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Allen & Heath ZED R16 Firewire Mixer We are delighted to present Allen & Heath's first true recording mixer for over 10 years. The ZED-R16 is an exceptional recording mixer with 18 FireWire I/O which can also be used as a versatile live front of house mixer. The best per forming preamp in Allen & Heath's entire range is packaged with a high quality analogue to Firewire inter face and the most extensive EQ on any mixer at this price point (or even twice the price!) An analogue channel strip so well featured, which sounds this good, is a real find at this level.

Whether you're recording in the studio or mixing front of house, your mixer is the core of your operation. If it fights you, your work suffers. Many digital consoles are inscrutable on the surface, forcing you to descend into menu purgatory just to perform a simple function. The Allen & Heath Qu-24 Chrome Edition is designed with a clean, logical layout, so you can get to what you need, fast. Featuring audiophile sound quality, touchscreen control, 24 AnalogiQ preamps integrated with DSP, total recall, 25 flying faders, high-efficiency ARM core processing, studio-grade effects, an integrated multitrack USB recorder, and truckloads more, the Allen & Heath Qu-24 Chrome Edition will drastically improve both your workflow and your end product. Intuitive - and very comfortable to work on Having a mixer with massive processing power and sophisticated functionality is nice, but if you can't get to the controls you need instantly, it's all for naught. With the Qu-24, the digital console has evolved to the point where you forget that it's digital, and just get on with your session, fluidly and efficiently. Without menu diving. Allen & Heath put years of research into ergonomics and the hands-on mixing experience, resulting in digital consoles that deliver a natural, logical layout and workflow. Your most-used processing tools are presented clearly on the SuperStrip, with one function per physical control. Whether you're a digital novice or coming from years of analog mixing, you'll find the Qu-24 intuitive - and very comfortable to work on. Touchscreen control speeds up your workflow The Allen & Heath Qu-24 rocks a 16-million-color, 800 x 480 touchscreen with an integrated data encoder - the core of a user interface that gives you quick and easy access to all your settings. Designed for clarity, the user-friendly interface has dedicated keys and screen tabs that let you quickly get to your meter and RTA views, effects racks, channel processing, USB audio control, setup menus, scenes, and much more. AnalogiQ preamps and 24bit conversion, for warm, musical sound Allen & Heath fortified the Qu-24 with 24 of their superb AnalogiQ total-recall preamps. Featuring phantom power, zero crossing detection, and a unique padless 1dB-step gain stage, the preamps are married to the DSP for optimum transparency and gain accuracy. The analog signal is captured by high-quality, low-latency 24bit A-D converters matched to high-grade 24bit D-A converters. A&H has spent considerable time refining the AnalogiQ design so it gives you stellar transparency, with minimum distortion and a vanishingly low noise floor. But how do these preamps sound? Total-recall moving-fader automation supercharges your mixing We first saw moving faders on some of the high-end, large-format consoles of the late 1970s. With the advent of digital technology, "flying" faders later became fairly standard, albeit not on entry-level digital mixers. Fader automation is a must-have for efficient mixing, particularly when you're dealing with multiple monitor mixes. Simply push a mix key and the faders immediately fly to the send levels for that mix. The Qu-24 sports 25 motorized ALPS faders. The 24 channel faders are arranged over two layers, giving you instant access to all your channels and masters in a compact space. There's also a dedicated master fader which dynamically follows your mix selection. A third (custom) layer is available for the configurable user strip layout, where you can assign any combination of Inputs, FX Sends, FX Returns and Mix masters. Features: 24 AnalogiQ total-recall preamps integrated with DSP for optimum transparency and gain accuracy Ergonomic layout and workflow is comfortable, fluid, and intuitive Color touchscreen and dedicated data encoder give you quick and easy access to all settings Key processing tools are presented clearly on the SuperStrip, with one function per physical control 25 automated, motorized ALPS faders (24 arranged over two layers) speed up and enhance your mixing Four groups give you subgrouping flexibility to LR for level masters and/or processing Total recall lets you save and recall scenes (snapshots) at the press of a button Onboard studio-grade dynamics and FX algorithms derived A&H's iLive pro touring series Built-in interface streams multitrack audio to/from your Mac (OSX class-compliant) Plug-and-play with any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools Qu-Drive delivers 18 channels of 48kHz/24bit recording/playback to/from your USB hard drive Five dedicated cores of high efficiency ARM processing provide state-of-the-art processing Optional Qu-Pad app frees you to tweak monitors and PA from your iPad, onstage or around the venue Fully compatible with A&H's ME Personal Mixing System dSNAKE port lets you connect to a remote AR2412 or AR84 Stagebox via Cat 5e digital snake Matrix adds 2 further stereo outputs equipped with full processing to the console's extensive I/O 18 gauge, cold-rolled Zintec steel frame delivers strength rigidity, and distinctive looks

PA12-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 12 input (8 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA12-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA12-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

PA20-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA20-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA20-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

THE SHAPE OF THINGS TO COME With its responsive touchscreen, 25 motor faders and acclaimed AnalogiQTM recallable preamps, Qu-24 combines exceptional ease of use with class-leading audio performance. Drawing on the technologies and workflow pioneered on our GLD and iLive touring systems, Qu makes Allen & Heath digital mixing more accessible and more compact than ever. Qu-16 and Qu-24 harness the full potential of digital mixing technology, with total recall of settings (including the all-important fader position and preamp gain), convenient recording and playback solutions, iPad control, personal monitoring options and the choice of local or remote Cat5 I/O. We have been creating high end mixing consoles for some of the most discerning ears in the business since 1969. Were not a software house, we dont make stomp boxes or cable testers creating excellent mixers is, has been and always will be our great passion. Qu-16 and Qu-24 have been designed by our in-house research and development team in Cornwall, Great Britain, and are directly directly descended from the GLD and iLive digital mixing systems that have earned the industrys respect night after night on tour and in live venues across the globe so you can be confident that youre standing behind a premium mixer that looks, feels, and sounds like a pro. I

The PA12 is a robust, compact 12 input (8 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA12 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp Socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA28 is a robust, compact 28 input (24 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA28 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

Professional 4 channel Club/DJ mixer The Xone:42 is a new compact 4 -channel DJ mixer with USB audio interface, designed for DJ’s of all abilities and experience from top pro DJ’s to bedroom enthusiasts who want a compact quality mixer with pro features. Integral to the mixer’s design is a new feature – the ‘X-FX‘ control - allowing signal to be sent to external FX, and returned to be combined with the now legendary Xone VCF filter system. There’s even a USB port which allows easy connection to a computer and integration of digital media, which can be used to play back music files from a laptop and to record mixes, or used with software as a digital DJ effects unit. Features: 4 dual stereo channels Channels 1 & 4 have phono (RCA RIAA turntable) inputs while channels 2 and 3 are line/line X-FX send to external FX Allows signal to be sent to external FX, and returned to be combined with VCF controls 3 band EQ All channels have +6dB to total kill EQ Power supply High performance internal switch-mode psu 2 headphone outputs 1/4” and 3.5mm VCA Crossfader With curve control from sharp attack for scratching to smooth attack for house style VCF filter with independent in/out, resonance & frequency controls USB 1.1 port One stereo up to PC and one stereo back Microphone input On XLR, with 2-band EQ and level control Rack ears Optional rack ears available. 1 year limited guarantee For more info on this product please click here

ZED-10 is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in/out making it easy to capture stereo recordings Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards. - 4 mic/line inputs, 2 with Class A FET high impedance inputs - Neutrik mic XLR - Neutrik 1/4 inch jacks - 3 band EQ with MusiQ - 2 auxes - Sound image pan - Illuminated PFL indicator - Stereo returns & playback - All inputs with level control - 12 bar meters - Responsive 3-band, swept mid EQ with MusiQ - 2 stereo sources with MP3 player compatibility - Separate 2-track record outputs - Stereo playback input for 2-track replay - XLR main stereo outputs with inserts - Comprehensive monitoring - Configurable USB stereo audio in/out - Stereo monitor outs - 48V microphone phantom power - DI level switching for sub mixing LOCATE & VISIT US AT SHOP 15A CAXTON HOUSE GROUND FLOOR 35 TERMINUS STREET, EAST LONDON CBD CALL: 043 722 1621 WHATSAPP: 081 478 2104

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days Collection of four classic British horror films. In 'The Brides of Dracula' (1960), a young teacher on her way to a position in Transylvania inadvertently unleashes the horrors of the undead after helping a young man escape the shackles his mother has put on him. When a number of bodies are then discovered nearby with puncture marks on their necks, Dr Van Helsing (Peter Cushing) is called in to try and protect the people of the local village. In 'Curse of the Werewolf' (1961), Leon (Oliver Reed), who was born on Christmas Day as the result of a horrific rape, finds himself condemned to a tormented life as a werewolf. After terrorising the town where he works, Leon soon begins to realise that his terrifying transformation can only be stopped by the unquestioning love of a good woman or a silver bullet. In 'Captain Clegg' (1962), Captain Collier (Patrick Allen) and his crew are sent to the English coastal town of Dymchurch to investigate smuggling activities. After being made aware of the ghosts that supposedly haunt the area at night by local vicar Reverend Blyss (Cushing), Collier soon begins to suspect that the vicar may be attempting to protect a much bigger secret. Finally, in 'Kiss of the Vampire' (1963), after the honeymoon of Gerald Harcourt (Edward De Souza) and his new wife Marianne (Jennifer Daniel) is interrupted by a car breakdown, they reconcile themselves to staying a couple of days in a remote village. The locals seem friendly enough and the wealthy Dr. Ravna (Noel Willman) even invites the couple for dinner at his chateau. However, once trapped in Ravna's house the newlyweds swiftly find themselves regretting the invitation as they become the subject of increasingly bizarre and threatening behaviour. Interactive Menus Bonus Footage Trailers Commentary: Edward De Souza (Actor), Jennifer Daniel (Actor) Making Of Documentary Other Documentary: 'The Mossman Legacy', 'Lycanthropy - The Beast in All of Us', 'Censoring the Werewolf', 'Hammer Films - The Universal Years' Features Summary Collection of four classic British horror films. In 'The Brides of Dracula' (1960), a young teacher on her way to a position in Transylvania inadvertently unleashes the horrors of the undead after helping a young man escape the shackles his mother has put on him... Studio Final Cut Entertainment Format Blu-ray disc Release date 20170130 Contributors Peter Cushing (Actor), Martita Hunt (Actor), Yvonne Monlaur (Actor), Freda Jackson (Actor), Clifford Evans (Actor), Oliver Reed (Actor), Yvonne Romain (Actor), Catherine Feller (Actor), Patrick Allen (Actor), Michael Ripper (Actor), David Lodge (Actor), Edward De Souza (Actor), Noel Willman (Actor), Jennifer Daniel (Actor), Barry Warren (Actor), Jimmy Sangster, Peter Bryan, Edward Percy, Barbara S. Harper, Anthony Hinds, John Temple-Smith, Malcolm Williamson, Benjamin Frankel, Don Banks, James Bernard, Jack Asher, Arthur Grant, Alan Hume, Terence Fisher (Director), Peter Graham Scott (Director), Don Sharp (Director)

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 15 - 20 working days Collection of four classic British horror films. In 'The Brides of Dracula' (1960), a young teacher on her way to a position in Transylvania inadvertently unleashes the horrors of the undead after helping a young man escape the shackles his mother has put on him. When a number of bodies are then discovered nearby with puncture marks on their necks, Dr Van Helsing (Peter Cushing) is called in to try and protect the people of the local village. In 'Curse of the Werewolf' (1961), Leon (Oliver Reed), who was born on Christmas Day as the result of a horrific rape, finds himself condemned to a tormented life as a werewolf. After terrorising the town where he works, Leon soon begins to realise that his terrifying transformation can only be stopped by the unquestioning love of a good woman or a silver bullet. In 'Captain Clegg' (1962), Captain Collier (Patrick Allen) and his crew are sent to the English coastal town of Dymchurch to investigate smuggling activities. After being made aware of the ghosts that supposedly haunt the area at night by local vicar Reverend Blyss (Cushing), Collier soon begins to suspect that the vicar may be attempting to protect a much bigger secret. Finally, in 'Kiss of the Vampire' (1963), after the honeymoon of Gerald Harcourt (Edward De Souza) and his new wife Marianne (Jennifer Daniel) is interrupted by a car breakdown, they reconcile themselves to staying a couple of days in a remote village. The locals seem friendly enough and the wealthy Dr. Ravna (Noel Willman) even invites the couple for dinner at his chateau. However, once trapped in Ravna's house the newlyweds swiftly find themselves regretting the invitation as they become the subject of increasingly bizarre and threatening behaviour. Interactive Menus Bonus Footage Trailers Commentary: Edward De Souza (Actor), Jennifer Daniel (Actor) Making Of Documentary Other Documentary: 'The Mossman Legacy', 'Lycanthropy - The Beast in All of Us', 'Censoring the Werewolf', 'Hammer Films - The Universal Years' Features Summary Collection of four classic British horror films. In 'The Brides of Dracula' (1960), a young teacher on her way to a position in Transylvania inadvertently unleashes the horrors of the undead after helping a young man escape the shackles his mother has put on him... Studio Final Cut Entertainment Format Blu-ray disc Release date 20161121 Contributors Peter Cushing (Actor), Martita Hunt (Actor), Yvonne Monlaur (Actor), Freda Jackson (Actor), Clifford Evans (Actor), Oliver Reed (Actor), Yvonne Romain (Actor), Catherine Feller (Actor), Patrick Allen (Actor), Michael Ripper (Actor), David Lodge (Actor), Edward De Souza (Actor), Noel Willman (Actor), Jennifer Daniel (Actor), Barry Warren (Actor), Jimmy Sangster, Peter Bryan, Edward Percy, Barbara S. Harper, Anthony Hinds, John Temple-Smith, Malcolm Williamson, Benjamin Frankel, Don Banks, James Bernard, Jack Asher, Arthur Grant, Alan Hume, Terence Fisher (Director), Peter Graham Scott (Director), Don Sharp (Director)

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days Classic musical adaptation of the L. Frank Baum novel starring Judy Garland, Ray Bolger, Bert Lahr and Jack Haley. A tornado whisks Dorothy (Garland) and her house from Kansas to Munchkin City, squashing the Wicked Witch of the East upon landing. The Wicked Witch of the West (Margaret Hamilton) vows revenge, while Dorothy sets off on the yellow brick road to see the Wizard of Oz (Frank Morgan), hoping he can tell her how to get home. On the way she makes friends with a scarecrow (Bolger), a tin man (Haley) and a cowardly lion (Lahr) - all of whom have specific reasons for wanting to meet the magical Wizard. With the Wicked Witch out to get her, will Dorothy ever get home again? Interactive Menus Features Summary Classic musical adaptation of the L. Frank Baum novel starring Judy Garland, Ray Bolger, Bert Lahr and Jack Haley. A tornado whisks Dorothy (Garland) and her house from Kansas to Munchkin City... Studio Warner Home Video Format Blu-ray disc Release date 20141103 Contributors Bert Lahr (Actor), Margaret Hamilton (Actor), Pat Walsh (Actor), Mitchell Lewis (Actor), Ray Bolger (Actor), Billie Burke (Actor), Clara Blandick (Actor), Judy Garland (Actor), Jack Haley (Actor), Singer Midgets, The (Actor), Charley Grapewin (Actor), Frank Morgan (Actor), Noel Langley, Herbert Stothart, Adrian, Harold Rosson, Edgar Allen Woolf, Edwin B. Willis, Harold Arlen, Florence Ryerson, Jack Dawn, Mervyn LeRoy, Cedric Gibbons, Blanche Sewell, A. Arnold Gillespie, E. Y Harburg, King Vidor (Director), Victor Fleming (Director)

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days Grace (Nicole Kidman) lives in semi-seclusion on a remote island with her two children, awaiting her husband's return from the war. Both children suffer from a rare form of photosensitivity which renders them open to harm from natural light. Thus the trio live in almost perpetual darkness within the house, according to a harsh but life-preserving set of rules that their mother has designed for them. When looking after the children by herself proves too much, Grace hires in some rather mysterious servants. Suddenly there seems to be more to the old house than Grace had previously sensed and a chilling descent into fear and paranoia begins. Interactive Menus Features Summary Grace (Nicole Kidman) lives in semi-seclusion on a remote island with her two children, awaiting her husband's return from the war. Both children suffer from a rare form of photosensitivity which renders them open to harm from natural light... Studio Miramax Format Blu-ray disc Release date 20110919 Contributors Nicole Kidman (Actor), Fionnula Flanagan (Actor), Christopher Eccleston (Actor), Elaine Cassidy (Actor), Eric Sykes (Actor), Alakina Mann (Actor), James Bentley (Actor), Renee Asherson (Actor), Gordon Reid (Actor), Keith Allen (Actor), Sunmin Park, Jose Luis Cuerda, Alejandro Amenabar, Javier Aguirresarobe, Alejandro Amenabar (Director)

Record -VG+ Cover - G - Wear on cover   Tracklist Hide Credits A1 Tonight Written-By Edwards *, Sweet * 3:09 A2 Jealous Written-By Allen * 2:45 A3 I've Got A Reason Written-By Martin * 2:54 A4 New Age Written-By Reed * 4:14 A5 Baby, Let's Play House Written-By Gunter * 1:57 A6 New Rose Written-By James * 2:14 B1 Fools Gold Written-By Parker * 3:03 B2 Take Good Care Of Me Written-By Sweet *, Everitt * 2:47 B3 Spellbound Written-By Neill * 3:20 B4 Lovers Lane Written-By Sweet * 3:29 B5 Foul Play Written-By Sulsh *, Leathwood * 2:59 B6 Tonight Ricky Written-By Sweet * 3:22 Collection is allowed in JHB area, please make contact with us once the order is placed. For any heavy (+2kg) or large items (+2 cubic meters) please ask us for shipping costs IF you have any questions please make us of the Q&A function, we are here to help

1989 German EMI - HIS MASTER'S VOICE pressing, release number 067 EL 7 49811 1, of gate-fold album by PLACIDO DOMINGO: Covent Garden Gala Concert. With: CHERYL STUDER, soprano, EVA RANDOVÁ, mezzo-soprano, THOMAS ALLEN, baritone; ORCHESTRA OF THE ROYAL OPERA HOUSE COVENT GARDEN, conducted by JOHN BARKER. The track details are as shown on the images provided. The record should be in an unplayed mint condition, as the inner-sleeve containing the record has an unbroken seal across the center of the opening. The cover has very lightly scuffed corners and edges, the top corner-tips are lightly bumped, plus some edge crinkles, otherwise in a near excellent shape. M / VG+