keeping the headphones in place while you chat with a friend and then return to your music

Intelligent Multiband Compression for Dynamic Players Equipped with cutting-edge BOSS technology, the BC-1X Bass Comp performs far beyond the capabilities of conventional bass compressor pedals. This premium stompbox features pro-level multiband compression controlled by intelligent circuitry, making it simple to dial in natural sounds for any playing style. The advanced design responds to different dynamics and registers to apply the perfect amount of compression in real time, ensuring that your tone never gets over-squeezed or muddy. Transparent, powerful, and easy to use, the BC-1X is a must-have tool that delivers studio-quality punch and precision for dynamic players.

Evans - EB13G1RD 13 G1 Rev Dot A controlled sound but with resonance and sensitivity at all tuning and dynamic ranges, EC Snare head combines two-plies of film (6.5mil external, 10mil internal) with Evan's 'Edge Control' technology to eliminate the mid-range frequencies that muddy up the mix, leaving crisp highs and deep lows. The reverse dot version lends added durability and accentuated attack without choking the overall sound. Evans EC snare heads feature two plies of film. The combination of a 7mil top ply and a 10mil bottom provides a controlled sound but with resonance and sensitivity at all tuning and dynamic ranges. Sound Shaping Technology (SST) rings on the underside reduce unwanted frequencies and enhances attack. The Reverse Dot lends extra durability, focus and attack in the center.

Evans - EB14ECSRD 14 EC2 Rev Dot SNR BTR Evans 14" EC Reverse Dot two-ply snare batter head with Edge Control technology provides a pre-EQ sound, removing troublesome mid-range overtones that muddy the snare drum's sound. The Reverse Dot lends extra durability, focus and attack in the center. Evans EC series features two plies of film. The outer ply of 7mil and the inner ply of 10mil provides a controlled sound but with resonance and sensitivity at all tuning and dynamic ranges The Edge Control ring mounted on the underside eliminates unwanted mid-range frequencies and enhances attack.

Skullcandy - S6HSGY-367 Hesh 2.0 W/MIC1 Camo/Olive/Olive Whether you're commuting or pushing your board to catch class, Hesh 2 provides a premium music experience. Housed in a sleek design with simplified aesthetic, it proves that even the rebellious evolve. An innovative upgrade from its iconic predecessor, Hesh 2 is built for everyday. Most headphones' bass is either suppressed and muddy or exaggerated and boomy. Our Supreme Sound "Attacking Bass" experience hits with punchy and powerful bass that's engineered for your music. We've all heard headphones with hollow or tinny vocals that sound like they're coming from an AM radio. Supreme Sound let's you hear warm and smooth vocals as if you were standing beside your favorite songwriter. We engineer our headphones to produce clean f spacious highs, not piercing or muted highs like you've probably heard in other headphones. Supreme Sound delivers perfect highs for the final element of an amazing audio experience. Mic1 allows you to take and make calls with most smartphones. Play, pause and skip trackis with the push of a button keeping the headphones in place while you chat with a friend and then return to your music

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 15 - 20 working days Features Contributors Muddy Waters Format Vinyl record Release date 20150423

Serious Power & Sonic Purity. Samson's Auro X12D 2-Way Active Loudspeaker provides outstanding reliability and sound quality for musicians, DJs and other live sound professionals. When sound matters, the Auro X12D is the solution. Ultra-Efficient Power Boasting impressive power in a roadworthy, lightweight design, the X12D features a 1,000-watt Class D amplifier that produces sound with incredible clarity and definition at all volume levels. The speaker's bi-amplified circuit ensures its high and low frequency drivers are able to output high-integrity signal without distortion. Maximum Protection Designed to provide exceptional reliability, the X12D's integrated overcurrent and temperature sensors constantly monitor the power supply and amplifier while quietly applying necessary adjustments. No fans, no worries… just great sound. Reactive Alignment The X12D offers Samson's proprietary Reactive Alignment digital signal processing technology. Through a meticulous study of transducer response, Samson engineers were able to program the ideal EQ adjustments needed to overcome traditional loudspeaker issues such as masked high frequencies from horn reflections and muddy mid-range from woofer surface reflections. In addition, the X12D’s crossover network features Infinite Impulse Response (IIR) filters and transducer time alignment algorithms for superb frequency balance. Compact, lightweight Class D 2-way active loudspeaker 1,000 watts of output power 12" extended range low frequency driver 1.34" (34mm) titanium compression driver Samson's R.A.M.P. (Reactive Alignment/Maximum Protection) DSP technology Two XLR-1/4" combo input channels with independent volume controls Selectable Mic/Line Level Switch(Channel 1) Master Volume control with peak indicator 3-position EQ and HPF presets XLR Link output allows expanded sound to additional speakers Solid polypropylene enclosure with impact resistant design Full metal grill protects all speaker components Two large ergonomic carry handles Integrated 1 3/8" speaker stand mount Dual-angle floor monitor positioning options Please confirm stock availability before purchasing We are an authorized dealer of the best sound, dj equipment, studio equipment and lighting Free delivery anywhere in the country on orders over a R1000 Delivery 24-48 hours to all major cities 48-72 hours to outlying areas Warranty Type: Authorized Dealer 12 Months Warranty. All goods are subject to supplier discretion Replacement Guarantee: 30 Days: All goods are subject to supplier discretion Our Shop Shop F2 Second Level The Conservatory at Lakefield 106 Lakefield Avenue Lakefield Square Benoni Contact us at 110 - show phone - Tian - 718 - show phone - /Whatsapp Carlo - 844 - show phone - /Whatsapp Trading Hours: Monday - Friday 9:00am - 17:00pm Saturday 9:00am - 15:00pm If you can't find what you are looking for give us a call and we will gladly assist you

1. Windy Town 2. The Downtown Lights 3. Leave Virginia Alone 4. Sweetheart Like You 5. This 6. Lady Luck 7. You're The Star 8. Muddy, Sam And Otis 9. Hang On St. Christopher 10. Delicious 11. Soothe Me 12. Purple Heather

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days Features Contributors Muddy Waters Format CD Release date 20150309

Free and discounted shipping on bulk purchases (postal and courier). See shipping for details.   Windy Town     The Downtown Lights     Leave Virginia Alone     Sweetheart Like You     This     Lady Luck     You're The Star     Muddy, Sam And Otis     Hang On St. Christopher     Delicious     Soothe Me     Purple Heather

  1. Better Days  2. Lucky Town  3. Local Hero  4. If I Should Fall Behind  5. Leap Of Faith  6. The Big Muddy  7. Living Proof  8. Book Of Dreams  9. Souls Of The Departed10. My Beautiful Reward