Flute recording

  Performing artist(s):  Sir James Galway (Flute), Martha Argerich (Piano), and Phillip Moll (Piano)  Composer/works: Flute Sonatas by César Franck (sonata in A Major), Sergei Prokofiev (Sonata in D-major, op. 94), Carl Reinecke (Sonata, op. 167 "Undine")  Producing label: BMG Classics  Place of manufacture: EU  Release year:  1997  Original recording date: 1975 and 1981  Notes:  The recording of the Franck and Prokofiev Sonatas by Galway and Argerich was done in 1975 (on a separate album), and is considered one of the best of these two works to this day.  Condition: Disc –  very good Case/cover -  very good    

Buy Flute - Hohner Recording - Germany - plus vinyl pouch for R200.00

A lovely white flute from Hohner in Germany still in nice condition with pouch.

  Performing artist(s): Hans-Jürgen Möhring (flute), Karl Bernhard Sebon (flute), Cologne Chamber Orchestra, conducted by Helmut Müller-Brühl  Album Title: Flute Music - Virtuoso  Composer/works: Franz Anton Hoffmeister - Concerton in D / Johann Christian Bach - Concerto in D  Producing label: Koch Schwann/Musica Mundi  Place of manufacture: Austria  Release year:  1988  Original recording date: 1988  Matrix number: 316 007 F1  Weight: 92g    Condition: Case/cover -  new, has been replaced by us. Disc –  excellent

Performing artist(s): Jennifer Stinton (flute), Philharmonia Orchestra, conducted by Steuart Bedford  Composer/works: Samuel Barber: Flute Concerto (transcribed from the Violin concerto in G by Jennifer Stinton), Aram Khachaturian, Flute Concerto (transcribed from the violin concerto in D-minor Jean-Pierre Rampal)  Producing label: Regis  Place of manufacture: UK  Release year: 1992  Original recording date: 1992  Weight: 87g   Condition: Disc –  very good Case/cover -  very good       

Performing artist(s): James Galway (flute), Phillip Moll (harpsichord), Sarah Cunningham (viola da gamba)  Composer/works: JS Bach: Sonatas for flute; BWVs 1030, 1035,1034, 1033, 1020, 1031 Producing label: BMG Classics  Place of manufacture: Germany  Release year: 1995  Original recording date: 1995  Weight: 95g   Condition: Disc –  Excellent, like new  Case/cover -  Excellent, like new     

  Performing artist(s): Emmanuel Pahud (flute), Christian Rivet (Guitar)  Composer/works: various works for flute and guitar by Bartók, Shankar, Rivet, Handel, Ohana, Carter, Molino, Hosokawa and Piazzolla  Producing label: Warner Classics  Place of manufacture: UK  Release year: 2013  Original recording date: 2013  Weight: 99g   Condition: Disc –  excellent, like new  Case/cover - excellent, like new   

  Performing artist(s): Barbara Brown (flute), Patricia Spero (harp)  Album Title: Cavatina - The Music of Romance  Producing label: Pickwick International, London  Place of manufacture: UK  Release year: not indicated  Original recording date: not indicated  Matrix number: PWK 086  Weight: 90g    Condition: Case/cover -   new, has been replaced by us. Disc –   excellent

Rode - NT5-M Matched Pair Instrument Recording Mics The RØDE Matched Pair of NT5 Mics are very sensitive and will give you very accurate sound reproduction. The NT5 is a true condenser mic specifically designed for optimum instrument recording. It performs well on all instruments including guitar, flute, violin, saxophone, drums, etc. Its compact size and design allow for effective and subtle positioning, which is crucial when close miking. NT5's are supplied as closely matched pairs. The package is shipped as a matched pair and includes a custom case, 2 RM5 standmounts, and 2 WS5 windscreens.

Label: RCA Red Seal LRL 1 5094 Format: Vinyl, LP Country: Europe Released: 1975 Genre: Classical Style: Baroque, Romantic, Classical TracklistHide Credits A1 Hora Staccato Composed By Dinicu* A2 Serenade (From "Les Millions D'Arlequin") Composed By Drigo* A3 Moto Perpetuo (Op. 11) Composed By Paganini* A4 Minuet And Badinerie (From Suite No. 2 In B Minor For Flute And Strings Composed By J.S. Bach* A5 Hara No Umi Composed By Michio Miyagi A6 Waltz (From "Suite Of Three Pieces" Op. 116) Composed By Godard* B1 The Flight Of The Bumble Bee (From "The Tale Of Tzar Saltan) Composed By Timsky-Korsakoff* B2 Adagio And Variation (For Flute From The Ballet Music To "Ascanio") Composed By Saint-Sans* B3 Minute Walts (Op. 64 No. 1 In D Flat Major) Composed By Chopin* B4 Dance Of The Blessed Spirits (From "Orpheus" Composed By Gluck* B5 Fantaisie Pastorale Hongroise (For Flute And Orchestra, Op. 26) Composed By Doppler* Credits Arranged By, Orchestrated By Gerhardt* (tracks: A1, A3, A5, B1, B3), Gamley* (tracks: A2) Conductor Charles Gerhardt Engineer [Recording Engineer] Colin Moorefoot

PA12-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 12 input (8 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA12-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA12-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

PA20-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA20-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA20-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA12 is a robust, compact 12 input (8 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA12 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp Socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA28 is a robust, compact 28 input (24 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA28 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 4 - 8 working days Simply Red release their first new studio album in eight years with Big Love out June 1st on East West Records. When the band announced a massive world tour to celebrate their 30th anniversary last autumn, main man Mick Hucknall started thinking about recording again. Once I began wondering how Simply Red were going to sound, I started writing songs, says Mick. And once he started, he couldn t stop. Big Love is the first Simply Red album to feature only original compositions since 1995 s Life. All twelve tracks are written by Mick Hucknall and produced by Andy Wright. Highlights include the celebratory first single Shine On driven by their trademark blue-eyed soul sound and The Ghost Of Love, a big soul song punctuated by wah-wah guitar and the kind of bold orchestral strokes that once powered Barry White and his Love Unlimited. The break has done Mick Hucknall a power of good, newly refreshed he now has a much clearer appreciation of Simply Red s considerable legacy. He admits that the band s last studio album in 2007, Stay, was an attempt to pull away from their sound. With Stay I was running away from Simply Red, Mick admits. But now I m comfortable with the notion of us as a blue-eyed soul group. I had to stop myself fighting that idea. Our sound is original too. I honestly don t know of another band that has pulled so many musical strands together. Quite simply, Big Love is Simply Red at their best, 12 tracks to cherish. With a 16 date UK tour this winter, including 3 shows at London s 02 Arena, Simply Red are once again a band in their prime. Simply Red are: Mick Hucknall (vocals), Ian Kirkham (sax), Steve Lewinson (bass), Kenji Suuki (guitar), Kevin Robinson (trumpet and flute), Dave Clayton (keyboards) and new drummer Ronnie Roth. Features Summary Simply Red release their first new studio album in eight years with Big Love out June 1st on East West Records. When the band announced a massive world tour to celebrate their 30th anniversary last autumn... Contributors Simply Red Format CD Release date 20150501

Features: ﾡ￱ 61 keys, standard piano key 5 Octave +1 key. ﾡ￱ Foldable and can be hand-carried and play it anytime and anywhere, also be rolled up for easy storage in you hand bag or carrying case. ﾡ￱ Music toy for both adults and children, especially suitable for children to develop an interest in music. ﾡ￱ Compatible with Cakewalk, Sonar, Cubase, Nuendo, etc, major sequencer software and VST / VSTi. ﾡ￱ You can connect headphone to the jack on piano, enjoy quiet practice, or connect an external speaker, a live concert for your whole family. ﾡ￱ Many functions you can select on the control box: 128 tone, including Cello, Violin, Guitar, Flute, Sax, etc. 100 rhythm options, 40 Demo songs, and max 336 notes music recording. ﾡ￱ Power supply: 4 x 1.5V AA batteries(not included), can last for up to 12-15 hours of playing time, you can also plug the piano into a proper electrical outlet with a DC 6V adapter. ﾡ￱ Makes you feel absolutely the same as real piano. ﾡ￱ Play, record and edit your music easily and freely. ﾡ￱ Size: Main body: 9.6(L) x 22.8(W) x 3.3(H)cm / 3.78 x 8.98 x 1.30 inch, keyboard: 88(L) x 17.4(E) x 0.5(H)cm / 34.65 x 6.85 x 0.20 inch. ﾡ￱ Function key description: 1.PLAY: Play the recorded music 2.REC: Record Key 3.DEMO: Demonstration key 4.TONE+: Tone selection key 5.TONE-: Tong selection key 6.RHY+: Beat selection key 7.RHY-: Beat selection key 8.START / STOP: Start/stop Demo song or Rhythm Key 9.ON / OFF: Power key 10.VOL+ / VOL-: Volume control bottom 11.DC 6V: DC jack connect (6V) 12.HEAD PHONE: Head phone jack 13.OUT EXT SP: Speaker jack Structure: Diatonic Key Number: 61 Package weight: 1.237 kg Package size: 27.80 x 19.50 x 9.00 cm / 10.94 x 7.68 x 3.54 inches Package Contents: 1 x 61 Keys Roll-up Keyboard Piano, 1 x English Manual