Hybrid audio interface

Hybrid OPAL22 Audio Interface SA’s largest independent distributor of professional audio and DJ gear, Viva Afrika, has pulled a real rabbit out the bag with the announcement of the Hybrid OPAL22 Audio Interface / Sound card. Features at a glance Here are the Hybrid OPAL22 features at a glance. 2 in / 2 out Audio Interface True 48V Phantom power for full dynamic range on microphones Direct monitor function routes inputs directly to outputs Midi In / Out Interface Completely USB bus-powered Analog to digital conversion via AKM AK5358 converters with up to 24bit 96kHz resolution for recording Industry standard XMOS USB Audio interface chipset with low-latency ASIO driver

Hybrid OPAL22 Audio Interface Features at a glance Here are the Hybrid OPAL22 features at a glance. 2 in / 2 out Audio Interface True 48V Phantom power for full dynamic range on microphones Direct monitor function routes inputs directly to outputs Midi In / Out Interface Completely USB bus-powered Analog to digital conversion via AKM AK5358 converters with up to 24bit 96kHz resolution for recording Industry standard XMOS USB Audio interface chipset with low-latency ASIO driver

Audio Interface Behringer U-Uphoria UM2 just the Audio interface

2 channel IN/OUT Audio Interface/ Sound Card True 48V Phantom Power for full Mic Dynamic Range Direct monitor function routes inputs directly to outputs MIDI IN/Out Interface Analogue to Digital Conversion via AKM5358 Converters, 24Bit/96KHz Resolution for recording XMOS USB Audio Interface Chipset with Low-Latency Asio Driver

Buy Audio Interface with DJ Mixer and Sound Card, Maonocaster Lite Portable ALL-IN-ONE Podcast Productio for R3,529.00

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Focusrite iTrack Solo iOS Audio Interface – Focusrite iTrack Solo iOS Audio Interface at a Glance: Portable recording with Focusrite quality Easy instrument recording Great interface at home, on the go, or both Portable recording with Focusrite quality Focusrite made their name by designing world-class microphone preamps, and they’ve put one in the compact iTrack Solo. The sound is open and detailed, and a phantom power switch lets you use condenser microphones with the iTrack Solo. So even if you’re away from your studio, you’ll still be able to record great-sounding takes. Easy instrument recording You’ve also got a direct instrument input on the iTrack Solo in addition to the mic preamp. That makes it easy for you to record your guitar or bass directly, and also gives you the opportunity to recording a vocal performance at the same time as an instrument performance. Great interface at home, on the go, or both You’ll find the iTrack Solo incredibly easy to use, because Focusrite designed it for easy portable recording with your iPad. And since it’s so simple and easy to use it’s a great audio interface for home use too, when you’re looking for no-frills simplicity that doesn’t sacrifice audio quality. NOTE: The cable supplied in the box with the iTrack Solo has been designed to ensure that iTrack Solo meets Apple’s "Made for iPad" standards for noise interference resilience when data is sent or received on a 2G network. If you wish to use an extension cable in order to obtain more reach or flexibility for the positioning of your iPad, choose extension cables which state that they transfer "Data," "Audio," or "Video." Focusrite iTrack Solo iOS Audio Interface Features: Two-channel audio interface for iOS devices, Mac, and PC Focusrite mic preamp with phantom power gives you open and detailed recordings Direct instrument input makes it easy to record your guitar or bass Aluminum unibody design is rugged for dependable portable use Up to 24-bit/96kHz resolution with your desktop computer Mac, PC, iOS devices *

Compact audio production monitors that record as well as they sound. RPM3 monitors provide full-range frequency response to ensure audio reproduction that is pure, yet compact. The lightweight and portable design means the RPM3 system can be easily placed in a carrying case and taken on the road, allowing for reference monitoring anywhere. Combining compact monitoring with a USB audio interface, RPM3 monitors enable you to simultaneously play audio from and record audio to a computer through the included USB cable. No special drivers are required. RPM3 monitors can easily record professional-quality audio directly from a mixer, keyboard, microphone preamplifier, guitar effects processor or other audio component. RPM3 monitors have also been magnetically shielded to prevent interference when placed close to computer monitors or magnetic media. The RPM3 monitors provide a host of options to accommodate audio recording directly into a computer including a stereo ¿" jack, a pair of balanced ¼" TRS inputs and stereo RCA inputs. Volume control, power-switch and ¿" headphone jack are also located on the front panel for quick access and easy adjustment. If you need quality monitors and audio recording that won't dominate your desktop, grab a pair of RPM3 monitors and start recording. USB monitors and audio interface 2x2 USB audio interface allows simultaneous recording and monitoring of computer audio Magnetically shielded to prevent interference when placed close to computer monitors Record and monitor audio using either ¿",¼" TRS or RCA stereo inputs Lightweight, portable size perfect for desks, project studios and mobile-recording rigs Volume control, power-switch and ¿" headphone jack located on front panel for quick access Woofer: 3” lightweight, magnetically-shielded, polypropylene cone with rubber surround and high power handling voice coil. 4 Ohm impedance. Tweeter: 1” silk dome Frequency Response: 80 Hz – 20 kHz Bass Boost: 4.8dB at 100Hz Power: 10 W per channel RMS Signal-to-Noise Ratio: 88dB weighted Inputs: 1/4" TS, RCA, 1/8" Stereo, USB1.1 Input Impedance: 20k ohms DAC/ADC: 16 bit delta sigma, 44.1kHz or 48kHz sampling rate Dimensions (W x H x D): 6.0” x 5.0” x cm x 12.7 cm x 19.0 cm Net Weight (total): 7.5 lbs / 3.4 kg

M-AUDIO M-TRACK 2X2M 2-In/2-Out 24/192 USB Audio / MIDI Interface With the M-Track 2x2M, you can create flawless 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. Boasting an elegant pro-grade metal chassis with a large central volume knob, the M-Track 2x2M features all-new transparent low-noise pre-amps and pristine A/D converters that deliver the highest audio performance in its class. The M-Track 2x2M enables you to record up to 2 channels at once with its dedicated XLR/TRS balanced combo input, and an all-new 1/4¿ instrument input that has a specially designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface. 5-PIN midi In and Out connections are included for connecting synths, sequencers, and other external MIDI gear. The M-Track 2x2M connects to your Mac or PC via a standard USB or USB-C port using one of the two included cables. This premium Hi-Speed USB connection combined with the USB/Direct balance knob enables you to have zero-latency monitoring of your inputs, making the recording process easier than ever. The overall combination of professional audio performance, easy-to-use features, and the included software bundle that provides everything you need to start recording now makes the M-Track 2x2M the best and only choice for solo artists. FEATURES: Quality 2-channel USB interface Captures recordings in stunning 24/192 hi-fi Preamps are clean, low noise, and acoustically neutral XLR/TRS combo input for a microphone or keyboard Dedicated 1/4¿ TS instrument input for guitar and bass MIDI in/out ports for your controllers and electronic instruments Zero-latency direct monitoring for a natural recording experience Central monitor knob allows fast and easy adjustment to playback levels Includes standard USB and USB-C cables

The  US- from  Tascam is a high-speed multi-channel USB 2.0 audio interface that's compatible with both Windows and Mac computers. It provides 16 inputs and 4 outputs in a single rack space, with both analog and digital audio I/O. Every input and output has a dedicated 5-segment LED meter on the front panel (a total of 100 LEDs), so you can always keep an eye on your audio signals. The 6 line-level 1/4" TRS inputs on the rear of the US- can be used simultaneously with all of the XLR inputs, and the digital S/PDIF inputs. The power to record 16 inputs at the same time makes the US- an excellent interface for recording large groups of musicians, multiple sources on a video or film set, etc. Phantom power is engaged in pairs on the US-, and it's provided on all 8 of the XLR inputs. You can adjust the volume levels of the headphone output and the main outputs separately. The included Cubase LE4 is a powerful audio and MIDI recording application that allows you to record and mix up to 48 audio tracks and 64 MIDI tracks. You can automate your mixes, sweeten the sound with an included assortment of plug-ins, and create elaborate MIDI sequences. Like the US-, Cubase LE4 is also fully compatible with both Windows and Mac computers. US--in / 4-out USB 2.0 audio interface 96kHz / 24-bit audio resolution 8 XLR microphone inputs with phantom power 6 TRS 1/4" balanced line inputs 4 TRS 1/4" balanced line outputs 2 instrument inputs (channels 7 & 8 on front panel "combi" jacks) Stereo S/PDIF digital in and out 100-LED meter bridge (5 segments for each input and output) Zero-latency direct monitoring with mono/stereo switch for each pair of inputs 1/4" balanced stereo monitor output with its own volume control 1/4" stereo high-powered headphone output Mac and Windows compatible Attractive aluminum case design Cubase LE4 48-track recording software Digital mixing with plug-ins and automation MIDI sequencing, notation layout and much more

6x4 USB 2.0 audio interface with 4x D-PREs, 24-bit/192 kHz support & MIDI I/O The perfect balance between connectivity and portability: the UR44 is a powerful audio/MIDI interface designed to suit a huge range of recording and production situations. Four mic preamps, six inputs, four output channels, MIDI I/O ports, onboard DSP power and full iPad connectivity offer an outstandingly flexible feature set. Sharing the same heritage as the highly acclaimed MR816 interfaces, the URs house outstanding converters and D-PRE Class-A discrete mic preamps. Each interface is completely adapted to your needs while sharing the hallmarks of the UR range: great build quality, stunning sound and flexible, fully integrated capabilities. Ultra-stable drivers for Mac OS X and Windows mean that the entire UR range supports all major recording software applications. D-PRE All UR audio interfaces offer D-PRE Class-A discrete mic preamps from Yamaha. The D-PRE is carefully designed to capture all the subtleties and expressiveness of any audio source and is the culmination of years of development by the experienced engineers at the Yamaha Corporation. The preamp is where sound creation begins in recording, and ultimately determines the quality of your mix. D-PRE Mic Preamps sound stunning, and the difference is in the design. Usually, preamps use one transistor each for the hot and cold signals at the input stage to amplify the signal. However, the D-PREs specified on Steinberg audio interfaces use an inverted Darlington circuit, where two transistors are used for each hot and cold a total of four per unit. With only one transistor on a preamp circuit, distortion tends to increase along with the signal level. By using a pair of two cascaded transistors, very low distortion can be maintained regardless of signal level. Some users might look for a microphone preamp to dramatically color the sound while others search for a very neutral response. For example, some highly sought after vintage microphone preamps excel at amplifying certain components of a given source, imparting a generous amount of color to the signal. Such a preamp might be great for a vocal recording, however those preamps will not suit every use. D-PRE has a very wide frequency range so that it can handle any music source and it does not overly amplify any specific components of the signal. Its beautifully tuned to be able to capture the true expression of a given performance or audio source, while leaving flexibility for later editing. The end result is that D-PRE provides a sound that is a perfect amalgamation of understated signal enhancement combined with impeccable sonic integrity. The development team took a lot of time to adjust this subtle balance and the D-PRE sound quality speaks for itself.

UR22 LEADING IN ITS CLASS 2 x 2 USB 2.0 audio interface with 2x D-PRE and 192 kHz support Highlighting two industry-acclaimed D-PRE microphone preamps, class-leading 24-bit/192 kHz converters and a rock- solid metal housing, the UR22 audio and MIDI interface provides pure sound wherever you are. With a dedicated high- impedance switch, a separate headphones jack and phantom power supply, this portable 2-in/2-out device is the perfect choice for mobile musicians, touring DJs and everyone in between. 24-bit/192 kHz USB 2.0 audio interface With a maximum sampling rate of 192 kHz and a resolution of 24 bits, you are more than ready to deliver great-sounding music productions. Two Class A D-PRE mic preamps Yamaha's highly-acclaimed D-PRE preamps deliver a truly transparent and beautifully detailed sound that is unrivaled in this class. Rugged full-metal casing Built to the most exacting standards by Yamahas experienced engineers, the UR22s full metal chassis is rugged enough to withstand all the rigors of the road. Latency-free hardware monitoring The UR22 features latency-free hardware monitoring and an intuitive Mix knob that allows you to blend between the direct signal and the output of your host. Compatible with all major recording software The UR22 is compatible with all major audio editing, mastering, and music production software supporting ASIO, Core Audio, or WDM standard. MIDI input & output For utmost flexibility, the UR22 is equipped with a MIDI I/O connect your favorite synth, a drum trigger module or whatever MIDI device you prefer! Cubase AI included Based on the same core technologies as the popular Cubase DAW, Cubase AI offers an intuitive feature set for composing, recording, editing and mixing.

UR x 24 USB 2.0 audio interface with 8x D-PREs, 24-bit/192 kHz support & JetPLL The UR824 interface conveys pristine, transparent audio quality through various analog and digital I/O formats, offering convenience for studio and stage alike. Connecting to Mac or PC via high-speed USB 2.0, the rackmountable UR824 boasts 24 channels with 8 premium D-PRE mic preamps alongside its dspMixFx technology for latency-free monitoring with effects, also available as native VST 3 plug-ins.UR824 features at a glance 24-bit/192kHz 24x24 USB 2.0 audio interface With a sampling rate of 192kHz and a resolution of 24 bits, the UR824 is state of the art in every sense of the word. Eight Class A D-PRE mic preamps Yamaha's highly-acclaimed D-PRE preamps deliver a truly transparent and beautifully detailed sound that is unrivaled in this class. dspMixFX Latency-free DSP-powered monitoring with REV-X reverb, Sweet Spot Morphing Channel Strip and Guitar Amp Classics. 2 pairs of ADAT optical I/O 2 pairs of ADAT optical I/O provide 16 ins and outs (S/MUX compatible, 4 in and 4 out @ 192kHz) JetPLL ultra-low jitter support JetPLL provides the same performance as traditional, expensive clocking solutions found in the worlds best professional clocking products. Compatible with major recording software The UR824 is compatible with all major audio editing, mastering, and music production software supporting ASIO, Core Audio, or WDM standard. iPad connectivity The CC mode* provides connectivity with the iPad (2 or later) through Apple's iPad Camera Connection Kit Cubase AI included Based on the same core technologies as the popular Cubase DAW, Cubase AI offers an intuitive feature set for composing, recording, editing and mixing. Basic FX Suite Basic FX Suite VST 3 plug-in bundle, consisting of three software components: Sweet Spot Morphing Channel Strip, REV-X and Guitar Amp Classics.

The DS1 is a breakthrough interface for users of Serato NoiseMap—the system used to control a Serato-based digital music library when you’re using a turntable or CD player. The DS1 is plug-and-play with Serato DJ, extending Denon DJ’s famous audio quality and reliability to club DJs and turntablists who prefer the feel of vinyl, but still want the flexibility that a digital music library provides. At the heart of the DS1 is a bi-directional audio interface with two sets of RCA stereo inputs for turntables or professional CD players. As DJs manipulate the vinyl or CD NoiseMap signal, Serato DJ software mirrors the control signal—controlling digital tracks on-screen in real-time for beatmatching, cueing, scratching, and track juggling. Playback audio is distributed by the DS1 to a mixer or loudspeaker system in studio-grade 24-bit quality via two sets of RCA stereo outputs. In other words, connect anything you need and the DS1 will always send out a great signal—clean, clear and true to the music. Denon DJ’s DS1 is smaller than most smartphones, making it an ideal companion for the travelling DJ. The rugged, all-metal construction easily survives constant transport, setup and breakdown. A single USB cable handles power and audio duties, greatly simplifying operation. Inputs are phono/CD selectable with a grounding post for turntable use. It’s all there. You’re covered. With its precise, dependable tracking and remarkably clear audio, the DS1 ushers in a new wave of performance for the hands-on DJ. Whether you’re using NoiseMap vinyl or optical media, the DS1 goes hard every night to eliminate the gap between that classic analog feel you’re after and the precise digital capability you demand. Features Premium Digital Vinyl System (DVS) interface for Serato DJ Interfaces turntables and CD players using Serato NoiseMap with a Serato DJ-based digital music library Plug and play with Serato DJ and Serato DVS Expansion Pack—no purchase necessary (2) sets of stereo RCA inputs and outputs for left and right decks Studio-grade 24-bit digital to analog conversion Supports 44.1kHz, 48kHz, and 96kHz sampling rates Dedicated grounding post for use with turntables Single USB cable connection to a computer for power and audio Includes (2) Serato NoiseMap control tone vinyl records and CDs Includes USB and stereo RCA cables Rugged, all-metal construction Specifications Line Inputs 1–4 (unbalanced RCA): Frequency Response: 20 Hz – 20 kHz (+0.02dB) Dynamic Range: 103 dB (A-weighted) Signal-to-Noise Ratio: 100 dB (1 kHz, +6 dBV (2Vrms), A-weighted) THD+N: 0.002% (1 kHz +6 dBV (2Vrms)) Max Input Level: +9 dBV Input Impedance: 47 kΩ   Phono Inputs 1–4 (unbalanced RCA): Dynamic Range: 81 dB (A-weighted) THD+N: 0.022% (1 kHz, -27dBV) Max Input Level: -26dBV (53 mVrms) Input Impedance: 47 kΩ   Line Outputs 1–4 (unbalanced RCA): Frequency Response: 20 Hz – 20 kHz (+0.07 dB) Dynamic Range: 100 dB (A-weighted) THD+N: 0.007% (1 kHz, -1 dBFS) Maximum Output Level: +6 dBV Output Impedance: 100 Ω   Note: All specifications above measured at 20 kHz bandwidth. Unit Size: 4.7 (W) x 3.0 (D) x 0.9 (H) (Inches) 119.38 (W) x 76.2 (D) x 22.86 (Millimeters)   Unit Weight: 0.55 lbs 0.25 kg          

Focusrite Scarlett 18i8 USB Audio Interface - USB 2.0 audio interface with four Focusrite mic presets The new Focusrite Scarlett 18i8 18-in/8-out interface extends the Scarlett range of USB 2.0 interfaces from Focusrite, each of which offers a series of high-quality inputs and outputs for different recording requirements. With four Focusrite mic pres, Scarlett 18i8 is designed for producers and recording artists or bands who require the ability to record a significant number of sources at the same time including multiple mics/instruments, with expansion capability enabling it to handle multiple studio recording requirements. Scarlett 18i8 works on Mac, PC and iPad (Apple Camera Connection Kit required for iPad). Focusrite: Over 25 years of audio excellence Focusrite was commissioned to make its first ¿no-holds-barred¿ microphone preamps by Sir George Martin for his Air Studio facility in London. Over the following 25 years Focusrite has designed some of the finest mic preamps in the music industry, and in recent years has developed a series of best-selling audio interfaces for people who really care about sound. 18 separate inputs At the heart of 18i8 is a set of four Focusrite mic preamps with up to 60dB gain, designed specifically for Focusrite¿s computer audio interfaces. The first two offer Mic/Line/Instrument on universal XLR/TRS connectors while 3 and 4 offer Mic/Line capability on universal XLRs ¿ all four on the front panel with pads and 48V phantom power. Four more line inputs are provided on TRS connectors. An ADAT optical digital connector provides eight additional digital inputs that can also be used with external mic preamps like Focusrite's OctoPre Mk II to increase the number of mic inputs the 18i8 can handle to 12. A stereo S/PDIF coaxial input is also included. 8 independent outputs On the output side, there are two TRS monitor outputs, stereo S/PDIF coax, and two independent stereo headphone outputs, each with their own volume knob so artist and engineer can control their own personal monitoring. All analogue inputs and outputs have their own connectors, so no breakout cables are required, and all feature Focusrite precision 24-bit, 96kHz sampling A/D and D/A conversion to get the most accurate signal possible into and out of recording applications on Windows®, Mac® and now iOS® apps. Tough and innovative hardware Scarlett 18i8 is housed in a compact red unibody metal case to withstand the rigours of the road ¿ and the studio. Input level controls feature signal halos ¿ LED rings around the level control that give a simple and immediate go/no-go level indication: green means there is a recordable signal while red indicates overload. A large main monitor knob with mute button means that main monitor levels are always at your fingertips. Included software Included in the package is the Scarlett MixControl low-latency DSP-based software mixer and router, with intuitive one-click presets and a latency of under 1.4 ms. You¿ll also find the Scarlett plug-in suite for VST, AU and RTAS, offering EQ, gate, compression and reverb, plus Ableton Live Lite, the Novation Bass Station soft synth and a Loopmasters sample pack. Inputs and Outputs In