Live solo

Live 1604PROFESSIONAL 16-CHANNEL/4-BUS MIXER10 XLR inputs with DNA(TM) microphone preampsDynamic compression (channels 1-6)3-band EQ with sweepable mids4 aux sends; pre/post switching on sends 1 260mm faders with mute and PFL/AFL solo functions100 Alesis DSP effectsUSB audio connectivity with level controlBalanced XLR, balanced/unbalanced 1/4" outputsHeadphone out with independent level controlSwitchable Phantom Power

1977 UK POLYDOR pressing, release number 2672 036, of gate-fold double-album by NEIL SEDAKA: NEIL SEDAKA and SONGS - A Solo Concert - Recorded Live at the London Palladium. The track details are as shown on the images provided. The records have a few faint and ineffective sleeve-scratches, otherwise in a hardly played, excellent condition. The cover has lightly scuffed corners and edges, plus a few light edge crinkles, otherwise in a very good plus shape.            

You could spend another evening comparing equipment online. Or you could spend it recording your demo. Get everything you need to record on iPad, Mac and PC in one big box and get it done. A Complete Studio. You wont need anything else to make professional quality recordings on Mac, PC or iPad. iTrack Solo Studio Pack includes a high quality microphone and headphones, too. Record However You Want. Whatever type of music you want to make, and whatever you want to record it on, iTrack Solo is the simplest way to do it. Sound As Good As You. If you love your songs, you want your recordings to sound as good as the real thing. This large diaphragm CM25 condenser mic captures beautifully crisp and clean sound, so your tracks will always sound as good as you do. It also comes with a long cable and a stand clip, so you can get started straight away. Polish Your Sound. Get all the software you need to record on PC, including Ableton Live Lite and the Focusrite Scarlett Plug-in Suite for easily polishing your mix. Hear Everything and Nothing. The art of recording is all about getting lost in the music. You dont want background noises interfering or distracting you when youre trying to concentrate. These professional standard HP60 closed-back headphones block out background noise and give you absolutely stunning playback. They let you hear everything you want to hear, and nothing you dont so you can stay entirely focused while recording and mixing. Don't Let Good Ideas Get Away. Start recording the moment inspiration strikes, by plugging any instrument or mic straight in. Guitar Bass You Already Know How. Theres no need to learn anything new. Record your songs directly into your favourite apps, including Garageband, Cubasis and Auria. Share with Friends. Upload your tracks straight to Facebook, Soundcloud and YouTube. Release to the World. Make studio-quality recordings that are good enough to release. Ideal for iPad. Certified by Apple and compatible with any Lightning iPad: iPad Pro, iPad mini, iPad mini with Retina Display, iPad (4th gen and up) and iPad Air. Make Some Noise iTrack Solo isnt just for recording. Connect your speakers, crank up the volume and totally immerse yourself in the sound of your music, apps, video games, movies or anything else. The Sound of Success. Capture and play back your sound with pristine quality, using the very latest in digital audio technology.

Premium 16-Input 4-Bus Live Mixer with XENYX Mic Preamps and British EQs Ultra-low noise, high-headroom analog mixer for live, front-of-house, monitor, corporate and touring audio applications 12 state-of-the-art XENYX PRO Mic Preamps plus 4 stereo Line inputs with ultra-high RFI suppression designed for live application Neo-classic "British" 4-band EQs with 2 semi-parametric mid bands for warm and musical sound 4 Subgroup outputs with inserts plus 2 independent main outputs with inserts on Main A 6 Aux sends per channel: 4 pre/post fader switchable for flexible routing Channel inserts and direct outputs on each mono channel Clip and Signal LEDs plus 80 Hz, EQ, Mute, Solo, Subgroup and Main routing switches on all channels 2 multi-functional stereo FX returns with comprehensive routing options 2 Headphone and Speaker outputs with selectable Main/CD/Tape inputs Solo-In-Place with PFL/AFL function plus full-featured Talkback section Long-wearing 60 mm logarithmic-taper faders and sealed rotary controls Internal autorange power supply for maximum flexibility ( V~), noise-free audio, superior transient response plus low power consumption for energy saving High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

Premium 24-Input 4-Bus Live Mixer with XENYX Mic Preamps and British EQs Ultra-low noise, high-headroom analog mixer for live, front-of-house, monitor, corporate and touring audio applications 20 state-of-the-art XENYX PRO Mic Preamps plus 4 stereo Line inputs with ultra-high RFI suppression designed for live application Neo-classic "British" 4-band EQs with 2 semi-parametric mid bands for warm and musical sound 4 Subgroup outputs with inserts plus 2 independent main outputs with inserts on Main A 6 Aux sends per channel: 4 pre/post fader switchable for flexible routing Channel inserts and direct outputs on each mono channel Clip and Signal LEDs plus 80 Hz, EQ, Mute, Solo, Subgroup and Main routing switches on all channels 2 multi-functional stereo FX returns with comprehensive routing options 2 Headphone and Speaker outputs with selectable Main/CD/Tape inputs Solo-In-Place with PFL/AFL function plus full-featured Talkback section Long-wearing 60 mm logarithmic-taper faders and sealed rotary controls Internal autorange power supply for maximum flexibility ( V~), noise-free audio, superior transient response plus low power consumption for energy saving High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

Premium 32-Input 4-Bus Live Mixer with XENYX Mic Preamps and British EQs Ultra-low noise, high-headroom analog mixer for live, front-of-house, monitor, corporate and touring audio applications 28 state-of-the-art XENYX PRO Mic Preamps plus 4 stereo Line inputs with ultra-high RFI suppression designed for live application Neo-classic "British" 4-band EQs with 2 semi-parametric mid bands for warm and musical sound 4 Subgroup outputs with inserts plus 2 independent main outputs with inserts on Main A 6 Aux sends per channel: 4 pre/post fader switchable for flexible routing Channel inserts and direct outputs on each mono channel Clip and Signal LEDs plus 80 Hz, EQ, Mute, Solo, Subgroup and Main routing switches on all channels 2 multi-functional stereo FX returns with comprehensive routing options 2 Headphone and Speaker outputs with selectable Main/CD/Tape inputs Solo-In-Place with PFL/AFL function plus full-featured Talkback section Long-wearing 60 mm logarithmic-taper faders and sealed rotary controls Internal autorange power supply for maximum flexibility ( V~), noise-free audio, superior transient response plus low power consumption for energy saving High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days Live performance at the Montreux music festival by the late British blues guitarist Gary Moore. Raised in Belfast, Moore began playing the guitar at an early age and jammed as a teen with Phil Lynott and Brian Downey, leading him to assume membership of the pair's band, Thin Lizzy, on no less than three occasions. Moore is arguably better known for his solo work, however. After a long career producing blues music, it was rumoured that he planned on returning to his rock roots for his next album. Unhappily, Moore died in 2011, before it could be completed. The performance at Montreux was the last of his gigs to be filmed and finds the guitarist playing a blend of rock and blues classics from his long career. Interactive Menus Features Summary Live performance at the Montreux music festival by the late British blues guitarist Gary Moore. Raised in Belfast, Moore began playing the guitar at an early age and jammed as a teen with Phil Lynott and Brian Downey... Contributors Gary Moore Format Blu-ray disc Release date 20110919

FOCUSRITE SCARLETT SOLO STUDIO PACK SCARLETT 1CH SOUND CARD WITH STUDIO HEADPHONES & STUDIO MIC 2IN/2OUT USB RECORDING INTERFACE/SOUNDCARD 1x FOCUSRITE MIC PREAMPS 96KHz,24-BIT CONVERSION RED ANODISED ALUMINIUM CHASSIS 1x LINE/MIC/INSTRUMENT INPUTS 2x GAIN KNOBS 48v PHANTOM POWER SET INCLUDES: SCARLETT STUDIO REFERENCE QUALITY HEADPHONES LARGE DIAPHRAGM CONDENSER MIC 3m MIC CABLE+ MIC STAND ADAPTOR CUBASE LE SOFTWARE INCLUDED 1GB LOOPMASTERS SAMPLE CONTENT NOVATION BASS STATION VIRTUAL INSTRUMENT FOCUSRITE SCARLETT PLUG-IN SUITE TARGA 5800WATT 4CH CAR AMPLIFIER R1395. KAT KT1 DIGITAL ELECTRONIC DRUM KIT R6300. WWW.SBRPROSOUND.CO.ZA WE STOCK A MASSIVE RANGE OF MUSICAL INSTRUMENT & AUDIO,TV,PROJECTOR & PA EQUIPMENT FOR LIVE,CHURCH,CONCERT,DJ, & OUTDOOR APPLICATIONS.OUR PRODUCTS INCLUDE PIANO,KEYBOARD,SUCH AS YAMAHA,GUITAR,DRUMS,MARCHING DRUMS,TRUMPET,TROMBONE,TUBA,SAXOPHONE,DJ,STUDIO EQUIPMENT,SOUNDCARDS THAT CAN BE USED ON LAPTOPS OR DESKTOP PC,WE ALSO STOCK AN AUDIO INTERFACE TO BE USED IN CONJUNCTION WITH A TABLET,IPAD,IPHONE,LAPTOP,MACBOOK,MACBOOK PRO,SAMSUNG AND OTHER ANDROID DEVICES AND CELLPHONES. WWW.SBRPROSOUND.CO.ZA ELECTRO VOICE 15" ACTIVE SPEAKER R9795. QTX QR15PA PORTABLE PA SYSTEM R5295. PEAVEY PORTABLE PROFESSIONAL PA SYSTEM R8795. ALESIS NITRO ELECTRONIC DRUM KIT R5995. ALESIS FORGE ELECTRONIC DRUM KIT R8795. ALESIS COMMAND ELECTRONIC DRUM KIT R11995. ALESIS CRIMSON MESH ELECTRONIC DRUM KIT R14995.

New. Not Sealed. IN STOCK and in mint condition. Immediate dispatch after cleared payment   FIREWIND Live Premonition Label: Century Media Cat#: 9978212 Format: 2 × CD, Album  Country: UK & Europe Released: 2008   Tracklist 1-01Allegiance4:58 1-02Insanity5:08 1-03Into The Fire6:28 1-04Head Up High4:12 1-05Mercenary Man3:29 1-06Angels Forgive Me5:25 1-07My Loneliness3:58 1-08Circle Of Life4:26 1-09The Silent Code4:37 1-10Life Foreclosed4:55   2-01Destination Forever3:59 2-02Keyboard Solo1:48 2-03Guitar Solo2:08 2-04The Fire And The Fury3:53 2-05Drum Solo / Dreamchaser3:23 2-06Till The End Of Time4:38 2-07Deliverance6:49 2-08Brother's Keeper5:16 2-09Between Heaven And Hell5:48 2-10I Am Anger4:40 2-11Falling To Pieces3:54 2-12Tyranny5:29  

In 1992 the Pixies disbanded after releasing four acclaimed albums and one mini-album in a five-year period. The Pixies are widely regarded as one of the most important rock bands of the past 20 years-and influenced a new wave of alternative bands with their Quiet/Loud/Quiet song structure. Paraphrasing Kurt Cobain: "Nirvana would not have existed without the Pixies." Since the band split up, the leader, Black Francis, started a solo career as Frank Black, and Kim Deal, the bassist and vocalist, went on to form The Breeders. The band reunited in 2004 for a trimphant worldwide tour that saw the band playing better than ever, injecting the classic songs with renewed energy and universal critical response. The band's legacy and reputation has only grown stronger in the 12 years since they broke up, see her as the play in front of enthusiastic audiences, far larger than they had drawn in their heyday.    

  PROFESSIONAL 24-CHANNEL/4-BUS MIXER 18 XLR inputs with DNA(TM) microphone preamps Dynamic compression (channels 1-8) 3-band EQ with sweepable mids 4 aux sends; pre/post switching on sends 1+2 60mm faders with mute and PFL/AFL solo functions 100 Alesis DSP effects USB audio connectivity with level control Balanced XLR, balanced/unbalanced 1/4” outputs Headphone out with independent level control Switchable Phantom Power

Live or in the studio, ZEDFX is an ultra-portable mixer for solo artists and small bands. Based on our top selling ZED-10FX, the new ZEDFX adds premium quality 60mm faders for that intuitive, tactile mixing experience.  This mixer is a guitarist’s dream. Two of the 4 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards.  ZEDFX comes with configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX.   Most important of all, ZEDFX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years. Features: 4 mic/line inputs, 2 with Class A FET high impedance 60mm professional quality faders Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out 1 pre-fade Aux send 1 FX send 2 stereo inputs Separate 2-track record outputs 16 Internal Effects XLR main stereo outputs with inserts Comprehensive monitoring 48V microphone phantom power DI level switching with Gain Boost Neutrik XLRs and 1/4 inch jacks 1 year limited guarantee For more info on this product please click here

Live or in the studio, ZEDFX is an ultra-portable mixer for solo artists and small bands. Based on our top selling ZED-10FX, the new ZEDFX adds premium quality 60mm faders for that intuitive, tactile mixing experience. This mixer is a guitarists dream. Two of the 4 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards. ZEDFX comes with configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX. Most important of all, ZEDFX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years4 mic/line inputs, 2 with Class A FET high impedance 60mm professional quality faders Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out 1 pre-fade Aux send 1 FX send 2 stereo inputs Separate 2-track record outputs 16 Internal Effects XLR main stereo outputs with inserts Comprehensive monitoring 48V microphone phantom power DI level switching with Gain Boost Neutrik XLRs and 1/4 inch jacks

Live or in the studio, ZEDFX is an ultra-portable mixer for solo artists and small bands. Based on our top selling ZED-10FX, the new ZEDFX adds premium quality 60mm faders for that intuitive, tactile mixing experience. This mixer is a guitarist’s dream. Two of the 4 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards. ZEDFX comes with configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX.

Live or in the studio, ZED60-10FX is an ultra-portable mixer for solo artists and small bands.Based on our top selling ZED-10FX, the new ZED60-10FX adds premium quality 60mm faders for that intuitive, tactile mixing experience.This mixer is a guitarists dream. Two of the 4 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards.ZED60-10FX comes with configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX.Most important of all, ZED60-10FX lives up to the audio and build quality standards that have made Allen and Heath one of the most trusted names in professional audio for more than 40 years.4 mic/line inputs, 2 with Class A FET high impedance60mm professional quality fadersResponsive 3-band, swept mid EQ with MusiQConfigurable USB stereo audio in/out1 pre-fade Aux send1 FX send2 stereo inputsSeparate 2-track record outputs16 Internal EffectsXLR main stereo outputs with insertsComprehensive monitoring48V microphone phantom powerDI level switching with Gain BoostNeutrik XLRs and 1/4 inch jacksDimensions (w x d x h) 12.0' x 13.6' x 3.1' / 305 mm x 346 mm x 80 mmWeight 7.7 lbs. / 3.5 kg (020)

The PreSonus StudioLive 32.4.2AI Digital Recording Console with Active Integration is designed for live sound reinforcement, live recording, and studio recording applications. The mixer is an integrated hardware and software system with dual digital Fat signal processing on every channel, recallable scene presets, virtual sound check, remote control using a Windows computer, Mac, or iPad, remote monitor mixing using an iPhone or iPod Touch, and all the software you need for live mixing, recording, and distributing your music online. The unit features 32 input channels with +48V phantom powered XLR XMAX microphone preamplifiers and bypass-able balanced 1/4" TRS line-level inputs, a 48-In/34-Out FireWire s800 recording and playback interface with two FireWire ports, 14 auxiliary buses, 4 subgroups, a talkback button, and extensive LED metering. For outputs the mixer includes a balanced XLR mono output, a left and right pair of balanced stereo XLR main outputs, a left and right pair of balanced 1/4" TRS control-room outputs, a left and right stereo pair of RCA connectors for Tape output, an SPDIF out, and three balanced 25-pin D-sub pre-insert direct outputs. For effects, the mixer features 32-bit floating point processing with 4-band parametric EQs, eighteen 31-band graphic EQs, high-pass filters, limiters, compressors, expander/gates with key listen and key filter, reverbs, and delays. For mixing, each channel features a 100mm long-throw fader, military-grade quick-touch buttons for toggling effects, and rotary encoders for controlling functions such as the attack, ratio, and release of the compressor, the panning position of a channel, and the frequency setting of the equalizers or filters. The mixer comes with Active Integration Virtual StudioLive advanced librarian/editor control software for a Windows computer or Mac: the StudioLive remote control application for Apple iPad (free from Apple App Store), the QMix remote auxiliary mix application for iPhone or iPod Touch (free from Apple App Store), Capture integrated multi-track-recording software, and Studio One digital audio workstation including 6GB of loops, plug-ins, and virtual instrument sounds. Active Integration Synchronizes StudioLive hardware and software ecosystem of sessions and settings over a wired or wireless network with 32-bit floating point DSP to improve workflow in live performance, live recording, mixing, and digital distribution Network Connectivity Allows you to connect mixer directly to a router via the included USB Wi-Fi LAN adapter or into a network switch via Ethernet port for wireless Wi-Fi or wired control of the mixer XMAX Preamplifier Utilizes 30V power rails and discrete components in a Class-A circuit design to boost microphone signals by 400 times up to line level Burr Brown A/D/A Conversion Provides clean analog-to-digital and digital-to-analog conversion Mixing-Surface Quick Scenes Provides dedicated buttons on the mixer for quickly switching between different scenes of signal processing settings Mixing-Surface Mute Groups Provides 6 dedicated buttons on the mixer for muting and unmuting multiple channels and buses OMAP L138 Processor Provides 64 times the processing power and 10,000 times the RAM of previous StudioLive DSP One-to-One Control Enables direct control over the mixer without navigating layers of complicated submenus Solo Modes Allows latch solo for soloing multiple channels or buses at once, CR solo for patching solo bus to monitor bus, and radio solo for soloing one channel or bus at a time to speed up sound checks Quick Null Allows you to zero-out any mixer parameter without nullifying the entire mix Dual Fat-Channel Signal Processing Each Fat-channel processor provides 4-band parametric EQ, compressor, gate with sidechain key filter, and limiter on all 24 input channels with ability to do A/B comparisons between the two processors Fat Channel Categories Organizes Fat channel signal processing settings into preset categories you can browse such as vocals, drums, etc Capture 2.1 Live-Recording Software with Active Integration Provides a digital multi-track hard-disk recording environment with 32-bit 96 kHz audio engine, stereo or multi-track workflow, and automated presets for recalling channel strips and auto-saving Studio One Artist 2.6 DAW with Active Integration Provides full-featured DAW for recording, editing, and mixing your music with Active Integration of Capture session labels and StudioLive mixer scenes and settings. The start page for Studio One now includes a Nimbit and Soundcloud dashboard, complete with fan and sales statistics Nimbit Dashboard Enables self publishing and paid distribution of music through Nimbit.com, your own website, and integrated social-networking sites such as Facebook and Twitter. Nimbit allows you to sell tracks, tickets, and merchandise direct to fans, accept donations, gather email addresses, and overview stats about who is interested in your content QMix-AI iPhone/iPod Touch Aux Mix App Enables control of individual auxiliary artist mixes using an iPhone or iPod Touch with separate level controls for each element in the mix or a "Wheel of Me only" control for raising the level of one element while reducing the levels of all others. Active Integration enables direct control over mixes without having to route through a computer StudioLive Remote-AI iPad App Enables remote control of the entire mixer using a Windows computer, Mac, or iPad so you can adjust channel processing, gating, compression, equalization, panning, effects, and channel levels from any position within the studio or venue. Active Integration enables direct control over the mixer using an iPad through a router without having to connect to a computer Virtual StudioLive-AI Enables universal and secure drag and drop control over the mixer using a Windows computer or Mac for channels, subgroups, auxiliary sends, main levels, mutes, solos, EQ, and more. Active Integration enables synchronization of channel-strip settings and labels between Virtual StudioLive software and StudioLive mixer Virtual Sound Check Allows you to pull up and playback a previously recorded rehearsal or performance so you can adjust the mixer to accommodate the acoustic characteristics of a room without needing the band to be present for the sound check Smaart Measurement Technology Provides real-time analysis, time-frequency spectrograph equalization, and time alignment to correct for the acoustic characteristics of your room Expandable Enables the replacement of the stock Ethernet/Firewire card with a Thunderbolt, an AVB, or a Dante Audio over Ethernet card Preamp Number of Channels

The PreSonus StudioLive 24.4.2AI Digital Recording Console with Active Integration is designed for live sound reinforcement, live recording, and studio recording applications. The mixer is an integrated hardware and software system with dual digital Fat signal processing on every channel, recallable scene presets, virtual sound check, remote control using a PC, Mac, or iPad, remote monitor mixing using an iPhone or iPod Touch, and all the software you need for live mixing, recording, and distributing your music online. The unit features 24 input channels with +48V phantom powered XLR XMAX microphone preamplifiers and bypass-able balanced 1/4" TRS line level inputs, a 40-In/26-Out FireWire s800 recording and playback interface with two FireWire ports, 10 auxiliary buses, 4 subgroups, a talkback button, and extensive LED metering. For outputs the mixer includes a balanced XLR mono output, a left and right pair of balanced stereo XLR main outputs, a left and right pair of balanced 1/4" TRS control room outputs, a left and right stereo pair of RCA connectors for Tape output, an SPDIF out, and three balanced 25-pin D-sub pre-insert direct outputs. For effects, the mixer features 32-bit floating point processing with 4-band parametric EQs, twelve 31-band graphic EQs, high pass filters, limiters, compressors, expander/gates with key listen and key filter, reverbs, and delays. For mixing, each channel features a 100mm long-throw fader, military-grade quick touch buttons for toggling effects, and rotary encoders for controlling functions such as the attack, ratio, and release of the compressor, the panning position of a channel, and the frequency setting of the equalizers or filters. The mixer comes with Active Integration Virtual StudioLive advanced librarian/editor control software for PC or Mac: the StudioLive remote control application for Apple iPad (free from Apple App Store), the QMix remote auxiliary mix application for iPhone or iPod Touch (free from Apple App Store), Capture integrated multi-track-recording software, and Studio One digital audio workstation including 6GB of loops, plug-ins, and virtual instrument sounds. Two 24.4.2AI mixers can be daisy chained together via FireWire to effectively double the capabilities of your mixing platform. Active Integration Synchronizes StudioLive hardware and software ecosystem of sessions and settings over a wired or wireless network with 32-bit floating point DSP to improve workflow in live performance, live recording, mixing, and digital distribution Network Connectivity Allows you to connect mixer directly to a router via the included USB Wi-Fi LAN adapter or into a network switch via Ethernet port for wireless Wi-Fi or wired control of the mixer XMAX Preamplifier Utilizes 30V power rails and discrete components in a class A circuit design to boost microphone signals by 400 times up to line level Burr Brown A/D/A Conversion Provides clean analog to digital and digital to analog conversion OMAP L138 Processor Provides 64 times the processing power and 10,000 times the RAM of previous StudioLive DSP One to One Control Enables direct control over the mixer without navigating layers of complicated submenus Solo Modes Allows latch solo for soloing multiple channels or buses at once, CR solo for patching solo bus to monitor bus, and radio solo for soloing one channel or bus at a time to speed up sound checks Quick Null Allows you to zero out any mixer parameter without nullifying the entire mix Dual Fat Channel Signal Processing Each Fat channel processor provides 4-band parametric EQ, compressor, gate with sidechain key filter, and limiter on all 24 input channels with ability to do A/B comparisons between the two processors Fat Channel Categories Organizes Fat channel signal processing settings into preset categories you can browse such as vocals, drums, etc Capture 2.1 Live-Recording Software with Active Integration Provides a digital multi-track hard-disk recording environment with 32-bit 96 kHz audio engine, stereo or multi-track workflow, and automated presets for recalling channel strips and auto-saving Studio One Artist 2.6 DAW with Active Integration Provides full featured DAW for recording, editing, and mixing your music with Active Integration of Capture session labels and StudioLive mixer scenes and settings. The start page for Studio One now includes a Nimbit and Soundcloud dashboard, complete with fan and sales statistics Nimbit Dashboard Enables self publishing and paid distribution of music through Nimbit.com, your own website, and integrated social networking sites such as Facebook and Twitter. Nimbit allows you to sell tracks, tickets, and merchandise direct to fans, accept donations, gather email addresses, and overview stats about who is interested in your content QMix-AI iPhone/iPod Touch Aux Mix App Enables control of individual auxiliary artist mixes using an iPhone or iPod Touch with separate level controls for each element in the mix or a "Wheel of Me only" control for raising the level of one element while reducing the levels of all others. Active Integration enables direct control over mixes without having to route through a computer StudioLive Remote-AI iPad App Enables remote control of the entire mixer using a PC, Mac, or iPad so you can adjust channel processing, gating, compression, equalization, panning, effects, and channel levels from any position within the studio or venue. Active Integration enables direct control over the mixer using an iPad through a router without having to connect to a computer Virtual StudioLive-AI Enables universal and secure drag and drop control over the mixer using a PC or Mac for channels, subgroups, auxiliary sends, main levels, mutes, solos, EQ, and more. Active Integration enables synchronization of channel strip settings and labels between Virtual StudioLive software and StudioLive mixer Virtual Sound Check Allows you to pull up and playback a previously recorded rehearsal or performance so you can adjust the mixer to accommodate the acoustic characteristics of a room without needing the band to be present for the sound check Smaart Measurement Technology Provides real time analysis, time-frequency spectrograph equalization, and time alignment to correct for the acoustic characteristics of your room Expandable Enables the replacement of the stock Ethernet/Firewire card with a Thunderbolt, an AVB, or a Dante Audio over Ethernet card Preamp Number of Channels 24 Type Balanced XLR Female Frequency Response To Direct Output: 20 to 40,000 Hz at ± 0.5 dBu To Main Output: 20 to 20,000

Anatomy of a Drum Solo is a two-disc footage of Rush drummer Neil Peart, presenting live and in-studio performances discussing his approach to soloing. Taking Der Trommler, a drum solo recorded in September in Frankfurt, Germany as a framework, Peart presents the concepts and technique behind each segment of this nine-minute drum solo, which is a feature of each Rush live performance. Anatomy of a Drum Solo also features: Two explorations - completely improvised workouts at the drums, each over 30 minutes long. A never-before-released solo recorded in Hamburg, Germany in September, . "O Baterista", Neil's Grammy Award-nominated solo, from the Vapor Trails Tour. Two Rush performances from the Frankfurt concert, all shot from the perspective of the drum cameras. Bonus material: Camera Option: During Peart's performance of "Der Trommler", the viewer can choose between the program edit and two isolated camera views. Alternate Edits: During parts of Peart's analysis of "Der Trommler" the viewer can choose between the program edit, or an alternate edit with the playing example shown full-screen without Peart's commentary. Audio-only tracks: "Momo's Dance Party" and "Pieces of Eight", composed and performed by Peart, which can be accessed at various points in the program, Interview with Paul Northfield, Rush co-producer and engineer, and Lorne Wheaton, Peart's drum technician. Two Rush performances from the perspective of the drum cameras. A previously unreleased solo from Rush's Counterparts Tour.

If you're looking for old-school analog handling in a package armed to the teeth with modern reliability, the search is over. This mixer's British EQ, 24 mic inputs (each with its own built-in studiograde XENYX preamp), 8 stereo inputs and 8 buses give you enough leeway to craft the recording of your dreams or create the perfect mix for a live show. What the Heck is "British EQ"? British EQ is a smashing thing to have on your side when you start reaching for those channel equalization knobs at a live concert or in the studio. The EQ's on British consoles from the 60s and 70s are what many engineers believe does their sound the best justice. When it comes to tweaking your sound, they're kind, gentle and above all, musical. It's like drinking a fine scotch instead of fortified wineor maybe receiving a warm hug instead of a kick to the crotch. British EQ's distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled. The Ins and Outs Some manufacturers make what they call 32-input mixers that count features like CD/TAPE IN as an input. But the SX really gives you 24 mono channels and four stereo channels (with two 1/4" inputs apiecean additional 8 inputs), making it easy to accommodate a wide variety of studio or live performance configurations. That means you can connect up to 24 microphones or other mono instruments and up to four stereo instruments (keyboards, for example). You also get eight buses, allowing you to assign multiple channelssay all the mics on a drum kit or all the backup singers' micsto a single fader. Best of all, you don't need a black belt in engineering to operate the SX. The mono channels are grouped along two-thirds of the board, featuring dials in uniform primary colors (Gain in white; EQ in blue; AUX in red; Pan in black). Sub groups are located next door to the Main and Mono faders in the bottom right corner. Directly above, there's a handy built-in talkback mic that sends signal to your AUX 1-2 monitors via a push button, as well as a multi-purpose 13-LED master level meter to give you a dynamic visual gauge of the selected output. The SX's intuitive patch bay makes it equally at home in the club or studio. You get two balanced XLR MAIN outputs as well as a two 1/4" TRS MAIN outs. There's also a 1/4" MONO OUT (perfect for a subwoofer output). Eight SUBGROUP OUT jacks allow you to send your buses to an external recording device. This section also includes AUX SEND jacks for connection to monitors, CD/ TAPE input and output jacks, and FX send/return jacks for use with outboard effects processors. Directly below, you'll fi nd the 1/4" headphone/ control room out jack. A Million Ways To Change The Channel At the top of each mono channel, you'll find both a balanced XLR input with a XENYX mic preamp and a 1/4" input. A phantom power switch located on the back near the main power switch accommodates condenser mics. Each mono channel has a 3-band EQ with semi-parametric mids (giving you control of the Mid level and a sweepable frequency with a boost or cut of 15dB) and a Trim control for adjusting input gain via a Level Set LED. A Low Cut button eliminates the frequencies where unwanted infrasonics such as mic handling noise occur. The eight AUX dials control the volume of the AUX SEND 1/4" output signals (more on that below). Stereo channels feature the same functions, but a with dual 1/4" inputs and a different EQ. Instead of sweepable mids, stereo channels feature High Mid and Low Mid dials, both with bell center frequencies set at 8 kHz and 800 Hz, respectively. This is especially useful for EQ'ing the critical midrange frequency content found in keyboard signals. Near every mono channel's fader you'll find a and MAIN button. By engaging the MAIN button, the signal is sent to the main mix. Or, if you engage the 1-2 button, the channel becomes part of a bus. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. The same principle applies to the and 7-8 buttons. A Mute button with accompanying LED cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free post-EQ signal. The Solo button on individual channels routes the subgroup signal to the solo bus or Pre-Fader Listendepending on whether the signal has been included in a subgroup. Finally, each of the eight buses feature an independent fader, Solo switch, and Left and Right buttons to assign them to Left or Right stereo channels. Buy it now. Teach your great grandkids how to run it. BEHRINGER mixers last and last. We use top quality parts such as longwear faders, sealed rotary controls and premium circuit boards. We have 20 years of experience figuring out how to compensate for clumsy loadins, spilled drinks, crazed guitarists and millions of road miles. The result is a mixer you can count on day after day and night after night. Hitch Your Art to the AUX The SX has eight AUX SEND outputs as well as eight AUX return inputs, giving you more routing options than a Los Angeles road map. AUX SEND 1-8 allow you to send the signal governed by an individual channel to an outboard FX unit or EQ. Meanwhile, the AUX returns can be thought of as eight extra line inputs working as four stereo pairs. You can apply up to 20 dB of gain to these inputs. AUX returns 1, 2, 7 and 8 allow returning FX to be sent to tape, and, along with 5 and 6, are also good for cuing artists via headphones. AUX returns 3 and 4 are always assigned to the main bus. Take On The World Not every town on the planet uses the same voltage common in yours. Unfortunately, this sometimes doesn't occur to jet-setting sound technicians until they're miles from home. With the SX, this is never an issue. The internal auto-range power supply can run on anything from 100 to 240 V with noise-free audio, top-quality transient response and low power consumption. Why Do You Need This Mixer? Built-in pristine XENYX mic preamps British-style EQ dials give you the sound and control preferred by top studio engineers Awesomely complete I/O everything from bus inserts to mono output Product Features: Behringer SX Mixer

  Product Description Create the perfect mix for a live show with the state-of-the-art features of the SX3282 mixer. Featuring old school analog handling in a package designed with modern reliability, the SX3282 mixer's. Ultra-low noise, high-headroom analog mixer for studio, live, front-of-house, monitor, corporate and touring audio applications 24 state-of-the-art Xenyx Mic Preamps with switchable +48 V phantom power plus 4 stereo Line inputs Neo-classic  British  4-band EQ (stereo channels) and 3-band EQ with semi-parametric mid band (mono channels) for warm and musical sound 8 subgroups with independent Pan controls, Solo and Main functions and insert connections Clip and -20 dB LEDs plus Low Cut, Mute, Solo/PFL, Subgroup and Main routing switches on all channels 8 Aux sends per channel: 4 pre/post fader switchable for flexible routing Main Aux sends with Level controls and Solo functions 4 multi-functional stereo Aux returns featuring Level and Balance controls, Solo and extensive routing functions Solo-In-Place with PFL function plus full-featured Talkback, Phones and Monitor section Inserts on all mono channels, subgroups and main Balanced inputs and Main outputs for highest signal integrity High-precision, 13-segment LED meter for main mix Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls   SHIPPING 3-5 Business Days after payments reflects. Payments to be done in 24Hours after "PURCHASE"

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 15 - 20 working days Collection of live performances recorded at the 44th Montreux Jazz Festival in 2010. Bringing together an eclectic mix of bands and solo artists, highlights of the festival include performances by Massive Attack, Elvis Costello and Quincy Jones joined by The Global Gumbo All-Stars. Interactive Menus Features Summary Collection of live performances recorded at the 44th Montreux Jazz Festival in 2010. Bringing together an eclectic mix of bands and solo artists, highlights of the festival include performances by Massive Attack... Studio Eagle Vision Format Blu-ray disc Release date 20130617 Contributors Herbie Hancock, Quincy Jones, Massive Attack, Mumford and Sons, Elvis Costello, Joe Bonamassa, The Maccabees, The Global Gumbo All-Stars, Nas, Damian Marley, Macadam Jazz Band, Broken Bells, Yacht, Martina Topley - Bird, Angelique Kidjo, Sophie Hunger

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 4 - 8 working days Collection of classic Reggae from former Bob Marley sideman (he was one of the original Wailers) and solo superstar Peter Tosh. His outspoken nature may have caused outrage during live appearances, but his recorded legacy is as beloved in his homeland as former bandmate Marley's recordings. This compilation features 'Johnny B Goode', 'Bush Doctor, No Nuclear War', 'Equal Rights', 'Maga Dog', 'Don't Look Back (You Gotta Walk)' featuring Mick Jagger and more! EMI. Features Summary Collection of classic Reggae from former Bob Marley sideman (he was one of the original Wailers) and solo superstar Peter Tosh. His outspoken nature may have caused outrage during live appearances... Contributors Peter Tosh Format CD Release date 19990101

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 4 - 8 working days Digitally remastered collection of the once and future Go Go's singer's hit solo recordings, including "Heaven Is A Place On Earth", "Circle In The Sand", "Live Your Life Be Free", "I Get Weak" and many more. Features Summary Digitally remastered collection of the once and future Go Go's singer's hit solo recordings, including "Heaven Is A Place On Earth", "Circle In The Sand"... Contributors Belinda Carlisle Format CD Release date 19951115

Pro-Quality Analog Mixing and Digital Recording in One Device StudioLive AR16 18-channel hybrid performance and recording mixer Built by musicians, for musicians. StudioLive AR16 USB 18-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musicians mixer: lightweight, versatile, feature-rich, and packed with analog connections and digital tools, yet easy to learn and use. Mix with PreSonus famous Class A preamps and three-band EQ. Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD digital recorder. Stream program music wirelessly, using onboard Bluetooth. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances. Features Channels and Buses 18-channel mixer 8 mono and 4 stereo channels, each with: 60 mm level fader Pan Mute PFL solo 1 stereo Super Channel (Ch. 17/18) 2 monitor buses with PFL solo 1 stereo effects bus 1 stereo effects return with: 60 mm master fader Dedicated monitor sends Effects bypass footswitch jack Inputs and Outputs 2 instrument inputs 16 balanced line inputs 2 unbalanced inserts 12 balanced mic inputs with: Class A microphone preamp Global 48V phantom power Stereo Super Channel with: Stereo RCA inputs 1/8-inch stereo input Switchable SD/USB stereo playback Bluetooth 4.1 input L/R XLR main outputs 2 balanced TRS monitor outputs 1 balanced TRS effects output L/R Control Room outputs with level control Headphone output with level control Signal Processing Highpass filter on every channel Mono channels: 3-band semi-parametric EQ with sweepable mid-band Stereo channels: 3-band semi-parametric EQ Stereo effects processor with 16 presets Recording Options 18x4 24-bit/96 kHz, USB 2.0 audio recording interface Record every channel plus the Main Mix 2x2 SD recorder Record main mix Supports SD and SDHC formats up to 32 GB Integrated Software Capture recording software Studio One 3 Artist recording and production software (DAW) Power Internal power supply Standard IEC power connector Physical Sturdy metal construction 60 mm faders Rackmount kit included

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days Crowning what is undoubtedly his most productive year since his solo career began in 1988, Swordscompiles 18 select songs released as b-sides of his 13 hit singles from his last four albums. As an artist who has always ensured his b-sides are of as outstanding quality as his singles and album tracks, Swordsfeatures some of Morrissey's finest material. 12 songs are collaborations with guitarist Alain Whyte, the rest co-written with guitarists Boz Boorerand Jesse Tobias, and former keyboardist Michael Farrell. In keeping with the three remarkable studio albums covered in his period - 2004's You Are The Quarry, 2006's Ringleader Of The Tormentorsand Years Of Refusal- the music is powerful and adventurous.Track Listing1. Good Looking Man About Town 2. Don't Make Fun of Daddy's Voice 3. If You Don't Like Me, Don't Look at Me 4. Ganglord 5. My Dearest Love 6. The Never-Played Symphonies 7. Sweetie-Pie 8. Christian Dior 9. Shame is the Name 10. Munich Air Disaster 1958 11. I Knew I Was Next 12. It's Hard to Walk Tall When You're Small 13. Teenage Dad on His Estate 14. Children in Pieces 15. Friday Mourning 16. My Life is a Succession of People Saying Goodbye 17. Drive-In Saturday (Live) 18. Because of My Poor Education Features Summary Crowning what is undoubtedly his most productive year since his solo career began in 1988, Swordscompiles 18 select songs released as b-sides of his 13 hit singles from his last four albums... Contributors Tony Visconti, Gustavo Santaolalla, Jerry Finn, Morrissey (Performer) Format CD Release date 20091026

Pro-Quality Analog Mixing and Digital Recording in One Device Built by musicians, for musicians. StudioLive AR12 USB 14-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musicians mixer: lightweight, versatile, feature-rich, and packed with analog connections and digital tools, yet easy to learn and use. Mix with PreSonus famous Class A preamps and three-band EQ. Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD digital recorder. Stream program music wirelessly, using onboard Bluetooth. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances. Features Channels and Buses 14-channel mixer 4 mono and 4 stereo channels, each with: 60 mm level fader Pan Mute PFL solo 1 stereo Super Channel (Ch. 13/14) 2 monitor buses with PFL solo 1 stereo effects bus 1 stereo effects return with: 60 mm master fader Dedicated monitor sends Effects bypass footswitch jack Inputs and Outputs 2 instrument inputs 12 balanced line inputs 2 unbalanced inserts 8 balanced mic inputs with: Class A microphone preamp Global 48V phantom power Stereo Super Channel with: Stereo RCA inputs 1/8-inch stereo input Switchable SD/USB stereo playback Bluetooth 4.1 input L/R XLR main outputs 2 balanced TRS monitor outputs 1 balanced TRS effects output L/R Control Room outputs with level control Headphone output with level control Signal Processing Highpass filter on every channel Mono channels: 3-band semi-parametric EQ with sweepable mid-band Stereo channels: 3-band semi-parametric EQ Stereo effects processor with 16 presets Recording Options 14x4 24-bit/96 kHz, USB 2.0 audio recording interface Record every channel plus the main mix 2x2 SD recorder Record main mix Supports SD and SDHC formats up to 32 GB Integrated Software Capture recording software Studio One 3 Artist recording and production software (DAW) Power Internal power supply Standard IEC power connector Physical Sturdy metal construction 60 mm faders Rackmount kit optional

Behringer XENYX XL1600 Analog Mixer - Premium 16-Input 4-Bus Live Mixer with XENYX Mic Preamps and British EQs Ultra-low noise, high-headroom analog mixer for live, front-of-house, monitor, corporate and touring audio applications 12 state-of-the-art XENYX Mic Preamps plus 4 stereo Line inputs with ultra-high RFI suppression designed for live application Neo-classic "British" 4-band EQs with 2 semi-parametric mid bands for warm and musical sound 4 Subgroup outputs with inserts plus 2 independent main outputs with inserts on Main A 6 Aux sends per channel: 4 pre/post fader switchable for flexible routing Channel inserts and direct outputs on each mono channel Clip and Signal LEDs plus 80 Hz, EQ, Mute, Solo, Subgroup and Main routing switches on all channels 2 multi-functional stereo FX returns with comprehensive routing options 2 Headphone and Speaker outputs with selectable Main/CD/Tape inputs Solo-In-Place with PFL/AFL function plus full-featured Talkback section Long-wearing 60 mm logarithmic-taper faders and sealed rotary controls Internal autorange power supply for maximum flexibility (100 ¿ 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany *

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 15 working days Modern worship pioneer Martin Smith offers a spirit-lifting live worship collection. Love Song For A City includes the single "Jesus Only You," featuring Smith's daughter Elle Limebear. Love Song for a City is Martin Smith's first solo live album, recorded in several cities around the world including Dubai, Australia, The Netherlands and more. Features Summary Modern worship pioneer Martin Smith offers a spirit-lifting live worship collection. Love Song For A City includes the single "Jesus Only You," featuring Smith's daughter Elle Limebear... Contributors Martin Smith Format CD

48-input Digital Mixer! More channels. More inputs. The new TASCAM DM- has more of everything that made the DM-24 a pedigreed studio workhorse, plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing flexibility, easier and robust data backup/ restore, greatly expanded mix storage using compact flash media and much more. With the DM-, TASCAM brings the functionality of a big console to the world of DAWs. You can't go wrong with the DM-! TASCAM DM- At-a-Glance: Music Tracking Post Production and Game Production Live Sound and House of Worship Project Studio Recording Music Tracking When you're tracking a band in your studio, there are certain features that musicians and producers demand from a recording console. The DM- gives you eight aux sends so that you can give individual cue mixes to each musician and have some left over to buss to the two built-in effects. It has a professional control room section with talkback mic and slate functions as well as three playback source selection switches. For recording large ensembles you get 16 microphone preamps, each with analog insert, phantom power (selectable in groups of four) and a -20dB pad switch. Four assignable analog inputs are provided, for inserting your favorite tube compressor on a console channel, or you can use the 4-band EQ and dynamics found on every channel. When the sound is dialed in, send that channel to its own track with the Direct button or combine inputs to the 16 busses. There are plenty of digital and analog I/O options to combine stand-alone hard disk recorders (like the TASCAM X-48), analog tape recorders or computer-based DAW recorders. The affordable DM- handles all of the routing and bussing you need in a professional studio, allowing you to concentrate on running your session. Post Production and Game Production Mixing inside of a computer is difficult enough in stereo, and when you start working on surround projects, managing and monitoring all of the ins and outs becomes more like air traffic control. The DM- becomes your control center for mixing large projects with dozens of channels. It can mix your tracks with one snapshot, and with two button presses you're ready to transfer them to a dubber or video deck. Just connect your DAW interface, like Digidesign's 192 Digital I/O for Pro Tools, to one of the digital connections on the rear panel (or use our optional IF-FW/DM FireWire interface card). The DM- even acts as a HUI controller for Pro Tools, allowing you to mix some channels in the DAW and others in the console. The DM- is an outstanding choice for mixing in surround, with 5.1 and even 6.1 automated panning. The 16 busses become two surround busses in surround mode, allowing you to buss channels to discrete stems. The optional IF-SM/DM Surround Monitoring card provides downmixing to stereo, individual output solo/mute and bass management features to the console. Live Sound and House of Worship Like the DM-24, the DM- makes a reliable choice for sound reinforcement. Its 16 mic inputs give you plenty of channels for performances or services, and more mic inputs can be added as needed using external rackmount preamps with digital outputs. Each of the 32 channels features four-band parametric EQ, gating and compression processing. Two built-in effects processors can access a variety of great-sounding effects processors, including a reverb processor by TC Works. If you're the one installing the DM- into a facility, you can program a variety of settings and back up your programs to a Compact Flash card. Recalling snapshots is done using dedicated buttons on the front panel, so loading a mixer setting is as simple as changing channels on a TV remote. The rear panel of the DM- is well-stocked with balanced and digital I/O, allowing ample connectivity to crossovers, as well as CD and cassette recorders such as our popular CC-222 mkII. Project Studio Recording Add the optional IF-FW/DM interface card to the DM-, and it becomes the ultimate computer interface and mixing surface for your workstation software. The IF-FW/DM allows a single FireWire cable to transmit 32 channels from your computer to the DM- and another 16 channels back to the computer for recording. Using this expansion card, no other interface or hardware is needed for recording to a computer. The DM- has a fader layer, labeled 'Remote', that's dedicated to controlling the mixing facilities in your DAW software. There are two modes of control: Mackie Control and Mackie HUI emulation. The DM-'s solid transport keys can be mapped to your software in any fader layer, and adjustments to your software mixer is a fader layer away. The DM- + IF-FW/DM combination gives you the best of both worlds: computer recording and DAW control with world-class mixing, automation and monitoring features. Tascam DM- Features: 32 channels and 16 auxiliary returns for 48 total inputs 16 busses 8 Aux Sends 16 analog mic/line inputs with phantom power for condenser mics and analog inserts 24 channels of TDIF and 8 channels of ADAT built in 2 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog & TDIF cards Dedicated cascade port supports cascade of two DM-s Per channel LED ring encoders for pan, aux sends and EQ Built-in DAW control All inputs, effects and processing are available at 96k -- no features are sacrificed at full sampling rate Transport controls Powerful automation with touch-sensitive motorized faders EQ and compression on each channel Two built-in effects processors at k or k Flexible routing Offload data to convenient Compact Flash media using built-in CF slot Optional MU- meter bridge Stylish, professional design with rear panel I/O connections TASCAM Mixer Companion software

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