Mackie hr624 high resolution

Mackie HR624 High Resolution Studio Monitors Ea - * High resolution HR624 Active studio reference monitor * Ultra-linear frequency response for accurate mix translation * 6.7-inch high-precision, low-distortion LF transducer * 1-inch titanium dome, ferrofluid cooled tweeter * Optimized Waveguide for wide, even sweet zone * Twin FR Series amps ¿ 100W for LF / 40W for HF * Cast aluminum Zero Edge Baffle¿ minimizes diffraction * Full internal damping eliminates midrange artifacts * Passive radiator provides tight, articulate bass extension down to 45Hz * Acoustic Space, LF roll-off, and HF controls * Balanced XLR, TRS, and unbalanced RCA inputs * OmniMount¿ ready for easy wall/ceiling placement * THX pm3¿ certified for surround sound applications * Perfect for High-Definition audio, cinema and gaming systems *

Mackie HR624mk2 High Resolution Studio Monitor Following the success of the HR824, we developed the HR624, a compact version of our world-renowned original. Like its “big brother,” the HR624 earned a large and loyal following, and it, too, populated a wide range of studios. With their impeccable sound, enviable reputation and affordability, our HR Series changed what people expected of studio monitors, and challenged how our competitors designed theirs. Simply put, the HR Series became the new industry standard. Since the release of the original HR Series in , audio recording—and the studio environment—has changed by leaps and bounds. The greater bit depth and higher sampling rates afforded by digital audio mean recordings are more accurate than ever. Recording technology along every step of the signal chain has advanced, too, from microphones to DAWs, allowing for mixes with massive numbers of precisely captured tracks and huge amounts of processing. With these changes have come new challenges for—and expectations from—a studio monitor. Today’s studio demands a monitor that can reproduce sound as precisely as it is recorded. The same innovation that launched our pioneering HR Series has led to the birth of just such a monitor—as well as a new studio standard. Meet the HRmk2.

The DigiMax D8 is an 8 channel preamplifier featuring 8 award-winning class A XMAX mic preamps with 24-bit ADAT digital output. All eight preamps include variable trim control, 48V phantom power, ultra-fast acting LED metering and 20 dB pad. In addition, 2 instrument inputs are located on the front panel for direct Hi-Z instrument input. Balanced TRS direct analog outputs are located on the rear panel for routing and flexibility. The DigiMax D8 also includes word clock sync input for ultra-low jitter and robust synchronization. The DigiMax D8 is the perfect solution to add eight professional microphone preamplifiers to any digital recording system with ADAT optical lightpipe expansion capability including Digidesign’s HD and 003 systems, RME, YAMAHA, Alesis, Mackie, and many others. The DigiMax D8 includes eight custom-designed high-voltage, discrete, XMAX Class A microphone preamplifiers for all types of microphones. The job of a microphone preamplifier is to boost microphone level signals to line level so that the signal can be converted from analog to digital. This mic to line boost is generally a preamplification of over 400 times the voltage of the original mic level signal. This preamplification stage is one of the most important stages that the signal will go through before converted to digital, and is why a high performance preamplifier is important to achieving great results. All XMAX preamplifiers are built with the same three elements: High Voltage - The XMAX preamplifier runs on power rails of 30V. Most off the shelf op amp based designs run on power rails of 10V to 18V. Higher voltage power rails deliver more headroom, deeper lows, smoother highs and an overall fuller sound. Discrete - No op amps. Only transistors, resistors and capacitors. Op amps add noise, coloration and harshness to a signal. Discrete designs deliver ultra low noise and transparency. Class A - When a circuit is running in Class A mode the circuit is always in an "on" state operating at its optimal voltage requirements. Class A mode has zero crossover distortion and delivers purer, clearer and more musical sonics than class A/B designs which are found in most op-amp circuits. The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range and wide frequency range, and most importantly, musicality and transparency - smooth highs, solid deep lows, and everything in between. Features:    8 XMAX class A microphone preamps w/ trim control 24-bit resolution ADAT digital output 44.1 and 48K sampling rates External sync via BNC word clock input Direct outputs on every channel LED input metering -20dB Pad on every channel 1 year limited guarantee. For more info on this product please click here