Found power

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days Features Contributors Damageplan Format CD Release date 20040209

Power Of The Sword - Wilbur Smith - First published 1986. Power of the Sword is a novel by Wilbur Smith set before and during World War II. They were half-brothers, raised in different worlds in the same country, and destined to be lifelong enemies. Manfred De La Ray and Shasa Courtney, sons of Centaine de Thiry, were blood enemies from their very first boyhood encounter. Caught up in the tumult of South Africa's histroy through two decades, they found themselves adversaries in an age-old war of savagery to seize the sword of power in their land. Sweeping from the teeming goldfields of the highland to the secret citadels of Afrikaner power, from the clamouring stadiums of Hitler's Berlin Olympics to the raging war over Abyssinia, their story was to become a rich, thrilling adventure, an epic saga of rivalry and revenge, of winners and losers in a struggle where only the ruthless survived. First published 1986. Hardcover book with cover. Large book. English. Wilbur Smith. Secondhand book. 617 Pages. Spine is lose, on the top of the book it has slight dust and small marks. Neat book. PLEASE VIEW THE PHOTO"S. This book will be removed when sold.

  Power Cable Type D South Africa 5A to IEC connector 1.5m Power cable for connecting electrical devices with IEC receptacle in South Africa socket. Mains plug South Africa 5A type D, also to be found in following countries: Ethiopia, Afghanistan, Bangladesh, Bhutan, Botswana, Democratic Republic Congo, Dominica, El Salvador, French Guyana, Ghana, Guadeloupe, Guyana, India, Iraq, Israel, Yemen, Jordan, Lebanon, Libya, Macao, Madagascar, Maldives, Martinique, Monaco, Myanmar, Namibia, Nepal, Niger, Nigeria, Pakistan, Qatar, Zambia, Senegal, Sierra Leone, Zimbabwe, Sri Lanka, St. Kitts and Nevis, Sudan, South Africa, Tanzania, Chad, United Arabic Emirates 3 pin. cable 

  Power Cable Type D South Africa 5A to IEC connector 1.8m Power cable for connecting electrical devices with IEC receptacle in South Africa socket. Mains plug South Africa 5A type D, also to be found in following countries: Ethiopia, Afghanistan, Bangladesh, Bhutan, Botswana, Democratic Republic Congo, Dominica, El Salvador, French Guyana, Ghana, Guadeloupe, Guyana, India, Iraq, Israel, Yemen, Jordan, Lebanon, Libya, Macao, Madagascar, Maldives, Martinique, Monaco, Myanmar, Namibia, Nepal, Niger, Nigeria, Pakistan, Qatar, Zambia, Senegal, Sierra Leone, Zimbabwe, Sri Lanka, St. Kitts and Nevis, Sudan, South Africa, Tanzania, Chad, United Arabic Emirates 3 pin. cable +3 pin cabl

  Handheld Power MegaPhone With Built-In Siren BRAND NEW, HOWEVER WHEN OPENED WE FOUND A CRACK, DOESNT AFFECT THE USE OF THE DEVICE, SEE PICS: ACTUAL PICS:   Built-In Siren Dry Cell or Rechargeable Battery Operation (Batteries NOT Included) Sturdy Yet Light Weight 120 Seconds Voice Recording Function With USB Slot can Support SD card or U-disk or TF Card or Support MP3, WAV     This Handle Power Megaphone With Built-In Siren operates with the use of 4 "D" batteries. It is easy to hold and easy to carry. It is ideal for the use at outdoor sporting events, in swimming halls and on building sites. This Megaphone can be used to play music, or record an messages. Additional features include a built-in siren,power on/off switch, adjustable volume control, record functions, USB and a convenient carry strap.       Specifications:-   Power Out: 25W   Voice Range: 0.4 - 0.6km   Power Source: 4 x "D" Cells or 6V Rechargeable Battery or Lithium Battery (Batteries NOT Included)   Battery Life: 8-10 Hours   Working Voltage: DC-6V   Dimensions: Horn Dia. 200mm, Length 340mm           How to Operate?   1. Insert 4 x Type D batteries or 6V rechargeable battery or lithium battery or Input DC6V-24V, (Only for type of wide voltage input)   2. Shortly press the first button on the left, the power indicator light is on. You can speak now.   3. Shortly press the music or alarm button to play music or alarm. Shortly press again to stop it.   4. Turn on the power before recording, then shortly press the REC button, you will see the recording indicator light will be on. Now you can speak to the microphone to record. And the recording is 120 Seconds.   When you finish recording, shortly press the REC button, and then the recording indicator light will be off, it means the recording is over.   5. Shortly press the PLAY button, you can play the material of your record circularly and press it again to stop.   6. Insert TF card or SD card or U-disk, MP3 can be played.   Select the former piece of the music (Press shortly)   Decrease volume (Press long)   Pause/Play (Press shortly)   Single Cycle (Press long)   Select the next piece of the music (Press shortly)   Increase volume (Press long)   l   >ll Pause/Play (Press shortly)   >>l Select the next piece of the music (Press shortly) increase volume (Press long)   7. When the machine is playing the MP3 songs, you can long press the button of, >ll the LED will be flash quickly, and the current song will be looping. If you do it again, the single cycle will be cancel.       Notes:   1. Make sure the polarities of the battery when you insert.   Normally the end with spring should be connecting with the negative polarity.   2. Charge the lithium battery or 6V rechargeable battery for 5-8 hours before the first use.   3. After the lithium battery is fully charged, the indicator light will turn red to green.   4. Please replace the batteries or recharging the lithium battery when you notice the indicator light darken, the sound turns lower than normal or the megaphone does not run correctly.   5. Must take out the batteries or unplug it to save the energy. Otherwise it is in stand-by mode, and still consumes the power.      

Audioquest Niagra 1000 Power Conditioner Niagara 1000 brings the benefits of highly optimized power management to far more music lovers. Designed by Garth Powell, the Niagara 1000 embodies the very same design philosophy and incorporates the same patented technology found in its larger sibling, the Niagara 7000, but packs it into a smaller, sleeker enclosureat a fraction of the price. Much like the Niagara 7000, the Niagara 1000 uses ultra-low resistance solid-core wiring optimized for low-noise directionality, capacitor forming technologies that vastly improve linearity and minimize distortion, and low impedance AC inlet and outlet contacts with heavy silver plating over high-purity Beryllium Copper for superior noise dissipation. Similarly, Niagara 1000 features our non-sacrificial surge protection, Zero Ground-Contamination Technology, and over-voltage shutdown, ensuring that your customers A/V systems are thoroughly protected from AC surges and spikes. While the Niagara 1000 lacks the 7000s sophisticated Transient Power Correction and Dielectric-Biased AC Isolation Transformers, it does employ our patented Ground-Noise Dissipation System and Ultra-Linear Noise-Dissipation Technology. And, whereas the Niagara 7000 has 12 AC outlets, the Niagara 1000 fits six high-performance outlets into its sleek chassis. In addition, input current maximum capacity20 amps RMS in the Niagara 7000is 15 amps RMS in the 1000. Of course, the biggest differences between the 7000 and 1000 are also the most obvious: size, shape, and weight. The Niagara 7000 can be rack-mounted and measures 15.5 W x 5.24 H x 17.2 D and weighs an impressive 81lbs. The Niagara1000, however, is designed to be placed on a floor or atop a rack, beside or behind a hi-fi system, measures 4.75 W x 4.0 H x 20.0 D, and weighs a much more manageable 5.5lbs. Perhaps most important, at $995 US, Niagara 1000 brings the benefits of highly optimized power management to far more music lovers. Note: Niagara Noise-Dissipations Systems do not ship with an AC power cable. This gives customers the opportunity to select a cable of the desired length and best possible performance. An appropriate 15-amp-rated AC power cable, with an IEC-C13 female end connector and a grounded male 120VAC Edison/NEMA plug, must be connected to the Niagaras AC inlet (IEC-C14) connector. Niagara Noise-Dissipation Systems will function properly with any AC cable that meets these requirements. However, for the best possible results, taking full advantage of AudioQuests patented Ground-Noise Dissipation, we highly recommend any AudioQuest NRG Series 15-amp-rated AC cable. For more info, see our FAQ page.

Specifications: Product Name 532nm Green Light Power Beam 5mW Burning Laser       Pointer Suit Material Aluminum Color Silver Size Approx. 14x4cm/5.51 x1.57 inch Range 8000m Battery 1x 18650 battery P ower 5mW Beam Color Green Voltage DC 3.7V Time ≤0.03 seconds Focus Yes Switch Mode Touch Switch Wavelength 532nm Weight 710g Features: -Aerospace aluminum alloy, strong and durable. -External focus, easy to adjust the thickness of the light beam spot size. -After the band child safety lock when not in use can be the key to go to the red switch at the point of pull, disconnect the power. -18650 batteries, large capacity, long life time. -Pre-switch, press electricity, loosen the easy to use power. Precautions: -Battery installation method: battery cathode laser pointer laser pointer toward the tail. -When a laser beam is absolutely not allowed in front of the eyes of humans and animals irradiated! -Continuous laser light time is not recommended more than three minutes, whether the person because of overheating and affect the life of LD! -Remove the battery when not in use, easy to get into the child place! -If found laser beam brightness severely reduces please note to recharge the battery or replace the battery. -In indoor or close to use laser, please wear good corresponding wavelength laser protective glasses, avoid direct eye beam. Package Included: 1x Laser Pointer 1x 18650 battery 1x US Plug 18650 battery charger 1x Laser glasses 5x Laser heads 1x Aluminum box

  The UV-82HP is the second generation of the classic UV-82 Series. Some new features found in the UV-82HP are the three selectable power levels (Low - 1 watt, Medium - 5 watt, High- 7 watt) allowing for a high-output of seven watts. What Makes it Unique? * It has 3 Power Levels (1, 5, 8 watt) * VFO/ MR (Frequency Mode) can be locked via software * The Dual Push-to-Talk Switch can be synchronized via software to simplify operation of the radio * A new 80 Page In-Depth User's Guide * It includes the High Gain V-85 Antenna to Optimize Performance * Full Accessory Compatibility with ALL UV-82 accessories * Multiple TONE Burst Options on a NEW user Menu. Selectable Tone Burst Options Include: 1000hz, 1450hz, 1750hz, 2100hz  

JBL Pure Bass sound For over 60 years, JBL has engineered the precise, impressive sound found in big venues around the world. These headphones reproduce that same JBL sound, punching out bass thats both deep and powerful. 11-hour battery life With up to eleven hours of continuous audio playback on a single charge, theres enough juice to last all day. Call and music controls on earcup Control music playback and answer calls on the fly with buttons and microphone placed conveniently on the earcup. Flat-foldable, lightweight and comfortable Lightweight materials make these headphones comfortable over your ears, and a rugged construction ensures these fold and unfold perfectly over the years. Bluetooth 4.0 Listen to music wirelessly from any Bluetooth-enabled device. Powerful big-stage bass, and no strings attached Introducing JBL T450BT on-ear wireless headphones. Theyre flat-folding, lightweight, comfortable and compact. Under the hood, a pair of 32mm drivers punch out some serious bass, reproducing the powerful JBL Pure Bass sound youve experienced in much bigger venues. Music and call controls/microphone are placed on the earcup. And because your music should go where you go, youll get up to 11 hours of uninterrupted audio playback on a single charge.

JBL Pure Bass sound For over 60 years, JBL has engineered the precise, impressive sound found in big venues around the world. These headphones reproduce that same JBL sound, punching out bass thats both deep and powerful. 11-hour battery life With up to eleven hours of continuous audio playback on a single charge, theres enough juice to last all day. Call and music controls on earcup Control music playback and answer calls on the fly with buttons and microphone placed conveniently on the earcup. Flat-foldable, lightweight and comfortable Lightweight materials make these headphones comfortable over your ears, and a rugged construction ensures these fold and unfold perfectly over the years. Bluetooth 4.0 Listen to music wirelessly from any Bluetooth-enabled device. Powerful big-stage bass, and no strings attached Introducing JBL T450BT on-ear wireless headphones. Theyre flat-folding, lightweight, comfortable and compact. Under the hood, a pair of 32mm drivers punch out some serious bass, reproducing the powerful JBL Pure Bass sound youve experienced in much bigger venues. Music and call controls/microphone are placed on the earcup. And because your music should go where you go, youll get up to 11 hours of uninterrupted audio playback on a single charge. Collection is allowed in JHB area, please make contact with us once the order is placed. For any heavy (+2kg) or large items (+2 cubic meters) please ask us for shipping costs IF you have any questions please make us of the Q&A function, we are here to help

The Scarlett 2i2 is a 2 in / 2 out USB recording interface featuring two award-winning Focusrite preamps. Housed in an attractive anodised aluminium unibody chassis, the interface not only sounds fantastic but looks great too. What’s more it’s solid enough to take on the road when you travel. The Scarlett 2i2 is much more than just a pretty metal box... Features: High Quality Mic Preamps Scarlett 2i2 features two high quality award-winning Focusrite mic pres. With more than 25 years of experience in designing analogue equipment, Focusrite produce the best mic preamps in the industry. The preamps found in the Scarlett 2i2 are no exception to this, and share the same design as those found in our flagship interfaces: Saffire PRO 40 and Liquid Saffire 56. Excellent Digital Performance With 24-bit resolution at sample rates of up to 96 KHz, the digital conversion in the Scarlett 2i2 is of very high quality meaning that every note and every subtle detail is captured with great clarity. Rugged Metal Unibody Case The anodised aluminium unibody chassis ensures that your Scarlett 2i2 can withstand the harsh environment of the road. It also makes Scarlett 2i2 the most beautiful interface around. Truly Portable Interface Scarlett 2i2 is very light and compact making it easy to fit in a laptop bag. It’s also bus powered meaning that you don’t need an additional power supply. Simply plug in to your computer and hit record! Included Software – DAW and Effects Inside the box you’ll find Ableton Live Lite 8, as well as Focusrite’s Scarlett plug-in suite. Compatible with all major DAWs, Scarlett plug-in suite provides EQ, Compression, Gate and Reverb – essential tools for polishing your mix. Unique LED Gain Halos The gain halos which surround the gain knob for each input provides an easy way to know that the signal you’re recording is the right level. It will show green when the signal is at a good level (above -24dBFS). If it turns to red, you know that the signal is too loud and is therefore clipping – if this happens, simply reduce the gain until the halo returns to green. Direct Monitor Function Flick the direct monitor switch on the front panel of your 2i2 and you will hear what you’re recording through your speakers or headphones, without the signal having to go through your computer. This avoids the possibility of latency, which can be distracting when recording. Mac OSX Lion Ready Scarlett 2i2 has been fully tested with Mac OSX 10.7, Lion. So you can rest assured that your brand new Mac and Scarlett 2i2 will run together perfectly! Specifications: 2 in / 2 out USB audio interface 96 KHz, 24-bit conversion 2 Focusrite microphone preamplifiers Red anodised aluminium unibody chassis Front panel: 2 line/mic/instrument combination inputs – Neutrik XLR/¼” TRS Jack Combo 2 Line/Instrument switches 2 Gain knobs 2 Gain halo signal indicators 48V Phantom power switch Direct monitor switch Large monitor level dial USB Connection LED indicator Headphone output - ¼” TRS Jack Headphone level knob Rear panel: 2 balanced monitor outputs – ¼” TRS Jack USB 2.0 Port Kensington Lock slot Included software: Ableton Live Lite 8 Focusrite Scarlett plug-in suite Weight and Dimensions: Height 45mm Width 175mm Depth 100mm Weight 580g 1 year limited guarantee. BRAND NEW WITH FULL WARRANTY www.nxtleveltech.co.za

The Scarlett 2i2 is a 2 in / 2 out USB recording interface featuring two award-winning Focusrite preamps. Housed in an attractive anodised aluminium unibody chassis, the interface not only sounds fantastic but looks great too. What’s more it’s solid enough to take on the road when you travel. The Scarlett 2i2 is much more than just a pretty metal box... Features: High Quality Mic Preamps Scarlett 2i2 features two high quality award-winning Focusrite mic pres. With more than 25 years of experience in designing analogue equipment, Focusrite produce the best mic preamps in the industry. The preamps found in the Scarlett 2i2 are no exception to this, and share the same design as those found in our flagship interfaces: Saffire PRO 40 and Liquid Saffire 56. Excellent Digital Performance With 24-bit resolution at sample rates of up to 96 KHz, the digital conversion in the Scarlett 2i2 is of very high quality meaning that every note and every subtle detail is captured with great clarity. Rugged Metal Unibody Case The anodised aluminium unibody chassis ensures that your Scarlett 2i2 can withstand the harsh environment of the road. It also makes Scarlett 2i2 the most beautiful interface around. Truly Portable Interface Scarlett 2i2 is very light and compact making it easy to fit in a laptop bag. It’s also bus powered meaning that you don’t need an additional power supply. Simply plug in to your computer and hit record! Included Software – DAW and Effects Inside the box you’ll find Ableton Live Lite 8, as well as Focusrite’s Scarlett plug-in suite. Compatible with all major DAWs, Scarlett plug-in suite provides EQ, Compression, Gate and Reverb – essential tools for polishing your mix. Unique LED Gain Halos The gain halos which surround the gain knob for each input provides an easy way to know that the signal you’re recording is the right level. It will show green when the signal is at a good level (above -24dBFS). If it turns to red, you know that the signal is too loud and is therefore clipping – if this happens, simply reduce the gain until the halo returns to green. Direct Monitor Function Flick the direct monitor switch on the front panel of your 2i2 and you will hear what you’re recording through your speakers or headphones, without the signal having to go through your computer. This avoids the possibility of latency, which can be distracting when recording. Mac OSX Lion Ready Scarlett 2i2 has been fully tested with Mac OSX 10.7, Lion. So you can rest assured that your brand new Mac and Scarlett 2i2 will run together perfectly! Specifications: 2 in / 2 out USB audio interface 96 KHz, 24-bit conversion 2 Focusrite microphone preamplifiers Red anodised aluminium unibody chassis Front panel 2 line/mic/instrument combination inputs – Neutrik XLR/¼” TRS Jack Combo 2 Line/Instrument switches 2 Gain knobs 2 Gain halo signal indicators 48V Phantom power switch Direct monitor switch Large monitor level dial USB Connection LED indicator Headphone output - ¼” TRS Jack Headphone level knob Rear panel 2 balanced monitor outputs – ¼” TRS Jack USB 2.0 Port Kensington Lock slot Included software Ableton Live Lite 8 Focusrite Scarlett plug-in suite Weight and Dimensions Height 45mm Width 175mm Depth 100mm Weight 580g

Key Features High Quality Mic Preamps Scarlett 2i2 features two high quality award-winning Focusrite mic pres. With more than 25 years of experience in designing analogue equipment, Focusrite produce the best mic preamps in the industry. The preamps found in the Scarlett 2i2 are no exception to this, and share the same design as those found in our flagship interfaces: Saffire PRO 40 and Liquid Saffire 56. Excellent Digital Performance With 24-bit resolution at sample rates of up to 96 KHz, the digital conversion in the Scarlett 2i2 is of very high quality meaning that every note and every subtle detail is captured with great clarity. Rugged Metal Unibody Case The anodised aluminium unibody chassis ensures that your Scarlett 2i2 can withstand the harsh environment of the road. It also makes Scarlett 2i2 the most beautiful interface around. Truly Portable Interface Scarlett 2i2 is very light and compact making it easy to fit in a laptop bag. It’s also bus powered meaning that you don’t need an additional power supply. Simply plug in to your computer and hit record! Included Software – DAW and Effects Inside the box you’ll find Ableton Live Lite 8, as well as Focusrite’s Scarlett plug-in suite. Compatible with all major DAWs, Scarlett plug-in suite provides EQ, Compression, Gate and Reverb – essential tools for polishing your mix. Unique LED Gain Halos The gain halos which surround the gain knob for each input provides an easy way to know that the signal you’re recording is the right level. It will show green when the signal is at a good level (above -24dBFS). If it turns to red, you know that the signal is too loud and is therefore clipping – if this happens, simply reduce the gain until the halo returns to green. Direct Monitor Function Flick the direct monitor switch on the front panel of your 2i2 and you will hear what you’re recording through your speakers or headphones, without the signal having to go through your computer. This avoids the possibility of latency, which can be distracting when recording. Mac OSX Lion Ready Scarlett 2i2 has been fully tested with Mac OSX 10.7, Lion. So you can rest assured that your brand new Mac and Scarlett 2i2 will run together perfectly!

Hartke HyDrive112C Bass Combo Amplifier - About HyDrive HyDrive transducers represent a revolutionary improvement in bass speaker technology and a major leap forward, fusing paper and aluminum in a roadworthy speaker design that is more robust and efficient than anything available. With Hartke's HyDrive series, you get the best of both worlds: the warm tone of traditional paper cones and the clear, punchy attack of aluminum. HyDrive's patented Hybrid Cone Technology produces a speaker that uses an outside paper cone to push a warm, deep low frequency and an inner aluminum cone that produces mids and highs that cut, yet still remain sweet. One of the most important advances with the HyDrive speaker is its power-to-weight ratio. A HyDrive speaker weighs 40% less than traditional speakers and delivers 250 watts for the highest power-to-weight ratio of any bass speaker available. But the innovation runs even deeper. Because of its cast aluminum frame and neodymium magnets, HyDrive speakers operate cooler and deliver more reliable power handling at peak performance. Cross-section of a HyDrive 10" Speaker (U.S. and International Patents Pending) HyDrive 112c As our engineers were designing the HyDrive series of combos, they tested them with Hartke artist Stu Hamm, a consummate performer in every genre. The result is a remarkable series of combos that give players all the power they need with more features and less weight, thanks to their patented HyDrive speakers. With 1 x 12-inch 300 watt HyDrive neodymium hybrid cone driver, the HyDrive 112c offers 250 watts of clean linear power. The power supply features a massive toroidial transformer and internal protection circuitry to help protect the amplifier and speaker. As a result, the 112c can handle virtually any passive or active bass with enough power to hang with your guitar player's stack. On-board Hartke Shape Control and Bass Attack Overdrive allow you to control every aspect of your sound. From shaping highs and mids, to dialing up creamy distortion, the HyDrive 112c is right at home with any style of bass playing. Add a 7-band EQ and bass and treble shelving and you have the most versatile combo available. The highest quality plywood is used to construct the HyDrive combo cabinets, which have the same extensive bracing and dado joinery found in the large HyDrive cabs. Vinyl covering, steel grill and steel corners provide added protection while moving the amp from gig to gig. And of course, the HyDrive 112c combo features the original Kickback¿ design, allowing you to better project your sound while on stage. The result is an aesthetically modern combo with elegantly classic undertones. With revolutionary speaker technology and all the capabilities to sculpt your tone for any variety of playing styles, the HyDrive 112c exhibits power and versatility like no other combo on the market. 1 x 12-inch 300 watt HyDrive neodymium hybrid cone driver 250 watts of power 1-inch titanium compression driver World-famous Hartke Shape EQ 7-band graphic EQ Bass and treble contour controls Variable compressor with LED indicator Hartke Bass Attack Overdrive XLR balanced direct output Effects loop RCA CD input Footswitch jack (Shape and Bass Attack) Solid plywood cabinet construction with durable vinyl covering Weight: 57.2 lbs *

DSO Shell (DSO150) Oscilloscope DIY Kit: 1. DSO Shell has similar bandwitch as DSO138 though it contains significant improvements in structure, mechanical, and operation. 2. Display and MCU are now mounted on the same board (mainboard) to avoid using inter-board pin-headers. Feedback from DSO138 usres have shown that soldering on the pin-headers are often problematic for many beginners. Analog channel is placed on a separated board which contains most user install parts. This brings in better separation between analog and digital circuits. Without the analog portion the mainboard is actually a general purpose control board that can be used in many other applications. The mainboard is fully installed (except a few through-hold components) and factory tested before packing. 3. DSO Shell comes with full enclosure. The front panel and top/bottom brackets are flexiable for easy user modification. 4. Rotary encoder has been added. It makes parameter adjustment much quicker and easier. 5. The sensitivity of DSO Shell has been extended in both directions and is higher and wider than DSO138. It reaches 5mV/div --- 20V/div while DSO138 is only 10mV/div --- 5V/div. 6. DSO Shell runs on 9V (do not use power voltage higher than 10V!) power supply. Users need to prepare their own power supply since it is not included in the kits. The power jack on the mainboard accepts standare 5.5mm/2.1mm DC plug. Alternative 2-pin connector (0.1" pitch) is also provided for convenience to connect to different power sources. Important Notes: It is assumed that users have adaquate soldering skills and troubleshooting skills to assemble the DSO Shell kits. Buyers are advised that due to skills of user is involved in assembly it is not guaranteed every kit will end up being a working device. But we will make as much efforts as we can to approach that goal. After receiving the kits users are urged to check mainboard and LCD by applying proper power supply. Report immediately to us or JYE Tech if problem or damage is found. For 15002 K kit SMD component soldering skills are required (is more difficult than 15003 K version, please note). SMD parts does not soldered on analog board. Characteristics of indicators: Number of channel: 1 Analog bandwidth: 0 - 200KHz Sensitivity: 5mV/Div - 20V/Div Sensitivity error: Resolution: 12-bit Input Impedance: 1M ohm Maximum input voltage: 50Vpk Coupling: DC, AC, GND Max real-time sampling rate: 1Msps Timebase: 10us/Div - 500s/Div Record length: 1024 Trigger modes: Auto, Normal, Single Trigger types: Rising/falling edge Trigger position: 1/2 of buffer size fixed 2.4-inch color TFT LCD with 320 x 240 resolution 9V DC (8 - 10V acceptable) Supply current: 120mA @ 9V Dimension: 115mm x 75mm x 22mm Weight: 100 gram (not including cables and power supply) Package includes: 1 x DIY DS0150 Digital Oscilloscope Kit (There may be a color difference in the shell) 1 x EN Instruction SMD parts does not soldered on analog board. Finish and test pictures, for reference only:

Features:     Powerful Tube sound for Audio players     Class A Headphone Amplifier with Aluminum case to help dissipate heat.     All required input/output jacks for connection to any audio source (ipod, laptop, iphone etc)     Small and powerful. Looks great as well !     Multiple input output option, no more adapters. Bravo Audio has been talked about in Audiophile blogs and forums recently and this offering is for the Bravo Ocean which is their flagship offering in their lineup with 12AU7 tube power and performance features normally found in much more expensive Audio products. In this age of MP3's and compressed digital music files, a lot of what the artist intended you to hear from the original master tapes on have been lost with thin sound replications of the original sound. With the warmth and power of the the tube driven Bravo Audio lineup, many of these lost frequencies will come to life through a good pair of headphones to match it with. Hear what you have been missing in your favorite music! Bravo Ocean..... a beautiful looking desktop amp! Pure Class A amplifier! No Crossover distortion! This is a beautiful looking Tube Class A Headphone Amplifier with Aluminum case to help dissipate heat. The Bravo Ocean has 2 x input ports: 3.5mm jack RCA jacks. You can use either of them connect to audio source (ipod, laptop, iphone etc) Also features 3 x output ports: 3.5mm jack 6.35mm jack RCA jacks. You can use either of them connect to Headphone (3.5 or 6.35mm) or to power amp (RCA jacks). Specifications: Input Power: DC24V Input Sensitivity: 100mV Input Impedance: 100KOhm Out-Put Impedance: Ohm Gain: 30dB Frequency response: 10Hz-60KHz +/-0.25dB Signal/Noise Ratio: >90dB Dynamic range: 84.6dBA(300 ohm) 89.8dBA(33 ohm) THD: ohm) ohm) IMD + Noise: ohm) ohm) What's in Package: 1 x Bravo Ocean Headphone Amplifier 1 x Brand new Shuguang 12AU7 tube 1 x Switching Power Supply Universal AC 100V-240V / Hz to 24V DC 1A out put 1 x Power cable with AC wall plug   This item is shipped from Hong Kong.    

Yamaha Stagepass 600 The Ultimate All-in-One Portable PA System Features The new STAGEPAS 400 and 600 are complete, all-in-one sound solutions that are extremely portable and easy to set up, allowing users to instantly add high quality sound reinforcement to virtually any environment. Ultimate portability Compact and light enough to carry by hand, STAGEPAS is an all-in-one PA system that you can take literally anywhere. The two lightweight speakers and a detachable mixer, along with one pair of speaker cables and a power cord, combine into an attractive, compact package that provides the kind of portability that no roadie would ever dare to dream of. Fast and easy set-up With its intuitive, simple design, STAGEPAS can be set up and ready to go in a matter of seconds. Even users with no PA operation experience will be able to produce high-quality sound in under a minute. A PA for any occasion Flexible enough to be used in a truly impressive range of environments and applications, STAGEPAS systems can be set up in a variety of PA and monitoring configurations. The new STAGEPAS was designed to offer high quality sound, simply and quickly to let you do what you do best. Whether you're giving a speech or playing a gig, STAGEPAS is equipped with intelligent new features that provide simple, intuitive control of optimized settings, making it easy to dial in your perfect sound in a matter of seconds. iPod/ iPhone digital connection Enjoy high-quality playback while also charging your iPod/ iPhone so you never have to worry about a drained battery messing with your performance. SPX digital reverb One knob gives you access to four different high-quality reverb settings, perfect for vocals and acoustic instruments. Simply turn the knob to change the reverb type and time, and then you’re ready to apply just the right amount of high-resolution effect to each channel. 1-Knob Master EQ™ This new function gives you instant mastery of your mix, allowing you to match your sound to your surroundings. Simply turn the knob to optimize the EQ for speaking engagements, musical performances, or just to kick in more bass; getting your sound right has never been so easy. Feedback suppressor Avoid the uncomfortable feedback that plagues so many sound reinforcement novices and professionals alike. Usually found only on high-end gear, this intelligent function removes feedback automatically with the push of a button, giving you a clear, professional sound. Equipped with 10 channels or 8 channels respectively, the STAGEPAS 600 and 400 offer versatile connectivity, comprehensive channel functions, and seamless expandability that meet the growing demands of a wider range of applications and environments. New STAGEPAS Mixer - Channel EQ Assign detailed EQ settings to each channel for precise management of your final sound. Great sounding 2-band EQ on the STAGEPAS 400 and more flexible 3-band EQ on the 600 make setup easy and precise. Vocal and guitar performances especially will benefit from newly added mid-range control on 600. - Hi-Z switch Connect acoustic-electric guitars and basses to enjoy high-quality performance with low distortion. Passive pickup instruments can be connected hassle-free, without a direct box. - Switchable stereo/mono inputs A versatile new feature that allows you to transform each stereo channel input into two independent mono inputs, giving you the flexibility to adapt to the needs of a broad range of performance requirements. - Phantom power Connect condenser microphones directly to STAGEPAS to get the best sound quality possible. Phantom power also means you won't have to worry about DI boxes losing their charge during a performance. - Reverb footswitch For hands-free control of your reverb, connecting an optional footswitch allows you to turn the reverb on and off instantly¿perfect for MC-ing events or speaking during solo performances. - Monitor out Expand your front-of-house system or set up a monitoring system by using the STAGEPAS together with other powered speakers such as Yamaha’s DXR lineup. - Subwoofer out Add more bottom end to your system by connecting a powered subwoofer such as the Yamaha DXS Series. Simply plugging in a subwoofer will assign a high-pass filter to the STAGEPAS speakers automatically. By combining new high-efficiency amplifiers, newly designed speakers and high performance DSP, the new STAGEPAS delivers a significant increase in power output, with substantial improvements in sound quality and reliability More power. More possibilities. Delivering 680 and 400 watts of power respectively, the STAGEPAS 600 and 400 offer a major boost in performance, allowing you to meet the demands of a wider range of situations. New speaker design for an increased coverage area The new speaker design lets you deliver evenly-distributed, high-quality sound to a greater coverage area, so that the entire audience shares the same sonic experience. Intelligent DSP for peak performance that lasts STAGEPAS utilizes digital signal processing (DSP) to offer the consistently high-quality, distortion-free sound at any volume level, whether you're giving a business presentation or cutting loose in a club. What’s more, Yamaha’s intelligent DSP incorporates the use of advanced limiter circuits to protect vital STAGEPAS components, ensuring that you get the most out of your gear for years to come.

PA12-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 12 input (8 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA12-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA12-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

PA20-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA20-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA20-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

Transform your laptop into a mobile studio with the M-Track Plus from M-Audio. This versatile interface accommodates any input, from an electric guitar to a professional condenser micand phantom power is provided. Ideal for on-the-go musicians, the sleek M-Track Plus features durable aluminum case to withstand the rigors of the road. A single USB cable provides both power and a data connection to and from your laptop or desktop computer. The circuit design minimizes laptop battery drain. M-Track Plus also provides MIDI and coaxial S/PDIF connections, to live at the heart of your digital studio. Completing this powerful package are two complementary software selections: Avid Pro Tools Express and Ignite by AIR music creation software. Together, they deliver a comprehensive path for transforming the ideas in your head into a finished piece of music. Accommodating Inputs M-Track is equipped with a versatile array of inputs to provide the best results with any type of audio source. Each channel offers an XLR input and a balanced 1/4" input. The XLR input is designed to work with microphones or other Lo-Z sources. The phantom power switch delivers 48V to the XLR inputs for use with professional condenser microphones. The 1/4" input can be set to receive line level signal, or switched to allow an electric guitar or bass to be plugged directly into the M-Track. The gain knob ensures the proper input level. Inserts Each input channel is also equipped with an insert jack, a professional addition not often found in this class of interface. The insert jack allows studio-grade effects to be used with any input source as you record. Improved Monitoring for Better Recordings M-Track offers ultra-low latency monitoring of the input signaleither through the speakers or via headphones. The monitor mix knob adjusts the balance between the direct inputs and the playback from your computer software. In addition, the input signal(s) can be monitored in stereo or mono using the convenient Stereo/Mono switch. This makes it easy to record new parts or add parts to an existing composition. The Headphone output offers its own level control. MIDI Matters In addition to the two audio channels, M-Track also support 16 channels of MIDI data and timing information. The MIDI In and MIDI out jack are compatible with all MIDI equipment. LED Metering Multi-color LED metering provides instant visual feedback of the main output levels, as well as the status of various M-Track settings. Software Synergy Your M-Track Plus interface comes complete with both Avid Pro Tools Express and Ignite from AIR Music Technology (downloadable below). These two programs can work alone or together to help you realize your musical dreams. Capture and arrange your ideas using Ignite, then use those tracks as the foundation for your professional production with Pro Tools Express. Pro Tools Express Compose, record, edit, and mix using the tools the professionals use. Pro Tools Express starts with 16 simultaneous stereo or mono audio tracks. Add in the popular Boom, Xpand!2, and Structure Free player virtual instruments from AIR Music Technologyall included. Finish off with dozens of high-powered effect plug-ins, including the in-demand AIR effects. Plus, Pro Tools Express offers session file compatibility with the entire Pro Tools family, so you can take your tracks to the finest studios around the world. Pro Tools Express includes an iLok 2 USB keya $ retail value. nite Ignite provides a refreshingly original and musician-centric way to quickly capture, combine, and arrange your musical ideas. The intuitive graphic interface encourages you to experiment and explore new directions. Smart MIDI Chord and Phrase Players empower your ideas and bring them to life through over 275 superior instruments sounds created by AIR Music Technology. When youre ready to collaborate with other musicians or take your ideas to the next level, you can share them through SoundCloud, or export your WAV and MIDI files and import them into Pro Toolsor any DAW software. Best of all, Ignite offers seamless integration with your M-Audio keyboard controller, with no set-up chores to perform.24-bit / 48 kHz digital audio processing Zero-latency audio monitoring S/PDIF coaxial digital input and output Durable aluminum shell for on-the-go use Engineered for low laptop battery drain 2 XLR mic inputs with selectable phantom power Signal to Noise Ratio: 97 dB THD+N: % Freq. Response: 0.35 dB 2 balanced 1/4" line inputs with guitar-level switching Signal to Noise Ratio: 96 dB THD+N: % Freq. Response: 1.2 dB 2 TRS 1/4" inserts; one per input channel MIDI In and Out jacks Balanced 1/4" main outputs with level control Signal to Noise Ratio: 97 dB THD+N: % Freq. Response: 0.35 dB Headphone out with independent level control Convenient single USB cable data and power connection Includes Avid Pro Tools Expresswith iLok USB key Includes Ignite by AIR music creation software Size (W x D x H): 6.5" x 4.7" x mm x 119 mm x 57 mm Weight: 1.5 lbs.; 0.68 kg

Features:     Powerful Tube sound for Audio players     Class A Headphone Amplifier with Aluminum case to help dissipate heat.     All required input/output jacks for connection to any audio source (ipod, laptop, iphone etc)     Small and powerful. Looks great as well !     Multiple input output option, no more adapters. Bravo Audio has been talked about in Audiophile blogs and forums recently and this offering is for the Bravo Ocean which is their flagship offering in their lineup with 12AU7 tube power and performance features normally found in much more expensive Audio products. In this age of MP3's and compressed digital music files, a lot of what the artist intended you to hear from the original master tapes on have been lost with thin sound replications of the original sound. With the warmth and power of the the tube driven Bravo Audio lineup, many of these lost frequencies will come to life through a good pair of headphones to match it with. Hear what you have been missing in your favorite music! Bravo Ocean..... a beautiful looking desktop amp! Pure Class A amplifier! No Crossover distortion! This is a beautiful looking Tube Class A Headphone Amplifier with Aluminum case to help dissipate heat. The Bravo Ocean has 2 x input ports: 3.5mm jack RCA jacks. You can use either of them connect to audio source (ipod, laptop, iphone etc) Also features 3 x output ports: 3.5mm jack 6.35mm jack RCA jacks. You can use either of them connect to Headphone (3.5 or 6.35mm) or to power amp (RCA jacks). Specifications: Input Power: DC24V Input Sensitivity: 100mV Input Impedance: 100KOhm Out-Put Impedance: Ohm Gain: 30dB Frequency response: 10Hz-60KHz +/-0.25dB Signal/Noise Ratio: >90dB Dynamic range: 84.6dBA(300 ohm) 89.8dBA(33 ohm) THD: ohm) ohm) IMD + Noise: ohm) ohm) What's in Package: 1 x Bravo Ocean Headphone Amplifier 1 x Brand new Shuguang 12AU7 tube 1 x Switching Power Supply Universal AC 100V-240V / Hz to 24V DC 1A out put    Headphone is not included in the package. This item is shipped from Hong Kong.        

Features: Working voltage: DC 24-36VWorking current: more than 15A, less than 30APower tube: Original IRFP260N (50A 200V)Size: 100 x 100 x 85mmSpiral copper pipe size: Inside diameter 40 mm, high 45mmFound with a 36V power supply completely into the new 30 * 30 graphite crucible input current of 25AFound molten aluminum power requirements: 24V 350W - 500W power supply (15A to 20A) melting point: 660 ￢ﾄﾃFound melting copper, gold, silver, power requirements: 36V 700W - 900W power supply (20A to 25A), respectively melting point: 1083 ￢ﾄﾃ, 1065 ￢ﾄﾃ, 962 ￢ﾄﾃ Uses: DIY small parts made of steel hardening, annealing below the melting point of 1100 ￢ﾄﾃ metal smelting, DIY small cooker and so on.Notice: Only direct heating a steel material (the magnet can be adsorbed material) Gold, silver, copper, aluminum can not be directly heated, need to match the graphite crucible melting, whirlpool brass heating will need to use a lot of water circulation cooling, without water circulating cooling is possible, but will burn into a black vortex brass, it will not be much affected. Package includes: 1 x Induction Heating Board with Fan1 x Spiral copper pipe1 x 2m Water pipe

Behringer B212XL 800-Watt 2-Way PA Speaker System with 12" Woofer and 1.75" Titanium Compression Driver High-power 2-way PA sound reinforcement speaker system for live and playback applications (200 Watts Continuous / 800 Watts Peak Power) Ultra-compact and light weight system delivers excellent sound even at extreme sound pressure levels Extremely powerful 12 long-excursion driver provides incredibly deep bass and acoustic power State-of-the-art 1.75 titanium-diaphragm compression driver for exceptional high-frequency reproduction Ultra-wide dispersion, large-format exponential horn Overload-protection circuitry ensures optimal HF driver protection Versatile trapezoidal enclosure design allows different positioning: - Stand mounting with 35-mm pole socket - Tilts on its side for use as a floor monitor Ergonomically shaped handles for easy carrying and setup 2 professional speaker connectors plus a quarter jack connectors High-quality components and exceptionally rugged construction ensure long life Even Better Than Before These loudspeakers take everything musicians love about the original B212 loudspeakers and upgrade them with the same bass and treble/mid transducers found in our wildly popular B212A active version for even better sound and power handling. And with integrated overload protection circuitry, they arrive ready to push it to the limit without putting their high or low frequency drivers in danger. Triumphant Transducers Every stitch of these loudspeakers is built to deliver, but the fact is that their transducers (woofers and tweeters) are the only part you actually hear. While some manufacturers are okay with putting off-the-shelf transducers in their boxes, we custom-design and build ours from scratch. Not only do we wind our own voice coils, we grow the trees that are processed into the paper pulp that becomes the cones. We even machine the frames and backplates. Behringers quality is truly under control. Big Sound, Lightweight, Low Price Big here, small there, lots of this, light on that everyones got their preferences, but the EUROLive B212XL has proportions we can all agree upon. These loudspeakers pack a clean, punchy wallop (and can handle up to 800 Watts), they are easy to lift by their recessed handles (24 lbs) and are available at insanely low prices. Who wouldnt want to hook up with one of these beauties Get on the Stick…or Get on Down The B212XL is perfect either as part of a PA system or as an onstage monitor. If the situation calls for a PA, mount the speakers on stands via the 35mm pole socket. From there, send a line from the MAIN OUT of a mixer (such as a Xenyx 1202FX) to a power amplifier (like the EUROPOWER EP1500). Finally, attach a B212XL to each of the amps outputs. These loudspeakers have inputs for both professional speaker cable and a quarter inch cable. Because they have two parallel inputs, you can connect up to two of them to any channel on a power amp. But these loudspeakers dont have to be confined to an upright position. Just lay them on their sides for use as a floor monitor. Youll find that they tilt to the ideal angle for onstage monitor wedge applications. Choose White, Black, on or Off the Wall You asked for it, and now were proud to offer these amazing loudspeakers in black or white. We now also make swiveling wall-mount brackets for the B212XL. That means theyre ready to fit even more comfortably into a venues color scheme and layout. No matter what your sound or aesthetic needs may be, we make one thats just right for you

Yongnuo YN160 III LED Light Yongnuo YN160 III is small, lightweight, and extremely portable so taking it on-location is a breeze. There are 192 LEDs arranged across the panel. It also comes with 2 CT filters that slide into the front of the unit. Diffusion panel filter does work very nice, and it provides nice diffusion. If you're looking for even more diffuse light, you may need to use another diffusion material over the light. Luckily, it's more than powerful enough, so you'll still get plenty of light with a diffuser.LED light panels are advertised mostly for video lighting, although We've found them to be incredibly useful for indoor photography projects also. The adjustable silver barn doors come mounted to the front of the unit, and they fold flat for storage. As with most LED panels, the barn doors are only slightly effective for narrowing the light output. It's mostly designed for wide-angle lighting. YONGNUO YN160 III LED - FEATURES Yongnuo YN160 III is equipped with the SET button and relevant functions,which can save the luminance and color temperature as you need, which is convenient for your next use. YN160 III Adopts 192 high-quality LED lamp beads with chips of extra-large luminous area. In the same energy consumption, the luminous intensity is greater, the facular is more uniform and service life is longer. YN160 III adopts the encoder digital dimming system which can be separately adjusted to rough dimming and fine dimming modes, more convenient to use. On the LED digital display screen of YN160 III, the parameter of the power output is intuitional Supports external DC power input, which is convenient for your long shooting (power adapter is not included and can be purchased separately) YN160 III adopts YONGNUO proprietary LED driving technology which does great help to effectively avoid corrugation and stroboscopic flash. YN160 III is supplied with two color temperature plates so it is suitable for use under different environments. YONGNUO YN160 III LED - SPECIFICATIONS: Light source: 192 LED beads Color Temperature: 3200-5500K Color Rendering Index: ≥95 Output power:12W Lumen: 1536Lm Luminance Angle: 55º Package Weight: 670g Color box size: 195*175*75mm Compatible batteries: Sony NP-F series lithium batteries External 8V 5A DC power supply Net weight: 330g YONGNUO YN160 III LED - COMPATIBLE BATTERIES: YONGNUO: NP-F750 Sony NP-F series: NP-F750; NP-F550; NP-F950/B; NP-F530; NP-F970; NP-F970/B; NP-F570; NP-F770; NP-F960; NP-F930; NP-F930/B; NP-F950; NP-F330. YONGNUO YN160 III LED - PACKAGE INCLUDES: 1 x Yongnuo YN160 III Bi-color 3200-5500KLED video light1 x White filter to soften the light1 x Orange filter1 x Handle1 x light base1 x User manual

M-Track opens the door to computer-based music making. The M-Track interface from M-Audio transforms your computer into a digital recording studio with plug-and-play simplicity. A single USB cable provides both power and a data connection to and from your laptop or desktop computer. M-Track offers the right connections for any instrument, from an electric guitar to a professional condenser micphantom power is provided. The low-profile format delivers professional control in a portable package. M-Track includes both Ignite by AIR and Ableton Live Lite music software programs. Accommodating Inputs M-Track is equipped with a versatile array of inputs to provide the best results with any type of audio source. Each channel offers an XLR input and a balanced 1/4" input. The XLR input is designed to work with microphones or other Lo-Z sources. The phantom power switch delivers 48V to the XLR inputs for use with professional condenser microphones. The 1/4" input can be set to receive line level signal, or switched to allow an electric guitar or bass to be plugged directly into the M-Track. The gain knob ensures the proper input level. Inserts Each input channel is also equipped with an insert jack, a professional addition not often found in this class of interface. The insert jack allows studio-grade effects to be used with any input source as you record. Improved Monitoring for Better Recordings M-Track offers ultra-low latency monitoring of the input signaleither through the speakers or via headphones. The monitor mix knob adjusts the balance between the direct inputs and the playback from your computer software. In addition, the input signal(s) can be monitored in stereo or mono using the convenient Stereo/Mono switch. This makes it easy to record new parts or add parts to an existing composition. The Headphone output offers its own level control. MIDI Matters In addition to the two audio channels, M-Track also support 16 channels of MIDI data and timing information. The MIDI In and MIDI out jack are compatible with all MIDI equipment. LED Metering Multi-color LED metering provides instant visual feedback of the main output levels, as well as the status of various M-Track settings. Ignite Ignite provides a refreshingly original and musician-centric way to quickly capture, combine, and arrange your musical ideas. The intuitive graphic interface encourages you to experiment and explore new directions. Smart MIDI Chord and Phrase Players empower your ideas and bring them to life through over 275 superior instruments sounds created by AIR Music Technology. When youre ready to collaborate with other musicians or take your ideas to the next level, you can share them through SoundCloud, or export your WAV and MIDI files and import them into Pro Toolsor any DAW software. Best of all, Ignite offers seamless integration with your M-Audio keyboard controller, with no set-up chores to perform.Audio and MIDI > unites your computer-based music studio USB powered > provides convenience and mobility Phantom power plus guitar-level switching > accommodates any audio source Insert jack on each channel > easily incorporate your favorite effects Ignite music creation software > quickly capture, combine, and arrange musical ideas

If you're looking for old-school analog handling in a package armed to the teeth with modern reliability, the search is over. This mixer's British EQ, 24 mic inputs (each with its own built-in studiograde XENYX preamp), 8 stereo inputs and 8 buses give you enough leeway to craft the recording of your dreams or create the perfect mix for a live show. What the Heck is "British EQ"? British EQ is a smashing thing to have on your side when you start reaching for those channel equalization knobs at a live concert or in the studio. The EQ's on British consoles from the 60s and 70s are what many engineers believe does their sound the best justice. When it comes to tweaking your sound, they're kind, gentle and above all, musical. It's like drinking a fine scotch instead of fortified wineor maybe receiving a warm hug instead of a kick to the crotch. British EQ's distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled. The Ins and Outs Some manufacturers make what they call 32-input mixers that count features like CD/TAPE IN as an input. But the SX really gives you 24 mono channels and four stereo channels (with two 1/4" inputs apiecean additional 8 inputs), making it easy to accommodate a wide variety of studio or live performance configurations. That means you can connect up to 24 microphones or other mono instruments and up to four stereo instruments (keyboards, for example). You also get eight buses, allowing you to assign multiple channelssay all the mics on a drum kit or all the backup singers' micsto a single fader. Best of all, you don't need a black belt in engineering to operate the SX. The mono channels are grouped along two-thirds of the board, featuring dials in uniform primary colors (Gain in white; EQ in blue; AUX in red; Pan in black). Sub groups are located next door to the Main and Mono faders in the bottom right corner. Directly above, there's a handy built-in talkback mic that sends signal to your AUX 1-2 monitors via a push button, as well as a multi-purpose 13-LED master level meter to give you a dynamic visual gauge of the selected output. The SX's intuitive patch bay makes it equally at home in the club or studio. You get two balanced XLR MAIN outputs as well as a two 1/4" TRS MAIN outs. There's also a 1/4" MONO OUT (perfect for a subwoofer output). Eight SUBGROUP OUT jacks allow you to send your buses to an external recording device. This section also includes AUX SEND jacks for connection to monitors, CD/ TAPE input and output jacks, and FX send/return jacks for use with outboard effects processors. Directly below, you'll fi nd the 1/4" headphone/ control room out jack. A Million Ways To Change The Channel At the top of each mono channel, you'll find both a balanced XLR input with a XENYX mic preamp and a 1/4" input. A phantom power switch located on the back near the main power switch accommodates condenser mics. Each mono channel has a 3-band EQ with semi-parametric mids (giving you control of the Mid level and a sweepable frequency with a boost or cut of 15dB) and a Trim control for adjusting input gain via a Level Set LED. A Low Cut button eliminates the frequencies where unwanted infrasonics such as mic handling noise occur. The eight AUX dials control the volume of the AUX SEND 1/4" output signals (more on that below). Stereo channels feature the same functions, but a with dual 1/4" inputs and a different EQ. Instead of sweepable mids, stereo channels feature High Mid and Low Mid dials, both with bell center frequencies set at 8 kHz and 800 Hz, respectively. This is especially useful for EQ'ing the critical midrange frequency content found in keyboard signals. Near every mono channel's fader you'll find a and MAIN button. By engaging the MAIN button, the signal is sent to the main mix. Or, if you engage the 1-2 button, the channel becomes part of a bus. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. The same principle applies to the and 7-8 buttons. A Mute button with accompanying LED cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free post-EQ signal. The Solo button on individual channels routes the subgroup signal to the solo bus or Pre-Fader Listendepending on whether the signal has been included in a subgroup. Finally, each of the eight buses feature an independent fader, Solo switch, and Left and Right buttons to assign them to Left or Right stereo channels. Buy it now. Teach your great grandkids how to run it. BEHRINGER mixers last and last. We use top quality parts such as longwear faders, sealed rotary controls and premium circuit boards. We have 20 years of experience figuring out how to compensate for clumsy loadins, spilled drinks, crazed guitarists and millions of road miles. The result is a mixer you can count on day after day and night after night. Hitch Your Art to the AUX The SX has eight AUX SEND outputs as well as eight AUX return inputs, giving you more routing options than a Los Angeles road map. AUX SEND 1-8 allow you to send the signal governed by an individual channel to an outboard FX unit or EQ. Meanwhile, the AUX returns can be thought of as eight extra line inputs working as four stereo pairs. You can apply up to 20 dB of gain to these inputs. AUX returns 1, 2, 7 and 8 allow returning FX to be sent to tape, and, along with 5 and 6, are also good for cuing artists via headphones. AUX returns 3 and 4 are always assigned to the main bus. Take On The World Not every town on the planet uses the same voltage common in yours. Unfortunately, this sometimes doesn't occur to jet-setting sound technicians until they're miles from home. With the SX, this is never an issue. The internal auto-range power supply can run on anything from 100 to 240 V with noise-free audio, top-quality transient response and low power consumption. Why Do You Need This Mixer? Built-in pristine XENYX mic preamps British-style EQ dials give you the sound and control preferred by top studio engineers Awesomely complete I/O everything from bus inserts to mono output Product Features: Behringer SX Mixer

The DigiMax D8 is an 8 channel preamplifier featuring 8 award-winning class A XMAX mic preamps with 24-bit ADAT digital output. All eight preamps include variable trim control, 48V phantom power, ultra-fast acting LED metering and 20 dB pad. In addition, 2 instrument inputs are located on the front panel for direct Hi-Z instrument input. Balanced TRS direct analog outputs are located on the rear panel for routing and flexibility. The DigiMax D8 also includes word clock sync input for ultra-low jitter and robust synchronization. The DigiMax D8 is the perfect solution to add eight professional microphone preamplifiers to any digital recording system with ADAT optical lightpipe expansion capability including Digidesign’s HD and 003 systems, RME, YAMAHA, Alesis, Mackie, and many others. The DigiMax D8 includes eight custom-designed high-voltage, discrete, XMAX Class A microphone preamplifiers for all types of microphones. The job of a microphone preamplifier is to boost microphone level signals to line level so that the signal can be converted from analog to digital. This mic to line boost is generally a preamplification of over 400 times the voltage of the original mic level signal. This preamplification stage is one of the most important stages that the signal will go through before converted to digital, and is why a high performance preamplifier is important to achieving great results. All XMAX preamplifiers are built with the same three elements: High Voltage - The XMAX preamplifier runs on power rails of 30V. Most off the shelf op amp based designs run on power rails of 10V to 18V. Higher voltage power rails deliver more headroom, deeper lows, smoother highs and an overall fuller sound. Discrete - No op amps. Only transistors, resistors and capacitors. Op amps add noise, coloration and harshness to a signal. Discrete designs deliver ultra low noise and transparency. Class A - When a circuit is running in Class A mode the circuit is always in an "on" state operating at its optimal voltage requirements. Class A mode has zero crossover distortion and delivers purer, clearer and more musical sonics than class A/B designs which are found in most op-amp circuits. The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range and wide frequency range, and most importantly, musicality and transparency - smooth highs, solid deep lows, and everything in between. Features:    8 XMAX class A microphone preamps w/ trim control 24-bit resolution ADAT digital output 44.1 and 48K sampling rates External sync via BNC word clock input Direct outputs on every channel LED input metering -20dB Pad on every channel 1 year limited guarantee. For more info on this product please click here  

HUAWEI 4G Router 3 Pro B535-932 What's in the box 1 x Router 2 x Quick Start Guide 1 x AC adapter 1 x Lan Cable Once set up, there's a lot to like here. The B535 WebBox can get up to 64 devices online at once, which is more than most people should need. It’s also notably double what the Huawei HomeFi can manage, though it only matches the Huawei AI Cube. If your priority for a 4G router is a fast, reliable connection - which it should be - then the Huawei B535 (also known as the HomeFi Plus) is easily one of the best options available. It’s fast too, supporting download speeds of up to 300Mbps (37.5MB/sec) and upload speeds of up to 100Mbps (12.5MB/sec). Those maximum download speeds match the Huawei AI Cube but the upload speeds here are double the 50Mbps offered by that device. That’s because the Huawei B535 WebBox supports Category 7 LTE, while the AI Cube only supports Cat 6. Currently, on Three you can expect maximum download speeds of around 100Mbps (12.5MB/sec). That's significantly below the B535's theoretical maximum speeds, but it's future-proofed for when speeds increase in the coming months. It’s also far faster for both uploads and downloads than the Cat 4 Huawei HomeFi. So in other words, if speed is all you care about then this is the best 4G home broadband option from Three. But there’s more than just speed here, as it supports both 2.4GHz and 5GHz Wi-Fi bands. This is another fairly standard thing in routers, but not always found in 4G ones with the HomeFi only supporting single band 2.4GHz WiFi. Dimensions (mm): 219 x 138 Modem: 4G Colours: White Ethernet ports: 4 ethernet ports Download speeds: Cat 7, up to 300Mbps Upload speeds: Cat 7, up to 100Mbps Wi-Fi specs: Dual-band 802.11a/b/g/n/ac (2.4GHz and 5GHz) External Antenna: 2 x SMA Antennas Power: Mains powered Specifications: Form Factor: Size: 219*138*35mm Features: LTE Cat7 DL/UL 2CC FDD-LTE: 300Mbps(DL), 100Mbps(UL) TDD-LTE: 220Mbps(DL), 20Mbps(UL) Band: LTE: B1/3/8/20/28/38/40/41 (B41 full band 2496~2690MHz) UMTS: B1/8 No GSM UL: 3C/38C/40C/41C DL: 3C/38C/40C/41C/38A-38A/41A-41A/1A-3A/1A-8A/1A-20A/1A-28A/3A-8A/3A-20A/3A-28A/3A-38A/3A-41A/8A-41A/28A-40A Interface: 4xRJ-45 for data, GE(1 LAN/WAN+3 LAN) 1xRJ11 for voice, Voice: CS&VoIP&VoLTE, VoLTE need to customized. 2xSMA external antenna interface for LTE. 1xSIM card slot (3FF), 1x power interface. 1*Hi(WPS) KEY/1*Reset KEY/1*Power KEY. WiFi: 802.11 b/g/n 2*2 MIMO 2.4GHz & 802.11a/n/ac 2*2 MIMO 5GHz 2.4GHz &5GHz DBDC Power: AC/DC：AC: 100 V ~ 240 V; DC: 12 V, 1 A

Akai - MPC RENAISSANCE Music Production Controller/Software W/Audio The instrument for music production. Fusing Akai Professional's legendary MPC layout and workflow with the power of your computer, MPC Renaissance is the unrivaled instrument for music production. The new flagship MPC is a fully integrated hardware/software system: MPC Renaissance allows you to create using classic hardware controls and an integrated pop-up display, while its exclusive MPC Software empowers you with unprecedented, expandable production capabilities on your Mac or PC. Legendary MPC Sound Designed in collaboration with producers and artists from around the world, MPC Renaissance maintains the beloved workflow and layout of classic MPCs. MPC Note Repeat, MPC Swing, classic transport controls and other traditional MPC functions are all included. MPC Renaissance houses decades of iconic production innovation. Its exclusive Vintage Mode and built-in audio interface give you instant access to MPCs of the past. Choose from MPC, MPC60, SP Ring, and more. In addition, the analog output circuitry in MPC Renaissance is identical to the classic MPC. MPC Software & Pro Tools Express Included Featuring 128-track sequencing capability and up to eight pad banks- more than any other MPC ever-the included MPC Software delivers a massive 9GB+ sound library, including all the sounds of the classic MPC and four MPC Expansions. Instant mapping and real-time adjustment of VST plugins lets you record each track as an MPC drum program, Keygroup program, or VST/AU plugin. Use MPC Software alone as your main DAW, or use it seamlessly with your current studio as a VST, RTAS, or AU plugin. And with the included Avid Pro Tools Express, you can compose, record, edit, and mix using a collaborative platform found in nearly every professional recording studio in the world. MPC Software supports WAV, MP3, AIFF, REX, and SND, as well as samples and sequences from any MPC ever made, and it's compatible with both Mac and PC. It's All In The Bank 7 Gigabytes. 300 Instruments. The Bank is an MPC Expansion workstation exploding with all the essential sounds of modern production including basses, leads, effects, keyboards and much, much more. It's included with MPC Renaissance. You also get three additional MPC Expansions: The 809 for punchy analog drums, The Wub for electronic dance music, and The Noise for 8-bit oldschool vibe. Because MPC Renaissance utilizes the RAM and hard drive space of your computer, you have the ability to expand at will. Thanks to its tight integration with MPC Software, MPC Renaissance can be used with high-end features of computer DAWs and plugins. All the Ins and Outs of Production MPC Renaissance features 16 backlit genuine MPC pads, 16 Q-link controls, an adjustable backlit LCD screen, and a full array of inputs and outputs for easy connection in any studio. A two-port USB hub is built-in along with two five-pin MIDI ins and four MIDI outs, stereo ¼" out, stereo assignable mix ¼" out, and S/PDIF in and out. Plus, you get both a ¿" headphone output and a ¼" headphone output. A dedicated switchable phono/line in is also onboard, so you can connect a turntable directly and grab samples straight from your vinyl. MPC Renaissance also features dual balanced XLR Combo inputs with phantom power. The Power to Produce No other tool on the planet has all the things producers demand with the industry-leading feel that they expect from Akai Pro. MPC Renaissance is the instrument you've been waiting for, the most powerful MPC ever.

The Blackstar HT Stage 60's selected duet of EL34s deliver 60W of glorious tube power through 2 high-quality Celestion speakers, making for a combo that will deliver every night, even in the most testing live environment. The Blackstar amp's 'boutique' style clean channel is extremely versatile with 2 modes: 'British Class-A' and 'dynamic US'. Each of the amplifier's 2 ISF (Infinite Shape Feature) equipped overdrive channels allows a further 2 modes. The Clean Channel on the Blackstar HT-60 combo has 2 modes, 'boutique' and 'modern' and its own Tone control provides a wide range of clean tones. The Voice switch reconfigures both the preamplifier voicing and gain structure, and the power amplifier damping, to reproduce either ringing Class A Performance in the 'boutique' mode, or very clean and tight Class AB tones in the 'modern' setting. The Overdrive Channel has its own EQ section and a Voice switch that allows the character of the channel to be changed, providing a wide variety of overdriven tones. The channel is characterized by a tone that's high in gain, but lacks any of the detached top-end 'fizz' often found in similar designs. This is a result of the Blackstar HT-60 guitar amp's unique preamplifier and power amplifier shaping techniques, which cleans up the overdrive beautifully as the guitar volume is reduced. Even at the most extreme settings, the overdrive channel on the Blackstar Venue HT-60 amplifier remains natural sounding. The ISF control is unique to Blackstar Amplification and represents a major step forward in tone shaping flexibility. The ISF control shifts the response of the 3-control tone stack between a US-type response at one end, and at the other a UK-type response. The Blackstar tube amp provides an infinite number of alternative tone choices in between the 2 extremes that would be otherwise unavailable. The Blackstar HT-60 guitar amp also features a completely natural sounding digital reverb, which is outstandingly musical on both clean and crunch tones and raises the benchmark for guitar amplifier specific reverb design. A Dark/Bright switch allows the overall reverb characteristics to be modified to suit different tastes and playing styles. Features 60-watt tube combo 2xECC83, 1xECC82, 2xEL34 3 footswitchable channels 2x12" Celestion speakers Enhanced tone controls Patent-Applied for Infinite Shape Feature (ISF) Clean voice switch Overdrive 1 voice switch Overdrive 2 voice switch Presence Resonance Master volume Digital reverb with dark/bright switch Speaker emulated output with 1x12/4x12 voicing Effects loop with effects level switch 4-way footswitch included