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Diaspora identity south african


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South Africa (All cities)
Diaspora and Identity in South African Fiction By: J. V. Jacobs ***Signed Copy*** A first edition softcover published by UKZN Press in 2016 Picture cover boards are clean & bright, binding is tight & strong, SIGNED by the author with a gift inscription on the title page Packaging and Postage within South Africa R60.00 Overseas Customers can contact us for a Postal Quotation
R 150
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South Africa
Subtitle: Volume V: Goldfields, Mountain Route, Riemland, Southern Free State, Western Free State Editors: Adrienne Kollenberg and Rose Norwich Publisher: South African Friends of Beth Hatefutsoth (2012) ISBN-13: 9780986990625 Condition: Very Good. The cover has a few scratches and light wear to the edges and corners. Binding: Softcover Pages: 594 Dimensions: 22.4 x 23.4 x 3.4 cm +++ Edited by Adrienne Kollenberg and Rose Norwich +++ Beth Hatefutsoth, the Museum of the Diaspora in Tel Aviv, Israel, is the only repository of data on the history of diaspora Jewry. However the only South African information which was stored in the database of the museum, was the history of the Jews in some of the large cities. This book, Volume V in the series produced by the South African Friends of Beth Hatefutsoth, looks at Jewish settlement in Goldfields, Mountain Route, Riemland, Southern Free State and Western Free State.
R 560
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South Africa (All cities)
Buy history of the Iziko South African National Gallery, A: Reflections on art and national identity for R324.00
R 324
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South Africa
In the Heat of Shadows: South African Poetry, 1996-2013 In the Heat of Shadows: South African Poetry 1996-2013 presents the works of 32 poets and includes some translations from Afrikaans, isiXhosa, isiZulu, Sesotho, and Xitsonga. This collection follows on from Denis Hirson's 1997 anthology The Lava of This Land: South African Poetry 1960-1996. Today, South African poetry is charged with restlessness, bursting with diversity. Gone is the intense inward focus required to deal with a situation of systematic oppression, the enclosing effort of concentration on a single predicament. While politics and identity continue to be central themes, South African poetry since the late 1990s reveals a richer investigation of ancestors and history, alongside more experimentation with language and translation, and enduring concern with the touchstones of love, loss, memory, and acts of witnessing. The poets include: Jim Pascual Agustin * Gabeba Baderoon * Robert Berold * Vonani Bila * Jeremy Cronin * Ingrid de Kok * Isobel Dixon * Finuala Dowling * Khadija Tracey Heeger * Denis Hirson * Ronelda Kamfer * Keorapetse Kgositsile * Katharine Kilalea * Rustum Kozain * Antjie Krog * David wa Maahlamela * Bongekile Joyce Mbanjwa * Joan Metelerkamp * Kobus Moolman * Isabella Motadinyane * Petra Muller * Gert Vlok Nel * Mxolisi Nyezwa * Karen Press * Mongane Wally Serote * Ari Sitas * Kelwyn Sole * Rosamund Stanford * Toni Stuart * Nathan Trantraal * Marlene van Niekerk * Bulelani Zantsi. [Subject: African Studies, Poetry] About the editor  Denis Hirson was editor of a previous anthology of poetry: The Lava of this Land, South African Poetry 1960-1996 (Northwestern University Press and David Philip, 1997), was co-editor [with Martin Trump] of The Heinemann Book of South African Short Stories (Heinemann, 1994), and the author of an historical survey of South African literature, Worlds in One Country (Jacana 2011). He has also edited two anthologies of South African poetry in French translation, and has done much to promote South African literature in Europe. Denis Hirson is the author of four books of memory: The House Next Door to Africa, I Remember King Kong (the Boxer), We Walk Straight So You Better Get Out the Way, White Scars, a poetry collection, Gardening in the Dark, and a novel, The Dancing and the Death in Lemon Street. Editor     Denis Hirson ISBN      0987028235, 9780987028235 Format   Paperback Pages    279p.
R 220
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South Africa
  Free Postage Within SA for Orders Over R900! Softcover. James Currey, 2000. 239 pages. Radio has played a pivotal role in situations of conflict, crisis, change and development on the African continent. Local radio stations are as important as international broadcasters being both the barometers and agents of change. This text examines African radio broadcast cultures. About the authors (2000): Richard Fardon is Professor of West African Anthropology and Head of the Doctoral School at SOAS, University of London. He writes as a social anthropologist and an ethnographer of West Africa with wide interests that include art, intellectual history, religion, politics, and identity. Graham Furniss is also a former chairman of the Centre for African Studies. Fardon and Furniss previously collaborated on African Languages, Development, and the State (1994). Near Fine condition. Additional photos on request. Please ask any questions before placing your order.   Africana / South Africa / Performing Arts / Community Radio / History & Criticism / Culture / Political / SABC / Sudan / Zambia Grading Scale: Many more books on sale, click here to browse!
R 293
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South Africa (All cities)
Buy Writing a Wider War - Rethinking gender, race, and identity in South African War, 1899 - 1902 for R160.00
R 160
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South Africa (All cities)
Buy Writing a wider war - Rethinking gender, race, and identity in South African War, 1899 - 1902 (Paper for R258.00
R 258
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South Africa
Paperback. English. Jonathan Ball Publishers. 2003. Fair/Good. Previous owner's name inside. It is the dramatic story of how a handful of rookie politicians came 'out of the bush' ' to use Mandela's own phrase ' to take over the running of a complex and deeply troubled country that they thought was richly endowed but in fact was almost bankrupt; of how they struggled to come to terms with an often hostile bureaucracy; and how above all they found themselves struggling not only with the complexities of their own society but also with the bewildering and often destabilizing forces of the new globalized economy. It is the story of singular triumphs and some distressing failures. South Africa still faces many problems, but it is also one of the most vibrant and exciting places on earth ' and, as Sparks suggests, a microcosm of the world. For this is a country not only of white and black, but one where the impoverished meet the rich everyday, where Christians and Jews and Muslims and Hindus, sophisticated urbanites and tribal traditionalists, Zulus and Xhosas, English and Afrikaners, must all surmount their historical conflicts and find a common national identity. Mandela's dream was of a nonracial democracy, and this book is a realistic assessment of the status of that dream as the new South Africa nears the end of its first decade. But Sparks also suggests that it is much more than that. South Africa also represents a unique negotiated resolution to a historical conflict that had its roots in rival claims to sovereignty over the same piece of national territory. Whose country is it? Both white Afrikaners and black Africans laid claim to South African sovereignty ' one as a God-ordained right, the other by indigenous birthright. This is a conflict that repeats itself in many of the world's most intractable trouble spots ' between Israelis and Palestinians, Protestants and Catholics in Northern Island, Greeks and Turks in Cyprus. In that respect particularly, Sparks suggests that the great South African experiment is of abiding global importance.
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South Africa
A breakthrough volume in the study of the material culture of the slave trade. Hardcover with dust jacket new with 509 pages. R55 postage in SA. This is the first book devoted to the archaeology of African life on both sides of the Atlantic and highlights the importance of historical archaeology in completing the historical records of the Atlantic world's Africans. Archaeology of Atlantic Africa and the African Diaspora presents a diverse, richly textured picture of Africans' experiences during the era of the Atlantic slave trade and offers the most comprehensive explanation of how African lives became entangled with the creation of the modern world. Through interdisciplinary approaches to material culture, the dynamics of a comparative transatlantic archaeology is developed. Table of Contents and Contributors: 1. Pathways in the Archaeology of Transatlantic Africa, by Akinwumi Ogundiran and Toyin Falola Part 2. Atlantic Africa 2. Entangled Lives: The Archaeology of Daily Life in the Gold Coast Hinterlands, AD 1400-1900, by Ann Brower Stahl 3. Living in the Shadow of the Atlantic World: History and Material Life in a Yoruba-Edo Hinterland, ca. 1600-1750, by Akinwumi Ogundiran 4. Dahomey and the Atlantic Slave Trade: Archaeology and Political Order on the Bight of Benin, by J. Cameron Monroe 5. Enslavement in the Middle Senegal Valley: Historical and Archaeological Perspectives, by Alioune Déme and Ndeye Sokhna Guèye 6. The Landscape and Society of Northern Yorubaland during the Era of the Atlantic Slave Trade, by Aribidesi Usman 7. The Collapse of Coastal City-States of East Africa, by Chapurukha M. Kusimba 8. Ghana's "Slave Castles," Tourism, and the Social Memory of the Atlantic Slave Trade, by Brempong Osei-Tutu Part 3. African Diaspora 9. BaKongo Identity and Symbolic Representation in the Americas, by Christopher C. Fennell 10. "In This Here Place": Interpreting Enslaved Homeplaces, by Whitney L. Battle-Baptiste 11. Bringing the Out Kitchen In? The Experiential Landscapes of Black and White New England, by Alexandra A. Chan 12. African Metallurgy in the Atlantic World, by Candice L. Goucher 13. Between Urban and Rural: Organization and Distribution of Local Pottery in Eighteenth-Century Jamaica, by Mark W. Hauser 14. Allies, Adversaries, and Kin in the African Seminole Communities of Florida: Archaeology at Pilaklikaha, by Terrance Weik 15. Scars of Brutality: Archaeology of the Maroons in the Caribbean, by E. Kofi Agorsah 16. The Archaeological Study of the African Diaspora in Brazil, by Pedro P. Funari 17. The Vanishing People: Archaeology of the African Population in Buenos Aires, by Daniel Schávelzon 18. Maritime Archaeology and the African Diaspora, by Fred L. McGhee 19. Archaeology of the African Meeting House on Nantucket, by Mary C. Beaudry and Ellen P. Berkland 20. Practicing African American Archaeology in the Atlantic World, by Anna S. Agbe-Davies  
R 170
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South Africa
Subtitle: Identity Formation in the Art and Writing of Breyten Breytenbach   Author: Marilet Sienaert Publisher: Kwela Books (2001) ISBN-10: 0795701411 ISBN-13: 9780795701412 Condition: Very Good Binding: Softcover Pages: 127 Dimensions: 24 x 16.9 x 0.9 cm +++ by Marilet Sienaert +++ Through analysis of specific examples in the work of South African writer and artist Breyten Breytenbach, the essays in this collection investigate the way in which identity is constituted in text and image, and draw on primary debates around identity formation and (self) representation in art and writing.
R 73
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South Africa
Curriculum Vitae of Tyler Craul  Personal Details Surname: Craul First Name: Tyler Gender: Male Health Status: Excellent Driver’s License: Motorbike Date of Birth: 19 February Id no: Age: 18 Nationality: South African Home Language, additional language: English, Afrikaans Marital Status: Single Contact tel nr Email Qualifications: Current schooling institution: Bosmansdam High school. Highest Grade completed: Grade 10, currently doing Grade 11 Subjects: Mathematics History English Afrikaans Tourism Life Orientation Business Working experience: Temping in school holidays at Brand Identity doing administration duties such as filing, emailing and typing of documents Modelling for Truworths Man on advertising campaigns Bartending – The Side Show Bartending -  Eastern Fusion Bartending – The Richwood Inn References: Brand Identity – Mrs Tertia Pretorius – Truworths Man – Brandon – The Side Show – Abby Chapel – Eastern Fusion – Leo – The Richwood Inn – Warren
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South Africa (All cities)
This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 4 - 10 working days Take a walk on any of the South African university campuses and you will hear the air resonating with the sounds of different languages seamlessly interweaving with each other as students engage in academic work, talk, laughter and play. In 2012 this inspired the University of KwaZulu-Natal Language Board, in partnership with Independent Newspapers, to hold a first-of-its-kind isiZulu-English writing competition. By issuing an invitation to write in an African Language in a way that captures our changing world, it hoped to stimulate 'border crossings' and by so doing, encourage reading and writing in African languages. The panel of expert judges comprised internationally renowned storyteller Dr Gcina Mhlophe, Dr Nakanjani Sibiya, Prof Otty Nxumalo and Dr Gugu Mazibuko. They were overwhelmed by the high standard of the entries, which highlighted the value and power of indigenous languages as a source and expression of identity and pride. The purpose of the competition and of this book is thus to promote bilingualism and, in particular, the development of isiZulu, with the aim of contributing to literature in that language. This collection of short stories, essays and poetry is the result. We hope that readers will read it with the same degree of interest and enjoyment that the judges found in it - and that it will highlight the importance of creating spaces for people to express themselves creatively in their mother tongue, rather than in English alone. Features Summary Take a walk on any of the South African university campuses and you will hear the air resonating with the sounds of different languages seamlessly interweaving with each other as students engage in academic work... Author Nakanjani G. Sibiya Publisher University of KwaZulu-Natal Press Release date 20130313 Pages 88 ISBN 1-86840-612-1 ISBN 13 978-1-86840-612-8
R 52
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South Africa
CURRICULUM VITAE OF KHULEKANI SHANGE PERSONAL INFORMATION Surname: Shange Names: Khulekani Identity Document: 9603016249080 Cell Phone: 0630324855 Email: MfundoIsTheName@gmail.com Postal Address: P.O Box 16169 Inchanga 3670 OPTIONAL PERSONAL INFORMATION Date of Birth: 01-03-1996 Nationality: South african Gender: Male Marital Status: Single Race: African Criminal Offences: None Health: Good Languages: Isizulu and English EDUCATION Highest Grade: Matric Year: 2008-2012 School: Zizamele High Sschool Subjects Passed: English,Isizulu, Maths Lit, History, L.O, Geography, Tourism REFERENCES Mfundo Mpulo Friend CELL: 0839264097 Sabelo Sibiya Sibling CELL: 0815039852
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South Africa
Stiff soft covers. Very good condition. 250 p. May 2000. Other articles are:  'African Gandhi': The South African War and the limits of imperial identity; Die Anglo-Boereoorlog as stimulus vir die stigting van Afrikaanse plattelandse trustmaatskappye en eksekuteurskamers; The South African Air Force and the Warsaw airlift of 1944, etc.
R 65
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South Africa (All cities)
Native Nostalgia In this, his first book, Jacob Dlamini writes about growing up in Katlehong in Gauteng, in the tradition of Orhan Pamuk's and Walter Benjamin's accounts of their childhoods in Istanbul and Berlin respectively. Using fragments from his own childhood, he examines the nostalgia that many black people feel for the past their lives under apartheid. In arguing that people do not stop being moral agents just because they are politically oppressed or discriminated against, the author seeks to recover the moral content of black life under apartheid. This book is about nostalgia, an affliction of the heart that began life as a passing ailment but became an incurable modern condition. The book uses the life of a young black South African who spent his childhood under apartheid to ask the following question: What does it mean to remember a (black) life lived under apartheid with fondness and longing? The nostalgia examined here should not be understood the same way that the archetypal black pensioner trotted out by newspapers at each general election in South Africa says: "Things were better under apartheid." No, apartheid had no virtue. But the author insists that we confront facile accounts of black life under apartheid that paint the 46 years in which the system existed as one vast moral desert, as if blacks produced no art, literature, music, bore no morally upstanding children or, at the very least, children who knew the difference between right and wrong even if those children did not grow up to make the "right" moral choices in their lives. This is not to say there was no poverty, crime or moral degradation. There was, of course. But none of this determined the shape of black life in its totality. This is not to suggest that all black families were happy the same way. Each family was, of course, unhappy in its own way. The differences between black families extended beyond questions of domestic bliss or strife. There were class, ethnic and gender differences aplenty. It behoves any history worthy of the name to take these differences seriously, which could be as small as the type of lawn one had in one's yard, the type of furniture in each bedroom, or the type of fencing one had around the yard whether the concrete slabs colloquially called "stop nonsense" or a wire mesh fence. The author is interested also in the role of the senses in a person's experience of nostalgia. He uses fragments drawn randomly from the past to look at his childhood in Katlehong as a lived experience of the senses. He tries to imagine how one might relay the history of Katlehong in terms of the senses of smell, hearing, taste, touch and sight. He uses his sensory experience of Katlehong, for example, to examine the place of radio in the life of an urban black family in apartheid South Africa. Here he does not simply wish to relay the auditory experience of listening to the radio but to look, rather, at how the very instrument that was supposed to be the government's propaganda tool actually had the opposite effect, awakening in him a political consciousness that saw him adopt a politics at odds with the political gradualism and religious conservatism of his mother. Again, he looks at how black schools, intended by government to be a great downward leveller of black ambition, inadvertently served to heighten class consciousness within black society, often pitting the local elite against the mass of the great black unwashed. Finally, he studies how local political identities were formed in relation to both a national black identity and a much broader black diasporic identity. About the Author Jacob Dlamini is one of South Africa's bright young intellectuals. A PhD student at Yale, he has written for a number of magazines and newspapers such as the Sunday Times. Author Jacob Dlamini ISBN 9781770097551 Format Paperback Pages 169p. _
R 225
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