Hitchcock

Hardcover. English. Admiral. 1986. ISBN: 9780831732219. 159pp. Hardcover in good condition. A survey of Hitchcock's career, which spanned nearly sixty years, from his humble beginnings to his rise to become the master of suspense and psychological drama. Photos. 150 color illus. Book No: 465589

   TITLE:   THE COMING APOSTASY BY MARK HITCHCOCK & JEFF KINLEY DESCRIPTION:   SOFTCOVER  UNREAD LIKE NEW AS IN PHOTO  FEEDBACK:   I TYPICALLY WAIT UNTIL ITEM IS RECEIVED BY THE WINNING BIDDER PRIOR TO POSTING FEEDBACK. THIS ALLOWS BOTH PARTIES TIME TO RESOLVE ANY ISSUES THAT MAY ARISE WITH ANY GIVEN TRANSACTION. POSTAGE:   PLEASE REMEMBER TO ADD R52 POSTAGE WHEN MAKING PAYMENT                

Buy X 10 (MIX BOOKS) MAD / SPIKE MILLIGAN / ALFRED HITCHCOCK / GUNTHER LUTZ for R50.00

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Buy Alfred Hitchcock Presents My Favourites in Suspense - Part 2 - Paperback for R30.00

(This title is available on demand: expected date of dispatch will be 4-7 working days once ordered) Format:Paperback Pages:96

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days Features Author Ellen Wittlinger Publisher Charlesbridge Publishing,U.S. Release date 20171009 Pages 272 ISBN 1-58089-775-4 ISBN 13 978-1-58089-775-4

About the product The jacket is rubbed and worn with little paper loss. Some scarring to the bottom page edges. One signature; otherwise internally clean and tightly bound. Our orders are shipped using tracked courier delivery services.

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days This volume of spellbinding essays explores the tense relationship between Alfred Hitchcock and Bernard Herrmann, providing new perspectives on their collaboration. Featuring chapters by leading scholars of Hitchcock's work, including Richard Allen, Charles Barr, Murray Pomerance, Sidney Gottlieb and Jack Sullivan, the collection examines the working relationship between the pair and the contribution that Herrmann's work brings to Hitchcock's idiom. Examining key works, including The Man Who Knew Too Much, Psycho, Marnie and Vertigo, the essays explore approaches to sound, music, collaborative authorship and the distinctive contribution that Herrmann's work with Hitchcock brought to this body of films, examining the significance, meanings, histories and enduring legacies of one of film history's most important partnerships. By engaging with the collaborative work of Hitchcock and Herrmann, the book explores the ways in which film directors and composers collaborate, how this collaboration is experienced in the film text, and the ways in which such partnerships inspire later work. --. Features Summary A compelling collection that looks at one of the most famed director-composer collaborations in film history. --. Author Steven Rawle (Editor), Kevin J. Donnelly (Editor) Publisher Manchester University Press Release date 20190501 Pages 240 ISBN 1-5261-3952-9 ISBN 13 978-1-5261-3952-8

 Armageddon, Oil, and Terror - John F. Walvoord, Mark Hitchcock - 2007 - Paperback in good condition - one name. Updating the work of renowned biblical scholar John F. Walvoord, who famously predicted current world events, "Armageddon, Oil, and Terror" offers shocking predictions on the future of terrorism, oil-based economics, and nuclear war in the Middle East. In all, "Armageddon, Oil, and Terror" sheds light on 12 biblical prophecies that seem eerily close to coming true. Includes materials from lectures and discussions after 9/11 and incorporates vital, updated material from other Walvoord classics. It is as current as today's news... and every prediction rings true.

Author: Pierre Boileau and Thomas Narcejac Publisher: Pushkin Vertigo (2015) ISBN-10: 1782270809 ISBN-13: 9781782270805 Condition: Very Good. Light wear to cover edges and corners. Binding: Softcover Pages: 189 Dimensions: 19.7 x 12.8 x 1.4 cm +++ by Pierre Boileau and Thomas Narcejac +++ The story could have happened to any of us, but it happened to a man named Favieres. His days as a detective were over, and everyone knew he had his reasons. But when an old friend appeared out of nowhere with concerns about his withdrawn and mysterious wife, Favieres didn't have the heart to refuse. And soon he would be scouring the streets of Paris in search of an answer - in search of a girl who belonged to no one, not even to herself. Soon intrigue would be replaced by obsession, and dreams replaced by nightmares.This is the story of a desperate man. A man who ended up compromising his own morality beyond all measure, while World War II raged outside his front door. A man tormented - and destroyed - by a dark, terrible secret. This sinister, mind bending roman noir was turned into a 1958 Hollywood classic, starring James Stewart and Kim Novak, directed by the great Alfred Hitchcock.

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 15 working days In the early days of filmmaking, before many of Hollywood's elaborate sets and soundstages had been built, it was common for movies to be shot on location. Decades later, Hollywood filmmakers rediscovered the practice of using real locations and documentary footage in their narrative features. Why did this happen? What caused this sudden change? Renowned film scholar R. Barton Palmer answers this question in Shot on Location by exploring the historical, ideological, economic, and technological developments that led Hollywood to head back outside in order to capture footage of real places. His groundbreaking research reveals that wartime newsreels had a massive influence on postwar Hollywood film, although there are key distinctions to be made between these movies and their closest contemporaries, Italian neorealist films. Considering how these practices were used in everything from war movies like Twelve O'Clock High to westerns like The Searchers, Palmer explores how the blurring of the formal boundaries between cinematic journalism and fiction lent a ""reality effect"" to otherwise implausible stories.Shot on Location describes how the period's greatest directors, from Alfred Hitchcock to Billy Wilder, increasingly moved beyond the confines of the studio. At the same time, the book acknowledges the collaborative nature of moviemaking, identifying key roles that screenwriters, art designers, location scouts, and editors played in incorporating actual geographical locales and social milieus within a fictional framework. Palmer thus offers a fascinating behind-the-scenes look at how Hollywood transformed the way we view real spaces. Features Summary Explores the historical, ideological, economic, and technological developments that led Hollywood to head back outside in order to capture footage of real places... Author R.Barton Palmer Publisher Rutgers University Press Release date 20160122 Pages 296 ISBN 0-8135-6409-3 ISBN 13 978-0-8135-6409-8

1992 eerste uitgawe groot A4 grootte hardeband met 160 bladsye in nuwe toestand. R60 posgeld in SA. Binne ook: orrelbou tydens Nederlandse, Britse en Europese tydperke in SA, Green, Hitchcock, Bredell, Lauterbach, orrel, Fuchs, SAOB, De Waard, Pekelharing, konsertsaal orrels, Port Elizabeth, Stadsaal, Pretoria, Johannesburg, Potchefstroom, Odeion, Bloemfontein, Endlersaal, Kerkorrels, skoolorrels, kerke, Gereformeerde kerke, Evangelies-Lutherse kerke, Hervormde, Nederduits Gereformeerd, Presbyterian......

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 15 working days Features Author Charles H Hitchcock Publisher Forgotten Books Release date 20170611 Pages 426 ISBN 1-332-32100-3 ISBN 13 978-1-332-32100-1

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 15 working days Post-war Cinema and Modernity explores the relationship between film and modernity in the second half of the twentieth century. It begins with essays analyzing new post-war forms of film narrative and responses to the filmic innovations of the 1960s and the question of modernism. Pasolini's landmark polemic on the cinema of poetry is a vital springboard for the later critiques of time and the image, subjectivities and their narrative transformation, and the topical question of film and postmodernity. A discussion of changes in film technology and cinematic perception extend to the questions of film documentary. Finally, there is a focus on cinematographers and their filmic collaboration. The second section, International Cinema, places filmmaking and filmmakers in a social and a national context. It brings together landmark essays which contextualize feature films historically, yet also highlight their aesthetic power and their wider cultural importance. Filmmakers discussed include Ozu, Welles, Bresson, Hitchcock, Godard, Egoyan, Fassbinder and Zhang Yimou. Contributors include: Nestor Almendros, Jacques Aumont, Andre Bazin, Noel Burch, Scott Bukatman, Michael Chapman, Rey Chow, Terry Comito, Timothy Corrigan, Angela Della Vacche, Gilles Deleuze, Peter Harcourt, Frederic Jameson, Bruce Kawin, Krzystof Kieslowski, Vassiliki Kolocotroni, Teresa de Lauretis, Colin MacCabe, Christian Metz, Tania Modleski, Laura Mulvey, Bill Nicholls, John Orr, David Pascoe, Pier Paolo Pasolini, Duncan Petrie, Donald Richie, Larry Salvato, Dennis Schaefer, Paul Schrader, Susan Sontag, Andrei Tarkovsky, J.P. Telotte, Paul Virilio, Peter Wollen, Ismail Xavier, Denise Youngblood. Features Summary Post-war Cinema and Modernity explores the relationship between film and modernity in the second half of the twentieth century. It begins with essays analyzing new post-war forms of film narrative and responses to the filmic innovations of the 1960s and the question of modernism... Author John Orr (Editor), Olga Taxidou (Editor) Publisher New York University Press Release date 20010301 Pages 464 ISBN 0-8147-6202-6 ISBN 13 978-0-8147-6202-8

Paperback. English. Penguin. 1995. 213pp. In fair condition. Felicia is unmarried, pregnant, and penniless. She steals away from a small Irish town and drifts through the industrial English Midlands, searching for the boyfriend who left her. Instead she meets up with the fat, fiftyish, unfailingly reasonable Mr. Hilditch, who is looking for a new friend to join the five other girls in his Memory Lane. But the strange, sad, terrifying tricks of chance unravel both his and Felicia's delusions in a story that will magnetize fans of Alfred Hitchcock and Ruth Rendell even as it resonates with William Trevor's own "impeccable strength and piercing profundity" (The Washington Post Book World).

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 12 working days Vlad finally has his Bat Licence but his mother now wants him to have super-strength - or it's off to the Black Tower with him! If only he could show her how funny he is in the school play with Minxie. But he has to keep his human friends a secret from his parents, and being a vampire secret from the humans. Then, when he suddenly turns into a bat at school, all his secrets are revealed... "A warm story with engaging illustrations, perfect for first readers but with plenty more for those who read to themselves" Fleur Hitchcock, author of MURDER IN MIDWINTER "Battily brilliant and blood-suckingly silly" Catherine Bruton, author of I PREDICT A RIOT Features Summary Vlad's mother still thinks he's a rubbish vampire because he doesn't have super-strength. Can Vlad prove he has other skills that are just as good - or will he be sent to the Black Tower? Author Anna Wilson (Author), Kathryn Durst (Illustrator) Publisher Stripes Publishing Release date 20190307 Pages 160 ISBN 1-78895-018-6 ISBN 13 978-1-78895-018-3