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Achieve the ultimate in control over your mix with the Allen & Heath ME-1 Personal Mixer. Each performer can tailor their monitor mix easily and quickly with this networked solution. The compact and smart design of the ME-1 makes operation and setup a breeze. Give your musicians control of up to a 40-source mix. A dimmable OLED is easy to read on both dark and bright stages. Connect multiple units together and to the source via Dante, EtherSound, or MADI. This unit also works with other personal monitoring systems, call your Sweetwater Sales Engineer to learn more. Allen & Heath ME-1 Personal Mixer at a Glance: Take control with a personal monitor mixer Easy-to-use controls Assignable keys for quick recall Take control with a personal monitor mixer Add a personal monitor system to your Allen & Heath iLive and GLD digital mixers with the ME-1 Personal Mixer. This lets you give the entire band control of their own monitor mixes. Simple to setup and operate, the ME-1 offers powerful control that's perfect for houses of worship, studios, rehearsals, stages of all sizes, and more. Standard PoE Ethernet hubs let you daisy chain these personal monitors together to give the entire band personalized control over what they hear. When set to compatibility mode the Allen & Heath ME-1 Personal Mixer integrates with Aviom monitor systems. Easy-to-use controls The Allen & Heath ME-1 Personal Mixer's large OLED screen displays all the info you need to tweak your mix to perfection. It clearly shows level and pan for each channel, system setup, and menus. You can navigate the functions and menus of the Allen & Heath ME-1 using a simple 1-knob control. This large rotary knob gives you access to all the functions you need including level, pan, master EQ, limiter, trim, and more. If you can turn a knob, you can use the Allen & Heath ME-1. Assignable keys for quick recall Customize the Allen & Heath ME-1 Personal Mixer your way with 16 backlight programmable keys. Each key can be assigned to a single mono/stereo source or to a group. Set up one key for the vocal mic, another for the entire drum kit, the entire rhythm section, or whatever you need to call up at a moments notice. Set up each button to recall the channels you want with the level, pan, and more set to your liking. You can save, transfer, and load your settings via a USB key for quick archiving and loading to other ME-1 personal mixers. Allen & Heath ME-1 Personal Mixer Features: Personal monitor mixer that will handle up to 40 sources (from GLD and iLive mixer) Simple 1-knob control over major functions Easy to read OLED screen 16 assignable keys Daisy chain mixers or use standard PoE Ethernet hub Built-in ambiance mic USB port for archiving and transferring user presets Compatibility mode integrates mixer with Aviom systems

ZED60-14FX Optional Rack Mount Kit Allen & Heath's ZED-60/RK-19 Rack Ear Kit is used for mounting the ZED-60 and ZED-14FX multipurpose USB mixers. This rack mount lets you safely and securely fasten your mixer to a rack. Allen & Heath is known for building high quality mixers for the last 40-plus years. At any time of day or night, across the globe, there is an Allen & Heath mixer out there working hard, sounding great and making life a little easier for the person at the controls. Back in the early 1970s, Allen & Heath hand-built consoles in a tiny factory in London for elite bands like Pink Floyd and The Who. These days Allen & Heath customers are spread across almost every environment imaginable, including touring, theatres, churches, nightclubs, TV and radio stations, recording studios and countless other places where great sound matters.

The ZED60-14FX Live and Studio Mixer from Allen & Heath is a 10-channel mixer with 16 built-in effects that is designed for an array of live and studio applications. Channels 1 through 6 have Neutrik XLR connectors for mic level signals, and 1/4" TRS inputs for balanced or unbalanced line level signals. Channels 7 and 8 also have Neutrik XLRs, but feature Class A FET Hi-Z instrument-level inputs for direct connection of electric guitars and basses. Additionally, channels 1 through 8 are all equipped with 3-band EQ and 48V phantom power. The mixer also features two stereo inputs (ST1 & ST2) that have 1/4" TS and RCA jacks (ST1 only) for connecting line level outputs from devices such as keyboards, samplers or iPods. Each of the stereo channels feature a 2-band EQ. All 10 channels can be routed to a "record" buss that can be output to a computer running DAW software via the USB port, or routed into a hardware recording device via the RCA record out jacks. Each channel also features a "listen" button, that when engaged takes the corresponding signal off the master and recording busses and sends it to the headphone buss. This can be useful in a live recording scenario for making discrete EQ adjustments to a channel before adding it to the master or record busses. Designed with versatility in mind, the ZED60-14FX's master section is equipped with balanced XLR left and right main outputs with 1/4" inserts on each channel. These inserts can be useful for inserting outboard gear such as EQs or limiters at the end of your signal chain before the master mix is output to your speakers. Also, there is a balanced 1/4" aux output for connecting additional sound reinforcement components such as a sub-woofer, and an FX bus out that can be used to send the FX mix to additional gear such as an external effects unit. While you can connect an external effects unit via the FX bus out jack, the mixer also features sixteen built-in digital effects that include multiple delays, reverbs, a doubler, flanger, and chorus. The DSP engine, which uses the same effects algorithms as Allen & Heath's flagship digital consoles, is designed for low-noise and low-distortion signal processing. Rugged Design Designed with durability in mind for live gigging and recording, the ZED60-14FX uses many of the same exact components used in Allen & Heath's larger, high-end mixers. The vertically mounted, per-channel circuit boards make servicing much easier should it be required, with the ability to remove one particular channel from the mixer at a time Low Noise, High Gain Microphone Pre-Amps Based on the pre-amps from the Allen & Heath MixWizard series consoles. Designed to maximize sound quality with high gain, low-noise and consistent output Hi-Z Guitar Inputs Channels 7 and 8 include high impedance FET circuits running in Class A mode for use with low output electric guitars and basses. Designed to emulate the type of circuits used in valve guitar combos and head amplifiers, the input circuit has a soft overdrive characteristic, giving a warm 2nd harmonic character to the sound if desired Per-Channel EQ Channels 1-8 are equipped with a 3-band equalizer with sweepable mids and a high pass filter. The 2 stereo channels have 2-band low and high frequency shelving Onboard Digital Effects Processor Sixteen built-in digital effects that include multiple delays and reverbs, a doubler, flanger and chorus. The digital effects algorithms are the same as those used on the flagship Allen & Heath digital consoles Recording Buss All channels, including the effects buss, have switchable routing to the recording buss that is sent to the stereo RCA recording out and the USB out, useful for dropping or adding in microphones or effects to tape during a live recording scenario USB Connectivity When used in tandem with your Mac or PC running DAW software, the mixer can send and/or receive up to 16-bit, 48 kHz audio via the USB port

ZED-10 & ZED-10FX Optional Rack Mount Kit Allen & Heath's ZED-10/RK-19 Rack Ear Kit is used for mounting the ZED-10 and ZED-10FX multipurpose USB mixers. This rack mount lets you safely and securely fasten your mixer to a rack. Allen & Heath is known for building high quality mixers for the last 40-plus years. At any time of day or night, across the globe, there is an Allen & Heath mixer out there working hard, sounding great and making life a little easier for the person at the controls. Back in the early 1970s, Allen & Heath hand-built consoles in a tiny factory in London for elite bands like Pink Floyd and The Who. These days Allen & Heath customers are spread across almost every environment imaginable, including touring, theatres, churches, nightclubs, TV and radio stations, recording studios and countless other places where great sound matters.

Whether you're recording in the studio or mixing front of house, your mixer is the core of your operation. If it fights you, your work suffers. Many digital consoles are inscrutable on the surface, forcing you to descend into menu purgatory just to perform a simple function. The Allen & Heath Qu-24 Chrome Edition is designed with a clean, logical layout, so you can get to what you need, fast. Featuring audiophile sound quality, touchscreen control, 24 AnalogiQ preamps integrated with DSP, total recall, 25 flying faders, high-efficiency ARM core processing, studio-grade effects, an integrated multitrack USB recorder, and truckloads more, the Allen & Heath Qu-24 Chrome Edition will drastically improve both your workflow and your end product. Intuitive - and very comfortable to work on Having a mixer with massive processing power and sophisticated functionality is nice, but if you can't get to the controls you need instantly, it's all for naught. With the Qu-24, the digital console has evolved to the point where you forget that it's digital, and just get on with your session, fluidly and efficiently. Without menu diving. Allen & Heath put years of research into ergonomics and the hands-on mixing experience, resulting in digital consoles that deliver a natural, logical layout and workflow. Your most-used processing tools are presented clearly on the SuperStrip, with one function per physical control. Whether you're a digital novice or coming from years of analog mixing, you'll find the Qu-24 intuitive - and very comfortable to work on. Touchscreen control speeds up your workflow The Allen & Heath Qu-24 rocks a 16-million-color, 800 x 480 touchscreen with an integrated data encoder - the core of a user interface that gives you quick and easy access to all your settings. Designed for clarity, the user-friendly interface has dedicated keys and screen tabs that let you quickly get to your meter and RTA views, effects racks, channel processing, USB audio control, setup menus, scenes, and much more. AnalogiQ preamps and 24bit conversion, for warm, musical sound Allen & Heath fortified the Qu-24 with 24 of their superb AnalogiQ total-recall preamps. Featuring phantom power, zero crossing detection, and a unique padless 1dB-step gain stage, the preamps are married to the DSP for optimum transparency and gain accuracy. The analog signal is captured by high-quality, low-latency 24bit A-D converters matched to high-grade 24bit D-A converters. A&H has spent considerable time refining the AnalogiQ design so it gives you stellar transparency, with minimum distortion and a vanishingly low noise floor. But how do these preamps sound? Total-recall moving-fader automation supercharges your mixing We first saw moving faders on some of the high-end, large-format consoles of the late 1970s. With the advent of digital technology, "flying" faders later became fairly standard, albeit not on entry-level digital mixers. Fader automation is a must-have for efficient mixing, particularly when you're dealing with multiple monitor mixes. Simply push a mix key and the faders immediately fly to the send levels for that mix. The Qu-24 sports 25 motorized ALPS faders. The 24 channel faders are arranged over two layers, giving you instant access to all your channels and masters in a compact space. There's also a dedicated master fader which dynamically follows your mix selection. A third (custom) layer is available for the configurable user strip layout, where you can assign any combination of Inputs, FX Sends, FX Returns and Mix masters. Features: 24 AnalogiQ total-recall preamps integrated with DSP for optimum transparency and gain accuracy Ergonomic layout and workflow is comfortable, fluid, and intuitive Color touchscreen and dedicated data encoder give you quick and easy access to all settings Key processing tools are presented clearly on the SuperStrip, with one function per physical control 25 automated, motorized ALPS faders (24 arranged over two layers) speed up and enhance your mixing Four groups give you subgrouping flexibility to LR for level masters and/or processing Total recall lets you save and recall scenes (snapshots) at the press of a button Onboard studio-grade dynamics and FX algorithms derived A&H's iLive pro touring series Built-in interface streams multitrack audio to/from your Mac (OSX class-compliant) Plug-and-play with any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools Qu-Drive delivers 18 channels of 48kHz/24bit recording/playback to/from your USB hard drive Five dedicated cores of high efficiency ARM processing provide state-of-the-art processing Optional Qu-Pad app frees you to tweak monitors and PA from your iPad, onstage or around the venue Fully compatible with A&H's ME Personal Mixing System dSNAKE port lets you connect to a remote AR2412 or AR84 Stagebox via Cat 5e digital snake Matrix adds 2 further stereo outputs equipped with full processing to the console's extensive I/O 18 gauge, cold-rolled Zintec steel frame delivers strength rigidity, and distinctive looks

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Allen & Heath ZED R16 Firewire Mixer We are delighted to present Allen & Heath's first true recording mixer for over 10 years. The ZED-R16 is an exceptional recording mixer with 18 FireWire I/O which can also be used as a versatile live front of house mixer. The best per forming preamp in Allen & Heath's entire range is packaged with a high quality analogue to Firewire inter face and the most extensive EQ on any mixer at this price point (or even twice the price!) An analogue channel strip so well featured, which sounds this good, is a real find at this level.

Allen and Heath ICE16 - ICE-16 records 16 tracks of audio directly to a USB key or hard drive. Just connect the 16 analogue inputs to any line level source (your mixer¿s direct outs are ideal), plug in your memory and press record to capture live shows, band rehearsals, conferences or services for mixing or playback afterwards.ICE-16 also functions as a 16 x 16 channel interface to your computer in the studio, streaming high quality digital audio at 24bit, up to 96kHz sample rate over FireWire or high speed USB 2.0. Units can be linked when streaming over FireWire to expand the channel count even further.Live or in the studio, ICE-16 makes multitrack recording easy.CONNECTMultiple units can be daisy-chained over the FireWire bus, or kept in sync using the DIN connectors when recording on multiple USB devices, making iCE-16 the perfect companion for both small and large analogue consoles such as our acclaimed ZED, MixWizard and GL mixers. Plug into your desk Direct Outs or use a mix of Groups and Aux sends to save on channels.RECORDThe USB DRIVE is automatically detected and checked by the system. Starting the recording is as simple as pushing a button. Remove and plug the key into a computer to access or transfer the WAV files to any DAW. INTERFACERemoving the USB stick or powering up the unit without one enables the USB / FireWire interface. Signals present at the inputs will be sent to the Mac or PC on channels 1-16. WDM/ASIO drivers and USB2.0 class compliance ensure full compatibility with most DAWs, including Logic, Sonar, Cubase and Pro Tools.PLAYFancy a ¿virtual soundcheck¿ or just need to play cues during a live gig? Tracks can be played back directly from the USB drive and full multichannel audio can be sent from the computer to the ICE-16 analogue Outputs.FEATURE SUMMARY16 analogue Inputs, 16 analogue OutputsFront USB socket for easy capture to USB storage devicesHybrid FireWire (IEE1394) / USB 2.0 16×16 audio interfaceIndustry standard wav file formatUp to 6 hours of 16 channel audio on a 32GB USB stickSignal Present and Peak LED metering on each channelMono headphone bus for Input or Output monitoringDaisy chain multiple units over FireWireFamiliar transport buttons and intuitive control *

Allen & Heath M-WAVES Allen & Heath's M-Waves audio-interface card is one of a range of audio networking cards which can be fitted to iLive or GLD to enable integration with other systems. Benefitting from SoundGrid networking technology, it s ideal for Waves high precision plug-in processing, multitrack recording and playback. M-Waves gives access to 64 input and 64 output channels and can be fitted to the Port B expansion slot in iLive fixed format MixRacks (iDR-16, iDR-32, iDR-48 & iDR-64) or expander (xDR-16), and Port B in iLive modular MixRacks (iDR0, iDR10) if they are fitted with the new RAB-2 standard. It can also be fitted to the I/O Module expansion slot in a GLD-80 mixer.

The Allen & Heath ZED-R16 bridges the live mixer and studio mixer gap while adding a wealth MIDI-mappable controls, so it's even more versatile in the control room or in front of the stage. Equipped with FireWire and ADAT I/O, the Allen & Heath ZED-R16 can handle an impressive 26 inputs and 26 outputs simultaneously. It also sports high-quality preamplifiers and a fully-featured EQ section, complete with two swept parametric mids and high- and low-shelving. For powerful mixing at a great value, look no further than the ZED-R16 FEATURES Two FireWire ports for recording and daisy-chaining 4 ADAT ports 16 mono inputs / microphone preamplifiers 2 stereo in puts 4-band fully-parametric EQ 4 aux sends 1 stereo bus 2 stereo returns Built-in condenser talkback mic Can record pre or post EQ JetPLL jitter-reduction technology Extensive MIDI control options Cakewalk SONAR LE music production software Mac driver/firmware package offers OS X 10.10 Yosemite support

Allen & Heath - ZED60 10FX Mixer Live or in the studio, ZED60-10FX is an ultra-portable mixer for solo artists and small bands. Based on our top selling ZED-10FX, the new ZED60-10FX adds premium quality 60mm faders for that intuitive, tactile mixing experience. This mixer is a guitarist¿s dream. Two of the 4 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards. ZED60-10FX comes with configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX. Most important of all, ZED60-10FX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years. USB AUDIO FLEXIBILITY Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that¿s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:- SEND OPTIONS: 1) Main Mix Left + Right (Post master Level) 2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send) 3) Record Bus Left + Right (Separate stereo bus to Main Mix) RETURN OPTIONS: 1) To Playback input (through jack socket break contacts) 2) To Stereo 2 channel (through jack socket break contacts)

Allen & Heath - QU 16 RK Rack mounting kit for Qu-16 This set of rack rails is designed to attach to Allen & Heath's Qu-16 digital mixer in order to make it rackmountable.

Allen & Heath - GLD AR2412 Audio Rack AR2412 is a 24 XLR input, 12 XLR output AudioRack. Adding an AR2412 to your Qu system lets you position some or all of your I/O up to 120m from the Qu mixer, connected over a single Cat5 cable running Allen & Heath’s dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a Monitor port for connection to ME-1 personal mixers, and an Expander port for daisy chaining to an AR84 AudioRack

The RPS11 is a linear power supply which, like other linear supplies, produces DC voltages by rectifying, smoothing and regulating AC voltages from the secondary windings of a mains transformer. Allen & Heath mixing consoles employ a number of DC voltage supply levels in their operation and these are provided at the output of the power supply unit.

GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ GL_24_Main RELATED PRODUCTS RB_LedLamp RB_ICE-16D FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp available NB: RPS11 Power Supply to be Purchased separately.NB: RPS11 Power Supply to be Purchased separately.

GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp available NB: RPS11 Power Supply to be Purchased separately.NB: RPS11 Power Supply to be Purchased separately.

Live or in the studio, ZEDFX is a compact, portable mixer that is ideal for small bands. This mixer is a guitarists dream. Two of the 8 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards. ZEDFX comes with configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX. Most important of all, ZEDFX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years8 mic/line inputs, 2 with Class A FET high impedance 60mm professional quality faders Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out 1 pre-fade Aux send 1 FX send 2 stereo inputs Separate 2-track record outputs 16 Internal Effects XLR main stereo outputs with inserts Comprehensive monitoring 48V microphone phantom power DI level switching with Gain Boost Neutrik XLRs and 1/4 inch jacks

Live or in the studio, ZEDFX is an ultra-portable mixer for solo artists and small bands. Based on our top selling ZED-10FX, the new ZEDFX adds premium quality 60mm faders for that intuitive, tactile mixing experience. This mixer is a guitarists dream. Two of the 4 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards. ZEDFX comes with configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX. Most important of all, ZEDFX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years4 mic/line inputs, 2 with Class A FET high impedance 60mm professional quality faders Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out 1 pre-fade Aux send 1 FX send 2 stereo inputs Separate 2-track record outputs 16 Internal Effects XLR main stereo outputs with inserts Comprehensive monitoring 48V microphone phantom power DI level switching with Gain Boost Neutrik XLRs and 1/4 inch jacks

The ME-1 Personal Mixer puts the musician in control of their own monitor mix. Each performer can be given a tailored setup that works perfectly for them, whether they crave maximum control over the fine details of their mix or just want the minimum of keys to press. Operation is intuitive and elegant, with simple controls, clear visual feedback and custom naming for instant familiarity. ME-1 is the cornerstone of the ME Personal Mixing System and is ready to use with the Allen & Heath iLive and GLD series digital mixers. ME-1 is complemented by the ME-U hub, which opens up the benefits of ME to users of other professional digital mixers via Dante, EtherSound or MADI. ME-1 also has an Aviom compatibility mode for use with Aviom Pro16 systems.Fully customisable Intuitive operation Compact, smart design 40 sources from GLD or iLive Compatible with MADI, Dante or EtherSound* Daisy chain or use standard PoE Ethernet hubs 16 assignable keys to suit application

GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ GL_24_Main FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp available NB: RPS11 Power Supply to be Purchased separately.NB: RPS11 Power Supply to be Purchased separately.

This classic dual function mixer offers a well thought out feature set built into a rugged, small footprint chassis ideal for flight casing and venue installation where space is tight. Uniquely at this level, the GL is equipped with 10 auxiliary sends - including a dedicated stereo aux - and using the 12x4 matrix,provides the ideal solution for IEM and stereo Recording. 8 audio groups andL,R and M busses are also provided, allowing for full dual functionality with 10mixes with faders, inserts and XLR drive GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ NB: RPS11 Power Supply to be Purchased separately. GL_24_Main RELATED PRODUCTS RB_LedLamp RB_ICE-16D FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp availableNB: RPS11 Power Supply to be Purchased separately.

Xone:22 effortlessly raises the bar on entry-level mixer design, offering top quality audio and a professional feature set usually only found in the booth of a top-rated club, all at a stunningly affordable price. Equipped with Allen & Heath’s characteristic sound and build quality, this is the first time a DJ mixer at this level has incorporated professional grade features, such as total kill EQ, accurate metering, balanced outputs, high quality faders and professional-standard audio headroom. And to top it all off, there’s a “lite” version of Xone’s now legendary VCF filter system.2 stereo channels with configurable dual phono/line inputs VCF system – low-pass and high-pass filters, frequency and resonance controls 3-band full cut EQ Soft-switched external FX loop 18dB pro standard headroom and low audio distortion Main mix output on balanced XLR, 25dBu maximum output level Signal monitoring with 10-segment LED meters and meter mode selection Cue mix control, and cue to master switch Dedicated local monitor output (booth output) Record output MIC input on balanced XLR, with 2-band EQ Crossfader curve switch Universal voltage external power supply

Allen & Heath XB-14 Broadcast Mixer New Price R Selling For R XB-14 offers a host of specialised broadcast features that normally come at a much higher price, including telephone communication (telco) channels, mic channel ON switch sensing, stereo channel start/cue outputs for playback device control, automatic muting of speaker outputs and much more.   XB-14 incorporates new features and styling based on feedback from the many broadcasters who have built their operations around the original XB-14. With a wealth of routing options, dual stereo channels for up to 7 stereo sources, and the addition of a dedicated Audition bus, enhanced microphone preamps and stereo channel gain range, XB-142 satisfies the demands of small radio and internet broadcasters as well as larger studios with multiple rooms. With no less than 27 logic I/O for remote control and 15 configuration switches, XB-142 is a highly flexible solution.  

Allen & Heath ZED USB Mixer Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations.

Allen & Heath ZED 420 Digital Mixer ZED-420 is excellent for bands, houses of worship, theatres or AV applications. It has a truly professional feature set, which will fit any sound reinforcement application and professional PA hire stock. ZED-420 has Configurable USB audio in/out makes it easy to capture stereo recordings, 16 mic or line inputs plus 2 dual stereo inputs, 4-band EQ with MusiQ, 4 sub-groups, 6 auxiliary sends and a 7x2 matrix.

Allen & Heath PA20 CP 16 Mono 2 Stereo 2 x 500W Powered Mixer PA20-CP is a sturdy 'walk up and go' powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience.

Allen & Heath ZED 12 FX Digital Effects Mixer ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in/out makes it easy to capture stereo recordings.

Allen & Heath XB2 14 Digital Mixer Compact, cost effective and versatile… the XB2-14 is designed for a broad range of applications from small radio or internet broadcast studios, to larger studios with multiple rooms, hospital radio, university radio and community radio. The XB2-14 is equipped with a wealth of features specifically for broadcasters, including telephone communication modules for telephone callers, mic fader start sensing for external connection and internal automatic muting of the speaker outputs, stereo channel