Lindy stereo spdif audio

Lindy Premium Gold - digital | 37888 Brand New & Sealed * Original Product * Valid Manufacturer's Guarantee * Fast Delivery LINDY Product Code: 37888 Availability: 6 in Stock Lindy Premium Gold - Digital audio cable (optical) - TOSLINK (M) to TOSLINK (M) - 20 m - fibre optic Overview Designed for home theatre and professional AV installations. Compatible with all optical SPDIF equipped devices which use the TosLink / optical SPDIF interface. High grade fiber optic core with bronze ferrule for the clearest, most accurate digital audio transmission. Ultra flexible triple layer protective jacket for advanced protection. Sturdy, gold plated metal connector body for added strength. Fully quality tested. Specifications Product Description Lindy Premium Gold - digital audio cable (optical) - 20 m Cable Digital audio cable (optical) Technology Fibre optic Length 20 m Connector TOSLINK - male Connector (Second End) TOSLINK - male Delivery & FAQ's * Metropolitan Areas - Delivery of this item within 3 business days after payment reflects * Outlying Areas - Please allow 5 business days after payment reflects for delivery of this item This item carries a valid manufacturers warranty/guarantee. Manufacturer's Code: 37888 LINDY

Lindy Premium audio cable | 35642 Brand New & Sealed * Original Product * Valid Manufacturer's Guarantee * Fast Delivery LINDY Product Code: 35642 Availability: 111 in Stock Premium molded connectors 2 x 28 AWG cores with 30 AWG shielding Overview The LINDY 3.5 mm Jack to Jack cable is ideal for connecting your portable audio device, iPhone, iPod or smartphone to a car's auxiliary socket, an amp or speakers. Specifications Product Description Lindy Premium audio cable - 2 m Cable Audio cable Technology Shielded American Wire Gauge (AWG) 28/30 Length 2 m Connector Mini-phone stereo 3.5 mm - male Connector (Second End) Mini-phone stereo 3.5 mm - male Features Molded Manufacturer Warranty 10 years warranty Delivery & FAQ's * Metropolitan Areas - Delivery of this item within 3 business days after payment reflects * Outlying Areas - Please allow 5 business days after payment reflects for delivery of this item This item carries a valid manufacturers warranty/guarantee. Manufacturer's Code: 35642 LINDY

Buy HDMI Audio Extractor + Switch 4K DAC | Digital SPDIF Optical | Analogue Stereo | 4 Port for R540.00

Buy HDMI Audio Extractor + Switch 4K DAC | Digital SPDIF Optical | Analogue Stereo | 2 Port for R590.00

The Tascam  HD-P2 is a lightweight, moderately priced professional 2-channel stereo field recorder. The machine records to Compact Flash and Microdrive storage media, and writes the audio in the Broadcast Wave File format. The  HD-P2 is equipped with comprehensive SMPTE and Video synchronization, Firewire connectivity for seamless file transfer to DAW applications, and a transparent user interface with familiar tape machine-style transports. The  HD-P2 also features a large, backlit LCD display, phantom power for condenser microphones, and a separate headphone amplifier with a dedicated volume control. Portable stereo high definition recorder with up to 24-bit/192kHz resolution, Firewire and Time Code; 8 x "AA" Alkaline or Rechargeable NiCad or NiMH battery operation Supports CF card capacities from 512MB to 8GB with total of 13.5 hrs. at 16-bit/44.1kHz, 2 hrs. at 24-bit/192kHz on 8GB card Front panel system and transport control or PS/2 keyboard input; familiar tape machine-type transport and large 240 x 160-dot backlit display Jog/Shuttle data wheel, separate headphone amp and volume control, dedicated input level and Main volume controls Built-in limiter, 48V phantom power, -20dB Pad, High-pass filter and 10-second pre-record buffer Writes audio to Compact Flash and Microdrive in Broadcast WAVE File (BWF) format for simplified universal transfer to DAW editing and post production software applications Windows XP and MAC OSX v. compatible Coaxial SPDIF digital I/O, Time Code in, Video and Word Clock In, Firewire output for seamless digital audio, video and DAW integration Sample Clock refs include SPDIF, NTSC or PAL Video, LTC and Word; comprehensive SMPTE frame rate support Timestamps Broadcast WAVE recordings from SMPTE input, chase locks to incoming SMPTE timecode, Video clock input resolves to house clock Tri-level sync support for HDTV applications, includes Frame Lock, Lock and Release and flexible Freewheel settings for erratic timecode sources; Pull-up and Pull-down sample rates included XLR Mic/Line inputs, RCA Line in/out, built-in mono microphone and speaker for desktop interview applications

This Item is Dropshipped !!!!!!!!!!!!!! FREE SHIPPING !!!!!!!!!!!!!! Registered Airmail to your nearest R.S.A Post Ofice on all orders over R300.00 Note: This item is ONLY for 220V, not for 110V. Please confirm the voltage of your area before placing an order. Description   The most benefit of this HDMI technology is to integrate the audio and video signals together. Awfully the bad effect of the HDTV audio deprives the basic right of the enthusiasts. Fortunately, this item can not only meet the ideal image of the HDTV but also to meet the need of the enthusiasts requirement for audio. Because it can extract the audio signal from the HDMI interface, then transmit audio to the Amplifier Receiver by SPDIF or Stereo.   Features   - Color: Shown in the pictures. - Material: Metal surface. - Size:Approx. 8.5 * 6.2 * 2.1cm/ 3.3 * 2.4 * 0.8 inch (L*W*H). - Extract the digital audio signal from one HDMI input and convert to one HDMI+Audio(SPDIF+R/L)output. - Supports the highest video resolution to 4K. Supports 225MHz per channel bandwidth. - Supports 24bit per channel (36bit all channel) deep color. Supports PS4/ATV3, etc. - Provides the Best Flexibility through Three NEW Audio EDID Settings: Pass, 2CH and 5.1CH.   click here to view all items To keep our prices as competitive as possible, all our items are shipped directly from our international suppliers, therefore your package may be inspected at customs. Buyers are responsible for any duties / VAT on this item if any is charged which are collected by SAPO on behalf of SARS and is not included in the price.  Shipping takes 30 to 40 business days and could be delayed due to circumstances out of our control.

CSR Wireless Audio Receiver, Bluetooth Receiver AptX CD Quality Sound with DAC, NFC, and RCA, Coaxial, SPDIF output Stereo Bluetooth Receiver Wireless Bluetooth 4.1 EDR Audio Music Box 3.5mm RCA for Speaker Car AUX Home Audio NFC Bluetooth Wireless Audio Receiver Adapter 3.5mm CSR Bluetooth 4.1 Stero Audio Hifi Car speakers for IOS Android FEATURES: Bluetooth 4.1 connection BLE lower power consumption NFC quick link aptX superior audio codec: CD quality sound Analog output: stereo Left/Right RCA Digital SPDIF outputs: both TOSLINK optical and coaxial Auto reconnection supported Link loss reconnection enabled Low latency fast streaming Desktop version: plug & play; no battery Micro USB power port   Specifications:  Bluetooth version & profile: 4.1; A2DP, EDR Bluetooth distance: up to 30m DAC: TI PCM5102A (PCM interface: 32bit/384KHz; SNR: 112dB) Frequency response: 10Hz ~ 20KHz AptX low latency: 30ms Power supply: 5V DC Optical transmission speed: up to 16Mbps Optical transmission distance: up to 20m General Quantity 1 piece Material ABS Shade Of Color Black Specification Bluetooth Version Bluetooth V4.1 Operating Range 10m Dimensions & Weight Dimensions 3.07 in x 3.07 in x 1.02 in (7.8 cm x 7.8 cm x 2.6 cm) Weight 1.06 oz (30 g) Packing List 1 x Audio Adapter 1 x 3.5mm to 2RCA Cable 1 x Digital Optical TOSLINK Cable 1 x USB Charging Cable 1 x User Guide 1 x RCA to RCA audio cable 1 x 3.5mm Male to Male Cable

The PA12 is a robust, compact 12 input (8 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA12 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp Socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA28 is a robust, compact 28 input (24 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA28 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The Digital to Analog Audio Decoder is used 24-bit audio DSP, 96kHz digital receivers, and 192kHz/24bit ADC, DAC. Support Digital AC-3 PRO Logic, DTS, PCM and other digital audio format source decode, a variety of sound field and the replay results of two listening modes, 2.0CH analog audio output, auto work with different amplifier and speakers to get different sound effects, easy to connect entertainment devices which with optical, coaxial digital signal and analog output signals. FEATURES Convert DTS/AC3 source digital audio to analog 2.0CH stereo audio output Multi-channel audio input (SPDIF, Coaxial) No need to install drivers, portable, flexible, plug and play

Lexicon Omega Studio USB Audio Interface Pure Inspiration The recording professionals at Lexicon Pro know a thing or 2 about great audio -- that famed Lexicon reverb 'sound' has been on just about every hit recording since Lexicon invented digital reverb more than 30 years ago. So when they set out to bring that sound home -- they got truly inspired. The Complete System Nothing is more frustrating than buying a 'recording system', only to find out that you need a gaggle of extras just to make it all work. Omega Studio is a completely integrated computer recording system that includes the Omega 8x4x2 USB I/O Mixer, Steinberg's Cubase LE audio and MIDI recording software, and Lexicon's world-class Pantheon VST Reverb plug-in. The Omega Desktop Recording Studio quite literally contains all the necessary components to transform your computer into a professional 24-bit recording studio - all in one box. A Real Mixer Unlike standard computer I/O boxes based on a patch bay concept, the Lexicon Omega Studio is designed and built around the same paradigm as large-format recording consoles. An 8-input, 4-Bus, 2-output USB I/O mixer with inserts, instrument input, MIDI I/O and complete metering and monitoring functions gives you the freedom to record up to 4 tracks at once and mix without the need for additional mixing hardware. Two dbx Silver Series mic preamps with 48V phantom power provide a pristine front end for high-end condenser or more common dynamic microphones, insuring premium sound quality from the first take to the last. TRS insert points allow you to plug in your favorite dynamic processors before the signal reaches 1 of the 4 busses, where 24-bit converters transform the analog signal into a digital masterpiece. Four servo-balanced TRS line inputs with up to +22dBu input levels let you hook up everything from keyboards to guitar preamps, including high-output professional gear. Stereo digital inputs are available via SPDIF jacks, and an additional high-impedance instrument input is included on the front panel for easy access to guitars and basses. Finally, a fully opto-isolated MIDI input to ensures that there is no annoying ground loop hum or MIDI talk-through noise common with many I/O boxes and sound cards; MIDI output has rock-solid synchronization to USB frame rate to support applications requiring critical sync. The Omega I/O mixer also features channel peak indicators for each analog input as well as an assignable bargraph meter for the 4 busses. By monitoring the signal before the A/D converters, clipping and distortion can be averted, unlike software-only level monitoring that can miss 'overs', ruining the track. All these gazintas and getoutzas are put together just like a big recording console, with input gain controls, four recording busses, and full monitoring features, in one attractive, portable I/O Mixer. Just plug it into your Mac or PC computer with the included USB cable, and you're instantly ready to capture the moment. Steinberg Cubase LE Multi-Track Recording Software Steinberg is a leader in computer-based recording. From the first idea to complete compositions, Cubase is the virtual studio for all musicians and producers looking for a creative way to realize their projects. Cubase LE integrates seamlessly with the Omega I/O Mixer to achieve an easy-to-use, 48-track complete recording solution that includes all of the modules that you need to track, edit and mix your masterpiece.

The Focusrite Saffire PRO 24 DSP is a 16 in / 8 out FireWire/Thunderbolt audio interface, featuring real-time DSP-powered tracking and mixing solutions tailor-made for the modern home studio environment. Alongside DSP-powered compression and EQ for ultra-low-latency tracking and ‘comfort’ reverb, is VRM; a Virtual Reference Monitoring technology that lets you hear your mix in different environments, through different speakers and from different positions, all just using headphones. Click here to hear VRM for yourself using our online demo. VRM makes Saffire PRO 24 DSP the only interface capable of simulating over one hundred different monitoring scenarios through your headphones. VRM overcomes the major obstacle for mixing with headphones by giving you multiple perspectives on your mix, as if you were listening through speakers. Indeed, noise levels from mixing through speakers can make it impossible for most to mix at home, especially late at night; with VRM, you can mix anytime, anywhere. Using any pair of monitoring headphones, VRM let’s you choose your mixing environment from a living room, a bedroom studio, or a professional studio. You then simply choose where you are positioned in that room and what speakers you listen through. Saffire PRO 24 DSP draws on twenty-five years of mic pre excellence. The two Focusrite preamps capture every subtle nuance of your sound whilst ensuring low noise and distortion. Meanwhile, high-quality digital conversion and JetPLL™ jitter reduction technology ensure pristine audio quality as your audio flows between the analogue and digital domains. Saffire PRO 24 DSP’s other real-time DSP-powered effects also exhibit Focusrite’s uncompromised approach to audio quality. EQ, compression and ‘Comfort’ reverb sonically derived from the ‘Focusrite Plug-in Suite’ (also included as VST/AU plug-ins) are all integrated within the Saffire MixControl software, providing professional ultra-low-latency tools for tracking and monitoring. Alongside the two Focusrite preamps are a host of I/O options; two additional analogue inputs, six analogue outputs, ADAT inputs (for expanding the interface with, for example, Focusrite’s OctoPre), stereo SPDIF I/O and two virtual 'loopback' inputs for routing digital audio between software applications — ideal for capturing online audio. Front panel five-step LED metering for each analogue input offers accurate viewing of levels. Saffire MixControl, the ultra-low-latency 16 x 8 DSP mixer/router software provided with Saffire PRO 24 DSP, sets a new standard at this price point for audio interface control. It features flexible output routing and monitoring, as well as intuitive one-click set-up solutions designed to help you track, monitor and mix as easily as possible. Saffire PRO 24 DSP combines two award-winning Focusrite preamps and a host of other I/O with VRM Virtual Reference Monitoring, integrated real-time tracking and monitoring effects, and easy-to-use mix control software. Together, they deliver the most comprehensive professional compact music-recording interface to date.Key Features All of Focusrite's FireWire interfaces are fully compatible with Thunderbolt using simple FireWire to Thunderbolt adapter. Focusrite fully supports the use of Thunderbolt with our FireWire interfaces. For more details visit the answerbase. Virtual Reference Monitoring (VRM) Hear your mix in different environments, through different speakers and from different positions, just using headphones The best sounding interface in its class. Focusrite's unparalleled preamp legacy forms the foundation of this new interface, with two award-winning Focusrite preamps. Onboard DSP-powered, ultra-low-latency tracking and mixing tools Classic Focusrite EQ and Compression for tracking, as well as ‘comfort’ reverb to place across your monitor mixes. Features high-quality A-D / D-A conversion and JetPLL™ jitter reduction technology; pristine audio quality and reliable synchronisation are guaranteed. Total I/O count of 16 inputs and 8 outputs A host of I/O options are provided, including a unique 'loopback' facility for routing audio between software applications via Saffire MixControl. Routing flexibility and intuitive one-click set-up solutions; Saffire MixControl provides an 16 x 8 DSP mixer with excellent output routing Featuring a host of royalty-free loops and samples, a full-fledged Novation soft-synth and Ableton Live Lite 8, providing an affordable upgrade path to Ableton Live. Focusrite VST/AU Plug-in Suite, for use in the mix Upgrade your standard sequencer effects and bring a touch of class to your session with all-new Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins. Front panel 5-LED metering LED metering for each of the analogue inputs offers accurate viewing of levels direct from the front fascia. Two dedicated front-panel headphone busses Providing two fully customised monitor mixes, with tactile level control available on the front panel. Bus-powered for a tidy mobile recording rig Saffire PRO 24 DSP can be powered via FireWire, or via its own power supply

PA12-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 12 input (8 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA12-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA12-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

PA20-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA20-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA20-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PreSonus StudioLive 32.4.2AI Digital Recording Console with Active Integration is designed for live sound reinforcement, live recording, and studio recording applications. The mixer is an integrated hardware and software system with dual digital Fat signal processing on every channel, recallable scene presets, virtual sound check, remote control using a Windows computer, Mac, or iPad, remote monitor mixing using an iPhone or iPod Touch, and all the software you need for live mixing, recording, and distributing your music online. The unit features 32 input channels with +48V phantom powered XLR XMAX microphone preamplifiers and bypass-able balanced 1/4" TRS line-level inputs, a 48-In/34-Out FireWire s800 recording and playback interface with two FireWire ports, 14 auxiliary buses, 4 subgroups, a talkback button, and extensive LED metering. For outputs the mixer includes a balanced XLR mono output, a left and right pair of balanced stereo XLR main outputs, a left and right pair of balanced 1/4" TRS control-room outputs, a left and right stereo pair of RCA connectors for Tape output, an SPDIF out, and three balanced 25-pin D-sub pre-insert direct outputs. For effects, the mixer features 32-bit floating point processing with 4-band parametric EQs, eighteen 31-band graphic EQs, high-pass filters, limiters, compressors, expander/gates with key listen and key filter, reverbs, and delays. For mixing, each channel features a 100mm long-throw fader, military-grade quick-touch buttons for toggling effects, and rotary encoders for controlling functions such as the attack, ratio, and release of the compressor, the panning position of a channel, and the frequency setting of the equalizers or filters. The mixer comes with Active Integration Virtual StudioLive advanced librarian/editor control software for a Windows computer or Mac: the StudioLive remote control application for Apple iPad (free from Apple App Store), the QMix remote auxiliary mix application for iPhone or iPod Touch (free from Apple App Store), Capture integrated multi-track-recording software, and Studio One digital audio workstation including 6GB of loops, plug-ins, and virtual instrument sounds. Active Integration Synchronizes StudioLive hardware and software ecosystem of sessions and settings over a wired or wireless network with 32-bit floating point DSP to improve workflow in live performance, live recording, mixing, and digital distribution Network Connectivity Allows you to connect mixer directly to a router via the included USB Wi-Fi LAN adapter or into a network switch via Ethernet port for wireless Wi-Fi or wired control of the mixer XMAX Preamplifier Utilizes 30V power rails and discrete components in a Class-A circuit design to boost microphone signals by 400 times up to line level Burr Brown A/D/A Conversion Provides clean analog-to-digital and digital-to-analog conversion Mixing-Surface Quick Scenes Provides dedicated buttons on the mixer for quickly switching between different scenes of signal processing settings Mixing-Surface Mute Groups Provides 6 dedicated buttons on the mixer for muting and unmuting multiple channels and buses OMAP L138 Processor Provides 64 times the processing power and 10,000 times the RAM of previous StudioLive DSP One-to-One Control Enables direct control over the mixer without navigating layers of complicated submenus Solo Modes Allows latch solo for soloing multiple channels or buses at once, CR solo for patching solo bus to monitor bus, and radio solo for soloing one channel or bus at a time to speed up sound checks Quick Null Allows you to zero-out any mixer parameter without nullifying the entire mix Dual Fat-Channel Signal Processing Each Fat-channel processor provides 4-band parametric EQ, compressor, gate with sidechain key filter, and limiter on all 24 input channels with ability to do A/B comparisons between the two processors Fat Channel Categories Organizes Fat channel signal processing settings into preset categories you can browse such as vocals, drums, etc Capture 2.1 Live-Recording Software with Active Integration Provides a digital multi-track hard-disk recording environment with 32-bit 96 kHz audio engine, stereo or multi-track workflow, and automated presets for recalling channel strips and auto-saving Studio One Artist 2.6 DAW with Active Integration Provides full-featured DAW for recording, editing, and mixing your music with Active Integration of Capture session labels and StudioLive mixer scenes and settings. The start page for Studio One now includes a Nimbit and Soundcloud dashboard, complete with fan and sales statistics Nimbit Dashboard Enables self publishing and paid distribution of music through Nimbit.com, your own website, and integrated social-networking sites such as Facebook and Twitter. Nimbit allows you to sell tracks, tickets, and merchandise direct to fans, accept donations, gather email addresses, and overview stats about who is interested in your content QMix-AI iPhone/iPod Touch Aux Mix App Enables control of individual auxiliary artist mixes using an iPhone or iPod Touch with separate level controls for each element in the mix or a "Wheel of Me only" control for raising the level of one element while reducing the levels of all others. Active Integration enables direct control over mixes without having to route through a computer StudioLive Remote-AI iPad App Enables remote control of the entire mixer using a Windows computer, Mac, or iPad so you can adjust channel processing, gating, compression, equalization, panning, effects, and channel levels from any position within the studio or venue. Active Integration enables direct control over the mixer using an iPad through a router without having to connect to a computer Virtual StudioLive-AI Enables universal and secure drag and drop control over the mixer using a Windows computer or Mac for channels, subgroups, auxiliary sends, main levels, mutes, solos, EQ, and more. Active Integration enables synchronization of channel-strip settings and labels between Virtual StudioLive software and StudioLive mixer Virtual Sound Check Allows you to pull up and playback a previously recorded rehearsal or performance so you can adjust the mixer to accommodate the acoustic characteristics of a room without needing the band to be present for the sound check Smaart Measurement Technology Provides real-time analysis, time-frequency spectrograph equalization, and time alignment to correct for the acoustic characteristics of your room Expandable Enables the replacement of the stock Ethernet/Firewire card with a Thunderbolt, an AVB, or a Dante Audio over Ethernet card Preamp Number of Channels