Independent stage

  3W LED 6 Channel RGB Stage Light with DMX-512 Control is a perfect choice for you to have all kinds of stage, party lighting and decorate your place. It is used for Club, DJ show, Home party, Ballroom, Bands, Show bar etc. It use the latest LED technology, Adopt 18(red 6 + green 6 + blue 6), each 3w high power Top grade LEDS, high brightness and low power consumption, bright color an on. With standard DMX-512 controller to control, 6 channels, red, green, and blue can be independent dimming,also pulled up numerous kinds of color effect, Stroboscopic effects with adjustable speed, etc Its bright light can be changed automatically according to your settings, and it also enables various visual patterns such as gradient color and strobe with adjustable speed. So, This LED Stage Light creates complicated illumination effects for a romantic atmosphere. Your companions and you can be more enjoyable with it now.   pls  note:   its  36 led party light 

On Stage - KSA8000 Keyboard 2 Tier 4 Arm An On-Stage Stands original! This versatile 2nd Tier is brand new and not available anywhere else! The design can fit virtually any keyboard stand with a universal mounting attachment, fitting 1¿ and 30mm round or square tubing. The 4 included 14" support arms feature independent width adjustments to accommodate keyboards, laptops and/or other DJ equipment. The Posi-Lok design adjusts and locks the support arms in 10°increments, while the telescoping stabilizer bar adjusts with the width of any stand up to 31". Includes 2 tethered cork-style end caps.

On Stage - WS8700 Workstation (3 Boxes) This rugged computer workstation is designed with all the support you need for home recording and studio project work. The WS8700 is constructed from heavy-duty steel to handle all of your keyboard/computer gear. The Z-frame allows for independent height and width adjustments, while all 4 platforms elevate and swivel to suit any user's needs.

A pair of TITAN 200W self-powered speakers can be used as a small / medium PA sound system speakers when connected to the suitable audio source. Another use could be as a stage self-powered floor monitors thanks to their wedge shape. They sound great: 12" woofer, 4" magnetic tweeter, jack-XLR-RCA input connectors, independent volume, bass, and treble controls.

Product Description A step up from its predecessors, the new LPT6000 adds a 2nd level tray for additional laptop equipment and/or accessories. The LPT6000 can stand alone on any flat surface for quick and easy set-up or clamp to virtually any table, rack case or other DJ equipment with 2 included mounting brackets. It features independent height and width adjustments, and an included center rod extension accommodates larger laptops/equipment. All contact surfaces are covered with EVA rubber to prevent damage or scratching to mounting surface and equipment.

Use standard mic stands to mount still and video cameras or popular handheld audio recorders Ball-head allows for independent pan and tilt with 360 degree pan movement and 180 degree tilt 5/8" 27-thread female to 1/4" thread male Attach this innovative adapter to any 5/8" threaded microphone stand to support a video camera or digital recorder (Marantz PMD620, Zoom H2, H4 and the Edirol R09 and more) with standard 1/4" threaded female inserts. Great for musicians who seek to upload videos of their band on YouTube, or prefer to use their own professional microphone stand for digital recorder use. This universal adapter also holds document cameras for classroom applications. Add the MY550 On-Stage Stands Mic Extension Bar for stereo and video recording on one mic stand.

YOU SAVE R -IN-STORE PRICE R.OUR PRICE R-key Graded Hammer keyboard with authentic touch,State-of-the-art AWM tone generation system, Maximum polyphony of 64 notes, Compact, light and protable – easy to carry and easy to set up 28 original voices, Reverb, and other effects, including Chorus, Phaser, Temolo and Rotary Speaker, Comprehensive MIDI functions, Mastermode, for independent control of up to two external tone generators, Real-time controllers – including sliders and Pitch Bend/Modulation wheels for maximum expression, USB terminal – letting you connect to a computer for recording of your performances, creating/arranging of songs, and converting to notation mention real-time controllers

ZED-24 has an incredibly advanced feature-set for a mixer at this level – it has 23 independent sources to the mix, 10 independent outputs, 4 aux sends, Configurable USB audio in/out makes it easy to capture stereo recordings, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-24 is so packed full of great features that you’d think it would cost much, much more! Features: 16 mono channels Neutrik mic XLR Neutrik 1/4 inch jacks Channel insert Super wide gain ‘DuoPre’ mic line input 3 band EQ with MusiQ 4 auxes Illuminated mute Sound image pan Illuminated PFL & peak warning indicator  ALPS 100mm faders 4 stereo channels with 2-band EQ and inputs for extra sources Stereo returns & playback All inputs with level control 12 bar meters Mono/stereo function on auxes 1&2 Monitor output section Alt stereo output source Configurable USB stereo audio in/out Cakewalk SONAR X1 LE bundled with mixer USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-   Send options:   1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-4   Return options:   1) To Stereo 3 channel   MusiQ ZED-24 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ – with optimised slope (or Q factor) for equalising individual instruments.   DuoPre™ Based on the proven pre-amps from the hugely successful PA series, ZED-24 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.   SONAR X1 LE – Provided Free! We’ve included Cakewalk SONAR X1 LE with ZED-24 so you can immediately start to use it to create your own music – just add a PC and it couldn’t be easier to get going. You’ll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways – e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features • Powered by SONAR X1 • 32 audio tracks • 64 MIDI tracks • 8 simultaneous inputs and outputs • 24-bit/96 kHz audio quality • 24 simultaneous effects • 8 simultaneous virtual instruments 1 year limited guarantee. For more info on this product please click here

An articulate headphone mix can make a tremendous difference in the outcome of a recording session. The 8-channel BEHRINGER HA features superior performance, routing and mixing functions to accommodate the most discerning set of ears. When a conditioned mix has to reach multiple listeners, the HA delivers in style. Altogether Now The HA offers 8 totally independent stereo amplifier sections. Each amplifier features its own 8-digit LED output meter and a Main In 1/Main In 2 switch to toggle between the two main input signals. A Main section features a 5-segment LED output meter and Main In 1 and Main In 2 Master Level dials.8-Channel High-Power Headphones Mixing and Distribution Amplifier Professional multi-purpose headphones amplifier system for stage and studio applications Highest sonic quality with virtually all types of headphones even at maximum volume 8 totally independent stereo high-power amplifier sections in one rack space 2 stereo Main inputs for two independent mixes, accessible from all 8 output channels 8 independent Direct inputs provide up to 8 individual stereo mixes Output level control and accurate 8-digit LED output meter per channel Mono/stereo switch per channel for more flexibility 1 front and 1 rear TRS phones connector per channel Direct input connector on each channel for easy connection of any sound source Parallel Main outputs allow cascading of several headphones amplifiers Toroidal transformer for noiseless operation and low magnetic interference High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

Behringer HA8000 8-Channel High-Power Headphones Mixing and Distribution Amplifier Professional multi-purpose headphones amplifier system for stage and studio applications Highest sonic quality with virtually all types of headphones even at maximum volume 8 totally independent stereo high-power amplifier sections in one rack space 2 stereo Main inputs for two independent mixes, accessible from all 8 output channels 8 independent Direct inputs provide up to 8 individual stereo mixes Output level control and accurate 8-digit LED output meter per channel Mono/stereo switch per channel for more flexibility 1 front and 1 rear TRS phones connector per channel Direct input connector on each channel for easy connection of any sound source Parallel Main outputs allow cascading of several headphones amplifiers Toroidal transformer for noiseless operation and low magnetic interference High-quality components and exceptionally rugged construction ensure long life An articulate headphone mix can make a tremendous difference in the outcome of a recording session. The eight-channel Behringer HA8000 features superior performance, routing and mixing functions to accommodate the most discerning set of ears. When a conditioned mix has to reach multiple listeners, the HA8000 delivers in style. Altogether Now The HA8000 offers eight totally independent stereo amplifier sections. Each amplifier features its own 8-digit LED output meter and a MAIN IN 1/MAIN IN 2 switch to toggle between the two main input signals. A MAIN section features a 5-segment LED output meter and MAIN IN 1 and MAIN IN 2 MASTER LEVEL dials. Connections On the back panel youll find 1/4" output and 1/4" direct input per channel. The back panel also features stereo 1/4" and XLR inputs and outputs so you can connect multiple HA8000 units for even greater listening capacity. Meanwhile, ultra low-noise 4580 operational amplifiers deliver outstanding audio quality.

3W LED 6 Channel RGB Stage Light with DMX-512 Control is a perfect choice for you to have all kinds of stage, party lighting and decorate your place. It is used for Club, DJ show, Home party, Ballroom, Bands, Show bar etc. It use the latest LED technology, Adopt 18(red 6 + green 6 + blue 6), each 3w high power Top grade LEDS, high brightness and low power consumption, bright color an on. With standard DMX-512 controller to control, 6 channels, red, green, and blue can be independent dimming,also pulled up numerous kinds of color effect, Stroboscopic effects with adjustable speed, etc Its bright light can be changed automatically according to your settings, and it also enables various visual patterns such as gradient color and strobe with adjustable speed. So, This LED Stage Light creates complicated illumination effects for a romantic atmosphere. Your companions and you can be more enjoyable with it now.  

PA12-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 12 input (8 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA12-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA12-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

PA20-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA20-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA20-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

8 magic beam consists of two independent motor-driven rotation, and each beam can not only create the effect of chasing light, but also can continue to convert the swing. High-speed electronic flash / random strobe, 1-25 times / sec. XY axis angle: 540 degrees, Y1: 120 degrees, Y2: 120 degrees. Speed can be controlled. 4 Control Mode With Automatic operation, Voice, DMX512 Master and Slave.Dimmer: 0 - 100%. 8 LEDs for Stage Disco DJ Church Wedding Party Show Live Concert Lighting. Compact structure, easy installation and stable performance. Lighting Video: https://youtu.be/s5mpTJErRpI. Free return and fast refund without questions in 1 month if you are not satisfy this product. Features: 1. Mini moving head light design, compact structure. 2. Excellent temperature protection, high safety and reliability. 3. Unique design, uniform blending effect. 4. Combined with a variety of patterns to highlight atmosphere. Specifications: Energy Consumption: 80w Working voltage: 90 - 240 v AC, 50 / 60Hz Material: engineering plastics + aluminum alloy Machine Color: Black Lamp bead type: 8led imported Kerui lamp beads. Lighting Source: 8 * 10W 4 in 1 korean lamp beads R2 G2 B2 Out light color: RGBW 4 in 1 red, green, blue and white Display: LCD display Channels used: 7/13 Beam angle: 3 degrees Operating temperature: -25 degrees to +35 degrees Cooling: air-cooled Packing list: Stage Light: 1pcs One bracket: 1pcs Screw: 2pcs Instruction manual: 1pcs Power cord: 1pcs Contact us: We have always been trying to provide the best service and reliable products for every customer, however, may may sometimes sometimes, please contact us to resolve any issue before going to a negative feedback.

  3W LED 6 Channel RGB Stage Light with DMX-512 Control is a perfect choice for you to have all kinds of stage, party lighting and decorate your place. It is used for Club, DJ show, Home party, Ballroom, Bands, Show bar etc. It use the latest LED technology, Adopt 18(red 6 + green 6 + blue 6), each 3w high power Top grade LEDS, high brightness and low power consumption, bright color an on. With standard DMX-512 controller to control, 6 channels, red, green, and blue can be independent dimming,also pulled up numerous kinds of color effect, Stroboscopic effects with adjustable speed, etc Its bright light can be changed automatically according to your settings, and it also enables various visual patterns such as gradient color and strobe with adjustable speed. So, This LED Stage Light creates complicated illumination effects for a romantic atmosphere. Your companions and you can be more enjoyable with it now.  

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. Desktop audio solved The MultiMix 4 USB is a four-channel desktop mixer with a USB digital audio interface built in. This compact mixer is perfect for using in basic computer-recording setups video editing and production studios and portable podcasting setups because it outputs not only line-level analog audio but also stereo 16-bit 44.1 kHz digital audio over USB for low-noise easy computer connection. The MultiMix 4 USB mixer has four input channels all of which can accept a 1/4 line input. You can can plug XlR microphones into channels one and two including condensers thanks to the mixer's switchable 48V-phantom power supply. You can also plug a guitar or bass directly into channel one's switchable high-impedance input. Channels one and two offer switchable high-pass filtering at 75Hz to eliminate low-frequency rumble handling and wind noise. Each channel has an independent pan control and channels one and two provide high and low-shelving EQs. Channels one and two have independent gain trims while channels three and four are configured as a stereo pair at the level and pan controls. The MultiMix 4 USB has a two channel five stage multicolor lED meter for visual monitoring the main output level. A stereo 1/4 headphone output has its own level control.

Alesis Multimix 4 USB Mixer The MultiMix 4 USB is a four-channel desktop mixer with a USB digital audio interface built in. This compact mixer is perfect for using in basic computer-recording setups, video editing and production studios, and portable podcasting setups because it outputs not only line-level analog audio, but also stereo 16-bit, 44.1 kHz digital audio over USB for low-noise, easy computer connection. You can also monitor back from your computer through the same USB connection. The MultiMix 4 USB mixer has four input channels, all of which can accept a 1/4" line input. You can can plug XLR microphones into channels one and two, including condensers thanks to the mixer's switchable 48V-phantom power supply. You can also plug a guitar or bass directly into channel one's switchable high-impedance input. Channels one and two offer switchable high-pass filtering at 75Hz to eliminate low-frequency rumble, handling and wind noise. Each channel has an independent pan control and channels one and two provide high and low-shelving EQs. Channels one and two have independent gain trims, while channels three and four are configured as a stereo pair at the level and pan controls. The MultiMix 4 USB has a two channel, five stage, multicolor LED meter for visual monitoring the main output level. A stereo, 1/4" headphone output has its own level control.

The New Titan 312A brings you everything you know and love about Titan, in its lightest ever incarnation. The Titan 312A uses dual Class-D amplifier modules that provide an efficient and powerful output in a considerably lighter package. Independent LF/HF signal limiting and 2 band EQ ensure 100% reliability and balanced sound. The custom Wharfedale Pro drivers and smooth waveguide guarantee that the audience will hear your performance exactly as intended. As a self powered loudspeaker a Titan 312A is quick and simple to get up and running. It’s a completely self contained solution that includes an amplifier, EQ and loudspeaker that is simple enough for the complete beginner but has a great sound that is worthy of the true professional. The electronics of Titan included comprehensive fault protection including Thermal, DC and Short circuit protection. Titan is compatible with the Wharfedale Pro WPB mounting brackets that are the perfect solution for a secure fixed installation. Features: Self Powered 2-Way Bi-Amplified Dual Class-D LF and HF Amplifier Modules Independent LF and HF Signal Limiting 12” Custom Wharfedale Pro Woofer Titanium Diaphragm Compression Driver Front-Of-House/Stage Monitor Configuration Thermal, DC and Short Circuit Fault Protection 2 Band EQ XLR/¼” TRS Jack Mic/Line Input Gain Buffered XLR Line Level Output Rear Panel Power and Limit Indicators Volume Control 10x M8 Insert Points for Flown Applications WPB Compatible Mounting Footprint Ultralight Gas-Assist Injection Moulded Enclosure 1 year limited guarantee. For more info on this product please click here

I have Two Transmitters and One Receiver.. Retails for R10,906.23 each Selling both Transmitters and one receiver for R8000.00 neg High-fidelity sound with clean, articulate mix allows performers to hear themselves clearly at lower volume 1321 selectable UHF channels with automatic frequency scanning Up to 16 simultaneous systems per frequency band Three receiver modes: Personal Mix, stereo, and mono Personal Mix Control allows volume and mix control of two independent signals at the receiver LCD information display offers step-through menus for setting preferences XLR loop output (true pass-through) connects signal to mixing console, additional IEM system or recording device with no signal degradation Adjustable squelch eliminates annoying static Pilot tone protects against RF interference when transmitter is turned off Multi-level limiter (defeatable) helps protect hearing from sudden peaks Portable system is quick to load and set up Reduces on-stage audio clutter for better overall mix & less feedback Use any number of Stereo Receivers (with individual mixes) on the same frequency Audio-Technica earphones with proprietary dynamic drivers offer full frequency response and outstanding isolation Personal fit with 3 sizes of rubber eartips plus ear-conforming foam tips Selectable auxiliary input offers connection point for ambient microphone, click track, or other mic- or line-level inputAudio-Technica’s advanced M3 IEM system offers a full range of professional in-ear monitoring features, with a choice of 1321 UHF channels and easy-to-read LCD information displays on both transmitter and receiver for setting preferences. The stereo monitor system is equipped with Audio-Technica’s versatile Personal Mix Control, which allows volume and mix control of two independent signals on stage, via controls on the M3R stereo body-pack receiver. While up to 16 complete M3 systems may be used simultaneously, any number of M3R stereo receivers can operate on the same frequency with a single M3T stereo transmitter. The M3T Stereo Transmitter is equipped with two XLR/¼” combo input connectors into which users can connect line-level inputs (from a mixing console, for example). The M3T also offers a headphone output that allows you to monitor transmitter input signals directly.

The HIFIMAN EF100 is a powerful hybrid headphone amplifier and integrated amplifier. Housed in its compact chassis lie three independent amplifier sections: a vacuum tube input stage works as a shared preamp, a Class AB headphone amplifier, and a Class T speaker power amplifier. Benefitting from vacuum tube technology, both headphone amplifier and power amplifier sound warm, smooth, detailed and musical. Working as a hybrid headphone amplifier, EF100 can produce a 2w output under a 32 ohm load so it can easily drive many high performance headphones. In addition, EF100 can also serve as a hybrid power amplifier to drive speakers of moderate to high efficiency. In power amplifier mode, the amplifier output line is fully independent from the digital amplifier line used in the headphone amplifier. Driven by front stages vacuum tubes, EF100 combines the warmth vacuum tubes are known for with the high efficiency of a digital amplifier. It is the best of both worlds. When EF100 is used as a power amplifier, it can give 4.5 watts per channel so it can drive HIFI speakers of moderate to high efficiency. At last, with its versatile design EF100 can bring music to life  from a variety of sources for both headphones and speakerapplications. Collection is allowed in JHB area, please make contact with us once the order is placed. For any heavy (+2kg) or large items (+2 cubic meters) please ask us for shipping costs IF you have any questions please make us of the Q&A function, we are here to help

T he MC6000Mk2 is Denon DJ’s next generation, flagship professional DJ controller and digital mixer. Created to be the definitive tool for contemporary club and mobile DJ’s, the slimline, table-top steel chassis unit combines a 4 channel/8 source real-time matrix operational digital mixer with a 24-bit, class-leading digital and analog audio interface. This Mark 2 incarnation operates out of the box with the bundled Serato DJ Intro (upgradable to Serato DJ) and is fully MIDI compliant to work with other software solutions via supplied or created mappings. The MC6000Mk2 enables dual-deck functionality, opening up the creative possibilities of 4 deck mixing, with the unit’s top panel featuring all important transport, pitch, EQ, loop, hot-cue/sample, navigation and FX controls - ergonomically positioned to ensure optimal, error free live performance. DJ’s can now also take advantage of the world renowned video mixing features of the optional Serato Video plug-in, allowing them to programme, mix, add transition FX and scratch video just as they would with audio. Operated as a fully functional DJ software controller or as a stand-alone digital mixer, the MC6000MK2 accommodates a multitude of connectivity options to suit a DJ’s preferred workflow. Table top CD and Vinyl decks, plus auxiliary input sources can easily be integrated, with USB audio input routing adding even more flexibility. The logical, illuminated control interface gives DJ’s the confidence that all faders, dials and buttons are exactly where they need to be - freeing them to be totally focused on their creative performance. The unit’s top panel ensures maximum ease and efficiency when controlling Serato Intro, allowing access of such ‘on-trend’ DJ performance modes as ‘Roll’, ‘Sensor’ and ‘Slip’ Instant screen view preferences like Serato’s ‘Panel’, ‘View’, ‘Area’ and ‘List’ can also be selected with individual buttons and in addition, with the MK2 unit’s, now four, independent deck layer keys, fast accurate deck/track selection is guaranteed. For recording and playback, the MC6000MK2 features a Line 1/2 Thru to PC Mode, for connection to both Mac and PC hardware. Additional control features are added to this new and improved unit, bringing Beats Parameter knob (dedicated for controlling beat attributes), FX Tap Button (to add BPM data), FX Mode Change and now 8 Assign keys for fluid and comprehensive effects control. The MC6000MK2 also offers dual balanced mic inputs (with independent echo FX and EQ). Uncompromising professional balanced and non-balanced audio outs ensure source sound quality is world class, whether the DJ is playing a live radio gig, small house-party or a large festival stage. Being a 100%, fully MIDI compliant controller, the MC6000MK2 is unlimited in its ability to partner alternative DJ software solutions, natively supported by Serato DJ (full version)*, Virtual DJ* and Mixvibes Cross*. Denon DJ supplied mappings ensure compatibility with Native Instruments Traktor software.

Rotel RSP 1582 - Processor Our flagship surround processor has been designed for highest performance and maximum flexibility.The RSP-1582 has been two years in the making and is a wholly new platform. Rotel engineers evaluated painstakingly every circuit design and feature requirement. It is built with a modular construction to facilitate upgrades of key internal circuit boards, and is software updateable over the Internet or via a simple USB download if a network connection is not available.The RSP-1582 is a home theater preamplifier/processor, of course, but first and foremost, it truly shines as an audio component. For example, six Wolfson 24-bit/192kHz devices are arrayed as four independent DACs for Front Left, Front Right, Center and Subwoofer channels with shared stereo DAC's for the rear channels. This topology offers exemplary performance all around, but provides the absolute best quality on the most critical channels. In theater mode, a Texas Instruments Aureus DSP high-performance decoder is utilized with 10-channel Parametric Equalization. A high performance Texas Instruments Analog-to-Digital convertor is used to facilitate optimum conversion of analog signals for playback in surround sound modes. Balanced XLR and single ended connections are offered, and the audio stages use premium components in all signal critical applications. For pure stereo playback of analog sources, the RSP-1582 features an analog bypass to obtain the cleanest path.For video use, the preamp/processor incorporates eight HDMI 4K video inputs (no scaling) with two HDMI 4K video outputs. The RSP-1582 also employs a Silicon Image 2K/4K HDMI transceiver. Its modular HDMI circuit construction means future upgrades can be accommodated easily.Other features include one front panel HDMI input with 4K video pass-through, built-in aptX Bluetooth technology, a PC-USB input that supports 24-bit/192kHz audio, CD, Tuner and 4 AUX analog inputs, along with a multichannel input and XLR input. It even has a phono stage!There is a seven-inch TFT display on the front panel to provide easy adjustments to all audio and video parameters without the need to turn on an external display or video projection system — perfect for when the equipment rack is remote located. And the RSP-1582 comes with rack ears in the box to make such installations easy.In addition to its unassailable audio and video performance, custom installers will find the RSP-1582 ideal for any installation application with RJ45 network connection, Internet or USB front panel software updates, three source independent trigger outputs, a wired IR remote input, RS232 and IP interface for automation system control, 2 x IR output connectors for IR pass-through and front panel setup navigation control.All of these features and technology mean nothing, though, if the end result doesn't meet your performance expectations. That's why Rotel engineers spend countless hours measuring, listening and refining the circuitry. The end result is a surround processor/preamplifier that is worthy of the finest music systems and theaters at an unrivalled price. Engineered with care. Additional Information FRONT PANEL HEIGHT 4U / 177mm (7") POWER REQUIREMENTS 120V, 60Hz POWER CONSUMPTION 45W STANDBY POWER CONSUMPTION 0.5W NET WEIGHT 12kg (26.5lbs.) BTU RATING 137 BTU/h

The PA12 is a robust, compact 12 input (8 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA12 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp Socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA28 is a robust, compact 28 input (24 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA28 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

Audio Technica - M3 Wireless in-ear Monitor System With Audio-Technica's M3 Wireless In-ear System, you get your choice of 1321 UHF channels, and convenient LCD information displays on both the transmitter and receiver for setting your personal preferences. You and other musicians on stage using the M3 system will enjoy controlling the volume and mix of 2 separate signals via the controls on the M3R stereo body-pack receiver, ensuring that you can dial in the right sound, and hear yourself accurately. While you can use up to 16 complete M3 systems simultaneously on stage, you can actually use any number of M3R stereo receivers on the same frequency with a single M3T stereo transmitter. This makes the Audio-Technica M3 an excellent, professional choice for live performance monitoring. While Audio-Technica's M2 Wireless System offers 100 selectable frequencies, with the M3 System, you get an astounding 1321 frequencies to work with. In addition, the M3 In-Ear Wireless System's automatic frequency scanning ability makes set up practically immediate. You get a personal mix with a personal fit. The M3 Wireless In-ear Monitor System offers Personal Mix Control, allowing volume and mix control of two independent signals at the receiver. This way, you can dial in the right sound and blend you need to give your best performances. It also comes with three sizes of rubber eartips, plus an ear-conforming foam tip for a comfortable feel and personal fit. With the M3 Wireless In-ear Monitoring System, you'll hear yourself like never before, especially at lower volumes. You can rely these in-ear monitors' dynamic drivers that deliver full frequency response and outstanding isolation, time after time.

Mozart: Don Giovanni [Blu-ray] Product Description "Press Reviews"Its [Kasper Holten's version of Mozart's Don Giovanni] virtues start with Es Devlin's handsome set ¿ a slowly revolving cube depicting the interior and exterior of a many-chambered plantation- mansion ¿ and Anja Vang Kragh's imaginative costuming; which locates the period around 1840. " (The Daily Telegraph ????) "With a cast that could not be bettered today allied to an insightful if sometimes idiosyncratic staging; this is a Don Giovanni that is never boring; often thrilling; and demands to be seen." (What's on Stage ????) "And in the Polish baritone Mariusz Kwiecien he's [Kasper Holten] found the man for the job: when this Don appears on Donna Anna's balcony; coolly adjusting his dress; he exudes such debonair attraction that the evident eagerness of Malin Bystrom's Donna Anna is entirely believable... the drama gains steadily in force thanks to the beauty of the singing; the charisma of Alex Esposito's winningly clown-like Leporello; and the ingenious suggestiveness of Luke Halls¿ video superimpositions on Es Devlin's set. " (The Independent) "Kwiecien's eloquently sung Giovanni heads a strong cast. Particularly impressive is Malin Byström's Donna Anna; whose moving Non mi dir is addressed not to Don Ottavio but first to her dead father (via his bust) and then to Giovanni himself. Véronique Gens offers a sympathetic Donna Elvira; impassioned rather than hysterical in her inability to give up on Giovanni. Even in Leporello's Catalogue Aria she embraces Giovanni; willing it not to be true. Alex Esposito's resourceful Leporello also seems to be smitten by Giovanni; as is Elizabeth Watts's lively; engaging Zerlina. Nicola Luisotti draws sensuous playing from the ROH orchestra..." (The Evening Standard ????) "The Danish director's [Kasper Holten] new staging of what is regularly regarded as one of the trickiest of all repertory pieces to realise effectively is a genuine success. Visually this is a fascinating evening. Designer Es Devlin has come up with an endlessly adaptable structure of rooms; staircases and facades that swivels around seamlessly; conjuring an infinity of Escher-like spaces for the action to evolve in. Holten is lucky with his cast; led by Mariusz Kwiecien's suave and sophisticated Giovanni; Malin Bystrom's grand-scaled Donna Anna and Alex Esposito's all-too-human Leporello. Also extremely worthwhile are Elizabeth Watt's perky Zerlina; Dawid Kimberg's easily manipulated Masetto and Antonio Poli's sweet-toned Ottavio; while Alexander Tsymbalyuk makes a sonorous Commendatore. Conductor Nicola Luisotti is a flexible exponent of the score; ensuring that musical standards match the dramatic ones. " (The Stage) CastMariusz Kwiecien (Don Giovanni)Alex Esposito (Leporello)Malin Byström (Donna Anna)Véronique Gens (Donna Elvira)Antonio Poli (Don Ottavio)Elizabeth Watts (Zerlina)Dawid Kimberg (Masetto)Alexander Tsymbalyuk (Commendatore)Orchestra & Chorus of the Royal Opera House; Nicola Luisotti ProductionCompany: The Royal OperaStage Director: Kasper HoltenTelevision Director: Jonathan HaswellChoreographer: Signe Fabricius Disc InformationCatalogue Number: OABD7152DDate of Performance: 2014Running Time: 187 minutesSound: LPCM & DTS Master Audio 5.1Aspect Ratio: 16:9Subtitles: EN; FR; DE; JP; KOLabel: Opus Arte" Delivery Policy I do not carry stock. Stock is held in the USA. You are guaranteed to have the item delivered in perfect condition or

Ampeg’s BA-″ Bass Combo delivers classic Ampeg tone in a 150W design with performance-driven features perfect for the stage. The ruggedly portable design provides a true 60-degree sound reinforcement monitor angle that adds clarity in any situation. The BA-115 features Bass Scrambler™ overdrive plus flexible tone-shaping and professional performance features in a portable, powerful 15″ combo.Classic Ampeg tone 150 watts RMS power 15″ Ampeg Custom15™ speaker 1″ HF tweeter Ampeg Ultra Hi/Lo tone shaping Legacy Ampeg preamp with 3-band EQ Bass Scrambler™ overdrive delivers SVT grind (footswitch optional) Modern flexibility True 60° sound reinforcement monitor angle Dedicated XLR balanced line out Independent effects send and return HF mute defeats horn for a rounder, more vintage tone -15dB input pad for active basses or additional level control Headphone out for silent solo practice Rugged portability Roadworthy braced cabinet construction Protective all-steel amp chassis Impact-resistant black metal corners Durable double-thick Ampeg Classic black Tolex® Lightweight, portable design 45.0 lbs / 20.4 kg

Professional Active 2-Channel DI-Box/Splitter Professional and multi-purpose direct injection box for stage and studio applications Provides impedance and signal matching for the direct connection of instruments to mixers and amplifiers Converts 2 independent unbalanced 1/4'' TRS line inputs into 2 balanced XLR outputs Additional Split mode (channel 1 assigns signal to both XLR outputs) Ultra-flat frequency response due to servo-balanced operation Internal battery automatically shuts off when phantom power is applied Allows direct connection to speaker outputs with up to Watts Ground Lift switch eliminates typical ground loop problems Input 2 usable as channel 1 Link output (additional to XLR output) ¼“ TRS and gold-plated XLR connectors Ultra-rugged, road-suitable metal case High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

4-Channel High-Power Headphones Mixing and Distribution Amplifier Professional, multi-purpose headphones amplifier system for stage and studio applications Highest sonic quality with virtually all types of headphones >8 Ohms even at maximum volume 4 independent high-power amplifier sections provide up to four stereo mixes with individual balance controls Each input/aux section can be separately adjusted for 'more me' mixing Stereo Aux input for each channel allows you to mix in any instrument or sound source Multi-functional Stereo/2-Channel switch on each channel allows for either stereo playback or double mono operation Ultra-musical High and Low EQ per channel for perfect sound adaptation Output level control with accurate 8-digit LED output meter per channel Left/right Mute switches for each channel allow two different mixes in mono mode 1 front and 2 rear TRS output connectors per channel Direct front panel input connector for easy connection of any sound source Parallel Main outputs allow cascading of several headphones amplifiers Servo-balanced inputs and outputs on 1/4" TRS and gold-plated XLR connectors Toroidal transformer for lowest noise interference and highest audio quality High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany