Fall british

FORGOTTEN ARMIES  The Fall of British Asia 1941-1945 by Christopher Bayly and Tim Harper Soft cover  235x153 mm  2004 - Penguin - First Ed UNCORRECTED PROOF COPY 534 pages NO ILLUSTRATIONS OR MAPS (PROOF COPY œTo follow) Book in V/Good condition small mark at top right of front cover & first three pages have creases due to the book having fallen.

Buy FORGOTTEN ARMIES The Fall of British Asia 1941-1945 by Christopher Bayly and Tim Harper for R125.00

Sunday 15 February 1942 was, according to Sir Winston Churchill, the blackest day in the history of the British Empire. Only ten weeks earlier Japanese assault troops had waded ashore on the North-East coast of Malaya. Now the besieged British, Australian and Asian forces in Britain's so-called "impregnable citadel" were compelled to lay down their arms and some 90,000 allied service-men became prisoners of war. It was a crushing humiliation and defeat that marked the disintegration of the British Empire. Even today the angry question is being asked: why? 1960 hardcover with dust jacket and some blacka and white pictures. Good reading condition only. Lots of browning and foxing. R50 postage in SA.

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days A British Fascist in the Second World War presents the edited diary of the British fascist Italophile, James Strachey Barnes. Previously unpublished, the diary is a significant source for all students of the Second World War and the history of European and British fascism. The diary covers the period from the fall of Mussolini in to the end of the war in , two years in which British fascist Major James Strachey Barnes lived in Italy as a 'traitor'. Like William Joyce in Germany, he was involved in propaganda activity directed at Britain, the country of which he was formally a citizen. Brought up by upper-class English grandparents who had retired to Tuscany, he chose Italy as his own country and, in , applied for Italian citizenship. By then, Barnes had become a well-known fascist writer. His diary is an extraordinary source written during the dramatic events of the Italian campaign. It reveals how events in Italy gradually affected his ideas about fascism, Italy, civilisation and religion. It tells much about Italian society under the strain of war and Allied bombing, and about the behaviour of both prominent fascist leaders and ordinary Italians. The diary also contains fascinating glimpses of Barnes's relationship with Ezra Pound, with Barnes attaching great significance to their discussion of economic issues in particular. With a scholarly introduction and an extensive bibliography and sources section included, this edited diary is an invaluable resource for anyone interested in learning more about the ideological complexities of the Second World War and fascism in 20th-century Europe. Features Summary A British Fascist in the Second World War presents the edited diary of the British fascist Italophile James Strachey Barnes. Previously unpublished, the diary is a significant source for all students of the Second World War and the history of European and British fascism... Author Claudia Baldoli (Editor), Brendan Fleming (Editor) Publisher Bloomsbury Academic Release date Pages 264 ISBN ISBN

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 6 - 13 working days Published in hardback as THE ART OF BETRAYAL and fully updated for the paperback edition. The British Secret Service has been cloaked in secrecy and shrouded in myth since it was created a hundred years ago. Our understanding of what it is to be a spy has been largely defined by the fictional worlds of James Bond and John le Carre. THE ART OF BETRAYAL provides a unique and unprecedented insight into this secret world and the reality that lies behind the fiction. It tells the story of how the secret service has changed since the end of World War II and by focusing on the people and the relationships that lie at the heart of espionage, revealing the danger, the drama, the intrigue, the moral ambiguities and the occasional comedy that comes with working for British intelligence. From the defining period of the early Cold War through to the modern day, MI6 has undergone a dramatic transformation from a gung-ho, amateurish organisation to its modern, no less controversial, incarnation. Gordon Corera reveals the triumphs and disasters along the way. The grand dramas of the Cold War and after - the rise and fall of the Berlin Wall, the Cuban Missile Crisis, the 11 September attacks and the Iraq war - are the backdrop for the human stories of the individual spies whose stories form the centrepiece of the narrative. But some of the individuals featured here, in turn, helped shape the course of those events. Corera draws on the first-hand accounts of those who have spied, lied and in some cases nearly died in service of the state. They range from the spymasters to the agents they ran to their sworn enemies. Many of these accounts are based on exclusive interviews and access. From Afghanistan to the Congo, from Moscow to the back streets of London, these are the voices of those who have worked on the front line of Britain's secret wars. And the truth is often more remarkable than the fiction. Features Summary The secret history of MI6 - from the Cold War to the present day. Author Gordon Corera Publisher Phoenix (an Imprint of The Orion Publishing Group Ltd) Release date Pages 496 ISBN ISBN

AFRICA@WAR SERIES: VOLUME 7 MAU MAU: THE KENYAN EMERGENCY 195260 The Second World War forever altered the complexion of the British Empire. From Cyprus to Malaya, from Borneo to Suez, the dominoes began to fall within a decade of peace in Europe. Africa in the late 1940s and 1950s was energized by the grant of independence to India, and the emergence of a credible indigenous intellectual and political caste that was poised to inherit control from the waning European imperial powers.  The British on the whole managed to disengage from Africa with a minimum of ill feeling and violence, conceding power in the Gold Coast, Nigeria and Sierra Leone under an orderly constitutional process, and engaging only in the suppression of civil disturbances in Nyasaland and Northern Rhodesia as the practicalities of a political handover were negotiated. In Kenya, however, matters were different.  A vociferous local settler lobby had accrued significant economic and political authority under a local legislature, coupled with the fact that much familial pressure could be brought to bear in Whitehall by British settlers of wealth and influence, most of whom were utterly irreconciled to the notion of any kind of political handover. Mau Mau was less than a liberation movement, but much more than a mere civil disturbance. Its historic importance is based primarily on the fact that the Mau Mau campaign was one of the first violent confrontations in sub-Saharan Africa to take place over the question of the self-determination of the masses. It also epitomized the quandary suffered by the white settler communities of Africa who had been promised utopia in an earlier century, only to be confronted in a post-war world by the completely unexpected reality of black political aspiration.  This book journeys through the birth of British East Africa as a settled territory of the Empire, and the inevitable politics of confrontation that emerged from the unequal distribution of resources and power. It covers the emergence and growth of Mau Mau, and the strategies applied by the British to confront and nullify what was in reality a tactically inexpert, but nonetheless powerfully symbolic black expression of political violence.  That Mau Mau set the tone for Kenyan independence somewhat blurred the clean line of victory and defeat. The revolt was suppressed and peace restored, but events in the colony were nevertheless swept along by the greater movement of Africa toward independences, resulting in the eventual establishment of majority rule in Kenya in 1964. Paperback, 72 pages

This is a soldier's story about South African soldiers in southern Angola and Namibia and the enemies they fought. It tells of insurgency and counter-insurgency, guerrilla warfare and counter-guerrilla warfare, almost conventional warfare and conventional warfare. It tells of a conflict which the world saw as unpopular and unjust, in which South Africa was perceived as the aggressor. The South African soldiers who fought in it, however, saw it as a conflict fought to stop what is now Namibia falling into the hands of the Soviet and Cuban-backed SWAPO black nationalist political organisation. After Namibia South Africa would be next. They saw the whole conflict as an extension of the Cold War, but while it was on the frontiers in Europe, in Angola they were fighting a very hot war in Angola. Eventually, after the fall of the Soviet Union, the war was resolved by the democratic solution of UN supervised free and fair elections in Namibia. Since then, regrettably, there has been interference by the ruling party with the democratic constitution put in place in Namibia which has eroded much of that hard won democracy. 32 Battalion, of which Colonel Jan Breytenbach was the founding commander, became the most controversial unit in the South African Army because of the secrecy surrounding it. Its story is virtually the story of the Angolan/Namibian war, because its involvement in it was greater than any other South African unit. The regiment primarily consisted of black troops and NCOs originating from virtually every tribe in Angola. They were led by white South African officers and NCOs. Neither apartheid nor any form of racial discrimination was ever practiced in the unit. There was always a sprinkling of whites originating from countries like Great Britain, the old Rhodesia, Portugal and the USA amongst its leadership cadre, although in the latter stages of its existence this shrank to only a few. Such a presence undoubtedly led to stories circulating that the unit was a led by foreign white mercenaries. While it was true that the black Angolan element could have fallen with the mercenary definition, the whites involved were attested soldiers in the South African Army. In any case, they formed a minority and the vast majority of white officers and NCOs were born South Africans. The unit's aggressiveness and the successes it achieved in the field of battle, often against incredible odds, lay in its spirit and its  espirit de corps. In this respect and in many other ways it compared favourably with the French Foreign Legion. Its story parallels with and reminds one of the British and British Commonwealth Chindits of World War-2, operating behind the Japanese lines in Burma in large formations, out-guerrillaing those who only three years earlier had been regarded in awe as the unbeatable jungle warfare experts. Likewise, 32-Battalion consistently outfought both FAPLA, SWAPO and the Cubans in the Angola bush throughout the war years. It created a problem to which neither they nor their Soviet and East German mentors ever found a solution to. After the 1989 Namibian settlement the unit was with withdrawn to South Africa where they were deployed to effectively deal with MK infiltrations into the north of South Africa. From there, after the unbanning of the ANC in 1990, they were redeployed to deal with political troubles, principally between armed ANC self defense units and armed units of the IFP. The intrusion of black foreigners into the townships who were prepared to deal with troubles robustly and without fear or favour, did not suit either the ANC or the IFP, as they could not be subverted to support local causes because they held no local tribal allegiances. In the end it seems they became something of a bargaining chip at the CODESA negotiations, designed to find a new political dispensation for South Africa. Despite it having borne the brunt of South Africa' war in Angola with the blood of its troops, the National Party Government disgracefully ordered its arbitrary disbandment in March 1993 and the unit ceased to exist. Paperback, 360 pages with photos & maps  

When The Wind Blows, Soundtrack. This LP was made in by Virgin Records in the UK and is in excellent condition. The cover is in very good condition, with slight creasing to the edges, and slight surface wear to the edges.   Tracks      1. When the Wind Blows - (with David Bowie)     2. Facts and Figures-Hugh Cornwell - (with Hugh Cornwell)     3. The Brazilian - (with Genesis)     4. What Have They Done - (with Squeeze)     5. The Shuffle - (with Paul Hardcastle)     6. The Russian Missile - (with Roger Waters)     7. Towers of Faith - (with Roger Waters)     8. Hilda's Dream - (with Roger Waters)     9. The American Bomber - (with Roger Waters)     10. The Anderson Shelter - (with Roger Waters)     11. The British Submarine - (with Roger Waters)     12. The Attack - (with Roger Waters)     13. The Fall Out - (with Roger Waters)     14. Hilda's Hair - (with Roger Waters)     15. Folded Flags - (with Roger Waters/The Bleeding Hearts Band)  

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 3 - 8 working days Two friends fall under the spell of a New York beauty - with an unexpected outcome. A casual remark is taken seriously by a Chinese sculptor, and the British Ambassador becomes the owner of a priceless work of art...An insurance claims adviser has a most surprising encounter on the train home to Sevenoaks. The openings to three of this marvellous collection of stories that ends with a hauntingly written, atmospheric account of two undergraduates at Oxford in the s, a tale of bitter rivalry that ends in a memorable love story. 'Jeffrey Archer has a gift for plot that can only be described as genius' Daily Telegraph Features Summary 'Stylish, witty and constantly entertaining... Jeffrey Archer has a natural aptitude for short stories' The Times Author Jeffrey Archer Publisher Pan Books Release date Pages 288 ISBN ISBN

Condition: Good. Name of previous owner on flyleaf. After seven years of marriage, the beautiful Lady Brenda Last has grown bored with life at Hetton Abbey, the Gothic mansion that is the pride and joy of her husband, Tony. She drifts into an affair with the shallow socialite John Beaver and forsakes Tony for the Belgravia set. In a novel that combines tragedy, comedy, and savage irony, Evelyn Waugh indelibly captures the irresponsible mood of the "crazy and sterile generation" between the wars. A vicious, witty novel. -- New York Times. Waugh's technique is relentless and razor-edged...By any standard it is super satire. -- Chicago Daily News. The most mature and the best written novel that Mr. Waugh has yet produced. -- New Statesman & Nation. A story both tragic and hilariously funny, that seems to move along without aid from its author...Unquestionably the best book Mr. Waugh has written. -- Saturday Review. About the author () Born in Hampstead and educated at Oxford University, Evelyn Waugh came from a literary family. His elder brother, Alec was a novelist, and his father, Arthur Waugh, was the influential head of a large publishing house. Even in his school days, Waugh showed sings of the profound belief in Catholicism and brilliant wit that were to mark his later years. Waugh began publishing his novels in the late 's. He joined the Royal Marines at the beginning of World War II and was one of the first to volunteer for commando service. In he survived a plane crash in Yugoslavia and, while hiding in a cave, corrected the proofs of one of his novels. Waugh's early novels, Decline and Fall (), Vile Bodies (), and A Handful of Dust (), established him as one of the funniest and most brilliant satirists the British had seen in years. He was particularly skillful at poking fun at the scramble for prominence among the upper classes and the struggle between the generations. He lived for a while in Hollywood, about which he wrote The Loved One (), a scathing attack on the United States's overly sentimental funeral practices. His greatest works, however, are Brideshead Revisited (), which has been made into a highly popular television miniseries, and the trilogy Sword of Honor (), composed of Men at Arms (), Officers and Gentlemen (), and The End of the Battle ().

REALLY INSIDE BOSS: A Tale of South Africas late Intelligence Service (And Something about the CIA) PC Swanepoel Authors Foreword: This book was initially conceived of as nothing else but a commentary on James Sanders' APARTHEIDS FRIENDS THE RISE AND FALL OF SOUTH AFRICA'S SECRET SERVICE which appeared in 2006. Its name was suggested by INSIDE BOSS, a book written 25 years earlier and copiously made use of by Sanders. For one reason or another commentary seemed to end up as something else. I felt called upon to undertake this task. Having served in the National Intelligence Service and its predecessors for more than 34 years, my colleagues and I never considered ourselves "Apartheid's Friends". Most of us were opposed to "petty apartheid". We tried to be apolitical and objective. It is true that I saw merit in what came to be called "grand apartheid", the ideal of a Federation of Southern African States,  in which my own people, the Afrikaners, would control their own (albeit a small) portion or portions of the country. I even propounded, in print in 1965, the creation of a homeland for whites. Later I was to replace "whites with "Afrikaners defined as "Afrikaans speaking people, irrespective of their race, colour or creed". (This switch to a more inclusive world-view occurred before I discovered that I was a descendant of Eva Krokoa, the Khoekoen (or Hottentot) girl, who grew up, (circa 1655) in Jan Van Riebeeck's house in Cape Town!) In a sense this book also sets out to highlight the role played covertly against the previous South African government by Western, as against communist forces.  Curiously enough, there appears to be reluctance on the part of British and American commentators to deal with this issue. The book is not a literary work. English is not the writer's first language. The reason why it was written in English was to enable the James Sanders of this world to read it. Numerous and often lengthy verbatim quotations are included. The sources are identified in the script and not in footnotes Pretoria, May, 2007.