Level t

LEVEL 42 - WORLD MACHINE - RSA - VG+ / VG ARTIST - ALBUM - PRESSING - ALBUM GRADE / ALBUM GRADE   SHIPPING COSTS ARE UNDER THE SHIPPING AND PAYMENT TAB IF BUYING MORE THAN ONE RECORD PLEASE INPUT THE SHIPPING AMOUNT MANUALLY AFTER YOU HAVE WORKED IT OUT AS PER SHIPPING DESCRIPTION.    COVER (SLEEVE) GRADING:  SEALED: Still Sealed. EX (Excellent): Like new    VG+ (Very Good): May have light corner wear or a sticker    VG: Rougher corners and seams may have some light splitting VG-: Some splitting or wear.  G+: Rougher overall appearance with heavier splitting.    VINYL GRADING: (2nd) EX: Pretty much like a new LP but it isn't sealed. VG+: Very Good +. Looks relatively flawless, with only superficial signs of use. VG: Very Good.  May exhibit minor surface marks with some mild surface noise. VG-: Very Good-.  May have numerous light scratches or marks that will affect music quality some, but quite readily playable. G+: Good.  Heavier Wear, usually from improper storage, This record will definitely have some noise due to its markings, but could be worthwhile buy for sentimental reasons.   RECORDS ARE VISUALLY GRADED ONLY   ALL RECORDS ARE SENT CLEANED, IN A NEW PLASTIC OUTER SLEEVE AND PACKAGED WITH CARE IN PURPOSE BUILT VINYL BOXES.    

LEVEL 42  - WORLD MACHINE - RSA VG / VG ARTIST - ALBUM - PRESSING - GRADING SLEEVE / GRADING RECORD VISUALLY GRADED ONLY SHIPPING COSTS ARE UNDER THE SHIPPING AND PAYMENT TAB IF BUYING MORE THAN ONE RECORD PLEASE INPUT THE SHIPPING AMOUNT MANUALLY AFTER YOU HAVE WORKED IT OUT AS PER SHIPPING DESCRIPTION.    COVER (SLEEVE) GRADING:  SEALED: Still Sealed. EX (Excellent): Like new    VG+ (Very Good): May have light corner wear or a sticker    VG: Rougher corners and seams may have some light splitting VG-: Some splitting or wear.  G+: Rougher overall appearance with heavier splitting.    VINYL GRADING: (2nd) EX: Pretty much like a new LP but it isn't sealed. VG+: Very Good +. Looks relatively flawless, with only superficial signs of use. VG: Very Good.  May exhibit minor surface marks with some mild surface noise. VG-: Very Good-.  May have numerous light scratches or marks that will affect music quality some, but quite readily playable. G+: Good.  Heavier Wear, usually from improper storage, This record will definitely have some noise due to its markings, but could be worthwhile buy for sentimental reasons.   RECORDS ARE VISUALLY GRADED ONLY   ALL RECORDS ARE SENT CLEANED, IN A NEW PLASTIC OUTER SLEEVE AND PACKAGED WITH CARE IN PURPOSE BUILT VINYL BOXES.    

Hall of Fame Reverb’s Resume •TonePrint-enabled – load HOF Mini with your favorite artist’s tone • Room for choice – swap between a smorgasbord of renowned TC Electronic reverbs including spring, hall, room, plate, cathedral and many many more using TonePrint •Ultra-small footprint – will fit on any pedal board • True Bypass for zero tone coloration • Analog-Dry-Through design – no conversion of the dry signal for absolute tonal transparency and zero latency • Works flawlessly with guitar and line level/FX Loop signals Please confirm stock availability before purchasing We are an authorized dealer of the best sound, dj equipment, studio equipment and lighting Free delivery anywhere in the country on orders over a R1000 Delivery 24-48 hours to all major cities 48-72 hours to outlying areas Warranty Type: Authorized Dealer 12 Months Warranty. All goods are subject to supplier discretion Replacement Guarantee: 30 Days: All goods are subject to supplier discretion Our Shop – Opening Soon Office F2 The Conservatory at Lakefield 106 Lakefield Avenue Lakefield Square Benoni Contact us at 110 - show phone - Tian - 718 - show phone - /Whatsapp Carlo - 844 - show phone - /Whatsapp Trading Hours: Monday - Friday 7:30am - 16:30pm Saturday 7:30am - 13:00pm If you can't find what you are looking for give us a call and we will gladly assist you

Dark Matter Distortion’s Resume • True Bypass • Gain, Level, Bass and Treble controls • Voicing switch • Easy battery access • Small footprint • High-quality components • Road-ready design Please confirm stock availability before purchasing We are an authorized dealer of the best sound, dj equipment, studio equipment and lighting Free delivery anywhere in the country on orders over a R1000 Delivery 24-48 hours to all major cities 48-72 hours to outlying areas Warranty Type: Authorized Dealer 12 Months Warranty. All goods are subject to supplier discretion Replacement Guarantee: 30 Days: All goods are subject to supplier discretion Our Shop – Opening Soon Office F2 The Conservatory at Lakefield 106 Lakefield Avenue Lakefield Square Benoni Contact us at 110 - show phone - Tian - 718 - show phone - /Whatsapp Carlo - 844 - show phone - /Whatsapp Trading Hours: Monday - Friday 7:30am - 16:30pm Saturday 7:30am - 13:00pm If you can't find what you are looking for give us a call and we will gladly assist you

Description: 0-5mH2O 6m Cable Submersible Level Transmitter Level Transducer Level Sensor Features: 1. Prevent from the surge voltage, over-voltage, over-current and the protection of reversed polarity; 2. Do the test to make sure the ability of overload resistance and shock resistance,precisely ensure the overload capacity;3. Implement the electromagnetic interference resistance to avoid the problem taken place under the condition of complicated electromagnetism environment;4. All sensitive chips are from the imported OEM parts, in order to keep the long-term stability. Specification: Measurement Range: 0-5mH2O/50kPa; Cable Length: 6 metersMeasurement Medium: Water;Power Supply: 24V DC;Output Signal: 4-20mA;Accuracy: ±0.5%FS;Overload Capacity: Two times full-scale pressure;Using Temperature: -20￢ﾄﾃ—120￢ﾄﾃ;Compensation Temperature Range: -10￢ﾄﾃ—80￢ﾄﾃ;ZTC: (typical): ±0.02%FS/￢ﾄﾃ;STC: (typical): ±0.02%FS/￢ﾄﾃ;Long-term Stability: (typical):±0.1%FS/year;Waterproof Class: IP68; Load Resistance: ￢ﾉﾦ(U-10)/0.02Ω;Shell Material: 316L stainless steel;Explosion-proof Type: Exia II CT6 Caution: 1. The measurement medium should be compatible with stainless steel;2. Don't connect the wires when the power is on,connect the power after checking the connection wires;3. Shell and power should be connected with earth;don't change the welded parts and connected wires of the outgoing products when customer use it;4. Sensor is related to the precision device,don't disassemble,and what's more,don't touch the diaphragm,in case of break. Package includes: 1 x 6m Cable Transducer Level Sensor Details pictures:

Eckla Cam Disk Ground Pod For Low Level Photography Product Description Great for low level wildlife and bird photography Sturdy aluminum composition for maximum stability Skim over sand, mud and grass for stable low level shots 9.85" in diameter and 1.5" tall German engineering and manufacturingIn nature photography, a lower camera angle often leads to a better result and a much more attractive shot. A standard tripod can assist to a certain extend but can be rather in flexible and bulky at the same time. The new ECKLA CAM DISK ground tripod offers a practical alternative to achieve the perfect lower angle and close to grand pictures. With its light but sturdy design, the ECKLA CAM DISK provides a very stable and mobile base for your camera which can be used on various surfaces, including sand, mud and grass. ECKLA CAM DISK is a ground tripod, perfect for low angle and close to ground shots, and its compact design also makes it a great companion to take on those extended walks. Made from aluminum with a total height of 1.5" and a diameter of 9.85", the ECKLA CAM DISK can easily be attached to your backpack or camera bag with the included carabiner hook. All comes delivered in a practical pouch which can be used to store the ECKLA CAM DISK when not in use. Weight 1 lb 14 oz. Our Guarantee to You We guarantee the utmost in Quality, Authenticity and Customer Satisfaction All our Items are Brand New and 100% Authentic with Original Box and Papers Price Beat or Match, if we can't (which is hardly ever), we will give you R150 off your next order with us. At these prices stocks are very limited, so order now to avoid disappointment Please view our other listings HERE Looking for something that we have not listed. Let us know - Will will get the best price for you

Kaiser 206385 2-Way Bubble Level (Black) Product Description With mounting shoe and 1/4" tripod bush. Made in Germany High QualityOne level each for vertical and horizontal shooting position. Dimensions: approx. 20 x 25 x 35 mm (8 x 1 x 1.4 in.) Weight: 15 g (0.5 oz.) Our Guarantee to You We guarantee the utmost in Quality, Authenticity and Customer Satisfaction All our Items are Brand New and 100% Authentic with Original Box and Papers Price Beat or Match, if we can't (which is hardly ever), we will give you R150 off your next order with us. At these prices stocks are very limited, so order now to avoid disappointment Please view our other listings HERE Looking for something that we have not listed. Let us know - Will will get the best price for you

CT-UTVM is a universal, flat-screen TV mount designed to easily attach to the TRUSST® trussing system and CHAUVET® DJ Heavy-Duty Tripod Stand (CH-01.) Made of thick-gauge steel, this mount supports up to 200lbs and mounts TVs up to 50in. A built-in bubble level ensures everything is lined up for a perfect presentation every time. Features: Easy to set up and install universal TV mount designed to fit TRUSST® and other truss systems Achieve perfect mounting every time using the integrated bubble level Supports up to 200lbs and mounts in flat panel TVs Simplify set up using the included connecting hardware and 2 narrow clamps Manufactured with high-grade steel for enhanced durability   Specifications: Supported TV Sizes: in Fits: mm truss Load Capacity: 90.7Kg Weight: 2.8Kg Size: 690 x 15 x 219mm Approvals: CE 1 year limited guarantee. For more info on this product please click here

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. The representation of classic Ross with very low noise. It has Sustain, Attack and level knobs. True bypass design to minimize the tone loss. Material: Aluminium alloy with stoving vanish What is in boxIJ 1*Guitar Effects Pedal

5 Piece entry level drum kit with high hats and crash Available colors Black and Burgundy. Set up required. Please confirm stock availability before purchasing We are an authorized dealer of the best sound, dj equipment, studio equipment and lighting Free delivery anywhere in the country on orders over a R1000 Delivery 24-48 hours to all major cities 48-72 hours to outlying areas Warranty Type: Authorized Dealer 12 Months Warranty. All goods are subject to supplier discretion Replacement Guarantee: 30 Days: All goods are subject to supplier discretion Our Shop Shop F2 Second Level The Conservatory at Lakefield 106 Lakefield Avenue Lakefield Square Benoni Contact us at 110 - show phone - Tian - 718 - show phone - /Whatsapp Carlo - 844 - show phone - /Whatsapp Trading Hours: Monday - Friday 9:00am - 17:00pm Saturday 9:00am - 15:00pm If you can't find what you are looking for give us a call and we will gladly assist you

DIMARZIO - DIDP177BK True Velvet T Neck Tele® neck pickups are finicky creatures. Players have often complained that they¿re too weak, too muddy, and just don¿t sound good. The Twang King¿ Neck solved these problems, and we¿ve taken it to the next level with the True Velvet¿ T Neck. The low strings are as big and clean sounding as they are with the Twang King¿, the highs are smoother, and the attack is stronger. This combination of qualities allows the True Velvet¿ T to sound both pretty and tough.

Designed for the fixed installation market, the high performance T Series features MC² Audio’s complementary Class AB bipolar topology and the unique MC² Audio current driven floating drive stage. Conventional analogue level controls help deliver the cleanest sound available coupled with ultra-high standards of reliability. The T Series’ proprietary control and protection circuitry continuously checks for fault conditions including shorted outputs, DC on outputs, excessive temperature, and component failure. If such an event occurs the outputs are disconnected, saving expensive driver repair bills. Sophisticated 'side chain' limiters prevent distortion and speaker damage but are out-of-circuit until the onset of clipping. The control circuitry provides full protection against inrush current limiting with delayed 'turn on'. Low noise vari-speed fans are utilized to minimize mechanical noise, making the T Series an ideal choice for live theatre. Optional internal crossover cards available. Specifications: Number of Channels:      2 Output Power: (per channel)    8ohms      575W    4 ohms   W   2 ohms   W Output Power: (bridged) 8 ohms W        4 ohms W   THD%: (@1dB below max output) @ 1kHz  20Hz to 20kHz Gain /Sensitivity Gain 32dB Sensitivity (for max power) +5.5 dBu  (5.0V) Frequency Response:  20Hz to 20kHz (+ 0/- 0.5dB) Power Consumption: Nominal @ 240v into 4 ohms   2.5A Nominal @ 120v into 4 ohms   5.0A Dimensions: (2U) (mm) Amplifier   88(h) x 482(w) x 428(d) Weight: 17.7kgs 1 year limited guarantee For more info on this product please click here

Designed for the fixed installation market, the high performance T Series features MC² Audio’s complementary Class AB bipolar topology and the unique MC² Audio current driven floating drive stage. Conventional analogue level controls help deliver the cleanest sound available coupled with ultra-high standards of reliability. The T Series’ proprietary control and protection circuitry continuously checks for fault conditions including shorted outputs, DC on outputs, excessive temperature, and component failure. If such an event occurs the outputs are disconnected, saving expensive driver repair bills. Sophisticated 'side chain' limiters prevent distortion and speaker damage but are out-of-circuit until the onset of clipping. The control circuitry provides full protection against inrush current limiting with delayed 'turn on'. Low noise vari-speed fans are utilized to minimize mechanical noise, making the T Series an ideal choice for live theatre. Optional internal crossover cards available. Specifications: Number of Channels:      2 Output Power: (per channel)    8ohms    W    4 ohms   W   2 ohms     N/A Output Power: (bridged) 8 ohms W        4 ohms   N/A   THD%: (@1dB below max output) @ 1kHz  20Hz to 20kHz Gain /Sensitivity Gain dB Sensitivity (for max power) +9/5 dBu  (V) Frequency Response:  20Hz to 20kHz (+ 0/- 0.5dB) Power Consumption: Nominal @ 240v into 4 ohms   4.2A Nominal @ 120v into 4 ohms   8.4A Dimensions: (2U) (mm) Amplifier   88(h) x 482(w) x 460(d) Weight: 22.7kgs 1 year limited guarantee For more info on this product please click here

Designed for the fixed installation market, the high performance T Series features MC² Audio’s complementary Class AB bipolar topology and the unique MC² Audio current driven floating drive stage. Conventional analogue level controls help deliver the cleanest sound available coupled with ultra-high standards of reliability. The T Series’ proprietary control and protection circuitry continuously checks for fault conditions including shorted outputs, DC on outputs, excessive temperature, and component failure. If such an event occurs the outputs are disconnected, saving expensive driver repair bills. Sophisticated 'side chain' limiters prevent distortion and speaker damage but are out-of-circuit until the onset of clipping. The control circuitry provides full protection against inrush current limiting with delayed 'turn on'. Low noise vari-speed fans are utilized to minimize mechanical noise, making the T Series an ideal choice for live theatre. Optional internal crossover cards available. Specifications: Number of Channels:      2 Output Power: (per channel)    8ohms     625W    4 ohms   W   2 ohms    W Output Power: (bridged) 8 ohms W        4 ohms  W THD%: (@1dB below max output) @ 1kHz  20Hz to 20kHz Gain /Sensitivity Gain dB Sensitivity (for max power) + dBu  (V) Frequency Response:  20Hz to 20kHz (+ 0/- 0.5dB) Power Consumption: Nominal @ 240v into 4 ohms   2.8A Nominal @ 120v into 4 ohms   5.6A Dimensions: (2U) (mm) Amplifier   88(h) x 482(w) x 460(d) Weight: 20.4kgs 1 year limited guarantee For more info on this product please click here

Designed for the fixed installation market, the high performance T Series features MC² Audio’s complementary Class AB bipolar topology and the unique MC² Audio current driven floating drive stage. Conventional analogue level controls help deliver the cleanest sound available coupled with ultra-high standards of reliability. The T Series’ proprietary control and protection circuitry continuously checks for fault conditions including shorted outputs, DC on outputs, excessive temperature, and component failure. If such an event occurs the outputs are disconnected, saving expensive driver repair bills. Sophisticated 'side chain' limiters prevent distortion and speaker damage but are out-of-circuit until the onset of clipping. The control circuitry provides full protection against inrush current limiting with delayed 'turn on'. Low noise vari-speed fans are utilized to minimize mechanical noise, making the T Series an ideal choice for live theatre. Optional internal crossover cards available. Specifications: Number of Channels:      2 Output Power: (per channel)    8ohms      450W    4 ohms     750W   2 ohms   W Output Power: (bridged) 8 ohms W        4 ohms W   THD%: (@1dB below max output) @ 1kHz  20Hz to 20kHz Gain /Sensitivity Gain 32dB Sensitivity (for max power) +3.5 dBu  (1.2V) Frequency Response:  20Hz to 20kHz (+ 0/- 0.5dB) Power Consumption: Nominal @ 240v into 4 ohms   1.9A Nominal @ 120v into 4 ohms   3.8A Dimensions: (2U) (mm) Amplifier   88(h) x 482(w) x 428(d) Weight: 13.8kgs 1 year limited guarantee For more info on this product please click here

Samsung Level On Headphones are top of the range headphones at a reasonable price. Hasn't been used for even a month. Headphones comes with original box. Inbox items: Wireless headphones Carrying pouch 3.5mm audio cable Data cable Quick guide Headphone features: Studio Sound experience Active Noise Cancelling Intuitive Touch Control

dumpy level is in imaculate condition onli probly i don't hav the stan for it the make of it is a pentex it is with the box. watsapp me...170027885

goobay - Satelite Finder with Digital Level Display for alignment / adjustment of satellite Antennas. Includes F-Connector cable and instructions. Used once, don't need it anymore. Normally sells for R600.00

Audionic Thunder T-50 Earphones, Built in Remote, High quality speaker, Cable length is 1.2m,Retail Box, 1 year Limited Warranty. Product Overview: Enjoy extra bass on your favorite T-50 thunder earphones. Its quality nature is especially designed to give user extreme sound experience with extra-bass effect. Its gold plated stereo jack makes your earphones experience more amazing with high quality sound function. The user can experience the excellent base sound with Audionic T-50 Thunder earphone in reasonable price. Features: Built in Remote: It offers Built in remote for receiving and disconnecting calls. Remote Access: Stereo earphones offers remote access with built-in MIC that allows you to easy switching between music and incoming calls Gold plated stereo jack: Its gold plated stereo jack makes your earphone experience more amazing with high quality sound function. High quality speaker: It offers superior sound quality, with detailed and dynamic sound with flawless base and extreme quality sound. It is specified with 10mm drive unit, which gives a user great sound experience. High Comfort level: Its comfortable ear tips ensures perfect and comfortable for hours of listening enjoyment Sensitivity: Its sensitivity specification is 97dB/1mW Impedance: Impedance is about 32 ohms, technically perfect for the sound experience. Frequency: Frequency response is about 20Hz ~ 20 KHz Plug in type: Its plug in type is 3.5mm. Cable length: Its Cable length is 1.2m. Specifications: • Product Code: 6-954217-594811 • Description: Audionic Thunder T-50 Earphones • Drive Unit: 10 Mm • Cable Length: 1.2 M • Impedance: 32 Ohms • Microphone • Volume Remote • Frequency: 20 Hz - 20 Khz

A young girl inadvertently unleashes a race of ancient monsters while exploring her father's 19th century mansion in this horror remake written by Guillermo del Toro and Matthew Robbins, and directed by newcomer Troy Nixey. Introverted Sally Hurst (Bailee Madison) has just moved in with her father, Alex (Guy Pearce), and his girlfriend, Kim (Katie Holmes), when she realizes that their sprawling estate holds its fair share of secrets. Descending into the depths of the house, Sally gains access to a secret lower level that has lain undisturbed for nearly a century, when the original builder vanished without a trace. When Sally accidentally opens the gateway that kept the creatures locked up tight, she realizes that in order to prevent them from destroying her family she must convince her sceptical father than monsters really exist.      

The Problem Solver “Turn my headphones up!” “More me, I can’t hear myself!” “Turn down that click!” It gets old. Change that tune with the HP60 headphone distribution system. The HP60 is more than just a half-dozen headphone amps, it’s a field-tested solution to a host of common headphone-monitoring problems. Let’s start with “turn my headphones up.” Each of the HP60’s six headphone amps has its own level control and puts out 150 mW, which is loud enough to drive the alligators out of the Louisiana swamps. If they can’t hear this headphone system, they’re stone deaf. More likely they’ll scream, “turn it down, you’re killing me!” Problem solved. Now let’s solve “turn down that click.” The HP60 features two sets of line-level, stereo inputs that are routed to all six headphones; a Mix control that sets their relative levels for each headphone output. So you can feed the main control-room mix to channel A and the click to channel B and use the Mix controls to individually raise or lower the click relative to the main mix for each musician. Problem solved. As for “more me,” in addition to the two pairs of main stereo inputs, you get an external stereo input pair with level control for each headphone channel. A Mono switch lets you sum the left and right inputs. Additionally, a mute switch is provided for each headphone output. So you can send each person a feed of just their instrument or voice and can control the level separately for each. Problem solved. Take Command With the HP60, when you talk, everyone listens. Hit the Talk button and use the talkback-mic input and your favorite dynamic mic to tell ‘em what to do. You can even use a footswitch to control the talkback hands-free. Each channel also has stereo line outputs that can send a copy of the line-level headphone-channel mix to additional headphone amplifiers or monitor systems. So if you have a large band and need more than six headphones, you can chain two or more HP60s. So get the problem solver, the most flexible and advanced headphone-mixing system in its price class: the PreSonus HP60.Input/Output 6 screaming-loud (150 mW/channel) headphone outputs (front panel) 6 unbalanced stereo ¼” line outputs (1 per channel); carries a copy of the channel mix 6 unbalanced stereo ¼” external analog line inputs (1 per channel) for “more me,” with trim controls 4 balanced ¼” analog line inputs (L/R Mix input pairs A and B) 1 balanced XLR Talkback input for external dynamic microphone 1 ¼” footswitch jack for hands-free Talkback operation Meters, Controls, and Features 2 stereo input channels (A and B) Channel controls External input level Headphone level control for each headphone output Mix A/B control (blends signals from input pairs A and B) Mono switch for external input Mute switch (mutes input pairs A and B) Master controls Input A level Input B level Talk button (momentary switch) Talkback-mic level Physical 1U 19” rack-mountable, rugged steel chassis Internal power supply with standard IEC connector

OVERVIEW Portable PA with clear trebles and thumping bass. The Triflex™ II is a 1000 Watt three piece, two-channel sound system, already tweaked and ready to go for sound reinforcement, DJ gigs, and various music playback duties. Consisting of a shared Subwoofer cabinet and a pair of Satellite speakers, the system has been pre-engineered for a balanced sound and a crisp, punchy presentation. The three-way effective performance that the system is capable of provides a clear sound at high output levels, with plenty of punchy bass. FEATURES 1000W Active Two-Channel Three-piece Speaker System One shared Subwoofer cabinet which houses the inputs and power amps Two two-way Satellite speakers with speaker pole stand adaptors Subwoofer has 15" woofer, with 500W peak available power Satellite speakers have 10" woofer, RX 14 1.4" compression driver tweeter 250W peak available power to each Satellite speaker Peavey's exclusive DDT™ compression on the Satellite power amps System comes with two 15 foot speaker cables Protective slipcover with cable storage pockets and built-in Velcro retaining straps Heavy-duty locking casters on Subwoofer cabinet for transport of system Satellite speakers nest on top of the Subwoofer, help ease transport Four-pin twist-lock connectors on amplifier outputs and Satellite inputs SPECIFICATIONS Triflex II 1000W Three-Piece, Two-Channel Sound System SUBWOOFER: Transducer complement: 1 x 15” woofer Nominal Impedance: 8 ohms Power Handling, Transducer: 350W Continuous, 700W Program Box tuning frequency (Fbox): 48 Hz Frequency Response, 1 meter on-axis, swept-sine in anechoic environment (thru system electronics): 40 Hz to 105 Hz Usable low frequency limit (-10 dB point): 34 Hz Sound Pressure Level, 1 Watt, 1 meter in /2 space environment: 102 dB Maximum Sound Pressure Level (1 meter, 1 / 2 space): 127 dB Weight: 98 lbs. (44.5 kg) Dimensions (H x W x D): 19.65” X 28.00” X 28.10” (Includes feet) (unit down on feet) 19.65” X 32.00” X 28.10” (Includes feet and casters) Height in Transport mode: 32.00” SATELLITE SPEAKERS: Transducer complement: Low Frequency Section: 1 x 10” woofer High Frequency Section: 1 x 1.4” titanium compression driver on a Quadratic Throat Waveguide™ with 75 degrees by 75 degrees coverage pattern Nominal Impedance: 4 Ohms Power Handling, Satellite System: 200W Continuous, 400W Program, 800W Peak Box tuning frequency (Fbox): 84 Hz Frequency Response, 1 meter on-axis, swept-sine in anechoic environment: 88 Hz to 20 kHz Sound Pressure Level, 1 Watt, 1 meter in 1/2 space environment: 101 dB Maximum Sound Pressure Level (1 meter, ½ space): 124 dB Weight: 24 lb Dimensions (H x W x D): 19.6” X 11.83” X 11.83” (Upright, Includes feet) COMPLETE SYSTEM: Active Crossover Frequency: 120 Hz, 24 dB/Octave Maximum Sound Pressure Level (1 meter, half-space): 129 dB Dimensions when in transport orientation, on casters (H x W x D): 43.00” X 20.37” X 23.54” (Includes all feet) Weight (Sub and Satellites Only): 146 lb Speaker Cables: Two 15 foot 16 ga. With 4-pin twist-lock connectors on each end. INTERNAL AMPLIFIER: Subwoofer Amp Power Output: 500W peak available power 250W continuous, into 8 ohms. Satellite Amps Power Output: 250W peak available power 125W continuous, into 4 ohms. Inputs (Line Level): Left channel XLR or 1/4” phone jack combo input (female) Right channel XLR or 1/4” phone jack combo input (female) Input Impedance: 20 k Ohms balanced, 10 k Ohms unbalanced (single-ended) Thru (Outputs, Line Level): Left channel XLR full-range output (male), Right channel XLR full-range output (male) Speaker Level Outputs: Left channel 4-pin twist-lock professional connector, Output Right channel 4-pin twist-lock professional connector Output CONTROLS: Master System Level (Left & Right Gain) Subwoofer Level Control, Ground Lift Switch, Power Switch (On rear of amp panel when the Subwoofer is in use position, with rubber feet on the floor) Nominal amplifier frequency response: +0, -2 dB from 10 Hz to 20 kHz Hum and noise: Greater than 90 dB below rated power DDT dynamic range: Greater than 18 dB THD: T

Overview At the 1995 NAMM show thousands of players, media and dealers crammed into a small demo room inside the Peavey exhibit, one after another, where our engineers set up a blind A/B comparison between their new invention and a real tube amp. No one could tell the difference between the two. Some "golden ears" even thought the TransTube Bandit was the real tube amp. But How? In devising the TransTube Circuitry, our engineers studied every aspect of how a tube amp works. We learned that recreating tube tone isn't merely a question of gain structure. It's about the entire component chain and how each one interacts with the others. It's about damping factor and the corresponding speaker response. It's about power amp compression. How the amp breaks up when driven hard, harmonic structure and non-linear gain stages. It's about cabinet size, bracing, wood and thickness. But most importantly, it's about what it's not. Those other manufacturers' half-hearted attempt at tube emulation failed because they focused on the wrong elements. So we concentrated on emulating the tone characteristics we all recognize and love about tubes and 86'd the rest. It's a deceptively simple concept, but it took three U.S. Patents to map the entire process for the history books. Set up a comparison at your Peavey dealer and discover the TransTube difference for yourself. No marketing hype needed. You won't believe your ears! Features 10" Blue Marvel® speaker High and Low Gain inputs TransTube tube emulation circuitry Footswichable Clean and Lead channels 3 band passive EQ on each channel 3 position EQ/Gain Voicing switch on each channel Reverb with level control Footswitchable Boost with level control ¼" stereo Speaker Simulated Direct Out jack Headphone jack Footswitch optional 40 Watts (rms) Weight Unpacked: 24.00 lb(10.886 kg) Weight Packed: 29.00 lb(13.154 kg) Width Packed: 12.87"(32.6898 cm) Height Packed: 24.25"(61.595 cm) Depth Packed: 18.87"(47.9298 cm) Please confirm stock availability before purchasing We are an authorized dealer of the best sound, dj equipment, studio equipment and lighting Free delivery anywhere in the country on orders over a R1000 Delivery 24-48 hours to all major cities 48-72 hours to outlying areas Warranty Type: Authorized Dealer 12 Months Warranty. All goods are subject to supplier discretion Replacement Guarantee: 30 Days: All goods are subject to supplier discretion Our Shop Shop F2 Second Level The Conservatory at Lakefield 106 Lakefield Avenue Lakefield Square Benoni Contact us at 110 - show phone - Tian - 718 - show phone - /Whatsapp Carlo - 844 - show phone - /Whatsapp Trading Hours: Monday - Friday 9:00am - 17:00pm Saturday 9:00am - 15:00pm If you can't find what you are looking for give us a call and we will gladly assist you

Zeiss Conquest Compact 10x25 Binocular Product Info Zeiss 10x25 T* Conquest Compact Binoculars 522074 provide a higher level of magnification to take you a little closer to the action without compromising size. These Zeiss Binoculars combine the legendary optical performance of Zeiss with rugged, ergonomic design in a tough, resilient package. These binoculars have T* multi-coating on the lenses and P* phase coating on the prisms improve light transmission for bright, sharp images and enhanced twilight vision. The Zeiss 10x25 T* Conquest Compact Binocular provides a large performance in a small and versatile package. Specifications for Zeiss 10x25mm T* Conquest Compact Binoculars 522-074: Magnification: 10x Objective Diameter: 25 mm Exit Pupil: 2.5 mm Twilight Factor: 15.8 Field of View (ft/1000 yards): 264 Close Focus: 18.05 ft Diopter Range: +/- 2.0 dpt Eye Relief: 15 mm Interpupillary Distance: 27-73 mm Water Resistant: Sealed against spray water Functional Temperature Range: -4/+104°F Height: 4.33 in Width: 3.82 in Weight: 7.05 oz Features of Zeiss 10x25 T* Compact Binocular 522074: Provides a higher level of magnification Allows closer action without compromising size Weatherproof housing is sealed against water spray T* multi-coating produces high-contrast images rich in detail Package Contents: Zeiss Conquest Compact 10x25 Binocular

Description: Working Voltage: 5V(DC) Static Current: Less than 2mA. Output Signal: Electric frequency signal, high level 5V, low level 0V. Sensor Angle: Not more than 15 degrees. Detection Distance: 2cm-450cm. High Precision: Up to 0.3cm Input Trigger Signal: 10us TTL impulse Echo Signal: output TTL PWL signal Mode of connection: VCC trig(T) echo(R) GND Use method: Supply module with 5V, the output will be 5V while obstacle in range, or 0V if not.The out pin of this module is used as a switching output when anti-theft module, and without the feet when ranging modules. Note: the module should be inserted in the circuit before been power, which avoid producing high level of misoperation;if not, then power again. Module Working Principle: 1. Adopt IO trigger through supplying at least 10us sequence of high level signal. 2. The module automatically send eight 40khz square wave and automatically detect whether receive the returning pulse signal. 3. If there is signals returning, through outputting high level and the time of high level continuing is the time of that from the ultrasonic transmitting to receiving. Test distance =(high level time * sound velocity (340M/S) / 2. Note: This module is not suitable to connect with electric power, if you need to connect this module with electronic power,then let the GND terminal of this module to be connected first,otherwise, it will affect the normal work of the module Package Included: 5 x HC-SR04 Ultrasonic Module Distance Measuring Transducer

Description: Working Voltage: 5V(DC) Static Current: Less than 2mA. Output Signal: Electric frequency signal, high level 5V, low level 0V. Sensor Angle: Not more than 15 degrees. Detection Distance: 2cm-450cm. High Precision: Up to 0.3cm Input Trigger Signal: 10us TTL impulse Echo Signal: output TTL PWL signal Mode of connection: VCC trig(T) echo(R) GND Use method: Supply module with 5V, the output will be 5V while obstacle in range, or 0V if not.The out pin of this module is used as a switching output when anti-theft module, and without the feet when ranging modules. Note: the module should be inserted in the circuit before been power, which avoid producing high level of misoperation;if not, then power again. Module Working Principle: 1. Adopt IO trigger through supplying at least 10us sequence of high level signal. 2. The module automatically send eight 40khz square wave and automatically detect whether receive the returning pulse signal. 3. If there is signals returning, through outputting high level and the time of high level continuing is the time of that from the ultrasonic transmitting to receiving. Test distance =(high level time * sound velocity (340M/S) / 2. Note: This module is not suitable to connect with electric power, if you need to connect this module with electronic power,then let the GND terminal of this module to be connected first,otherwise, it will affect the normal work of the module Package Included: 1 x HC-SR04 Ultrasonic Module Distance Measuring Transducer

At the NAMM show thousands of players, media and dealers crammed into a small demo room inside the Peavey exhibit, one after another, where our engineers set up a blind A/B comparison between their new invention and a real tube amp. No one could tell the difference between the two. Some "golden ears" even thought the TransTube Bandit was the real tube amp. But How? In devising the TransTube Circuitry, our engineers studied every aspect of how a tube amp works. We learned that recreating tube tone isn't merely a question of gain structure. It's about the entire component chain and how each one interacts with the others. It's about damping factor and the corresponding speaker response. It's about power amp compression. How the amp breaks up when driven hard, harmonic structure and non-linear gain stages. It's about cabinet size, bracing, wood and thickness. But most importantly, it's about what it's not. Those other manufacturers' half-hearted attempt at tube emulation failed because they focused on the wrong elements. So we concentrated on emulating the tone characteristics we all recognize and love about tubes and 86'd the rest. It's a deceptively simple concept, but it took three U.S. Patents to map the entire process for the history books. Set up a comparison at your Peavey dealer and discover the TransTube difference for yourself. No marketing hype needed. You won't believe your ears!•100 Watts (rms) into 4 Ohms (w/external speaker) •12" Blue Marvel® speaker •High and Low Gain inputs •TransTube tube emulation circuitry •Footswitchable Clean and Lead channels •3 band passive EQ on each channel •3 position EQ/Gain Voicing switch on each channel •Reverb with level control •Footswitchable Boost with level control •¼" stereo Speaker Simulated Direct Out jack with level control •Footswitch optional •80 Watts (rms) into 8 Ohms •Weight Unpacked: lb( kg) •Weight Packed: lb( kg) •Width Packed: cm) •Height Packed: cm) •Depth Packed: cm)

If you're looking for old-school analog handling in a package armed to the teeth with modern reliability, the search is over. This mixer's British EQ, 24 mic inputs (each with its own built-in studiograde XENYX preamp), 8 stereo inputs and 8 buses give you enough leeway to craft the recording of your dreams or create the perfect mix for a live show. What the Heck is "British EQ"? British EQ is a smashing thing to have on your side when you start reaching for those channel equalization knobs at a live concert or in the studio. The EQ's on British consoles from the 60s and 70s are what many engineers believe does their sound the best justice. When it comes to tweaking your sound, they're kind, gentle and above all, musical. It's like drinking a fine scotch instead of fortified wineor maybe receiving a warm hug instead of a kick to the crotch. British EQ's distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled. The Ins and Outs Some manufacturers make what they call 32-input mixers that count features like CD/TAPE IN as an input. But the SX really gives you 24 mono channels and four stereo channels (with two 1/4" inputs apiecean additional 8 inputs), making it easy to accommodate a wide variety of studio or live performance configurations. That means you can connect up to 24 microphones or other mono instruments and up to four stereo instruments (keyboards, for example). You also get eight buses, allowing you to assign multiple channelssay all the mics on a drum kit or all the backup singers' micsto a single fader. Best of all, you don't need a black belt in engineering to operate the SX. The mono channels are grouped along two-thirds of the board, featuring dials in uniform primary colors (Gain in white; EQ in blue; AUX in red; Pan in black). Sub groups are located next door to the Main and Mono faders in the bottom right corner. Directly above, there's a handy built-in talkback mic that sends signal to your AUX 1-2 monitors via a push button, as well as a multi-purpose 13-LED master level meter to give you a dynamic visual gauge of the selected output. The SX's intuitive patch bay makes it equally at home in the club or studio. You get two balanced XLR MAIN outputs as well as a two 1/4" TRS MAIN outs. There's also a 1/4" MONO OUT (perfect for a subwoofer output). Eight SUBGROUP OUT jacks allow you to send your buses to an external recording device. This section also includes AUX SEND jacks for connection to monitors, CD/ TAPE input and output jacks, and FX send/return jacks for use with outboard effects processors. Directly below, you'll fi nd the 1/4" headphone/ control room out jack. A Million Ways To Change The Channel At the top of each mono channel, you'll find both a balanced XLR input with a XENYX mic preamp and a 1/4" input. A phantom power switch located on the back near the main power switch accommodates condenser mics. Each mono channel has a 3-band EQ with semi-parametric mids (giving you control of the Mid level and a sweepable frequency with a boost or cut of 15dB) and a Trim control for adjusting input gain via a Level Set LED. A Low Cut button eliminates the frequencies where unwanted infrasonics such as mic handling noise occur. The eight AUX dials control the volume of the AUX SEND 1/4" output signals (more on that below). Stereo channels feature the same functions, but a with dual 1/4" inputs and a different EQ. Instead of sweepable mids, stereo channels feature High Mid and Low Mid dials, both with bell center frequencies set at 8 kHz and 800 Hz, respectively. This is especially useful for EQ'ing the critical midrange frequency content found in keyboard signals. Near every mono channel's fader you'll find a and MAIN button. By engaging the MAIN button, the signal is sent to the main mix. Or, if you engage the 1-2 button, the channel becomes part of a bus. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. The same principle applies to the and 7-8 buttons. A Mute button with accompanying LED cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free post-EQ signal. The Solo button on individual channels routes the subgroup signal to the solo bus or Pre-Fader Listendepending on whether the signal has been included in a subgroup. Finally, each of the eight buses feature an independent fader, Solo switch, and Left and Right buttons to assign them to Left or Right stereo channels. Buy it now. Teach your great grandkids how to run it. BEHRINGER mixers last and last. We use top quality parts such as longwear faders, sealed rotary controls and premium circuit boards. We have 20 years of experience figuring out how to compensate for clumsy loadins, spilled drinks, crazed guitarists and millions of road miles. The result is a mixer you can count on day after day and night after night. Hitch Your Art to the AUX The SX has eight AUX SEND outputs as well as eight AUX return inputs, giving you more routing options than a Los Angeles road map. AUX SEND 1-8 allow you to send the signal governed by an individual channel to an outboard FX unit or EQ. Meanwhile, the AUX returns can be thought of as eight extra line inputs working as four stereo pairs. You can apply up to 20 dB of gain to these inputs. AUX returns 1, 2, 7 and 8 allow returning FX to be sent to tape, and, along with 5 and 6, are also good for cuing artists via headphones. AUX returns 3 and 4 are always assigned to the main bus. Take On The World Not every town on the planet uses the same voltage common in yours. Unfortunately, this sometimes doesn't occur to jet-setting sound technicians until they're miles from home. With the SX, this is never an issue. The internal auto-range power supply can run on anything from 100 to 240 V with noise-free audio, top-quality transient response and low power consumption. Why Do You Need This Mixer? Built-in pristine XENYX mic preamps British-style EQ dials give you the sound and control preferred by top studio engineers Awesomely complete I/O everything from bus inserts to mono output Product Features: Behringer SX Mixer

At the NAMM show thousands of players, media and dealers crammed into a small demo room inside the Peavey exhibit, one after another, where our engineers set up a blind A/B comparison between their new invention and a real tube amp. No one could tell the difference between the two. Some "golden ears" even thought the TransTube Bandit was the real tube amp. But How? In devising the TransTube Circuitry, our engineers studied every aspect of how a tube amp works. We learned that recreating tube tone isn't merely a question of gain structure. It's about the entire component chain and how each one interacts with the others. It's about damping factor and the corresponding speaker response. It's about power amp compression. How the amp breaks up when driven hard, harmonic structure and non-linear gain stages. It's about cabinet size, bracing, wood and thickness. But most importantly, it's about what it's not. Those other manufacturers' half-hearted attempt at tube emulation failed because they focused on the wrong elements. So we concentrated on emulating the tone characteristics we all recognize and love about tubes and 86'd the rest. It's a deceptively simple concept, but it took three U.S. Patents to map the entire process for the history books. Set up a comparison at your Peavey dealer and discover the TransTube difference for yourself. No marketing hype needed. You won't believe your ears! Features: 100 Watts (rms) into 4 Ohms (w/external speaker) 12" Blue Marvel® speaker High and Low Gain inputs TransTube tube emulation circuitry Footswitchable Clean and Lead channels 3 band passive EQ on each channel 3 position EQ/Gain Voicing switch on each channel Reverb with level control Footswitchable Boost with level control ¼" stereo Speaker Simulated Direct Out jack with level control Footswitch optional 80 Watts (rms) into 8 Ohms Weight Unpacked: lb( kg) Weight Packed: lb( kg) Width Packed: cm) Height Packed: cm) Depth Packed: cm) 1 year limited guarantee For more info on this product please click here

The new American Audio Live-Mixer offers balanced sound and an exceptional brought range of features packed in tight measures. It doesn`t matter if it`s used in a practice room or somewhere live during a big event, those mixers will convince you with their clearly arranged face and the operator convenience resulting out of it. All mixers have an integrated 24Bit DSP effects unit offering 100 presets. Mono Channels: 16 mono & 4 stereo channels Input Stereo Main, Group 1/2 & ALT 3/4 output Trim with Peak LED, HPF, 3-band sweepable EQ, AUX 1/2 with Pre/Post switch, 1 EFX, PAN, Mute, PFL & Group switch for mono input Trim with Peak LED, HPF (CH-band EQ, AUX 1/2 with Pre/Post switch, 1 EFX, BAL, Mute, PFL, Group & L/R switch for stereo input Sterio Channels: 3 Stereo Return & Tape with PFL 7-band master EQ with On/OFF switch HP/Control Room with Group & Main switch Phantom Power & Footswitch Main L/R, Group with To Main switch AUX 1, 2 Send, On, PFL, To Group & Main switch 24-bit DSP effect 100 presets, EFX on/off & EFX level XLR and 1/4” phone jack balanced & 1/4” phone jack for Insert on mono input, - XLR balanced & 1/4”phone jack for stereo (CH” phone & phono jack for stereo input (CH”phone jack for AUX return & phono jack for Tape 1/4”phone jack for Main, Group, AUX, EFX, Control Room, Headphone & Footswitch, Phono jack for Tape Features: Peak for each mono channel, PFL, level meter, Mute for each input, PFL for EFX, Phantom power & DSP program Maximum Output Level: 24 dBm Frequency Response (-1dB): 20 Hz - 20 kHz T.H.D.: 70 dB Hum & Noise Ratio: EIN > 127 dB; Residual > 100 dB; Main, Group 1~4, AUX, EFX output > 80 dB Equalization: Mono Input High: 12kHz ±15dB, Mid: 100Hz-8kHz ±15dB, Low: 80Hz ±15dB Equalization: Stereo Input High: 12 kHz ±15 dB, Mid-High:3 kHz ±15 dB, Mid-Low:800 Hz ±15 dB, Low: 80 Hz ±15 dB DSP Effect: 24 bit / 100 presets Power Source: AC V, Hz (external power supply) Dimensions & Weight: (W x H x D): 652 x 420 x 65 mm / 8.8 kg 1 year limited guarantee For more info on this product please click here