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Sound Superior. Samson’s MTR231 Multi-Pattern Condenser Microphone brings exceptional performance and high-end quality to a variety of live and studio situations. Ideal for recording vocals, close miking instruments, use as a room microphone and more, the MTR231 solidifies Samson’s commitment to offering superior sound and the ability to capture the best audio possible. Fully Featured Design The MTR231 is a dual large, 1-inch gold-sputtered diaphragm studio condenser microphone with three selectable pickup-patterns – cardioid, omnidirectional and bidirectional. The MTR231 is capable of handling high SPLs of up to 134dB and features a 10db attenuation switch for handling ultra-high levels. The MTR231 offers a smooth, extended frequency response, as well as low self-noise and a wide dynamic range perfect for recording. In addition, its internally shock-mounted capsule reduces handling noise and external vibrations. This rugged die cast mic is bundled with a pop filter, shockmount and protective carry case. The MTR231 is perfect for capturing vocal performances in the studio. The mic’s selectable cardioid, omnidirectional and bidirectional pickup patterns make it a most versatile tool in the studio, capable of handling variety of vocal miking techniques. Use the cardiod pattern for any vocal performance where excellent rear-rejection is needed or use it as the "Mid" mic in a Mid-Side stereo setup. Whether your tracking one vocalist or the mic is surrounded on all sides by an ensemble of singers, the omnidirectional setting is ideal for capturing the ambiance of a great-sounding room. Lastly, the MTR101’s bidirectional pattern can be used to isolate two sound sources, one or both being vocals (two vocalists, a singer-guitarist, etc.). And with a wide 20Hz–20kHz frequency response, the MTR231, no matter the pollar pattern, can capture the most dynamic of voices with ease. Instruments And More With a wide dynamic range and the ability to handle ultra-high SPLs, the MTR231 is ideal for use as a room microphone or for close miking a variety of instruments both live and in the studio. From aggressive guitar cabinets and drums to vibrant pianos, winds and other preferred instruments, the MTR231 is designed to faithfully reproduce a diverse range of instrument tones. And all of the previously mentioned vocal miking techniques can be easily applied to all of these instruments given the situation and desired sound. Sound superior with the new MTR231 Multi-Pattern Condenser Microphone from Samson.Dual large, 1-inch gold-sputtered diaphragm studio condenser microphone Three selectable pickup patterns – cardioid, omnidirectional and bidirectional Smooth, extended frequency response of 20Hz-20kHz Low self-noise, wide dynamic range perfect for recording Handles high SPLs of up to 134dB 10db attenuation switch handles ultra-high SPLs Internally shock-mounted capsule reduces handling noise and external vibrations Rugged die cast construction Includes pop filter, shockmount and carry case

Sound Superior. Samson’s MTR201 Condenser Microphone brings exceptional performance and high-end quality to a variety of live and studio situations. Ideal for recording vocals, close miking instruments, use as a room microphone and more, the MTR201 solidifies Samson’s commitment to offering superior sound and the ability to capture the best audio possible. Fully Featured Design The MTR201 is a large, 1-inch gold-sputtered diaphragm studio condenser microphone. It features a cardioid pickup pattern that provides increased isolation of a sound source and is designed to handle high SPLs of up to 132dB. It also has a 10db attenuation switch for handling ultra-high levels. The MTR201 offers a smooth, extended frequency response, as well as low self-noise and a wide dynamic range perfect for recording. In addition, its internally shock-mounted capsule also reduces handling noise and external vibrations. This rugged die cast mic is bundled with a pop filter, shockmount and protective carry case. Vocals The MTR201 is perfect for capturing vocal performances in the studio. The mic’s cardioid pickup pattern provides increased isolation, avoiding unwanted noise and highlighting only the vocalist. As such, the MTR201 is ideal for any vocal performance where excellent rear-rejection is needed or use it as the "Mid" mic in a Mid-Side stereo setup. And with a wide 20Hz–20kHz frequency response, the MTR201 can capture the most dynamic of voices with ease. Instruments And More Featuring a wide dynamic range and the ability to handle high SPLs, the MTR201 is ideal for use as a room microphone or for close miking a variety of instruments both live and in the studio. From aggressive guitar cabinets and drums to vibrant pianos, winds and other preferred instruments, the MTR201 is designed to faithfully reproduce a diverse range of instrument tones. And the previously mentioned vocal miking techniques can be easily applied to all of these instruments given the situation and desired sound. Sound superior with the new MTR201 Condenser Microphone from Samson.Large, 1-inch gold-sputtered diaphragm studio condenser microphone Cardioid pickup pattern for increased isolation Smooth, extended frequency response of 20Hz-20kHz Low self-noise, wide dynamic range perfect for recording Handles high SPLs of up to 132dB 10db attenuation switch handles ultra-high SPLs Internally shock-mounted capsule reduces handling noise and external vibrations Rugged die cast construction Includes pop filter, shockmount and carry case

GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ GL_24_Main RELATED PRODUCTS RB_LedLamp RB_ICE-16D FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp available NB: RPS11 Power Supply to be Purchased separately.NB: RPS11 Power Supply to be Purchased separately.

GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp available NB: RPS11 Power Supply to be Purchased separately.NB: RPS11 Power Supply to be Purchased separately.

Sound Superior. Samsons MTR101A Studio Mic Kit brings exceptional performance and high-end quality to a variety of live and studio situations. Ideal for recording vocals, close miking instruments, use as a room microphone and more, the MTR101A (MTR101 Condenser Microphone, pop filter and shockmount included) solidifies, Samsons commitment to offering superior sound and the ability to capture the best audio possible. Fully Featured Design The MTR101 is a large, 1-inch diaphragm studio condenser microphone. It features a cardioid pickup pattern that provides increased isolation of a sound source and is designed to handle high SPLs of up to 137dB. The MTR101 offers a smooth, extended frequency response, as well as low self-noise and a wide dynamic range perfect for recording. In addition, its rugged die cast construction features an internally shock-mounted capsule that reduces handling noise and external vibrations. And All The Extras In addition to the mic, the MTR101A kit includes a pop filter and shockmount. The pop filter features a stainless mesh screen that reduces vocal popping and sibilance. The filter is easily attached directly to the mic, and just as easily removed. The kits specifically designed shockmount provides the mic with enhanced isolation from mechanical noise, and is compatible with all standard microphone stands. Capture Your Best... Vocals The MTR101 is perfect for capturing vocal performances in the studio. The mics cardioid pickup pattern provides increased isolation, avoiding unwanted noise and highlighting only the vocalist. As such, the MTR101 is ideal for any vocal performance where excellent rear-rejection is needed or use it as the "Mid" mic in a Mid-Side stereo setup. And with a wide 20Hz20kHz frequency response, the MTR101 can capture the most dynamic of voices with ease. Instruments And More Featuring a wide dynamic range and the ability to handle high SPLs, the MTR101 is ideal for use as a room microphone or for close miking a variety of instruments both live and in the studio. From aggressive guitar cabinets and drums to vibrant pianos, winds and other preferred instruments, the MTR101 is designed to faithfully reproduce a diverse range of instrument tones. And the previously mentioned vocal miking techniques can be easily applied to all of these instruments given the situation and desired sound. Sound superior with the new MTR101A Studio Mic Kit from Samson.Includes MTR101 Condenser Microphone, pop filter and shockmount Large, 1-inch diaphragm studio condenser microphone Cardioid pickup pattern for increased isolation Smooth, extended frequency response of 20Hz-20kHz Low self-noise, wide dynamic range perfect for recording Handles high SPLs of up to 137dB Internally shock-mounted capsule reduces handling noise and external vibrations Rugged die cast construction

GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ GL_24_Main FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp available NB: RPS11 Power Supply to be Purchased separately.NB: RPS11 Power Supply to be Purchased separately.

This classic dual function mixer offers a well thought out feature set built into a rugged, small footprint chassis ideal for flight casing and venue installation where space is tight. Uniquely at this level, the GL is equipped with 10 auxiliary sends - including a dedicated stereo aux - and using the 12x4 matrix,provides the ideal solution for IEM and stereo Recording. 8 audio groups andL,R and M busses are also provided, allowing for full dual functionality with 10mixes with faders, inserts and XLR drive GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ NB: RPS11 Power Supply to be Purchased separately. GL_24_Main RELATED PRODUCTS RB_LedLamp RB_ICE-16D FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp availableNB: RPS11 Power Supply to be Purchased separately.

This item is sold brand new. It will be ordered from our supplier and normally ships in 5 to 7 working days Sound Superior: Samson's MTR201 Condenser Microphone brings exceptional performance and high-end quality to a variety of live and studio situations. Ideal for recording vocals, close making instruments, use as a room microphone and more, the MTR201 solidifies Samson's commitment to offering superior sound and the ability to capture the best audio possible. Fully Featured Design. The MTR201 is a large, mm gold-sputtered diaphragm studio condenser microphone. It Features a cardioid pickup pattern that provides increased isolation of a sound source and is designed to handle high SPLs of up to 132DB.It also has a 10db attenuation switch for handling ultra-high levels. The MTR201 offers a smooth, extended frequency response, as well as low self-noise and a wide dynamic range perfect for recording. In addition, its internally shock-mounted capsule also reduces handling noise and external vibrations. This rugged die cast mic is bundled with a pop filter, shock mount and protective carry case. Vocals. The MTR201 is perfect for capturing vocal performances in the studio. The mic's cardioid pickup pattern provides increased isolation, avoiding unwanted noise and highlighting only the vocalist. As such, the MTR201 is ideal for any vocal performance where excellent rear-rejection is needed or use it as the Mid mic in a Mid-Side stereo setup. And with a wide 20Hz - 20kHz frequency response, the MTR201 can capture the most dynamic of voices with ease. Instruments And More. Featuring a wide dynamic range and the ability to handle high SPLs, the MTR201 is ideal for use as a room microphone or for close making a variety of instruments both live and in the studio. From aggressive guitar cabinets and drums to vibrant pianos, winds and other preferred instruments, the MTR201 is designed to faithfully reproduce a diverse range of instrument tones. And the previously mentioned vocal making techniques can be easily applied to all of these instruments given the situation and desired sound. Sound superior with the new MTR201 Condenser Microphone from Samson. Specifications: - Large, mm gold-sputtered Diaphragm Studio Condenser Microphone - Cardioid pickup pattern for increased isolation - Smooth, extended frequency response of 20Hz-20kHz - Low self-noise, wide dynamic range perfect for recording - Handles high SPLs of up to 132DB - 10DB attenuation switch handles ultra-high SPLs - Internally shock-mounted capsule reduces handling noise and external vibrations - Rugged die cast construction