Four jacks

Buy Four Jacks And A Jill - The Greatest Hits Of Four Jacks And A Jill (LP, Comp, Alb) for R80.00

Buy Four Jacks And A Jill - 4 Jacks And A Jill Live (LP) Vinyl Record for R25.00

Buy Four Jacks and a Jill - Jimmy Come Lately Vinyl LP South African Pop for R70.00

Buy Four Jacks And a Jill - Timothy And Other Hits (Vinyl LP 32-310) for R20.00

Buy Four Jacks And A Jill Master Jack - Vinyl 7 Record - Very-Good+ Quality (VG+) (verygoodplus) for R149.00

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Buy The Sunny Side Of Four Jacks & A Jill - Vinyl LP Record - Opened - Very-Good- Quality (VG-) for R99.00

Buy Timothy - JC Erasmus - Four Jacks and a Jill - Vintage Sheet Music - 1967 for R200.00

RPM.368-8.  Sleeve: G. Aged/creases. Signed by the band Vinyl: G (light hairline scratches/scuffing that do not affect play) SHIPPING: Post Office R45  

1:1 STUUR GROETE AAN MANNETJIE ROUX 1:2 IT MUST HAVE BEEN LOVE 1:3 RUITER VAN DIE WINDJIE 1:4 COWARD OF THE COUNTY 1:5 LEPELLE 1:6 OLD HIPPIE 1:7 PAMPOEN 1:8 LOST IN FRANCE 1:9 LEEULOOP 1:10 SOME PEOPLE 1:11 HEMEL OP TAFELBERG 1:12 LADY IN RED 1:13 YOU MUST BE JOKING 1:14 SACRIFICE 1:15 REIK NA DIE STERRE 1:16 LIVING NEXT DOOR TO ALICE 1:17 SHE'S A WOMAN 1:18 NEEM MY OP VLERKE 1:19 DISTANT DRUMS 1:20 GE KORSTEN KEURSPEL - SEEMAN - SANTA FEDisk 22:1 EK WIL MY BABY HE VANAAND 2:2 SOMETIMES 2:3 JAN ASSEBLIEF TOG SQUEEZE MY 2:4 QUEEN OF HEARTS 2:5 WHAT IS LOVE 2:6 BOESMANLAND 2:7 DANCE SUM MORE 2:8 TRANSKAROO 2:9 MAID OF ORLEANS 2:10 ROOI ROK BOKKIE 2:11 ONS LAST KISS 2:12 EK EN MY MEISIE 2:13 BABY YOU'VE BEEN GOOD TO ME 2:14 MY KIND OF GIRL 2:15 LIEWE LULU 2:16 PASGETROUD 2:17 SWEET CARILINE 2:18 MILJOEN 2:19 TIMOTHY 2:20 GEE HAR 'N ROOSDisk 33:1 HONDERD JAAR 3:2 WASTED DAYS AND WASTED NIGHTS 3:3 WASEK MAAR 'N DIGTER 3:4 PATCHES 3:5 VOSHAARNOOI 3:6 LOVE IS A BEAUTIFUL SONG 3:7 KINDERS VAN DIE WIND 3:8 ANGEL OF THE MORNING 3:9 DAAR'S 'N PLEK 3:10 I DON'T WANNA PLAY HOUSE 3:11 DANKIE LANCE JAMES 3:12 FOUR JACKS AND A JILL 3:13 JURIE ELS 3:14 THE BATS 3:15 CANTERO 3:16 ANDREY LANDERS 3:17 PHILLIP _ ELLA 3:18 JOANNA FIELD 3:19 SYMPHONIA 3:20 MARTIN LANE

Digi 003 in perfect condition. Only used in Recording Studio. Professional device as used in most professional South African recording studios. Works with any DAW software. Mic Inputs Connector: Four balanced XLR jacks Mic Phantom Power: 48V Equivalent Input Noise: -129 dBu Frequency Response: +/- 0.1 dB, 20 Hz - 20 kHz Dynamic Range: 105 dB / 107 dB A-weighted THD + N: dB) Mic EIN: -129 dBu Input Sensitivity: +2.2 dBu Input Impedance: 2K Ohm Line Inputs Connector: Four balanced 1/4 in. jacks Frequency Response: +/- 0.1 dB, 20 Hz - 20 kHz Dynamic Range: 111 dB / 113 dB A-weighted THD + N: dB) Input Sensitivity: + dBu Input Impedance: 22K Ohm DI Inputs Connector: Four unbalanced 1/4 in. jacks Frequency Response: +/- 0.1 dB, 20 Hz - 20 kHz Dynamic Range: 104 dB / 106 dB A-weighted THD + N: dB) - Balanced input Input Sensitivity: + dBu Input Impedance: >300K Ohm Aux Inputs Connector: Two balanced 1/4 in. jacks Frequency Response: +/- 0.1 dB, 20 Hz - 20 kHz Dynamic Range: 111 dB / 113 dB A-weighted THD + N: dB) Input Sensitivity: + dBu Input Impedance: 10K Ohm Line Outputs (1-8) Connector: Eight impedance balanced 1/4 in. jacks Frequency Response: +/- 0.5 dB, 20 Hz - 20 kHz Dynamic Range: 110 dB / 113 dB A-weighted THD + N: dB) Output Sensitivity: +18 dBu Monitor Outputs (Main & Alt) Connector: Two impedance balanced 1/4 in. jacks Frequency Response: +/- 0.5 dB, 20 Hz - 20 kHz Dynamic Range: 110 dB / 112 dB A-weighted THD + N: dB) Output Sensitivity: +18 dBu Headphone Outputs Connector: Two unbalanced 1/4 in. jacks Frequency Response: +/- 0.5 dB, 20 Hz - 20 kHz THD + N: dB) Dynamic Range: 110 dB / 112 dB A-weighted Output Sensitivity: +23 dBu Digital Specifications Supported Sample Rates: kHz Maximum Word Length: 24-bit S/PDIF: 2-channel optical or RCA jack pair Digital Optical: TOSLINK (ADAT, max 48 kHz sample rate) Word Clock: Two BNC jacks Host Connection: Two IEEE-a (FireWire) ports (6-pin-to-6-pin FireWire cable included) MIDI: 5-pin MIDI DIN connectors - one input, two outputs Size / Weight / Power Height: 2U rack (3.5 in. / 8.89 cm) Width: 19 in. / cm Depth: 13.5 in. / cm (including all knobs / connectors) Weight: lbs / 5.09 kg Power Requirements: V, Hz A/C (power cable included)

If you're looking for old-school analog handling in a package armed to the teeth with modern reliability, the search is over. This mixer's British EQ, 24 mic inputs (each with its own built-in studiograde XENYX preamp), 8 stereo inputs and 8 buses give you enough leeway to craft the recording of your dreams or create the perfect mix for a live show. What the Heck is "British EQ"? British EQ is a smashing thing to have on your side when you start reaching for those channel equalization knobs at a live concert or in the studio. The EQ's on British consoles from the 60s and 70s are what many engineers believe does their sound the best justice. When it comes to tweaking your sound, they're kind, gentle and above all, musical. It's like drinking a fine scotch instead of fortified wineor maybe receiving a warm hug instead of a kick to the crotch. British EQ's distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled. The Ins and Outs Some manufacturers make what they call 32-input mixers that count features like CD/TAPE IN as an input. But the SX really gives you 24 mono channels and four stereo channels (with two 1/4" inputs apiecean additional 8 inputs), making it easy to accommodate a wide variety of studio or live performance configurations. That means you can connect up to 24 microphones or other mono instruments and up to four stereo instruments (keyboards, for example). You also get eight buses, allowing you to assign multiple channelssay all the mics on a drum kit or all the backup singers' micsto a single fader. Best of all, you don't need a black belt in engineering to operate the SX. The mono channels are grouped along two-thirds of the board, featuring dials in uniform primary colors (Gain in white; EQ in blue; AUX in red; Pan in black). Sub groups are located next door to the Main and Mono faders in the bottom right corner. Directly above, there's a handy built-in talkback mic that sends signal to your AUX 1-2 monitors via a push button, as well as a multi-purpose 13-LED master level meter to give you a dynamic visual gauge of the selected output. The SX's intuitive patch bay makes it equally at home in the club or studio. You get two balanced XLR MAIN outputs as well as a two 1/4" TRS MAIN outs. There's also a 1/4" MONO OUT (perfect for a subwoofer output). Eight SUBGROUP OUT jacks allow you to send your buses to an external recording device. This section also includes AUX SEND jacks for connection to monitors, CD/ TAPE input and output jacks, and FX send/return jacks for use with outboard effects processors. Directly below, you'll fi nd the 1/4" headphone/ control room out jack. A Million Ways To Change The Channel At the top of each mono channel, you'll find both a balanced XLR input with a XENYX mic preamp and a 1/4" input. A phantom power switch located on the back near the main power switch accommodates condenser mics. Each mono channel has a 3-band EQ with semi-parametric mids (giving you control of the Mid level and a sweepable frequency with a boost or cut of 15dB) and a Trim control for adjusting input gain via a Level Set LED. A Low Cut button eliminates the frequencies where unwanted infrasonics such as mic handling noise occur. The eight AUX dials control the volume of the AUX SEND 1/4" output signals (more on that below). Stereo channels feature the same functions, but a with dual 1/4" inputs and a different EQ. Instead of sweepable mids, stereo channels feature High Mid and Low Mid dials, both with bell center frequencies set at 8 kHz and 800 Hz, respectively. This is especially useful for EQ'ing the critical midrange frequency content found in keyboard signals. Near every mono channel's fader you'll find a and MAIN button. By engaging the MAIN button, the signal is sent to the main mix. Or, if you engage the 1-2 button, the channel becomes part of a bus. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. The same principle applies to the and 7-8 buttons. A Mute button with accompanying LED cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free post-EQ signal. The Solo button on individual channels routes the subgroup signal to the solo bus or Pre-Fader Listendepending on whether the signal has been included in a subgroup. Finally, each of the eight buses feature an independent fader, Solo switch, and Left and Right buttons to assign them to Left or Right stereo channels. Buy it now. Teach your great grandkids how to run it. BEHRINGER mixers last and last. We use top quality parts such as longwear faders, sealed rotary controls and premium circuit boards. We have 20 years of experience figuring out how to compensate for clumsy loadins, spilled drinks, crazed guitarists and millions of road miles. The result is a mixer you can count on day after day and night after night. Hitch Your Art to the AUX The SX has eight AUX SEND outputs as well as eight AUX return inputs, giving you more routing options than a Los Angeles road map. AUX SEND 1-8 allow you to send the signal governed by an individual channel to an outboard FX unit or EQ. Meanwhile, the AUX returns can be thought of as eight extra line inputs working as four stereo pairs. You can apply up to 20 dB of gain to these inputs. AUX returns 1, 2, 7 and 8 allow returning FX to be sent to tape, and, along with 5 and 6, are also good for cuing artists via headphones. AUX returns 3 and 4 are always assigned to the main bus. Take On The World Not every town on the planet uses the same voltage common in yours. Unfortunately, this sometimes doesn't occur to jet-setting sound technicians until they're miles from home. With the SX, this is never an issue. The internal auto-range power supply can run on anything from 100 to 240 V with noise-free audio, top-quality transient response and low power consumption. Why Do You Need This Mixer? Built-in pristine XENYX mic preamps British-style EQ dials give you the sound and control preferred by top studio engineers Awesomely complete I/O everything from bus inserts to mono output Product Features: Behringer SX Mixer

Akai - EIE USB Audio MIDI Interface The EIE is all about plug and play convenience. With the EIE tabletop USB audio interface from Akai Professional, you can connect virtually any musical instrument or piece of production gear to your computer. With three convenient USB inputs in addition to its main USB port, EIE enables you to connect controllers, hard drives or any other peripheral to your computer when native ports may be limited. This compact, 16-bit recording interface contains high-quality components including nickel-plated input jacks, analog-style VU meters and a rugged aluminum casing for a powerful, professional, portable audio solution. The EIE can be used with virtually any music software program like GarageBand or Pro Tools and connects plug-and-play to Macs or PCs; there is no driver installation required. Each channel of the EIE has an XLR-¼” combo jack, dedicated gain-pot and Mic/Line/Guitar switch. The EIE features four discrete-design preamplifiers with 48V phantom power for use with virtually any microphone. Individual ¼” nickel-plated jacks found on the back of EIE provide you with channel inserts for processing audio signals externally. You can monitor sessions on multiple sets of studio monitors using the four ¼” balanced outputs, which are also nickel-plated. Both pairs of outputs can be monitored visually with the high-quality, analog VU meters providing classic features with modern style. For remote tracking and alternative playback, the EIE has a 1/4” TRS headphone output. High quality analog-to-digital and digital-to-analog converters ensure that every detail of your session or performance gets captured and played back faithfully. The EIE sends and receives four audio channels on a single USB cable for simple, universal interface to your computer. The three additional USB 1.1 ports allow the EIE to function as a hub as well, bridging other MIDI controllers and hard-drives to the computer. EIE's USB interface is class compliant for plug-and-play operation with Mac OS X and Windows XP, Vista and 7. The EIE features traditional MIDI In and Out jacks for playing and controlling software with keyboard and pad controllers, workstations, and other MIDI-compatible instruments.

Akai - EIE PRO USB Audio MIDI Interface 96KHZ/24Bit The Akai EIE PRO (Electromusic Interface Expander) I/O is a tabletop USB audio interface perfectly tailored for your project and portable studio setups. This four-in, four-out (4x4) device enables you on Mac and PC-based systems to record at 24-bit audio resolution at sample rates of 44.1kHz, 48kHz, and 96kHz into virtually any DAW, recording or performance software. The EIE PRO I/O also houses three convenient USB inputs, in addition to its main USB port, enabling you to connect controllers, hard drives or any other peripheral when native ports on a computer may be limited. The compact recording interface contains high-quality components including nickel-plated input jacks, analog-style VU meters and a rugged aluminum casing for a powerful, professional, portable audio solution. Each channel of the EIE PRO I/O has an XLR/TRS combo jack, dedicated sturdy, gain-pots and Mic/Line/Guitar switches. The EIE PRO I/O features four discrete-design preamplifiers with 48V phantom power for use with virtually any microphone. Individual 1/4" Nickel-plated jacks found on the back of EIE PRO I/O provide you with channel inserts for processing audio signals externally. You can monitor sessions on multiple sets of studio monitors using the four 1/4" balanced outputs, which are also Nickel-plated. Both pairs of outputs can be monitored visually with the high-quality, analog VU meters providing classic features with modern style. For remote tracking and alternative playback, the EIE PRO I/O has a 1/4" TRS headphone output. High quality analog-to-digital and digital-to-analog converters ensure that every detail of your session or performance gets captured and played back faithfully. The EIE PRO I/O sends and receives four audio channels on a single USB cable for simple, universal interface to a computer. The three additional USB ports allow EIE PRO I/O to function as a hub as well, bridging other MIDI controllers and hard-drives to the computer. The USB interface is class compliant for plug-and-play operation with Mac OS X and Windows XP, Vista and 7. The EIE PRO I/O features traditional MIDI In and Out jacks for playing and controlling software with keyboard and pad controllers, workstations, and other MIDI-compatible instruments.

M-Audio - M-Track QUAD Four-Channel Audio + MIDI USB Interface Overview Add a professional edge to your project studio with the M-Track Quad from M-Audio. Four flexible inputs accommodate any source, from phantom-powered microphones to your favorite guitar. Plus, each input comes equipped with its own insert jack for integrating your favorite effects. M-Track Quad provides zero-latency monitoring of the input signal for carefree recording. Four outputs deliver versatile playback options. The front panel also offers a headphone output with dedicated level control. In addition to outstanding audio performance, M-Track Quad also features MIDI in and out jacks. M-Track Quad connects to your computer via USB and also acts as a powered hub with three additional USB ports. Completing this powerful package is Ignite by AIR. Ignite delivers a comprehensive path for transforming the ideas in your head into a finished piece of music. On the Four Front M-Track Quad is equipped with four inputs that provide the best results with any type of audio source. Each offers an XLR input and a balanced 1/4" input. The XLR input is designed to work with microphones or other Lo-Z sources. The phantom power switch delivers 48V to the XLR inputs for use with professional condenser microphones. The 1/4" input can be set to receive a line level signal, or switched to allow an electric guitar or bass to be plugged directly into the M-Track Quad. Individual gain knobs ensure the proper input level. Inserts Each input channel is also equipped with an insert jack, a professional addition not often found in this class of interface. The insert jack allows studio-grade effects to be used with any input source as you record. Improved Monitoring for Better Recordings M-Track Quad offers ultra-low latency monitoring of the input signal¿either through the speakers or via headphones. The monitor mix knob adjusts the balance between the direct inputs and the playback from your computer software. In addition, the input signal(s) can be monitored in stereo or mono using the convenient Stereo/Mono switch. This makes it easy to record new parts or add parts to an existing composition. The Headphone output offers its own level control. MIDI Matters In addition to the two audio channels, M-Track Quad also supports 16 channels of MIDI data and timing information. The MIDI In and MIDI out jacks are compatible with all MIDI equipment. USB Central M-Track Quad uses a single USB cable to create a two-way audio and MIDI connection with your computer. Best of all, the M-Track Quad also serves as a powered USB Hub. Connect your USB controller keyboard, pad controller, and other USB devices directly to your M-Track Quad for a convenient, single cable computer connection. Ignite Ignite provides a refreshingly original and musician-centric way to quickly capture, combine, and arrange your musical ideas. The intuitive graphic interface encourages you to experiment and explore new directions. Smart MIDI Chord and Phrase Players empower your ideas and bring them to life through over 275 superior instrument sounds created by AIR Music Technology. When you¿re ready to collaborate with other musicians or take your ideas to the next level, you can share them through SoundCloud, or export your WAV and MIDI files and import them into any DAW software. Best of all, Ignite offers seamless integration with your M-Audio keyboard controller, with no set-up chores to perform.

Used but in great condition. Trusty focusrite conversion and preamps Includes scarlett plugins Pickup available in Faerie glen Pretoria.   Record Anywhere, with Premium Focusrite Quality! Focusrite's Saffire 6 USB makes pro-quality recording possible from your desktop and your laptop — at home and just about anywhere! These days, the only things that keep us from being able to take a premium recording setup to the source (instead of the other way around) are the size of the rig and the recording options it offers. Focusrite takes care of both of these issues with the Saffire 6 USB! This little beauty gives you two channels of input (complete with a pair of premium preamps, naturally), four channels of output, and an absolutely amazing array of plug-ins, production software, loops, and samples. Get ready to look at the "studio" in a whole new way, thanks to the Saffire 6 USB!     Getting great sound into your computer starts with your interface's preamps. If you plug into less-than-stellar preamps, you get less-than-optimum results from your DAW — no matter how much plug-in magic you apply. That's why Focusrite built the Saffire 6 USB around two of their premium preamps, and included the I/O configuration flexibility you need for different recording applications. The front inputs inlcude phantom power, attenuation pads, and gain controls, so you've got complete command over your signal. Great preamps deserve great converters. That's why you'll find quality 24-bit/48kHz A-D converters onboard the Saffire 6 USB. This little box definitely gets the job done, and it's a breeze to pack up with your laptop and go. But Focusrite didn't stop there. They bundled the Saffire 6 USB with a ton of outstanding software! You get Novation's Bass Station, Ableton Live 7 Lite, hundreds of "Mike the Drummer" drum loops, and 1GB of Loopmaster samples! And did we mention the plug-in suite? The Saffire 6 USB includes compression, reverb, gating, and EQ plug-ins — many of which were modeled after their classic Focusrite hardware counterparts! Once you open the Saffire 6 USB's box, you'll be in audio-production heaven.  Focusrite Saffire 6 USB 2 x 6 Audio Interface Features: Six channels of I/O (two in, four out) Two award-winning Focusrite mic preamps with combi jacks Phantom power, pad, and gain on front inputs Signal present and overload indicators on front panel Six analog outs, four on RCA jacks switchable A/B MIDI in/out Includes "Xcite + Pack" software Bundle, featuring Ableton Live 7 Lite, Novation's Bass Station, "Mike the Drummer" Drum loops with 1GB of Loopmasters samples Focusrite plug-in suite with Compressor, Reverb, EQ, and Gate; VST/AU compatible Half-rack 2U rackmountable chassis Ultra-low latency USB 1.1 interface 24-bit, 48kHz A/D converters Dedicated switchable front panel headphone output — main or cue mix Kensington lock Bus powered via USB  

Roland KC550 Keyboard Amplifier - Roland's Ultimate Keyboard Amp. The KC-550 boasts 180 watts of powerful sound via a 15-inch speaker and horn tweeter. In addition to its four input channels, this flagship amp includes an Output Select switch for selecting the monitor sound destination, a Shape switch for quick sound adjustment and an XLR Line output for direct connection to a mixing console. - Flagship keyboard amplifier with powerful 180-watt/15-inch speaker and horn tweeter - Output Select Mode and convenient Shape switch for tonal adjustment - 3-band EQ and Subwoofer output compatible with new KCW-1 - XLR Line output for connection to mixing consoles - Stereo Link In/Out for chaining to KC-550s for stereo stage sound Output Rated Power Output 180 WSpeakers 38 cm (15 inches) x 1 Tweeter x 1 Nominal Input Level (1 kHz) Channel 1 (MIC/LINE) -50 to -20 dBuChannel 2-4 (LINE) -20 dBuSTEREO LINK INPUT 0 dBuAUX IN -10 dBu Nominal Output Level (1 kHz) LINE OUT +4 dBuSTEREO LINK OUTPUT 0 dBuSUBWOOFER OUT +4 dBu Controls CHANNEL CONTROL CH1 VOLUME Knob CH2 VOLUME Knob CH3 VOLUME Knob CH4 VOLUME Knob OUTPUT SELECT Switch PHONES VOLUME Knob MASTER CONTROL EQ (LOW) Knob EQ (MIDDLE) Knob EQ (HIGH) Knob SHAPE Switch VOLUME Knob POWER Switch GND LIFT Switch Indicator POWER Connectors CH1 INPUT Jack (XLR type) CH1-4 INPUT L (MONO) Jacks (1/4" phone type) CH1-4 INPUT R Jacks (1/4" phone type) LINE OUT L (MONO) Jacks (XLR type, 1/4" phone type) LINE OUT R Jacks (XLR type, 1/4" phone type) AUX IN Jacks (RCA phono type) SUBWOOFER OUT Jack (1/4" phone type) STEREO LINK OUT Jack (1/4" phone type) STEREO LINK IN Jack (1/4" phone type) PHONES Jack (Stereo 1/4" phone type) Size and Weight Width (W)590 mm23-1/4 inchesDepth (D)445 mm17-9/16 inchesHeight (H)536 mm21-1/8 inchesWeight 34 kg75 lbs. (excl. casters) * 0 dBu = 0.775 Vrms All specifications and appearances are subject to change. *

channel UHF quad receiver wireless system. The Nady 4W-1KU QUAD wireless system has four independent UHF receivers, each delivering user-selectable channels with auto-scan for easy finding of clear channels, frequency synthesized in pre-programmed groups and channels in the (U.S.) Band MHz, (Int.) Band MHz ranges. The Nady 4W-1KU QUAD wireless system features proprietary companding and low-noise circuitry for an industry-best 120dB dynamic range, and the clearest, most natural sound available in wireless today. HT-1KU Handheld Transmitter The Nady HT-1KU Handheld Transmitter has easily selectable channels: manually with up/down buttons on units or via IR Sync download of selected channel for easy synchronization with receiver. It features LCD displays indicating selected Group, Channel, Audio Input Levels, and Battery level status; transmitting High/Low RF power switch for optimizing distance operation depending on application; and operation with two AA batteries (alkaline or rechargeable NiMH) for longest reliable, economical battery life. The HT-1KU has a sleek, durable all-metal housing; power Off/On switch; internal antenna system; and superior neodymium cartridge for clear, powerful audio, maximum feedback rejection, and minimal handling noise 4W-1KU Receiver The Nady 4W-1KU Receiver offers unsurpassed state-of-the-art PLL UHF performance with 120dB dynamic range and operation up to 500 feet line-of sight. It has four complete and independent wireless receivers with user-selectable UHF frequencies for simultaneous operation of four transmitters and true Diversity circuitry with two complete front ends per receiver for maximizing range and most effective elimination of signal dropouts. The AUTO-SCAN function easily locates clear channels and the ASC (Auto-Sync Channel) IR download feature sends selected Group/Channel information to transmitter via IR sender for easy frequency synchronization. Sophisticated IF filtering permits simultaneous operation of multiple systems in the same location.   Features HT-1KU Handheld Transmitter easily selectable channels LCD displays indicating selected Group, Channel, Audio Input Levels, and Battery level status Internal antenna system Superior neodymium cartridge High/Low RF power switch Sleek, durable all-metal housing Operates with two AA batteries 4W-1KU Receiver Unsurpassed state-of-the-art PLL UHF performance with 120dB dynamic range and operation up to 500 feet line-of sight Four complete and independent wireless receivers with user-selectable UHF frequencies for simultaneous operation of four transmitters True Diversity circuitry with two complete front ends per receiver for maximizing range and most effective elimination of signal dropouts AUTO-SCAN for easily locating clear channels and ASC™ (Auto-Sync Channel) IR download feature which sends selected Group/Channel information to transmitter via IR sender for easy frequency synchronization Sophisticated IF filtering for simultaneous operation of multiple systems in the same location Front panel touch control buttons and user-friendly LCD configuration menus Front panel backlit LCD display indicates selected Group, Channel, RF signal strength meter; Audio Output Volume level; Diversity A/B LED indicators Back panel Balanced XLR Mic level and Unbalanced ¼” SUM Line level audio output jacks, squelch control, RF BNC connectors for dual removable ½ wave antennas, and DC power input jack supply Externally powered (adapter included) Rugged all-metal housing—1U rack mountable with supplied rack ears (front antenna mount kit optional Shipping is R295 via speed services Blueridge Music is the sole Nady agent in SA and offers repair and service facility.  

Unsurpassed,versatile,Tru- diversity UHF wireless microphone system.Featuring user selectable frequencies offering maximum operating range with instant autoscan with infra red sync between transmitter and receiver for easy clear channel setup.Transmitter and receiver are built to last, enclosed in rugged all metal housing.Nady systems  USA world leader and innovator in microphone technology since .   Does not come with mic clips   4W-1KU Receiver: Unsurpassed state-of-the-art PLL UHF performance with 120dB dynamic range and operation up to 500 feet line-of sight Four complete and independent wireless receivers with user-selectable UHF frequencies for simultaneous operation of four transmitters True Diversity circuitry with two complete front ends per receiver for maximizing range and most effective elimination of signal dropouts AUTO-SCAN for easily locating clear channels and ASC™ (Auto-Sync Channel) IR download feature which sends selected Group/Channel information to transmitter via IR sender for easy frequency synchronization Sophisticated IF filtering for simultaneous operation of multiple systems in the same location Front panel touch control buttons and user-friendly LCD configuration menus Front panel backlit LCD display indicates selected Group, Channel, RF signal strength meter; Audio Output Volume level; Diversity A/B LED indicators Back panel Balanced XLR Mic level and Unbalanced ¼” SUM Line level audio output jacks, squelch control, RF BNC connectors for dual removable ½ wave antennas, and DC power input jack supply Externally powered (adapter included) Rugged all-metal housing— 1U rack mountable with supplied rack ears (front antenna mount kit optional) Works with any four combinations of available instrument, handheld and lavalier UHF transmitters BLUERIDGE MUSIC(EST ) IS THE SOLE NADY AGENT IN SA. THIS PRODUCT CARRIES A ONE YEAR WARRANTY.WE ALSO BACK THIS UP WITH AN EXCELLENT REPAIR AND SERVICE FACILITY. SHIPPING IS R 275 - VIA SPEED SERVICES -ANYWHERE IN SA.

The power to perform KONA 3G is a video and audio desktop I/O card that provides professionals with unparalleled features for handling everything from SD to HD, 2K and 4K – all with full 10-bit uncompressed clarity. KONA 3G supports Dual Link 4:4:4 HD-SDI, with full-bandwidth 4:4:4 RGB at 10-bits for i, p, PsF and 720p formats. KONA 3G can also convert between 4:4:4 and 4:2:2 formats for single link HD-SDI monitoring and output. With a broadcast-quality up/down/cross converter and the ability to work in 3D, KONA 3G has the power for the work you do today and into the future. Futureproof for 4K workflows KONA 3G is futureproof, allowing you to easily work in HD and 2K and switch to working at 4K resolution all on the same hardware. Leading the way for quality 4K capture, monitoring and output, KONA 3G offers 4K in both YCbCr and RGB. When 4K mode is selected, the four SDI connectors are remapped as I/O for handling the four quadrants of a 4K picture. A large number of 4K formats are supported for this emerging workflow. 3D ready and able KONA 3G enables simple and affordable 3D workflows using the standard hardware, with no additional equipment required. Through SDI, you can output discrete left and right eye feeds with a simple Stereo button choice in the AJA Control Panel. In addition, all the muxed feeds for SDI stereo monitoring are accessible through tight integration with 3rd-party application timelines for stereo monitoring. Through HDMI 1.4a, you can utilize more affordable 3D monitors for side-by-side and Top Bottom needs. Powerful connectivity For SDI video, the card features two 3G/HD/SD-SDI inputs and two outputs - or for 4K all four SDI connectors can be used for capture and output - HDMI 1.4a monitoring output, LTC input and output, one connection for Genlock input, and configurable 3x BNC HD/SD analog video output. For audio, tie the KONA 3G to a digital audio mixer or DAW output with 8-channel 24-bit 48kHz or 96kHz AES audio via BNC connections on the supplied breakout cable - or get the optional K3G-Box to output an even larger 16-channels of AES audio. KONA 3G's high-quality input sample-rate conversion on AES inputs eliminates the need for audio source synchronization. For multi-channel audio mastering, 16-channel SDI embedded 24-bit 48kHz audio provides the power you need to integrate into any audio environment. Integrated AJA hardware conversion KONA 3G features full 10-bit, broadcast-quality, motion adaptive SD to HD up conversion, HD to HD cross conversion, HD to SD down conversion, and automatic HD/SD 12-bit component analog output. Since all conversion functionality on the KONA 3G is hardware-based, it's available on ingest or playback. Uniquely, the KONA 3G can cross convert 720p to PsF . Cross conversion is particularly valuable in today's multi-format HD post environment where producing pristine 720p or i signals at-will helps streamline dailies and deliverables. Internal SD/HD hardware downstream keyer KONA 3G features a powerful hardware downstream keyer that can place graphic files with an alpha channel over the video being input to the board—or a selectable color matte—or the contents of the card's framebuffer. The downstream keyer can also key a QuickTime video clip that has an alpha channel by playing it in realtime, via the supplied AJA TV application, over live video coming into the card. Extensive software support KONA 3G is supported by an extensive list of professional software for editing, visual effects, graphics and more allowing the same KONA 3G card to be used by many different applications on the same system. In addition, AJA provides several free applications that enable you to utilize the power of the KONA 3G card even without having to run a particular software package. This allows you to create unique workflows without tying up valuable resources unnecessarily. Compatibility chart Extend your Connectivity with K3G-Box The optional K3G-Box breakout box and cables allow KONA 3G to integrate easily into rack environments, enabling quick access to all video and audio connections without having to get at the back of the tower computer. Additional K3G-Box functionality over the standard breakout cable comes in the form of eight additional AES audio channels, 2-channel RCA analog audio monitoring jacks, and looping BNC Genlock reference connectors.

The MPD226 is a MIDI-over-USB pad controller perfect for producers, programmers, musicians and DJs alike. Its intuitive blend of MPC controls and technologies mesh with easy USB connectivity to bring the feel of classic beat making into the world of computer music production. Experience the Difference First, we stepped up our game by adding new, ultra sensitive Thick Fat MPC pads, creating an amazingly responsive user experience. The MPD226 has an expanded control set featuring four knobs, four faders, four buttons arranged in three banks for 36 total controls versus 12 on the MPD26. This will enable you to maximize your sound and give you increased control over effects. MIDI information is sent over its plug-and-play USB interface for use on Mac or PC, eliminating the need to install any drivers. Goodies Along with the improved functionality we’ve added iOS compatibility using the Camera Connection Kit (sold separately) and included over $400 of free software. Titles include: Akai Pro MPC Essentials, Big Bang Drums and Big Bang Cinema from Sonivox, Ableton Live Lite, and Software Preset. The aforementioned Software Preset Editor allows you to enjoy intuitive control editing right from the front panel of the MPD226. Our MPD2 Series marks an important evolution of the pad controller. Many years of research and customer feedback has led directly to some of the most capable pad controllers we’ve ever developed. These MPDs are the perfect bridge between your creativity and your computer-based studio. 16 Thick Fat RGB illuminated velocity and pressure sensitive MPC pads 64 assignable pads accessible via 4 banks 4 assignable faders, 4 assignable Q-Link knobs, 4 assignable Q-Link buttons 36 assignable controls accessible via 3 banks Classic MPC Note Repeat, MPC Swing, 16 Level, Full Level and Tap Tempo 30 presets total, with configurations for most popular DAWs iOS compatible using the Camera Connection Kit (sold separately) MIDI In and Out jacks for controlling external gear Dedicated Transport controls Includes Ableton Live Lite, Akai Pro MPC Essentials, Sonivox Big Bang Cinematic Percussion and Big Bang Universal Drums

Features Recording to CD-R/RW or SD/SDHC memory card Uncompressed PCM recording (CD/SD) MP3 recording (SD) Long duration recording capabilities (MP3 format) Copy function dubs from SD card to CD, and from CD to SD card Four built-in high quality condenser microphones for 360-degree recording Built-in 10W stereo sound system Simple operation with dedicated knobs and keys Variable speed audition with key control Loop playback Metronome and chromatic tuner Over-dub recording Powered through 8 x AA batteries or AC power adapter 2 x XLR mic inputs with +48V phantom power Stereo pair of RCA line input jacks for connecting external devices Stereo pair of RCA line output jacks for connecting external devices Compatible with SD cards up to 2 GB in size and SDHC cards up to 32 GB in size Wireless remote control unit included Specifications Frequency response: kHz (±1 dB) Distortion (THD+N): 0.05 percent (1 kHz LPF 20 kHz) Signal to noise ratio: 85 dB (1 kHz, LPF 20 kHz A-weighted) Battery life (continuous operation): Up to 1.5 hours of CD playback Up to 2.5 hours of SD record/playback, speaker output mode Up to 4.5 hours of SD record/playback, headphone output mode Line input (L/R, unbalanced): Nominal input level: -10 dBV Maximum input level: + 6 dBV Minimum input level: -22 dBV Input impedance: 20 k¿ External mic (L/R, balanced): Connector: XLR-: GND 2: Hot 3: Cold) Nominal input level: -13 dBV Maximum input level: + 3 dBV Minimum input level: -55 dBV Input impedance: 2.4 k¿ Line output (L/R, unbalanced): Connector: RCA pin jack Nominal output level: -10 dBV Maximum output level: + 6 dBV Output impedance: 200 k¿ Speakers: 3 inches x 2 Amplifiers: 5W + 5W Dimensions: x 8.06 x 4.21 inches Weight: 7.5 pound

NUX UC-2 Mini Port USB Audio Interface High Resolution for Mic MIDI Musical Instrument Recording Playback Feature:   1. Two front-panel balanced/unbalanced Mic/Instrument/Line inputs on combo XLR/TRS jacks 2. Four unbalanced outputs on TS jacks 3. HI-Z switch for instrument level input 4. Peak level indicators for INPUT 1&2 5. Trim 1&2 for Mic preamplifier input level control 6. Support sample rate up to 192kHz with 24 bit resolution 7. MIDI Input and Output interface 8. Phantom power switch with front-panel indicator LED 9. MONO switch for input monitoring 10. Output level control 11. A/B switch for headphone source selection 12. Front-panel headphone output 13. Driver supports for WDM/MME (Windows XP, Windows 7, Windows 8), CoreAudio(Mac OSX 10.6.8 or later), and ASIO 2.0   Specifications:   Color: Red Material: Aluminium alloy Power adapter: EU input: 100-240V 50/60Hz 500mA                              Output: 12V 1A Item size: 15 * 11 * 4cm / 5.9 * 4.3 * 1.6in Item weight: 528g / 18.6oz Manual: Click here   Package Included:   1x Audio Interface 1x USB 1x Power Adapter 1x User Manual(English & Chinese) How to connect:

Rolls - MX422 Battery Powered Mixer The MX422 is a four channel, microphone/line mixer with balanced XLR inputs and outputs. The unit is ideal for the broadcast and video markets. It has the same features of other ENG / portable mixers without the extremely high price. Applications include: * DV Field Production. * Electronic News Gathering. * Location Recording (Dialogue and Music). * Digital Recording. * Broadcast Remotes. * Desktop Mixing for Video Post Production. MX422 FIELD MIXER METER RESPONSE: The meters are set at the factory for a 0 indication of a 0 dbv output level. Non responding meters is caused by only one thing, not enough level from the output amp. To correct this please verify the following. Start with the channel and master at center positions. Make sure the monitor switch is out. 1. Turn up the trim control to the point where the meters read the level you desire. 2. If this causes too much output from the output jacks, push in the attenuator button near the output jacks. 3. Fine tune the level you want with the channel and master controls. Finally, if the Pro standard of 0 dB is too hot for you, there are trim pots for each meter inside the unit that can be adjusted down to a 0 indication of about -10dBv.

Portable robust 100w powered mixer. With user manual. Japanese brand TOA. Google it. In sturdy Box with handle. 1. Four input channels 2. 100 watts into 8 ohms, 150 watts into 4 ohms 3. Patchable 5-bnd graphic EQ 4. Auto Comp compression unit with LED 5. Built-in spring reverb 6. Power amp protection circuitry with LED 7. Full patch bay 8. Aux input with level control, RCA jacks and parallel removed phone number for privacy/4" jacks 9. Reverb level to PGM and FB 10. Independent Foldbank mix.

This is the speaker cabinet for the bass player who demands the ultimate in a single, compact cabinet setup. The SVT-410HLF delivers devastating low-end bass, all the way down to 28Hz, thanks to four 10” speakers working together to move a tremendous amount of air. The SVT-410HLF actually moves 10% more air than two 18-inch speakers, and 25% more than three 15-inch speakers! And those leviathans simply can’t respond to transient peaks as quickly as four tens can. The SVT-410HLF also delivers superb top-end, thanks to its 1” horn driver, strategically crossed over at 4kHz. This is a favorite enclosure for such artists as Meshell Ndegeocello, John McVie of Fleetwood Mac, and Ricky Skaggs’ bass player, Mark Fain. The Ampeg SVT-410HLF is the supreme speaker enclosure for the multi-string bass player seeking both superior power handling and true high-fidelity performance. Tilt Back Handle Bar 1/4” and Neutrik Speakon® Jacks Variable HF “L-Pad” Baltic Birch Plywood 3” Dolly-Style CastersLF Drivers: 4 x 10” Voice Coil: 2” Magnet Weight (each): 30 oz HF Drivers: Horn/Driver Voice Coil: 1” Magnet Weight (each): 8 oz RMS Power Handling: 500-Watts Frequency Response (-3dB): 48Hz-18kHz Usable Low Frequency (-10dB): 28Hz Nominal Impedance: 4-Ohms Sensitivity: 98dB Maximum SPL: 125dB Dimensions (W x H x D inches): 24 x 30 x 19 Shipping Weight: 110 Pounds Handling Weight: 85 Pounds

The first wireless MIDI pedalboard controller for iPhone, iPad and Mac iRig BlueBoard is the first wireless MIDI pedalboard for iOS and Mac that allows you to control your music apps and more from the floor. Now control parameters of your MIDI-compatible apps like AmpliTube wirelessly from the floor. Switch between presets, change patches, turn effects on and off and control effects like volume wah pedals all from the stage floor without worrying about tripping over wires. Setup is as simple as turning the iRig BlueBoard on and telling it what you want to control. iRig BlueBoard features four backlit soft-touch pads housed in a sturdy, stage-worthy chassis, two TRS expansion jacks for connecting additional MIDI controllers like expression pedals, and is powered by four standard AAA batteries.Bluetooth MIDI pedalboard (10m/32.8' range) 4 backlit assignable foot switches 2 1/4" inputs for assignable expression pedals or switches Can send Bank Change, MIDI Program Changes and MIDI Control Changes BlueBoard iOS app runs in background on mobile device or Mac, and translates Bluetooth messages to MIDI Runs on standard AAA batteries Small enough to fit in a laptop bag

Lexicon Omega Studio USB Audio Interface Pure Inspiration The recording professionals at Lexicon Pro know a thing or 2 about great audio -- that famed Lexicon reverb 'sound' has been on just about every hit recording since Lexicon invented digital reverb more than 30 years ago. So when they set out to bring that sound home -- they got truly inspired. The Complete System Nothing is more frustrating than buying a 'recording system', only to find out that you need a gaggle of extras just to make it all work. Omega Studio is a completely integrated computer recording system that includes the Omega 8x4x2 USB I/O Mixer, Steinberg's Cubase LE audio and MIDI recording software, and Lexicon's world-class Pantheon VST Reverb plug-in. The Omega Desktop Recording Studio quite literally contains all the necessary components to transform your computer into a professional 24-bit recording studio - all in one box. A Real Mixer Unlike standard computer I/O boxes based on a patch bay concept, the Lexicon Omega Studio is designed and built around the same paradigm as large-format recording consoles. An 8-input, 4-Bus, 2-output USB I/O mixer with inserts, instrument input, MIDI I/O and complete metering and monitoring functions gives you the freedom to record up to 4 tracks at once and mix without the need for additional mixing hardware. Two dbx Silver Series mic preamps with 48V phantom power provide a pristine front end for high-end condenser or more common dynamic microphones, insuring premium sound quality from the first take to the last. TRS insert points allow you to plug in your favorite dynamic processors before the signal reaches 1 of the 4 busses, where 24-bit converters transform the analog signal into a digital masterpiece. Four servo-balanced TRS line inputs with up to +22dBu input levels let you hook up everything from keyboards to guitar preamps, including high-output professional gear. Stereo digital inputs are available via SPDIF jacks, and an additional high-impedance instrument input is included on the front panel for easy access to guitars and basses. Finally, a fully opto-isolated MIDI input to ensures that there is no annoying ground loop hum or MIDI talk-through noise common with many I/O boxes and sound cards; MIDI output has rock-solid synchronization to USB frame rate to support applications requiring critical sync. The Omega I/O mixer also features channel peak indicators for each analog input as well as an assignable bargraph meter for the 4 busses. By monitoring the signal before the A/D converters, clipping and distortion can be averted, unlike software-only level monitoring that can miss 'overs', ruining the track. All these gazintas and getoutzas are put together just like a big recording console, with input gain controls, four recording busses, and full monitoring features, in one attractive, portable I/O Mixer. Just plug it into your Mac or PC computer with the included USB cable, and you're instantly ready to capture the moment. Steinberg Cubase LE Multi-Track Recording Software Steinberg is a leader in computer-based recording. From the first idea to complete compositions, Cubase is the virtual studio for all musicians and producers looking for a creative way to realize their projects. Cubase LE integrates seamlessly with the Omega I/O Mixer to achieve an easy-to-use, 48-track complete recording solution that includes all of the modules that you need to track, edit and mix your masterpiece.

ALTOPRO ZMX244FXUX220 ZEPHYR 24CH 4B FXU Mixer The ZEPHYR ZMX244FX USB is our flagship ZEPHYR ZMX and is a 24-channel, 4-bus mixer with loads of inputs, outputs, routing, EQ, and effects, for any live performance reinforcement need. It features 18 ultra-low microphone inputs with balanced TRS jacks and insert points, a three-band EQ with a sweepable mid frequency on 16 channels, four channels of stereo inputs with 4-band fixed EQs, and a 4-bus assignable sub mixer. You also get 60mm high-precision faders and four AUX sends per channel (2 Pre/Post switchable pots). The ZMX244FX USB gives you the all the features you need to mix any professional live performance.

ALTOPRO ZMX164FXUX220 ZEPHYR 16CH 4B FXU Mixer Full-featured Professional Live Mixing Experience The ZEPHYR ZMX164FXU is a 16-channel, 4-bus mixer with more than enough inputs, outputs, routing, EQ, and effects, for any live performance reinforcement need. It features 10 ultra-low microphone inputs with balanced TRS jacks and instert points, a three-band EQ with a sweepable mid frequency on 8 channels, four channels of stereo inputs with 4-band fixed EQs, and a 4-bus assignable sub mixer. You also get 60mm high-precision faders and four AUX sends per channel (2 Pre/Post switchable pots). The ZEPHYR ZMX164FXU gives you the all the features you need to mix any professional live performance.