Mix matched

I am selling 2 platinum enclosure speakers 1 is a peavey PRO and the other is slightly smaller cab called sound max both woofer and driver's working fine selling them for R (pair)

The Rane SL4 for Serato Scratch Live is the first standalone DJ interface to offer two USB ports, superior sound with 96kHz sample rate and 24-bit digital audio processing and galvanic isolation to eliminate computer noise and interference. The SL4 connects four vinyl turntables or CD players to your computer and the mixer of your choice. Using special control vinyl, CDs or MIDI controllers, you can scratch and mix files from your Mac or Windows computer's CD or hard drive. This intuitive system replicates the traditional DJing experience for "real feel" usability. Teamed with low latency ASIO and Core Audio drivers, the SL 4 can also be used as a high-grade studio production tool¿all of this in one powerful package, masterfully crafted by Rane. Included software: Scratch Live Scratch Live supports all these file formats: Fixed and Variable Bit Rate MP3, AIFF, AAC, ALAC, WAV, OGG Vorbis, CD Audio and direct from the mixer. Record from your mixer's Aux output and immediately scratch as if it was on vinyl. Record direct from vinyl or CD and save as a 24-bit / 48kHz or 96kHz stereo file. Easily import your playlists and iTunes library. You can drag from Explorer (Windows) or the Finder (Mac) into the Scratch Live library. The crate and subcrate system helps organize your library and sets. Hot-swap external drives with fast automatic library merging and retention of crates. Browse your music collection by album, artist, BPM, or genre, with optional album art display. Intuitive search function can be applied to any field to find things quickly. Edit ID3 tags with full Unicode support. Pre-processing of MP3 files is not required except to detect corrupt files or use the auto-BPM and auto-gain functions. Auto-BPM detects tempo information for tracks without it, saving it with each file. A tap tempo button allows you to enter your own. Auto-gain lets you set a target gain on any or all songs in your library. You can also manually adjust individual gain, remembered in each song file. The Virtual Deck shows everything about the speed and position of a track. As the vinyl rotates, so does the line on the label. The circular progress bar around the edge is a visual representation of the position within the song. The time and remaining time are displayed in minutes and seconds. The turntable speed as a percentage of pitch shift is on the left, and the pitched BPM is on the right. Different operating modes can be assigned to each Virtual Deck: Absolute Mode ¿exact reproduction of record movement, needle drop through tracks ¿ just like normal vinyl. The beginning of the track is mapped to the start of the record. Relative Mode ¿skip-free scratching, jump to cue points, and pitch bend buttons combined with turntable control. This mode observes the relative forward and backward movement of the record, but does not regard the position within the record. Internal Mode ¿mix with just your laptop using features modeled on DJ CD players. Rewind, Bend down, Play / pause reverse, Play / pause forward, Bend up, Fast forward. Auto mode ¿play a sequence of tracks automatically. With Key Lock on, the key or pitch of the song stays locked at what it would be if the track was playing at normal speed, regardless of the platter speed of the turntable or CD player. Key Lock has scratch detection, so it automatically turns off when scratching for a natural scratching sound. Variable zoom waveforms centered around current position display horizontally or vertically. Waveforms are colored by frequency so you can distinguish instruments visually. Full track overview lets you quickly find where the beat drops, find breakdowns and choruses, and jump to any part of the song. The tempo display assists with rapid tempo matching of tracks. When the two tracks are matched to the same tempo, the peaks will line up. Beat display emphasizes the transients in tracks¿these are matched up when the two tracks are beat matched. Visual markers can be set for up to 5 cue points per song and triggered from the keyboard. Save up to 9 loops per track¿these loops are saved in the file, and will be present when you reload. Censor expletives on the fly with an instant quick-reverse and catch-up with no loss of timing or pitch. The software's MIDI control can interface USB controllers with Scratch Live. DJ controller support will vary. Check the latest notes at serato.com for supported controllers. Built-in help and tips in multiple languages are accessible anytime. There is even a low power warning when running off a laptop battery. Control Vinyl Spares Continuous control signal on vinyl allows smooth accurate scratching. Scratch Live has the lowest latency vinyl emulation system on the market. It has advanced vinyl groove and stylus modeling algorithm for a sound indistinguishable from the real thing. The Innovative positioning system allows fast-and-accurate needle dropping. The record has thin marks every minute, and a thicker mark every 5 minutes (played at 33 RPM). These marks assist you when using needle dropping to move through the track. The Vinyl Scroll track allows you to use your turntable or CD to scroll through your crate and pick the next song without touching your laptop. Four copies of black vinyl are included with the SL 4. Side A: 10 minutes plus Vinyl Scroll track. Side B: 15 minutes. Features Inputs for four turntables or CD decks switchable in any combination Two high-speed USB 2.0 ports for seamless DJ changeover and back-to-back performance Aux Input for session recording or LiveFeed Aux Output assignable to the SP-6 Sample Player and The Bridge 48kHz and 96kHz sample rate switch on the SL 4 rear 10-in 10-out USB sound card with any software supporting ASIO or Core Audio Built in galvanic isolation for the purest audio signal Four software-switchable analog Thru connections for regular vinyl or CD Bus power from either USB port or the included external power supply. What comes in the box: The Rane SL 4 is only sold as part of a complete package. The display box includes: 1 SL 4 Interface 1 Soft carry case 1 Serato Scratch Live Software Install Disc. 1 External Power Supply with Country Adaptors. 2 USB Cables 6 Stereo RCA Cables 4 Control CDs 4 Control Vinyl Records 4 Rubber Feet for the SL 4 1 Quick Start Guide 1 Operators Manual

NO COMPROMISE for live aplication and professional installations SPR IEM is a reference wireless diversity in-ear-monitoring receiver for live applications and professional installations. Its provides antenna diversity, with two matched antennas, reference radio electronics design and a manual radio signal attenuator for more robust radio reception in crowded environments. SPR IEM features an automatic set-up function for finding clean frequencies. The receiver provides a backlit display indicating signal strength and battery status. A central positioned on/off/volume control can be operated intuitively. With the Individual mix-function a personalized monitor mix can be set up easily. Integrated charging contacts allow the optional BP battery pack to remain inside the receiver while being charged on the CU charger (optional)Reliable transmission two matched antennas and a new reference radio electronic design Best radio signal performance with manual RF gain control Enhanced automatic setup shows number of free channels and quickly finds a rugged frequency set Reference audio quality powerful headphone amplifier with ultra linear frequency response Individual mix stereo, mono and dual modes

Whether you're recording in the studio or mixing front of house, your mixer is the core of your operation. If it fights you, your work suffers. Many digital consoles are inscrutable on the surface, forcing you to descend into menu purgatory just to perform a simple function. The Allen & Heath Qu-24 Chrome Edition is designed with a clean, logical layout, so you can get to what you need, fast. Featuring audiophile sound quality, touchscreen control, 24 AnalogiQ preamps integrated with DSP, total recall, 25 flying faders, high-efficiency ARM core processing, studio-grade effects, an integrated multitrack USB recorder, and truckloads more, the Allen & Heath Qu-24 Chrome Edition will drastically improve both your workflow and your end product. Intuitive - and very comfortable to work on Having a mixer with massive processing power and sophisticated functionality is nice, but if you can't get to the controls you need instantly, it's all for naught. With the Qu-24, the digital console has evolved to the point where you forget that it's digital, and just get on with your session, fluidly and efficiently. Without menu diving. Allen & Heath put years of research into ergonomics and the hands-on mixing experience, resulting in digital consoles that deliver a natural, logical layout and workflow. Your most-used processing tools are presented clearly on the SuperStrip, with one function per physical control. Whether you're a digital novice or coming from years of analog mixing, you'll find the Qu-24 intuitive - and very comfortable to work on. Touchscreen control speeds up your workflow The Allen & Heath Qu-24 rocks a 16-million-color, 800 x 480 touchscreen with an integrated data encoder - the core of a user interface that gives you quick and easy access to all your settings. Designed for clarity, the user-friendly interface has dedicated keys and screen tabs that let you quickly get to your meter and RTA views, effects racks, channel processing, USB audio control, setup menus, scenes, and much more. AnalogiQ preamps and 24bit conversion, for warm, musical sound Allen & Heath fortified the Qu-24 with 24 of their superb AnalogiQ total-recall preamps. Featuring phantom power, zero crossing detection, and a unique padless 1dB-step gain stage, the preamps are married to the DSP for optimum transparency and gain accuracy. The analog signal is captured by high-quality, low-latency 24bit A-D converters matched to high-grade 24bit D-A converters. A&H has spent considerable time refining the AnalogiQ design so it gives you stellar transparency, with minimum distortion and a vanishingly low noise floor. But how do these preamps sound? Total-recall moving-fader automation supercharges your mixing We first saw moving faders on some of the high-end, large-format consoles of the late 1970s. With the advent of digital technology, "flying" faders later became fairly standard, albeit not on entry-level digital mixers. Fader automation is a must-have for efficient mixing, particularly when you're dealing with multiple monitor mixes. Simply push a mix key and the faders immediately fly to the send levels for that mix. The Qu-24 sports 25 motorized ALPS faders. The 24 channel faders are arranged over two layers, giving you instant access to all your channels and masters in a compact space. There's also a dedicated master fader which dynamically follows your mix selection. A third (custom) layer is available for the configurable user strip layout, where you can assign any combination of Inputs, FX Sends, FX Returns and Mix masters. Features: 24 AnalogiQ total-recall preamps integrated with DSP for optimum transparency and gain accuracy Ergonomic layout and workflow is comfortable, fluid, and intuitive Color touchscreen and dedicated data encoder give you quick and easy access to all settings Key processing tools are presented clearly on the SuperStrip, with one function per physical control 25 automated, motorized ALPS faders (24 arranged over two layers) speed up and enhance your mixing Four groups give you subgrouping flexibility to LR for level masters and/or processing Total recall lets you save and recall scenes (snapshots) at the press of a button Onboard studio-grade dynamics and FX algorithms derived A&H's iLive pro touring series Built-in interface streams multitrack audio to/from your Mac (OSX class-compliant) Plug-and-play with any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools Qu-Drive delivers 18 channels of 48kHz/24bit recording/playback to/from your USB hard drive Five dedicated cores of high efficiency ARM processing provide state-of-the-art processing Optional Qu-Pad app frees you to tweak monitors and PA from your iPad, onstage or around the venue Fully compatible with A&H's ME Personal Mixing System dSNAKE port lets you connect to a remote AR2412 or AR84 Stagebox via Cat 5e digital snake Matrix adds 2 further stereo outputs equipped with full processing to the console's extensive I/O 18 gauge, cold-rolled Zintec steel frame delivers strength rigidity, and distinctive looks

DBX Compressor After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the Stereo Compressor/Limiter/Gate. Want to instantly add that classic dbx response to your mix? It's there at the touch of the "Auto" button. Or use the independent Attack and Release controls to tailor the to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio. For overall speaker protection, our new PeakStopPlus does all previous circuits one better. With a new design, the PeakStopPlus represses those unwanted transients from blowing your drivers while minimizing the distortion common to many other "hard" limiters. Selectable Hard-Knee or OverEasy characteristics make the ideal for your gain control needs, whether you're looking for "heavy" almost-special-effects compression or soft, smooth gain leveling. New lightpipe technology replaces standard LED's found on most other units, making the both very easy to read and much easier to operate. In the studio, broadcast facility or on the road with a P.A. system, the is designed for perfectly simple operation. The allows you to eliminate unwanted signals, flexibly control overall signal gain and guard your overall mix in dual mono or stereo operation. At the heart of the is our new dbx V2 VCA. Developed especially for the and other 10 series products to come, this revolutionary VCA boasts superb dynamic range characteristics while maintaining very low distortion and almost immeasurable noise characteristics. The bottom line is this: a new VCA working in conjunction with world class design makes the dbx perform better than compressors selling for hundreds more. State-of-the art-technology VCA's, meticulous component selection, and scrupulous testing procedures are just a few more reasons that the new dbx is the latest in a long line of pedigreed dbx signal processors.

After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the 1066 Stereo Compressor/Limiter/Gate. Want to instantly add that classic dbx response to your mix? It's there at the touch of the 'Auto' button. Or use the independent Attack and Release controls to tailor the 1066 to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio. For overall speaker protection, our new PeakStopPlus does all previous circuits one better. With a new design, the PeakStopPlus represses those unwanted transients from blowing your drivers while minimizing the distortion common to many other 'hard' limiters. Selectable Hard-Knee or OverEasy characteristics make the 1066 ideal for your gain control needs, whether you're looking for 'heavy' almost-special-effects compression or soft, smooth gain leveling. New lightpipe technology replaces standard LED's found on most other units, making the 1066 both very easy to read and much easier to operate. In the studio, broadcast facility or on the road with a P.A. system, the 1066 is designed for perfectly simple operation. The 1066 allows you to eliminate unwanted signals, flexibly control overall signal gain and guard your overall mix in dual mono or stereo operation. At the heart of the 1066 is our new dbx V2 VCA. Developed especially for the 1066, 1046 and other 10 series products to come, this revolutionary VCA boasts superb dynamic range characteristics while maintaining very low distortion and almost immeasurable noise characteristics. The bottom line is this: a new VCA working in conjunction with world class design makes the dbx 1066 perform better than compressors selling for hundreds more. State-of-the-technology VCA's, meticulous component selection, and scrupulous testing procedures are just a few more reasons that the new dbx 1066 is the latest in a long line of pedigreed dbx signal processors.

Monitor Audio Bronze FX Surround Speaker Features Acoustically matched with all other Bronze speakers for excellent imaging and timbre consistency in surround applications New C-CAM® gold dome tweeter design 5 1/2 bass/mid-range driver with concave dished C-CAM® cone profile Optimised for di-pole or bi-pole operation by the simple flick of a switch located on the rear terminal panel Single bolt-through driver system, for increased overall bracing and rigidity High quality crossovers with premium grade Polypropylene film capacitors used throughout Premium quality vinyl veneer finishes Developing the perfect mix of reverberant or direct surround sound in a Bronze home cinema system, the wall-hugging New Bronze FX surround speaker will combine seamlessly with front channels to establish the immersive audio experience essential to successful home theatre design. Matched acoustically and aesthetically with its LCR counterparts, its angled-baffle cabinet can be flush-mounted on side or rear walls, and its dispersion characteristics changed at the flick of a switch to accommodate the precise requirements for di-pole (diffuse) or bi-pole (direct) operation. Flanking a single 5 1/2 C-CAM bass/mid driver, dual C-CAM gold dome tweeters are mounted on angled side-panels, helping to create a wider, more enveloping and convincing surround sound-field.

DBX - DBX-1066V Valve Compressor Limiter Gate After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx®. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the 1066 Stereo Compressor/Limiter/Gate. Want to instantly add that classic dbx response to your mix? It's there at the touch of the "Auto" button. Or use the independent Attack and Release controls to tailor the 1066 to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio.

The e 945 is a fully professional super-cardioid vocal microphone which cuts through the mix and offers a smooth, natural sound. Its warm tonal response is matched with rugged construction and excellent feedback rejection. Features Rugged metal body Advanced shock-mount design Consistent on-/off-axis response Hum compensating coil Made in Germany Delivery includes a pouch and a microphone clamp Delivery Includes 1 e 945 MZQ 800 microphone clamp Pouch

reate tight rhythms, harmonies and melodies in moments with MASCHINE - the groundbreaking instrument that combines a pattern-based sequencer, professional sampler, multi-effect unit and VST/AU plug-in host with tactile control. Experience a fully creative workflow with the integrated hardware/software system, combining the flexibility of computer-based music production with straightforward, two-handed control for composing, performing, browsing, sampling, slicing, sound-shaping and tweaking effects. The New Maschine MASCHINE is constantly evolving. The latest MASCHINE generation delivers: New hardware - now in black or white, with new multicolored pads New 1.8 software - free update, with color coding and new effects MASSIVE on board - legendary synth for all MASCHINE users Customize MASCHINE - new CUSTOM KITS and the MASCHINE STAND  Studio Production Centre Make MASCHINE the centerpiece of your studio set-up. With direct access to all software functions via the intuitive hardware, you can easily browse, load, tweak, play, arrange, and automate all sampler, plug-in and effect parameters with full hands-on control. With MASCHINE you can also control and sequence all of your external hardware instruments, or switch to MIDI mode to control other software. Once your track is ready, drag and drop your patterns as MIDI or audio files directly into your DAW to finalize and mix your production. You'll soon realize MASCHINE is a powerhouse capable of revolutionizing the way you make music. Creative Performance Tool MASCHINE is the ultimate performance tool for creative musicians. The controller is super-sturdy yet easily portable. The highly responsive, multi-color pads are addictively playable, and the click buttons, the rotary encoders and the master push encoder provide point perfect control. Two back-lit, high-contrast displays provide optimum visibility so you always know what's going on - even in the most demanding situations.  Use MASCHINE as an instrument and/or MIDI controller for performing your own tracks, or sync it with other gear likeTRAKTOR PRO 2 to add more dynamics to your live set. The colored pads and buttons let you see your sounds, making the workflow smoother than ever while providing irresistible eye-candy on stage. Perform with MASCHINE once, and you'll never want to leave home without it. Supreme Sounds Inside MASCHINE comes with over 6 GB of ready-to-use, professional and inspiring sounds. Create rhythms and melodies right away with the included drum kits, one-shot samples, basses, synths and acoustic instruments - all fully tagged for easy browsing.  With the 1.8 MASCHINE update, all MASCHINE users get the legendaryMASSIVE* synthesizer - a sonic monster for basses and leads with earth-shattering sounds - worth $ ¿ alone. MASCHINE also includesKOMPLETE ELEMENTS, providing more than stunning sounds from the flagshipKOMPLETE 8 andKOMPLETE 8 ULTIMATE.  Expand Your Sound Add extra fuel to your MASCHINE or MASCHINE MIKRO with MASCHINE EXPANSIONS - sonically-specialized packages created by renowned sound designers and artists.  These ready-to-rumble sample kits consist of drum one-shots, matched kits, multi-sampled instruments and pre-programmed patterns and songs. For instant and exclusive use within MASCHINE and MASCHINE MIKRO.  Accessories New MASCHINE accessories! Express your style withMASCHINE CUSTOM KITS - each provides a colored faceplate plus nine coordinated knobs. And get solid, no-slip stability for studio or stage with the MASCHINE STAND. The Wide World of Maschine  The world of MASCHINE is constantly expanding. Check out these other MASCHINE products:  iMASCHINE - iPhone® and iPod touch® App for beats on the move  MASCHINE MIKRO - MASCHINE's little brother  MASCHINE STAND - Strong, secure and solid, for optimum stability and ergonomics

E Munro Egg Speaker - A Revolutionary Active Studio Monitor The sE Munro Egg incorporates a fundamental rethink of the loudspeaker engineering process. The traditional wooden box has been replaced by a scientifically proven, curved enclosure that virtually eliminates diffraction and resonant effects that distort and smear the original sound. The result is a stunning clarity that brings the smallest details into focus and yet delivers the entire mix as a coherent whole. In this video, Andy Munro talks about the the Egg system design, the manufacturing process, his partnership with sE Electronics and the 'Egg' concept: VIDEO: sE Munro Egg - A Revolution In Monitor Design sE Munro Egg 150 Monitoring System The system is complete, with a free standing control unit that delivers a perfect bi-amplified power match to the egg drive units, source select inputs, active analogue crossovers, LF and HF trim pot equalisation for room and location set-up compensation and a mid-band control to emulate the mid-range response of both Hi-Fi and NS10 type speakers. Above all, the sE Munro Egg 150 Monitoring System is designed to deliver the highest quality sound with the absolute minimum of coloration. In one word - Truth. Key Features of the sE Munro Egg 150 Monitoring System Unique monocoque shell construction (rigid and resonant neutral) Near zero diffraction interference (smooth frequency response) No internal standing waves (greatly reduced smearing) Perfect bass port integration (superb transient response) Free standing control unit and integrated amplification with 3m matched speaker cables Dual input switching and level control Ultra fast and low distortion (4*50W) with 100W/Channel headroom indicator Precise 'sweet spot'

I'm selling them both for they worth Selling urgently The self-powered Reveal 601A monitor's perfectly matched integrated amplifier ensures maximum efficiency from the 6.5" woofer and 1" soft dome tweeter and removes any need for a separate power amp. Response has been optimized for quarter space near field operation, such as on a meter bridge or on a table either side of your control surface, while independent gain control is provided on the rear panel, along with HF trim control, to allow fine tuning. The low distortion 6.5" LF/MF driver voicing has been enhanced to deliver a natural and accurate ultra-linear response in the low and midrange frequencies, while the wide bandwidth tweeter extends the amplitude response beyond the 20kHz audibility threshold to 30kHz to improve the phase response within the audible band. This preserves the harmonic structure of sounds and the stability of the stereo image, ensuring stunningly accurate mix translation. The rigid MDF cabinet construction provides stiffness and minimizes coloration, while internal bracing of the sides and rear against the back of the bass driver provides a rigid reactive mass for the moving cone assembly; this ensures fast tight bass response and clear midrange. The curved edged design of the front baffle helps eliminate diffraction, while the front-firing bass port avoids the problem of exaggerated bass response as a result of boundary-coupling – a pitfall inherent with rear-firing designs when positioned close to a wall. The new elliptical tweeter waveguide has also been optimized to control high frequency directivity and minimize diffraction, ensuring a wide and even sweet spot. Both balanced XLR and unbalanced TRS jack inputs complete the versatile package They Mint Condition and cost nearly a pair If Interested Please call

Zoom H5 Handy Portable Digital Audio Recorder with Interchangeable Microphone System -Four-track simultaneous recording, Four Simultaneous Inputs, Includes XY Microphone Module, Record up to 24-bit/96kHz Audio, Doubles as USB Audio Interface, Large backlit LCD display, Uses SD or SDHC Memory Cards up to Max 32GB –Not Included, Retail Box, 1 year Limited warranty Product Overview The Zoom H5 Handy Portable Digital Audio Recorder with Interchangeable Microphone System is a compact unit that records four tracks simultaneously, so it's easy to capture podcast interviews, live performances or audio for video. The Zoom H5 Handy Portable Digital Audio Recorder with Interchangeable Microphone System comes with an XYH-5 X/Y microphone capsule, which features two matched unidirectional condenser microphones for effortless live stereo recording. With its heavy-duty shock mount and rugged, isolated design, the capsule reduces unwanted noise in the field. Alternatively, switch out the XYH-5 for any of Zoom's H5 interchangeable input capsules for greater versatility. Two additional combo XLR/TRS inputs provide convenient connections for additional mics or line-level signals. During a session, adjust track settings within seconds with the easily accessible buttons on the H5's front panel. Clearly marked arming buttons and a dedicated gain control knob for each input lets you control audio levels and ensure ease of use. A large backlit LCD panel displays each configuration clearly in any light, so you can use the H5 for outdoor interviews or dark shooting locations. Protect your settings while you record by flipping the hold switch, which disables all of the front-panel buttons. Highlights • Uses a system of interchangeable input capsules that can be swapped out as easily • Includes detachable X/Y capsule (XYH-5) with extended signal capacity • Shock mounted mics for reduced handling noise • Compatible with all Zoom input capsules • Four-track simultaneous recording • Large backlit LCD display • Records directly to SD and SDHC cards up to 32GB • Compatible with H6 Mic Modules • Optional Shotgun Mic and XLR/TRS Inputs • Record up to 24-bit/96kHz Audio • Doubles as USB Audio Interface • Two mic/line inputs with XLR/TRS combo connectors • Selectable phantom power and -20dB pad • Multitrack to stereo internal mix down