Handheld hardened steel copper

CEER Dual Professional Dynamic Microphone Retail Box 1 year Limited Warranty Product Overview The CEER CE-604 Dual Professional Dynamic microphones offers the same high quality, excellent reliability, durability and superior performance as that of some of the well-known microphones- yet at a small fraction of the price. These Dual dynamic microphones were designed primarily for live on-stage live performances but also suitable for a variety of professional vocal uses such as Karaoke, Public speaking, Recording Studios, etc. It's also the perfect microphones to hand to your rowdy party guests, instead of your expensive microphone. The built-in spherical filter minimises wind and breath "pop" noises. The cardioid pickup pattern isolates the main sound source while minimising unwanted background noise with the internal shock-mount system, the hardened steel mesh tapered grille with a anti dent ring and durable metal construction of these microphones ensures that even with rough handling they will perform perfectly every time whether outdoors or indoors. Features. ¿ Dual Performing Handheld Microphones ¿Rugged dynamic microphone for live performances ¿Low handling noise—great for singers who like to dance ¿Durable Plastic Body and Metal construction ¿Clear transparent sound ¿ On/Off switch for onstage control ¿ Spherical head with Anti dent ring ¿ Hardened steel mesh tapered grille ¿ 2x 3 Metre Cannon XLR female to 1/4" Male Cables Specifications Microphone Type: Performing Handheld Number of Microphone(s) 2 Polar Patterns:Unidirectional (receives sound in a single direction) Transducer Type Dynamic Address Top Frequency response: 80Hz-12KHz Sensitivity: 76 dB ± 2 dB a 1 KHz Output Impedance 600 ohms Connection Type 1/4" (TRS Connector) Designed for: Vocals Speeches Recording Studios Public Speaking Karaoke

PG Wireless Combo System with PG58 and PG30 combines simple setup and an intuitive interface for performance you can trust in. The comfortable headset offers maximum freedom of movement when performing or presenting. The PG58 is the most accessible wireless Shure vocal microphone for elevating sound quality. 1 X PG58 HANDHELD   1 X PG30 HEADSET 1 X BLX1 BODYPACK 1 X BLX2 HANDHELD PG58 VOCAL MICROPHONE: Tailored frequency response is smooth and extended. Tuned specifically for vocal applications. Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings. Dynamic cartridge has a simple, rugged coil. Handles extreme volume levels without distortion. Cartridge includes a neodymium magnet for high output level. Internal shock mount for reduced handling noise. Durable metal construction. On/off switch for onstage control. Hardened steel mesh ball grille that resists wear and abuse. Integral "pop" filter reduces explosive breath sounds and wind noise. Includes 15ft. (4.57m) cable, break-resistant mic clip and storage bag. BLX2 HANDHELD TRANSMITTER: Power and battery status LED Adjustable gain control Quick and easy frequency matching AA batteries (included) provide up to 14 hours of continuous use 100 m (300 ft.) operating range (line of sight) PG30 HEADSET MICROPHONE: Comfortable wireframe for secure fit Smooth, natural frequency response comparable to quality handheld microphones Reliable at temperature and humidity extremes BLX1 BODYPACK TRANSMITTER: Power and battery status LED Adjustable gain control Quick and easy frequency matching AA batteries (included) provide up to 14 hours of continuous use 100 m (300 ft.) operating range (line of sight) RECEIVER BLX88: Up to 12 compatible systems (region dependent) Microprocessor-controlled internal antenna diversity One touch QuickScan locates the best open frequency ¼" and XLR audio outputs Two color audio status indicator LED   1 year limited guarantee    For more info on this product please click here

The KMS 104 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems. The KMS 104 has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field. The user can thus select the version that is optimally suited to the specific application. Acoustic features The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. In spite of excellent pop protection, sibilants and S sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 vocal microphones when they are used with a stage sound system. Electrical features Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules. In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (-3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound. Mechanical features Microphones designed for use on stage require a particularly robust construction. The KMS 104 have thick-walled metal housings, which also provide effective protection against handling noise. The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters. Delivery Range The KMS 104 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.

The most accessible wireless Shure vocal microphone for elevating sound quality combined with simple setup and an intuitive interface for performance you can trust in. With rack-mount receiver.   PG58 VOCAL MICROPHONE: Tailored frequency response is smooth and extended. Tuned specifically for vocal applications. Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings. Dynamic cartridge has a simple, rugged coil. Handles extreme volume levels without distortion. Cartridge includes a neodymium magnet for high output level. Internal shock mount for reduced handling noise. Durable metal construction. On/off switch for onstage control. Hardened steel mesh ball grille that resists wear and abuse. Integral "pop" filter reduces explosive breath sounds and wind noise. Includes 15ft. (4.57m) cable, break-resistant mic clip and storage bag. BLX2 HANDHELD TRANSMITTER: Power and battery status LED Adjustable gain control Quick and easy frequency matching AA batteries (included) provide up to 14 hours of continuous use 100 m (300 ft.) operating range (line of sight) RECEIVER BLX4R: One-touch QuickScan frequency selection quickly locates the best open frequency (in case of interference) Up to 12 compatible systems per frequency band (region-dependent) XLR and ¼” output connectors Two-color audio status indicator LED Green: Normal audio levels Red: Excessive audio levels (overload/clipping) Adjustable output level  Removable antennas for quick antenna distribution LC Display with detailed RF and audio metering Rack mount kit included 1 year limited guarantee     For more info on this product please click here

The most accessible wireless Shure vocal microphone for elevating sound quality combined with simple setup and an intuitive interface for performance you can trust in.   2 X PG58 CAPSULE 2 X BLX2 1 X BLX88   PG58 VOCAL MICROPHONE: Tailored frequency response is smooth and extended. Tuned specifically for vocal applications. Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings. Dynamic cartridge has a simple, rugged coil. Handles extreme volume levels without distortion. Cartridge includes a neodymium magnet for high output level. Internal shock mount for reduced handling noise. Durable metal construction. On/off switch for onstage control. Hardened steel mesh ball grille that resists wear and abuse. Integral "pop" filter reduces explosive breath sounds and wind noise. Includes 15ft. (4.57m) cable, break-resistant mic clip and storage bag. BLX2 HANDHELD TRANSMITTER: Power and battery status LED Adjustable gain control Quick and easy frequency matching AA batteries (included) provide up to 14 hours of continuous use 100 m (300 ft.) operating range (line of sight) RECEIVER BLX88: Up to 12 compatible systems (region dependent) Microprocessor-controlled internal antenna diversity One touch QuickScan locates the best open frequency ¼" and XLR audio outputs Two color audio status indicator LED   1 year limited guarantee     For more info on this product please click here

The KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems. The KMS 104 has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field. The user can thus select the version that is optimally suited to the specific application. Acoustic features The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. In spite of excellent pop protection, sibilants and S sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 vocal microphones when they are used with a stage sound system. Electrical features Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules. In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (-3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound. Mechanical features Microphones designed for use on stage require a particularly robust construction. The KMS 104 have thick-walled metal housings, which also provide effective protection against handling noise. The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters. Delivery Range The KMS 104 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.

Features: Waterproof Melaleuca lock. Melaleuca lock body, with extraordinary ability to resist external forces, effectively resist violence. Melaleuca lock application layer sheet steel structure, strong anomaly, an effective solution to the common padlocks of the open rate is too high. The locking plate and lock beam are of reliable quality and can be used in outdoor environment. Strength is higher than the general copper padlock, the bottom of the apron scratch, extend the service life. Hardened alloy steel hook with excellent anti-shear. Specification: Material: Iron Cylinder: Zinc Alloy Color: Black, Blue Wide: Approx. 50mm/1.96" Height: Approx. 90mm/3.54" Package includeds: 1 x 50mm Melaleuca Lock 2 x Key Details pictures:

BRAND NEW WITH FULL WARRANTY www.nxtleveltech.co.za NATIONWIDE DELIVERY Buy Now @: http://nxtleveltech.co.za/products/view/1012 Features and Applications LTS 240 Diversity C and Diversity D wireless systems are a top choice for ambitious entry-level users and performances in various acoustic environments The LTS 240 Diversity C set includes one handheld transmitter featuring a quality condenser capsule and a half-rack receiver with a sturdy metal housing The LTS 240 Diversity D set includes one handheld transmitter featuring a quality dynamic capsule and a half-rack receiver with a sturdy metal housing Four-part RF- and AF-level LED display Transmitters are equipped with two AA batteries for up to ten hours of continuous performance, an LED display indicating battery status, an On/Off/Mute switch and a rotary switch for frequency selection Receiver features four pre-programmed frequencies selectable via pushbuttons, FM modulation, UHF antennas, XLR and unbalanced (6.3 phone plug) outputs Squelch and volume level controls Hardened hexagonal steel mesh grille to prevent wear and abuse Half-rack all-metal case receiver with a matte black finish Set comes in a cardboard box with foam layers and includes LTS 40 MCs shock mount