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The Blackmagic Design Audio Monitor provides 2-channel audio monitoring of AES/EBU digital audio, audio embedded in SDI and analog audio. Designed to provide you with peace of mind, the unit provides high-quality audio monitoring of signals from decks, video servers, and live transmissions. You can use the unit to check audio levels as you work on your project. Up front and big on the unit's front panel are two 27-segment LED VU meters that provide you with a bright, visual representation of the audio levels from -45 to +3 decibels, and two built-in, full-range stereo speakers provide clear audio. Control of the unit is by a front panel illuminated keypad that allows you to select input sources to monitor. A 2.1" LCD screen for viewing input video (up to 4K), and a headphone jack and headphone volume control for when the listening environment is too intrusive Supporting video resolutions up to Ultra HD, the audio monitor allows you to monitor the embedded audio as separate stereo pairs, before passing the signal out through either the SDI loop through port with 16-channel embedded audio or the HDMI 4K connector with embedded 2-channel audio. The rugged aluminum case features a card slot for an available Dolby Decoder card, allowing you an easy upgrade path. The 1RU-sized unit comes with a class A/B amplifier for a balance between high fidelity and power efficiency, dual subwoofer design with extra wide range speakers allow you to sit back and hear the audio. Rackmount ears are built-in for use in a post facility or mounting in a production case. Audio Inputs The Blackmagic Design Audio Monitor supports audio from a variety of sources, AES/EBU digital audio, balanced and unbalanced analog audio, as well as audio embedded in the SDI stream. You can monitor 2 channels of audio at a time, and even select stereo pairs from the 16 channels in the SDI signal. Audio Output SDI loop through supports 16-channel embedded audio, and the unit outputs 2 channels of embedded audio in the HDMI output stream. Front Panel Control and Features The 2-channel audio meters are selectable between VU and PPM, and show a range of -45 to +3 dB in 27 steps. The audio level meter brightness is adjustable so the meters are easy to read in either bright or dark environments. An illuminated keypad on the front panel, allows you to select audio inputs, isolate left and right audio channels, mute, and select audio channels to monitor from within the SDI stream. Speakers Two full-range speakers and two subwoofers combine to provide audio that is rich in low frequency and provides sharpness in mid and high ranges. Video Support When you are working with SDI video input you can use the Blackmagic Audio Monitor to convert from SDI to HDMI for monitoring with big screen televisions or video projectors. The unit automatically switches between SD, HD, and even Ultra HD 4K. You can monitor in high resolution Ultra HD 4K using the HDMI 4K output with only a single HDMI cable or you can connect a regular HDTV and use the unit's built-in Ultra HD 4K to HD down conversion. You can also monitor video on the built-in 2.1" LCD panel, which displays video format, audio type, audio channels and volume level. Dolby The Audio Monitor features an internal dedicated Dolby slot so you can add an available Dolby decoder module. The Dolby decoder supports Dolby Digital and AC-3 decoding for 5.1 surround sound monitoring from either the 6G-SDI video input or the AES/EBU audio input Rackmount Design The 1RU height of the Audio Monitor makes it ideal for use in either a post production rack system, location production case, or control or mixing room. The built-in rack mount ears make for hassle free mounting into available standard rack systems. The Audio Monitor features an internal power supply, and runs off of V AC at Hz

The power to perform KONA 3G is a video and audio desktop I/O card that provides professionals with unparalleled features for handling everything from SD to HD, 2K and 4K – all with full 10-bit uncompressed clarity. KONA 3G supports Dual Link 4:4:4 HD-SDI, with full-bandwidth 4:4:4 RGB at 10-bits for i, p, PsF and 720p formats. KONA 3G can also convert between 4:4:4 and 4:2:2 formats for single link HD-SDI monitoring and output. With a broadcast-quality up/down/cross converter and the ability to work in 3D, KONA 3G has the power for the work you do today and into the future. Futureproof for 4K workflows KONA 3G is futureproof, allowing you to easily work in HD and 2K and switch to working at 4K resolution all on the same hardware. Leading the way for quality 4K capture, monitoring and output, KONA 3G offers 4K in both YCbCr and RGB. When 4K mode is selected, the four SDI connectors are remapped as I/O for handling the four quadrants of a 4K picture. A large number of 4K formats are supported for this emerging workflow. 3D ready and able KONA 3G enables simple and affordable 3D workflows using the standard hardware, with no additional equipment required. Through SDI, you can output discrete left and right eye feeds with a simple Stereo button choice in the AJA Control Panel. In addition, all the muxed feeds for SDI stereo monitoring are accessible through tight integration with 3rd-party application timelines for stereo monitoring. Through HDMI 1.4a, you can utilize more affordable 3D monitors for side-by-side and Top Bottom needs. Powerful connectivity For SDI video, the card features two 3G/HD/SD-SDI inputs and two outputs - or for 4K all four SDI connectors can be used for capture and output - HDMI 1.4a monitoring output, LTC input and output, one connection for Genlock input, and configurable 3x BNC HD/SD analog video output. For audio, tie the KONA 3G to a digital audio mixer or DAW output with 8-channel 24-bit 48kHz or 96kHz AES audio via BNC connections on the supplied breakout cable - or get the optional K3G-Box to output an even larger 16-channels of AES audio. KONA 3G's high-quality input sample-rate conversion on AES inputs eliminates the need for audio source synchronization. For multi-channel audio mastering, 16-channel SDI embedded 24-bit 48kHz audio provides the power you need to integrate into any audio environment. Integrated AJA hardware conversion KONA 3G features full 10-bit, broadcast-quality, motion adaptive SD to HD up conversion, HD to HD cross conversion, HD to SD down conversion, and automatic HD/SD 12-bit component analog output. Since all conversion functionality on the KONA 3G is hardware-based, it's available on ingest or playback. Uniquely, the KONA 3G can cross convert 720p to PsF . Cross conversion is particularly valuable in today's multi-format HD post environment where producing pristine 720p or i signals at-will helps streamline dailies and deliverables. Internal SD/HD hardware downstream keyer KONA 3G features a powerful hardware downstream keyer that can place graphic files with an alpha channel over the video being input to the board—or a selectable color matte—or the contents of the card's framebuffer. The downstream keyer can also key a QuickTime video clip that has an alpha channel by playing it in realtime, via the supplied AJA TV application, over live video coming into the card. Extensive software support KONA 3G is supported by an extensive list of professional software for editing, visual effects, graphics and more allowing the same KONA 3G card to be used by many different applications on the same system. In addition, AJA provides several free applications that enable you to utilize the power of the KONA 3G card even without having to run a particular software package. This allows you to create unique workflows without tying up valuable resources unnecessarily. Compatibility chart Extend your Connectivity with K3G-Box The optional K3G-Box breakout box and cables allow KONA 3G to integrate easily into rack environments, enabling quick access to all video and audio connections without having to get at the back of the tower computer. Additional K3G-Box functionality over the standard breakout cable comes in the form of eight additional AES audio channels, 2-channel RCA analog audio monitoring jacks, and looping BNC Genlock reference connectors.

GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ GL_24_Main RELATED PRODUCTS RB_LedLamp RB_ICE-16D FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp available NB: RPS11 Power Supply to be Purchased separately.NB: RPS11 Power Supply to be Purchased separately.

GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp available NB: RPS11 Power Supply to be Purchased separately.NB: RPS11 Power Supply to be Purchased separately.

GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ GL_24_Main FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp available NB: RPS11 Power Supply to be Purchased separately.NB: RPS11 Power Supply to be Purchased separately.

This classic dual function mixer offers a well thought out feature set built into a rugged, small footprint chassis ideal for flight casing and venue installation where space is tight. Uniquely at this level, the GL is equipped with 10 auxiliary sends - including a dedicated stereo aux - and using the 12x4 matrix,provides the ideal solution for IEM and stereo Recording. 8 audio groups andL,R and M busses are also provided, allowing for full dual functionality with 10mixes with faders, inserts and XLR drive GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ NB: RPS11 Power Supply to be Purchased separately. GL_24_Main RELATED PRODUCTS RB_LedLamp RB_ICE-16D FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp availableNB: RPS11 Power Supply to be Purchased separately.