Design sources

This portable audio device boasts versatile features, including Bluetoothb'/xc2/xae' connectivity for wireless streaming, an aux input for wired connections, and an FM radio function. With a commendable playtime of up to 20 hours, users can enjoy extended listening sessions on a single charge. The inclusion of a USB port and an SD Card slot allows for diverse audio source options, accommodating devices like USB flash drives and memory cards. The twin cable for charging and aux input enhances convenience, simplifying the device's use. Additionally, the product comes with a 1-year warranty, underlining the manufacturer's commitment to quality and providing users with confidence in their purchase. Whether users prefer wireless or wired connections, various playback sources, or an extended battery life, this audio device caters to a range of preferences while ensuring durability and customer satisfaction.

The PA12 is a robust, compact 12 input (8 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA12 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp Socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA28 is a robust, compact 28 input (24 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA28 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

Please always contact us first,before placing an order our stock is limited   Description Hercules DJ Console RMX 2 DJ Controller Silver/Black Retail Box 1 year Limit warranty   Product Overview The Hercules DJConsole RMX 2 is a high-resolution digital audio console designed for mobile DJs. Stellar features include a brushed aluminium top panel, a broad working surface, easy-to-access buttons and knobs, precise and comprehensive controls, a built-in audio interface with 4 inputs and 4 outputs. Get ready to see how the DJConsole RMX 2 is one of the most versatile portable DJ consoles in its category. The Hercules DJConsole RMX 2 is a MIDI controller and therefore compatible with other MIDI-controlled software applications.   Highlights • Brushed-aluminium top panel and rugged metal enclosure provides durability and a stylish appearance. • 24-bit/96kHz high-resolution audio-Ensures rich, detailed sound. • 2 jog wheels with pressure detection • 8 velocity pads and high-resolution faders  • 14-bit MIDI mode allow you to easily create custom mixes.  • Changeable crossfader compatible for simple customization. • Lightweight, compact design  • Enables simple carrying on your shoulder or in the included transport bag. • Power adapter-Protects the audio from USB power fluctuations  • XLR balanced main output and XLR balanced microphone input Features Mobility and Stability for High-Resolution Mixes The Hercules DJConsole RMX 2 has been designed to enable mobile DJs as well as club and studio DJs to mix digital music at high resolution. This "nomadic" device simply connects to the USB port of a PC or Mac laptop. Broad enough in size to allow DJs to mix with unrivalled ease and precision, it is also compact enough to follow users to any event, and comes with its own transport bag.  RMX 2 is capable of sampling high-resolution 96KHz/24-bit audio for outstanding audio quality. For live mixing and seamless integration with the DJ's professional environment, the DJConsole RMX 2 features a solid metal casing and non-slip pads guaranteeing perfect stability.     Built-in Audio Interface With Specialized DJing Audio Features As an expert in the design of audio interfaces, Hercules determined that the integration of an audio interface featuring 4 inputs and 4 outputs on the Hercules DJConsole RMX 2 was both obvious and essential. The RMX 2 offers 2 balanced XLR outs and 2 RCA outputs. 4 RCA inputs allow you to mix 2-channel audio from two separate sources.   Dedicated Software for Optimum Digital DJing Control The RMX 2 comes with VirtualDJ 8 and DJUCED--function-rich software for both beginners and advanced DJs. Their user-friendly design gets you started mixing in just minutes: the controller and the software fit perfectly together. Instantly view the beats, track lengths, and which songs fit well for the next track to be played. Set the pitch intuitively or sync automatically for smooth transitions. Customize your songs with loops, effects and samples.   Specifications DJ Audio Interface-High Resolution Audio • 96KHz / 24-bit in Windows (ASIO) & Mac (Core Audio) • Supports lower sampling rates ( KHz)   Outputs Output channels 1-2 2 balanced XLR = Master out • Strong level, for public address amplifiers  • Balanced output = music protected from interferences in cables   2 RCA = Booth out • Use = for monitor speakers, close from the DeeJay   Output channels 3-4 • 2 stereo ¼" jack headphones outputs • 2 RCA output (to connect to an external mixer)   Inputs 4-channel input in RCA, to mix 2 external sources • Line/Phono switches: for line or phono sources • Level setting (software): standard (line), boost (CDJ players)   Microphone input: XLR/Jack combo plug, balanced • Balanced input, for the best sound with high-end microphones • Also support consumer unbalanced microphones     DJ Control Surface 2-deck DJ Controller • 36 transport buttons • 12 rotary potentiometers • 8 velocity sensitive pads • 5 faders • 2 rotary encoders • 2 jog wheels with pressure detection   Transport buttons DJConsole Rmx2 transport buttons are made of: • A tactile switch with a short travel and a detent, • A rubber cap with a smooth contact, and 22 buttons include an inner backlight showing the status.   Rotary potentiometers • 2 potentiometers (microphone and headphones volume) set an analogue volume (setting headphones & mic preamplifiers). • 10 other rotary potentiometers send an extended MIDI control (14-bit MIDI mode, compatible with standard 7-bit MIDI control). • All rotary potentiometers have a rubber cap.   • Each deck has 2 sets of 4 pads, with 4 modes per pad (Loop, Effect, Sample, Cue), providing 16 controls per deck.   Velocity sensitive pads • Each deck has 2 sets of 4 pads, with 4 modes per pad (Loop, Effect, Sample, Cue), providing 16 controls per deck. • As pads are velocity sensitive, they can send progressive commands (for example set the volume of a sample). • All pads include a backlight.   Faders • 5 faders send an extended MIDI control (14-bit MIDI mode, compatible with standard 7-bit MIDI control). • The volume and pitch faders have a rubber pad. • The pitch fader has a centre detent. • The cross-fader is removable (its slot fits with a Mini-Innofader®).                    

PA12-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 12 input (8 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA12-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA12-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

PA20-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA20-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA20-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

  RN 402 OVERVIEW A second generation Hi-Fi receiver with support for MusicCast, including DAB tuner. It provides richly resonant, high quality sound from high-resolution sources, streaming services and smartphones as only a Yamaha Hi-Fi component can. Yamaha high sound quality, created by rich experience and tradition, and high technological expertise (Traditional Natural Sound concept / high sound quality circuit design / 100 W x 2 high power output) Supports 5.6MHz DSD Native and 192 kHz/24-bit High Resolution Music(Flac/ WAV/ AIFF) with high performance 24-bit D/A converter MusicCast for audio enjoyment in every room Control app for easy operations (MusicCast CONTROLLER) Support for internet radio and various music streaming services DAB / DAB+* and FM tuners both have 40 station preset memories Supports Bluetooth® output for pairing R-N402D and other Bluetooth equipped products Bluetooth for wireless music streaming AirPlay® allows music streaming from Mac, PC, iPod®, iPhone®, iPad® USB digital connection for USB flash drives on the front panel Gapless Playback compatibility Digital audio input for TV or Blu-ray Disc™ player Simple yet sophisticated design Screw-type speaker terminals Speaker selector and speaker terminals for two systems CD S300 OVERVIEW High sound quality, easy operation and special features like Pure Direct, Intelligent Digital Servo, iPod and USB compatibility and MP3/WMA Compatibility. Extremely sophisticated circuitry and layout Short signal paths High quality parts High performance DAC for high conversion precision with low noise Intelligent Digital Servo Pure Direct MP3 and WMA compatibility USB port on front panel for iPod and other devices iPod compatibility NS 333 OVERVIEW 2-Way Acoustic Suspension Speaker System. The EF (Elliptical Form) Series feature Waveguide horns, PMD (Polymer-injected Mica Diaphragm) woofers and highest quality internal Monster Cable wiring for total enjoyment of digital movie sound and music sources, plus elegant Yamaha traditional piano finish cabinets. High sensitivity and wide dynamic range for contemporary digital sources Waveguide horn allows the sound field to be shaped and controlled for optimal spatial expression in home theater environments PMD (Polymer-injected Mica Diaphragm) cone woofer combines high-performance materials and design for extreme accuracy Highest quality internal Monster Cable wiring High frequency response dome tweeter delivers clear, natural highs Beautiful Yamaha piano finish with elegant elliptical form

Neewer 58mm Rotated Star Filter Set for Canon Nikon Sony Olympus and Other DSLR Cameras, Includes: 5 Product Description This 58mm star filter set includes: (1)4-Point Star Filter + (1)6-Point Star Filter + (1)8-Point Star Filter NOTE: Star filter intended for use in DARK environments with bright sources of light. Bright environments may DIMINISH result of star effect NOTE: This kit is compatible with all 58mm lenses. Please verify your camera's lens thread size before ordering. Your camera's lens thread size will be marked somewhere on the lens barrel or printed underneath your lens cap. This number is always preceded by a "?" (diameter) symbol. For example: ?58 = 58mm lens thread size Allow you to create wonderful dazzling star effects from original point light sources or bright reflections Double threaded to allow mounting of additional filters or lenses. Rotated design for adjustment of star effect to achieve desired effect ￯﾿ﾽ See more product detailsDescription:Neewer 58mm Star Filter Set is a fun addition to your set of filters, great filters for creative photography. A fun accessory for photographers of all levels!(1)4-Point Star Filter + (1)6-Point Star Filter + (1)8-Point Star Filter:Made of high quality optical glass and aluminum alloy.Works with any lens with a 58mm filter thread. Manual or autofocus, digital or film.Double Threaded: Allows additional filters or accessories to be mounted one over the other.Rotated Design: Easily set the ideal orientation for the star rays.Create wonderful dazzling star effects created from original point light sources or bright reflections.REMEMBER: Needed to be used in a darker place to get a much more pronounced effect.(1)Microfiber Cleaning Cloth:Comes with a ultra gentle microfiber cleaning cloth.Extremely fine microfiber leaves zero scratches, streaks or marks. Safe for all surfaces and lenses.Size: 5.9x5.7inch / 15x 14.5cmPackage Contents:1 * 4-Point Star Filter1 * 6-Point Star Filter1 * 8-Point Star Filter1 * Microfiber Cleaning Cloth Our Guarantee to You We guarantee the utmost in Quality, Authenticity and Customer Satisfaction All our Items are Brand New and 100% Authentic with Original Box and Papers Price Beat or Match, if we can't (which is hardly ever), we will give you R150 off your next order with us. At these prices stocks are very limited, so order now to avoid disappointment Please view our other listings HERE Looking for something that we have not listed. Let us know - Will will get the best price for you

The Blackmagic Design Audio Monitor provides 2-channel audio monitoring of AES/EBU digital audio, audio embedded in SDI and analog audio. Designed to provide you with peace of mind, the unit provides high-quality audio monitoring of signals from decks, video servers, and live transmissions. You can use the unit to check audio levels as you work on your project. Up front and big on the unit's front panel are two 27-segment LED VU meters that provide you with a bright, visual representation of the audio levels from -45 to +3 decibels, and two built-in, full-range stereo speakers provide clear audio. Control of the unit is by a front panel illuminated keypad that allows you to select input sources to monitor. A 2.1" LCD screen for viewing input video (up to 4K), and a headphone jack and headphone volume control for when the listening environment is too intrusive Supporting video resolutions up to Ultra HD, the audio monitor allows you to monitor the embedded audio as separate stereo pairs, before passing the signal out through either the SDI loop through port with 16-channel embedded audio or the HDMI 4K connector with embedded 2-channel audio. The rugged aluminum case features a card slot for an available Dolby Decoder card, allowing you an easy upgrade path. The 1RU-sized unit comes with a class A/B amplifier for a balance between high fidelity and power efficiency, dual subwoofer design with extra wide range speakers allow you to sit back and hear the audio. Rackmount ears are built-in for use in a post facility or mounting in a production case. Audio Inputs The Blackmagic Design Audio Monitor supports audio from a variety of sources, AES/EBU digital audio, balanced and unbalanced analog audio, as well as audio embedded in the SDI stream. You can monitor 2 channels of audio at a time, and even select stereo pairs from the 16 channels in the SDI signal. Audio Output SDI loop through supports 16-channel embedded audio, and the unit outputs 2 channels of embedded audio in the HDMI output stream. Front Panel Control and Features The 2-channel audio meters are selectable between VU and PPM, and show a range of -45 to +3 dB in 27 steps. The audio level meter brightness is adjustable so the meters are easy to read in either bright or dark environments. An illuminated keypad on the front panel, allows you to select audio inputs, isolate left and right audio channels, mute, and select audio channels to monitor from within the SDI stream. Speakers Two full-range speakers and two subwoofers combine to provide audio that is rich in low frequency and provides sharpness in mid and high ranges. Video Support When you are working with SDI video input you can use the Blackmagic Audio Monitor to convert from SDI to HDMI for monitoring with big screen televisions or video projectors. The unit automatically switches between SD, HD, and even Ultra HD 4K. You can monitor in high resolution Ultra HD 4K using the HDMI 4K output with only a single HDMI cable or you can connect a regular HDTV and use the unit's built-in Ultra HD 4K to HD down conversion. You can also monitor video on the built-in 2.1" LCD panel, which displays video format, audio type, audio channels and volume level. Dolby The Audio Monitor features an internal dedicated Dolby slot so you can add an available Dolby decoder module. The Dolby decoder supports Dolby Digital and AC-3 decoding for 5.1 surround sound monitoring from either the 6G-SDI video input or the AES/EBU audio input Rackmount Design The 1RU height of the Audio Monitor makes it ideal for use in either a post production rack system, location production case, or control or mixing room. The built-in rack mount ears make for hassle free mounting into available standard rack systems. The Audio Monitor features an internal power supply, and runs off of V AC at Hz

The DJM-900nexus is a high performance digital mixer designed for today’s professional DJ performers. An ideal combination with Pioneer’s latest CDJ line of players, the DJM-900nexus offers a multitude of new features that includes a variety of onboard effects, increased sound quality, and direct PC or Mac connection to enable any DJ to perform to their utmost potential. Multitude of Effects The DJM-900nexus follows Pioneer’s traditional control layout enabling an easy transition to the mixer. As with other Pioneer mixers, the DJM-900nexus features a variety of advanced sound effects that allow DJs to have more creative expressions while mixing their music. Three new Sound Color FX, two Beat Effects and an X-Pad control were added to the mixer to enhance the user’s performance. Sound Color FX — The DJM-900nexus includes Space, Dub Echo and Gate/Comp in addition to Filter, Crush and Noise for its Sound Color FX. At any time with a simple twist of the knobs, DJs can quickly add their choice of audio effects bringing numerous combinations and arrangements to currently played music. Beat Effect — A total of 13 effects, including two new ones called Spiral and Melodic, can be added by the user at any time to the beat effects is accomplished through a selectable knob located on the right side of the mixer. X-Pad — A touch screen control bar that enables quick access, control, and manipulation of the thirteen built-in beat effects. With a touch and/or slide of the X-Pad control, the user can change the parameters of each effect for further creativity in performances. Sound Quality Part of the DJM-900nexus’s design attribute is combining functionality with great sound quality. The mixer utilizes high quality components that ensure the best possible audio output when connected to other components. Built-in 24bit/96kHz High Performance USB Sound card — Pioneer developed an onboard USB sound card that can simultaneously handle input and output audio signals from up to four (4) stereo sources through a single USB port 1. The sound card supports 24-bit/96kHz high resolution signal processing, and can input and output all audio signals with no degradation of sound quality. Once connected to a PC or Mac, the settings utility tool can be used to customize the mixer's output signal path to suit various purposes, such as DJ play, song recording or production 2. Furthermore, smooth transfers between DJs are possible with the easily accessible USB ports on the top surface of the mixer. Sound Quality Design —The DJM-900nexus is equipped with the same audio input and output circuits as Pioneer's flagship DJM- to achieve the most accurate audio reproduction from connected sources. The 32-bit digital to analog converter supports all outputs of the mixer, including the master audio outputs, booth outputs as well as headphones. Additionally, the built-in high performance 32-bit digital signal processor (DSP) suppresses any digital and analog circuit noise by way of high quality balanced hybrid operation amps and full balanced output circuits. Connection With more DJs continuing to use their personal computers as part of their rig, the new DJM-900nexus is ready for a direct connection to a laptop PC or Mac, increasing its convenience and functionality. PRO DJ LINK — Via an Ethernet (LAN) cable, the mixer can quickly link to the latest Pioneer PRO DJ LINK compatible CDJ- and CDJ-900 players (with firmware version 4.00 or later 3) or a personal computer running Pioneer’s rekordbox™ software, giving users fast access to a song’s beats per minute (BPM) and beat location information, resulting in a precise beat matching capability. Furthermore, the built-in quantize mode compensates for Beat Effect operation timing errors automatically, so effects are matched perfectly. TRAKTOR™ Functionality — Using a USB connection with a PC or Mac, the four decks (players) inside TRAKTOR can be connected simultaneously with the mixer, enabling enhanced flexibility with the software. In addition, the mixer is also TRAKTOR SCRATCH 4 certified for TRAKTOR SCRATCH PRO / DUO 2 (version 2.0 or higher), allowing scratch control functionality when using a time code disc 5. Time Code Output — Through its USB port, the mixer can output time code disc signals for DVS (Digital Vinyl System) software 6 when used with a Pioneer CDJ player or analog record player. DJ play using DVS software can be done without difficult and complicated connections 7. Feature Packed The DJM-900nexus is equipped with additional features that add to the user’s DJ play. High performance channel faders — The slide mechanism supports the fader knobs with two metal shafts for both longevity and smooth operability Furthermore, the new mechanism’s design minimizes the effects of moisture or dust particles on the mixer’s performance capabilities. Integrated input selector — Enables users to simultaneously switch all channel inputs. Indicators — The DJM-900nexus is equipped with a “USB connection indicator” to display the status of sound card and PC or Mac communications as well as a "USB audio input indicator" to display audio inputs from a PC or Mac. Industry’s First MIDI Signal Output 8 — The DJM-900nexus features the industry's first musical instrument digital interface (MIDI) signal output that changes at beat-by-beat intervals. The mixer also includes a "MIDI LFO function" to control external devices such as effecters. Assignable MIDI Functionality — Nearly all knobs and buttons operation information can be assigned to control other devices. The mixer can also be used as a MIDI controller. Switching 3-Band EQ/Isolator — Each channel of the mixer is equipped with a switchable 3-band EQ (+6dB to -26dB) and 3-band Isolator (+6dB to -¿dB). P-LOCK Fader Cap — Keeps the fader channel and crossfader knobs (caps) locked preventing them from physically slipping off during use. Auto Standby — Automatically senses the presence of active operation and input signals and switches to standby mode when inputs are not detected for a long period of time.

Enjoy DJ play controlled with iPad, iPhone or iPod touch New wireless DJ System for HOME DJ Industry-first operation of various functions with iPad/iPhone/iPod touch By connecting this device via a wireless LAN connection to an iPad/iPhone/iPod touch with the special "remotebox" mobile application installed, it is possible to select songs stored inside USB storage devices connected to the XDJ-R1 via the screens of these devices. In addition, it is possible to apply an "AUTO BEAT LOOP" function, which automatically loops music at a specified tempo, as well as intuitively controlling various effects using the X-Y pads of devices. The back of the XDJ-R1 also features a stand for installation of iPhone/iPod touch devices at an angle conducive to easy song selection. Support for diverse media and music formats DJ play can be performed using a diverse range of media and music formats, including music CDs and file formats such as MP3, AAC, WAV and AIFF stored inside USB storage devices or recorded onto CD-R/RW. The XDJ-R1 also provides MIDI support and can be used to operate various pieces of DJ software Free download of "Virtual DJ Limited Edition" Free download of Atomix Inc.'s "Virtual DJ Limited Edition" DJ software. This software features an original GUI design that is easy to use with the XDJ-R1, and enables optimum enjoyment of various DJ play styles with features including loops, effects, a sampler and 4-channel mixing. BEAT SYNC" function for one-touch beat synchronization of two songs The "BEAT SYNC" function automatically synchronizes the beats of songs that have been analyzed by the "rekordbox" music management software played on each player, simply by pressing the "SYNC" button. The unified structure of two players and a mixer means users can DJ with this device alone. The mixer part is equipped with ports for the connection of external hardware such as CDJ players and turntables, etc., so it can also be used as an independent 2-channel mixer Functions for enjoyment of wide range of music arranging and mixing A combination of all kinds of effects enables simple performance of a wide range of music arrangements and mixes. 1. HOT CUE The "HOT CUE" function enables instant playback from a previously specified point, simply by pressing a button. Each player can set "HOT CUES" at three points 4 BEAT SAMPLER The "4-BEAT SAMPLER" function makes it possible to play recorded sampling sound sources simply by pressing a button. Sound sources can be recorded from songs on USB storage devices and CDs.BEAT FX Diverse forms of DJ play can be enjoyed by selecting from 4 effects (TRANS, FLANGER, ECHO, and ROLL) for each song played on each player and changing BPM and effects levels. SOUND COLOR FX Diverse forms of DJ play can be enjoyed by selecting from 4 effects (FILTER, CRUSH, PITCH, and NOISE) for each song played in each channel. High sound quality design for clear and powerful DJ sound Noise has been reduced by separating analog and digital circuits, and performing digital conversion of analog input signals by the shortest distance possible. All signal processing is conducted with a high-performance CPU to ensure that DJ mixes have a clear sound. Additional Features "AUTO BEAT LOOP"function enables songs to be looped automatically at a specified BPM "QUANTIZE"function automatically corrections divergence from specified BPM when using "AUTO BEAT LOOP" or "BEAT FX Equipped with independent 3-band isolator Internal sound card (Audio Interface) Complete with MASTER OUT (XLR), BOOTH OUT, AUX and MIC ports Environmentally-friendly "Auto Standby Function" that switches the power to standby mode when there is no operation or input for a certain period of time.

The HD 202 MkII closed, dynamic hi-fi stereo headphones are the ideal partner for DJs and powerful modern music, providing good insulation against ambient noise and a vivid, crisp bass response. The rugged lightweight headphones have a secure fit and can be used for both mobile sources and home (mini) hi-fi systems. When out and about, a convenient cord take-up lets you adjust the headphone cable to the required length. Features Closed, supra-aural, dynamic hi-fi stereo headphones For DJs,ideal for both mobile sources and home mini hi-fi systems Good attenuation of ambient noise Earcups can be removed from the headband Specially designed damping perforation ensures powerful bass response Lightweight diaphragm material with turbine embossing for extremely low bass Powerful neodymium magnets and lightweight diaphragms for high sound levels Powerful bass and increased signal levels for modern rhythm-driven music Clips to the belt: cord take-up for adjusting the cable length when listening on the move Extremely comfortable to wear due to ultra-lightweight design, even for extended listening Rugged outdoor design with extremely flexible headband 3 m highly conductive OFC copper cable Replaceable leatherette ear pads Delivery Includes 1 HD cord take-up with clip 1 adaptor mm stereo jack plug

ZED-24 has an incredibly advanced feature-set for a mixer at this level – it has 23 independent sources to the mix, 10 independent outputs, 4 aux sends, Configurable USB audio in/out makes it easy to capture stereo recordings, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-24 is so packed full of great features that you’d think it would cost much, much more! Features: 16 mono channels Neutrik mic XLR Neutrik 1/4 inch jacks Channel insert Super wide gain ‘DuoPre’ mic line input 3 band EQ with MusiQ 4 auxes Illuminated mute Sound image pan Illuminated PFL & peak warning indicator  ALPS 100mm faders 4 stereo channels with 2-band EQ and inputs for extra sources Stereo returns & playback All inputs with level control 12 bar meters Mono/stereo function on auxes 1&2 Monitor output section Alt stereo output source Configurable USB stereo audio in/out Cakewalk SONAR X1 LE bundled with mixer USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-   Send options:   1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-4   Return options:   1) To Stereo 3 channel   MusiQ ZED-24 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ – with optimised slope (or Q factor) for equalising individual instruments.   DuoPre™ Based on the proven pre-amps from the hugely successful PA series, ZED-24 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.   SONAR X1 LE – Provided Free! We’ve included Cakewalk SONAR X1 LE with ZED-24 so you can immediately start to use it to create your own music – just add a PC and it couldn’t be easier to get going. You’ll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways – e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features • Powered by SONAR X1 • 32 audio tracks • 64 MIDI tracks • 8 simultaneous inputs and outputs • 24-bit/96 kHz audio quality • 24 simultaneous effects • 8 simultaneous virtual instruments 1 year limited guarantee. For more info on this product please click here

The SRH240A Professional Around-Ear Stereo Headphones from Shure provide high-quality audio in a lightweight and comfortable design. Large 40mm neodymium dynamic drivers provide clear, detailed sound with a wide frequency response while the closed-back earcup design helps to block out ambient noise. The enhanced design features thick around-ear cushions and an adjustable headband that provide long-lasting comfort, allowing you to listen for hours without fatigue. The OFC cable provides plenty of slack and has a standard 3.5mm plug and a 1/4" adapter for wide compatibility with consumer and professional audio gear. The lightweight and durable construction withstands the rigors of day-to-day use Large 40mm neodymium dynamic drivers provide high-quality sound with a wide frequency response so you experience deep bass, clear mids, and crisp treble The closed-back earcup design helps to block out ambient noise so you can focus on your music instead of your environment The re-engineered ergonomic design features thick around-ear cushions and an adjustable headband for long-lasting comfort The impedance, power handling, and sensitivity are calibrated for optimum performance with a variety of sound sources The cable has a straight design that provides plenty of slack, while the oxygen-free copper construction provides a clear signal path The standard 3.5mm stereo mini plug and threaded 1/4" adapter provide wide compatibility with consumer and professional audio devices

From the manufacturer Sony 70-200mm F2.8 fixed zoom G Master lens An incomparable constant aperture F2.8 70-200 mm telephoto zoom with extraordinary G Master resolution that offers unsurpassed rendering and bokeh, blazing AF, and extraordinary image stabilization performance Features Extraordinary detail and bokeh in one lens G Master design combines extraordinary sharpness and smooth Bokeh in one lens. It is not easy to achieve spatial frequency of 50 lines pairs per millimeter at a lens’s widest aperture and produce smooth beautiful bokeh at the same time, but that is Sony’s baseline for G Master design. Unprecedented resolution and other demanding design parameters yield outstanding reproduction of the most detailed subjects and scenes with superior contrast throughout every frame. G Master resolution is simply the highest in its class. 11-blade circular aperture for luscious bokeh When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing, polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. Class-leading close-up performance Class-leading close-up performance with a minimum focusing distance of 37.8” and 0.25x maximum magnification is ideal for portraits, telephoto macro, and more. Contributing refinements include ED glass elements and a floating focus mechanism to control aberration that can be problematic in close-up applications. Features Dust and moisture resistant for robust reliability Sony’s standard lens sealing is augmented by a lens mount seal that maximizes resistance to dust and moisture for reliable operation in challenging environmental conditions.* Additional details like rubberized rings that are easy to operate in low temperatures, a zoom lock that prevents unwanted lens extension during transport, and a hood lock button, all add up to professional control and convenience. No “Breathing” When making movies you’re frequently focusing while shooting, either with autofocus or manual focus. A lens that has not been designed with movies in mind might exhibit “breathing”, or variations in the angle of view while focusing which can be a jarring distraction. The SEL70200GM features an optical design and control technology inherited from Sony’s professional camcorders that ensure minimal focus breathing. Fast AF optimized for stills and video Two heavy focus groups are rapidly and precisely positioned by separate actuators: a powerful ring SSM (Super Sonic wave Motor) actuator for the front group, and a double linear motor actuator for the rear group. Improved positioning precision works with real-time feedback from multiple position sensors to allow the body’s AF system to operate at full capacity.

The TLM 102 defines a new generation of Neumann studio microphones. This applies not only to the design of the microphone but also to the price. TLM 102 studio microphone The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102* attracts attention. The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording. Due to its price and flexible field of application, the TLM 102 is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority. Applications: Vocals and speech In particular, pickup of especially loud instruments: Drums, percussion, wind instruments and amps Home recording, project and broadcasting studios These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.. Large-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer) Compact, characteristic but smaller-scale Neumann design Very high maximum sound pressure level Slight presence boost above 6 kHz Transformerless circuitry Acoustical operating principle Pressure gradient transducer Directional pattern Cardioid Frequency range 20 Hz... 20 kHz Sensitivity at 1 kHz into 1 kohm 11 mV/Pa Rated impedance 50 ohms Rated load impedance 1 kohms Equivalent noise level, CCIR1) 21 dB Equivalent noise level, A-weighted1) 12 dB-A Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) 73 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) 82 dB Maximum SPL for THD dB Maximum output voltage 13 dBu Dynamic range, A-weighted dB Supply voltage (P48, IEC V 4 V Current consumption (P48, IEC mA Matching connector XLR3F Weight approx. 260 g Diameter 52 mm Length 116 mm Large-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer) Compact, characteristic but smaller-scale Neumann design Very high maximum sound pressure level Slight presence boost above 6 kHz Transformerless circuitry

Get flexible connectivity, pristine sound and a host of included software with this low-latency interface. KOMPLETE never sounded so good. 4 analog ins/outs, plus digital in/out, and MIDI in/out USB powered, 24-bit/96 kHz recording Includes instruments collection, sequencer and DJ software KOMPLETE SOUNDS BETTER KOMPLETE AUDIO 6 is a premium-quality 6-channel audio interface that picks up where its predecessor AUDIO KONTROL 1 left off. It provides everything you need to record, play and perform music, with four analog ins/outs, digital in/out, MIDI and low-latency performance all in a sleek, rugged metal casing. The two mic inputs are armed with high-end pre-amps while Cirrus Logic converters deliver pristine, transparent sound. Upgrade your setup with KOMPLETE AUDIO 6 because KOMPLETE sounds better. The KOMPLETE AUDIO 6 package also includes KOMPLETE ELEMENTS, with over sounds and effects, plus software for recording, sequencing and DJing. A SOUND DECISION KOMPLETE AUDIO 6 lets you experience every facet of your sound, whether you're playing virtual instruments or recording audio. After all, if you're using MASCHINE or KOMPLETE Instruments and Effects, you're armed with an array of sounds in the highest-possible audio fidelity. KOMPLETE AUDIO 6 gives you the hardware to match. Pristine sound doesn't happen by accident it's the result of knowledge, experience and close attention to detail. KOMPLETE AUDIO 6 has been designed in-house by NATIVE INSTRUMENTS, and takes the already award-winning sound quality of the AUDIO KONTROL 1 to a new level. From the custom, streamlined circuit design, through the hand-picked components to the analog volume knob on top of the unit every part of the interface is designed to preserve signal clarity. KOMPLETE CONNECTIVITY KOMPLETE AUDIO 6 is designed to be flexible, with plenty of options for connecting mics, guitars, MIDI instruments or outboard gear:4 analog inputs: 2 balanced mic/line/instrument (XLR); plus 2 balanced line (1/4" TRS) 4 balanced analog outputs (1/4" TRS) Digital stereo input and output (S/PDIF / RCA) for lossless signal transmission MIDI in/out for master keyboard, MASCHINE or any third-party MIDI controller Headphone output with independent level control and source switch Completely USB powered, with an extra sturdy custom USB socket RECORD AND MONITOR New chips, new audio drivers and new circuitry ensure that latency is low, and the direct monitoring option provides 100% latency-free monitoring for recording guitars, vocals, or other live sources. Other important recording features:Low-latency performance for using virtual instruments and effects High-quality pre-amps with individual gain controls Direct monitoring for live, latency-free recording Mono input switch for recording vocals, guitar or other mono sources 48V phantom power for using condenser mics and active DI boxes 15 status LEDs provide visual feedback for all signals and indicate clipping SOFTWARE, SOUNDS AND SEQUENCER INSIDE Just like the AUDIO KONTROL 1, a generous software package is included in KOMPLETE AUDIO 6, so you can produce songs or mix tracks right out of the box:KOMPLETE ELEMENTS over 3 GB of inspiring instruments and effects CUBASE LE 6 sequencer and recording software TRAKTOR LE 2 DJ software6 In / 6 Out portable audio / MIDI interface with sturdy metal casing, USB 2.0 bus powered Premium sound quality: 24-bit / 96kHz Cirrus Logic AD/DA converters Low latency via newly developed chip technology and driver architecture 2 balanced mic / line / instrument inputs (XLR / 1/4" TRS Neutrik, phantom powered) with individual gain controls 2 balanced line inputs (1/4" TRS) with activity and clip LEDs plus digital stereo input (S/PDIF) with RCA connector 4 balanced analog outputs (1/4" TRS) plus digital stereo output (S/PDIF) with RCA connector Headphone output with level control and source switching between channels 1|2 and channels 3|4 Direct monitoring with zero latency including mix control knob and mono switch Large volume control knob and 15 status LEDs for full visual monitoring of the signal chain High performance drivers for Mac and PC (ASIO / Core Audio / DirectSound / WASAPI) Custom-built USB port for extra-solid connection

The V-4 is a 4-channel Video Mixer made for portable or fixed installation use. It is ideal for use in nightclubs, places of worship, theatres, and other live performances. The compact design of the V-4 gives you the freedom to make your video sources come alive. The V-4 is a part of the Roland SD video mixer line. For cutting-edge Multimedia artists, the V-4 offers V-LINK, an exciting feature from Roland that provides for realtime performance control over digital video, for the ultimate in creative expression. V-LINK allows the user to trigger clips, perform video effects and transitions in real-time when connected with the PR-80 (sold separately). The V-4 video mixer also has MIDI in/out/through, for real-time or sequenced control of video sources with effects and transitions. The V-4 is a part of the Roland SD video mixer line.

Pioneer VSW1 Video Switcher The VSW-1 is simple in its design and extremely easy to use, ensuring that DVJs are able to mix audio/video content from separate sources without relying upon multiple independent devices or needing another artist in the DVJ booth. This Video Switcher gives performers more freedom in the mix because they can automatically switch video sources (by pressing the red "Auto" button) when using the familiar Fader Start capability found in all of Pioneer's Pro DJ mixers. The VSW-1 video switcher gives top DVJs the flexibility they need to take full advantage of Pioneer's revolutionary DVJ-X1.

The Blackmagic Design DeckLink Quad is used to add 4 SDI inputs and outputs for media play-out servers and real-time processors. Offering broadcast grade multi-channel SDI capture and playback, the DeckLink Quad provides the operation capabilities of 4 completely independent capture cards onto a single PCI express card with bypass relays, watchdog timer, black burst, and tri-level common genlock for locking to sources of any frame rate. Allowing you to create custom software and workflows, the BDLKDVQD DeckLink Quad card provides you power to work without limitations. It also allows you to add titles, resizing, de-interlacing, and converting formats on multiple streams, while simultaneously allowing you to capture and output the final result. Featuring 8/10-bit SD and HD recording and playback in YUV 4:2:2, the DeckLink Quad provides best quality pictures ideal for use in live broadcast and post production works by avoiding any generational or compression loss. Featuring low SDI jitter in long distance transmissions cables and 4 PCIe connections for low latency, it provides output at a transfer rate of 10Gbps and allows instant switch between a SD and HD modes. Allowing connection of up to 16 independent SDI devices which can be configured in any input/output configuration, the card supports up to 8 channels of uncompressed SDI embedded audio and Dolby digital pass through that provides high quality sound output. The DeckLink Quad offers a wide range of features allowing you to use custom made option to suit your needs, and also includes a built-in keyer for live overlay of graphics into production switchers. It can be used to connect to SDI enabled VTR such as Digital Betacam, HDCAM SR, XDCAM, D5, DVCPRO HD, etc with zero latency for instant response. Offering compatibility with Mac OS X, Windows 7, or 64-bit Linux computers, it includes a media express application which provides timecode accurate capture and play out of uncompressed QuickTime, AVI, and DPX files. Used to add 4 SDI inputs and outputs for media play-out servers and real-time processors Offers broadcast grade multi-channel SDI capture and playback Provides the operation capabilities of 4 completely independent capture cards onto a single PCI express card Bypass relays, watchdog timer, black burst, and tri-level common genlock for locking to sources of any frame rate Create custom software and workflows Allows you to add titles, resizing, de-interlacing, and converting formats on multiple streams Simultaneously allowing you to capture and output the final result 8/10-bit SD/HD recording and playback in YUV 4:2:2 Provides best quality pictures ideal for use in live broadcast and post production works by avoiding any generational or compression loss Features low SDI jitter in long distance transmissions cables 4 PCIe connections for low latency Output at a transfer rate of 10Gbps Instant switch between a SD and HD modes Allows connection of up to 16 independent SDI devices Supports up to 8 channels of uncompressed SDI embedded audio and Dolby digital pass through that provides high quality sound output Offers a wide range of features allowing you to use custom made option to suit your needs Includes a built-in keyer for live overlay of graphics into production switchers Used to connect to SDI enabled VTR such as Digital Betacam, HDCAM SR, XDCAM, D5, DVCPRO HD, etc. Zero latency for instant response Offers compatibility with Mac OS X, Windows 7, or 64-bit Linux computers Includes media express application which provides timecode accurate capture and play out of uncompressed QuickTime, AVI, and DPX files

Features Brawn and beauty - Sophisticated design and powerful sound The MSR400 was designed with emphasis on sophistication and powerful sound. The resulting refined appearance and authoritative sound give the MSR400 both brawn and beauty, making it a great choice for a wide array of performing and live-sound situations. 400 Watts of Outstanding Bi-amped Power The MSR400 employs a two-way bi-amplified system in which the low-frequency and high-frequency drivers have their own dedicated amplifiers. The 12-inch cone type woofer and the 1.75-inch high-frequency horn driver deliver total output power of up to 400 watts (LF: 300 watts, HF: 100 watts burst; 300 watts continuous total). Inputs for a Variety of Sources The MSR400 provides three input connectors; XLR-3-31, XLR-3-32, and phone jacks. All inputs are balanced and connected in parallel. The input level range is from -36 dB to +4 dB, allowing the MSR400 to accept output from your mixer as well as other sources such as microphones, synthesizers, or other electronic musical instrument. The control section includes input level adjustment and a two-band equalizer so you can make fine adjustments for optimum matching with your input source. A Range of Mounting Options The MSR400 can be mounted and positioned in a number of ways to meet the needs of venues or events. It can be placed vertically on the floor, used as a stage monitor, or even mounted on a speaker stand for improved projection. The top surface of the cabinet provides 8-mm threaded holes that facilitate wall or ceiling mounting. Peak LED for Visual Level Monitoring In addition to the green LED that lights when the power is turned on, there's a peak LED that lights red when an input overload occurs. This provides a visual indication of excessive input, allowing you to adjust the input level appropriately.

Yamaha MSP7 Active Studio Monitor (SINGLE) POWERED FOR UNCOMPROMISED QUALITY The trend towards choosing powered speakers for production monitoring is based on some very sound logic. By integrating and matching the power amplifiers and speakers, the relationship between them can be kept under perfect control for superior performance in the widest possible range of systems. Naturally the power amplifiers themselves are of the finest quality and, unlike component power amplifiers that must be designed for acceptable matching with the widest possible range of speakers, are designed and manufactured specifically to drive the system's woofer and tweeter in their specific enclosure. No matter where the MSP7 STUDIO monitors are used, and with what sources or other audio gear, you know that you're always receiving the benefits of a perfectly matched power amplifier and speaker system. You'll hear the difference. You'll also benefit from the convenience of not having to deal with external amplifiers and cabling. ADVANCED BI-AMP DESIGN There are a number of advantages to multi-amp speaker setups, but the added cost and extra equipment required can make them impractical in many situations. With the MSP7 STUDIO everything you need is built-in - all you have to do is supply the line-level input. The 6.5 inch cone woofer is driven by an 80-watt power amplifier, while the 1 inch dome tweeter has its own 50-watt power amplifier. In the MSP7 STUDIO this particular power and driver combination results in the perfect balance between the low-mid and high frequency ranges. The frequency ranges are divided via a carefully designed electronic crossover before the power amplifier inputs, featuring steep 30-dB/octave roll-off curves in both the low- and high-pass filters. The steep roll-off minimizes inter-modulation between the frequency bands at the crossover point, achieving significantly smoother, cleaner crossover performance in the critical midrange. And the fact that the crossover is a linelevel electronic design completely eliminates the loss, distortion, and sometimes severe inter-modulation that are almost unavoidable in conventional passive crossover networks driven by a single power amplifier. DETAILS THAT DEFINE SUPERIOR PERFORMANCE The MSP7 STUDIO woofer and tweeter units feature some important design innovations that contribute directly to improved sound quality. The 6.5 inch woofer, for example, features a specially treated polypropylene cone with lowdamping rubber surrounds for exceptionally smooth response. Low-reflection highrigidity die-cast magnesium baskets both maximize mechanical precision while minimizing unwanted coloration of the speaker's output. The 1 inch tweeters feature titanium domes that offer the perfect combination of light weight and rigidity for precise reproduction right up to 40 kHz. The tweeters have a powerful magnetic circuit that results in extremely fast response for crisp, natural transients, and are integrated with a waveguide that achieves uniform high frequency dispersion of 120 degrees. But precision manufacturing makes a huge contribution to performance as well as basic materials and design. The slightest eccentricity in the alignment of the tweeter domes and waveguides, for example, can seriously affect performance. So can the alignment of the coils and magnetic circuits. These are details that require a considerable investment of energy and resources to do properly, and they are exactly the details that make the MSP7 STUDIO the superior studio monitor that it is.

The  MH-8 from  Tascam is a professional-quality rackmount headphone amplifier that allows 8 listeners to monitor a variety of sources. Each of the 8 channels has its own direct stereo input. There are also 2 stereo channels that can be shared to any of the outputs. Each 1/4" headphone output can select one input, or mix several together. All of the outputs have an individual level control, as well as input selector switches, a mono switch, and signal and overload LED indicators. A set of 4 TRS foldback outputs allow you to daisy-chain multiple units. Rackmount design for easy installation in any standard equipment rack Direct stereo input on all 8 channels, plus 2 group stereo inputs Each channel can select a direct source, group source, or combination of sources Standard 1/4" headphone jacks with 250mW + 250mW output Each output channel has a level control, input selector switches, a mono switch, and LED indicators for signal and overload 4 TRS foldback outputs allow you to daisy-chain multiple units

Samson’s MediaOne BT5 Active Studio Monitors are the ideal speakers for all your multimedia needs and feature the ability to connect to your smart phone, laptop or tablet via Bluetooth. Whether you’re listening to music, producing tracks, watching videos or gaming, these monitors provide dynamic and reliable audio. MediaOne BT5 monitors feature the highest quality components, a stylish new look and are packaged as a stereo pair. MediaOne BT5 monitors produce 20 watts per channel RMS, 40 watts per channel Peak of full-range audio. Their 5-inch copolymer woofers deliver a controlled low frequency response, while their 1-inch silk dome tweeters give the high frequencies a natural sound without unwanted noise. Each rear-vented, precision-tuned port enclosure is finished in an all-black satin vinyl covering with matching metal grills for the woofers and tweeters, assuring these monitors look as good as they sound. sing Bluetooth, you can easily pair this system with your smart phone, laptop or tablet, and listen to your music, videos and other media applications through MediaOne BT5 monitors without wires. The Bluetooth pairing button can be found on the active speaker’s rear control panel, along with the system’s RCA inputs, passive monitor terminals and an AC power connector. In addition, the front panel houses an LED indicator, level control, as well as both a headphone output and stereo input. The 3.5mm stereo input can be used to connect secondary signal sources such as MP3 players, keyboards and more. 2-way active studio monitors with rear-vented, precision-tuned port enclosures (sold in stereo pairs) Bluetooth connectivity to connect wireless music sources 5-inch copolymer woofers 1-inch silk dome tweeters 20 watts per channel RMS, 40 watts per channel Peak Front panel LED indicator, level control, headphone output and stereo input Back panel Bluetooth pairing button, RCA inputs, passive monitor terminals and AC power connector AV shielded for multimedia applications Passive crossover design for linear response from bottom to top Sleek all-black satin vinyl finish Metal grills protect woofer and tweeter components Speaker cable included

ZOMEI Mobile Phone 37mm 4 6 8 Line Star Evening ND Filter Lens for Iphone Huawei Samsung Xiaomi HTC Android IOS with Clip Description: ZOMEi Star filter is used in dark environments with bright sources of light, creat wonderful Twinkle Effect from original point light sources or bright reflections. Rotated Design: Easily set the ideal orientation for the star rays. Add some sparkle lights to your shots and make the light come to life.It emphasizes glaring sunshine reflected by the sea and bring brilliant atmosphere to night scenery Compatible with iPhone 6/6S 6 Plus/ /6S Plus iPhone 5 5C 5S 4 4S Samsung S6 S5 S4 S3 HTC Motorola Tablets iPad 2 3 4 Air and other smartphones Specification: Material (Lens): Optical Glass + Aluminum Alloy Material (Clip): ABS Diameter: 37mm Package Included: 1 X  Star Filter 1 X Clip Detail Pictures:  

Manage multiple audio sources and sets of monitor speakers, track using illegally loud headphone amplifiers, and talk back to your drummer—all from your desktop. Switch quickly and easily between up to four audio sources with a selection of input types. Audition your music with your choice of three stereo pairs of speaker outputs, each with separate level control. Four screaming-loud headphone outs and a talkback mic ensure your musicians hear every note—and your instructions—clearly. There’s more to managing a monitoring system than I/O, level controls, and talkback. The Monitor Station V2 offers powerful options that allow you to configure it for the way you like to work. With its ergonomic, intuitive layout; extensive features and I/O; and PreSonus’ famed sound quality, Monitor Station V2 provides a versatile, convenient, and affordable solution for managing your studio monitoring system from your desktop. So sashay down to your PreSonus® dealer and take control of your monitoring system the way the professionals do! Inputs and Outputs 2 Stereo pairs of ¼” TRS inputs 1 Stereo pair of RCA Aux inputs 1 Stereo S/PDIF coaxial (RCA) digital input (44.1/48/88.2/96 kHz) 3 Stereo pairs of ¼” TRS speaker outputs with level controls 1 Stereo pair of ¼” TRS Main outputs 1 Stereo pair of ¼” TRS Cue outputs 4 ¼” TRS screaming-loud stereo headphone outputs Controls Large Main level control 3 Individual Main Source (ST1, ST2, Aux) select switches 3 Individual Speaker Select switches Cue section with Source select (ST1, ST2, Aux) and output-level control Aux-S/PDIF Select switch Aux Input level control Main Mute, Mono, and Dim switches with variable Dim attenuation Additional Features 8-segment color LED input meters with selectable reference level Built-in electret-condenser talkback microphone with input-gain control and Talkback button Convenient desktop design Please confirm stock availability before purchasing

The PGA81 is an instrument microphone, specially designed for natural and nuanced reproduction of acoustic guitars and strings in sensitive environments. It is also a great overhead microphone for all instruments because it captures all details and colours of their sound. The PGA81 cardioid condenser instrument microphone is a professional quality flat-response microphone featuring highly durable design and construction that delivers excellent sound. Ideal for use in sensitive acoustic instrument performance and recording, the PGA81 comes with a swivel adapter, carrying pouch and XLR cable. Phantom power required. Specs: Flat-response microphone cartridge design for clear reproduction of acoustic instrument sound sources in more sensitive environments. Cardioid polar pattern picks up audio from the source while rejecting unwanted noise Updated industrial design with black metallic finish and grille for unobtrusive visual presence Available with XLR Cable (4.57 m) Stand adapter for mounting to a microphone stand Zipper pouch included for additional protection during storage or transport Legendary Shure quality design and construction for exceptional performance in rigorous environments Transducer Type: Condenser Polar Pattern: Cardioid Frequency Response: 40 Hz - 18 kHz Sensitivity (1 kHz): -48.5 dBV/Pa / 3,8 mV/Pa Weight: 186 g

The KLARK TEKNIK DN100 Single Channel Active Direct Injection Box is designed to provide an extended dynamic range, lower noise floor and all the world-class audio performance you’d expect from KLARK TEKNIK. The DN100 is built to handle the rigours of life on the road: a thick aluminium shell protects the electronics, and this in turn is protected by a tough silicone rubber casing. The DN100 was designed for professional applications where +48 V phantom power is a standard feature on all mixing consoles. Some DI boxes offer both phantom power and 9V battery operation, however the design compromises required to support both power sources means that the audio performance is degraded. Most notably the amount of signal headroom available. The clip point of the DN100 is significantly higher than many professional active DI boxes and can provide +10 dBu into a 2 kΩ load. This higher clipping point means that much higher level input signals can be accommodated without the need for switching in an attenuating pad. Correspondingly the DN100 only requires a single -30 dB pad for use when connecting directly to instrument amplifier outputs. Overview • High-headroom design with +48 V phantom power for extended dynamic range • Fully transformer-isolated design ensures electrical separation between PA and stage equipment • Balanced line input on Neutrik* XLR and high impedance input and link output on 1/4″ TRS connectors • 30 dB input pad and earth lift switches • Features Kensington* lock for added security • Aluminium extrusion casing with protective silicone rubber sleeve • Compact and rugged design • Designed and engineered in England Please confirm stock availability before purchasing We are an authorized dealer of the best sound, dj equipment, studio equipment and lighting Free delivery anywhere in the country on orders over a R1000 Delivery 24-48 hours to all major cities 48-72 hours to outlying areas Warranty Type: Authorized Dealer 12 Months Warranty. All goods are subject to supplier discretion Replacement Guarantee: 30 Days: All goods are subject to supplier discretion Our Shop – Opening Soon Office F2 The Conservatory at Lakefield 106 Lakefield Avenue Lakefield Square Benoni Contact us at 110 - show phone - Tian - 718 - show phone - /Whatsapp Carlo - 844 - show phone - /Whatsapp Trading Hours: Monday - Friday 7:30am - 16:30pm Saturday 7:30am - 13:00pm If you can't find what you are looking for give us a call and we will gladly assist you

Linear audio reproduction and USB studio interface M1Active 520 USB is a studio monitoring system designed for professional studio use with an internal digital-audio interface. M1Active 520 USB is a pair of active, bi-amplified, two-way reference monitors that play from 20,000 Hz all the way down to 56 Hz to cover nearly all frequencies audible to human ears. You can take USB digital signal out of your computer via USB and input it to M1Active 520 USB for low-noise, low-distortion performance. Priced attractively for any studio's budget, M1Active 520 USB perform with linearity, clarity, and neutrality typically reserved for monitors that cost much more. REFERENCE MONITORING We built M1Active 520USB around our popular five-inch polypropylene low-frequency driver for full, smooth response in the low end and our one-inch silk dome high-frequency driver for absolute clarity in the highs. Our custom crossover avoids the crucial vocal midrange, ensuring that your mixes sound the way you recorded them. The low-resonance bass reflex cabinet features radiussed edges to reduce edge diffraction and a tuned port for bass extension. A bass boost switch offers low-frequency enhancement to further accommodate for room conditions requiring a little more output in the low end. PROFESSIONAL MONITORING OPTIONS When you reach for the convenient front panel volume control, you can be confident that the power you need will be there with M1Active 520 USB's bi-amplified design delivering 30W per speaker. Like the rest of the M1Active series, M1Active 520 USB are magnetically shielded, so there's never an issue of placement near computer screen, LCDs, or hard drives. The front-panel stereo 1/4" headphone output mutes the loudspeakers when connected. When you connect headphones, the main volume control automatically switches to controlling the headphone output. M1Active 520 USB feature a large, front-panel, bi-color indicator that indicates presence of signal in blue and clipping in red for instant feedback on system status. EXTENSIVE I/O Professional quality analog input jacks are located on the rear. Two balanced-1/4" inputs enable engineers to connect a stereo source or two mono sources. For convenient recordings, simply connect the stereo output of a mixer. You can create complete recordings with no additional audio interface! The speakers are interconnected using a standard XLR cable for secure, professional connection. For worldwide operation, M1Active 520 USB features a voltage-switchable power supply. USB DIGITAL AUDIO INTERFACE In addition to their capabilities as traditional monitor loudspeakers, M1Active 520 USB monitors contain a USB audio interface. Connected audio sources such as mic preamps and instruments can be recorded directly into your computer at 16-bit, 44.1 or 48 kHz. Simply plug the USB cable into your computer. No special drivers required. And when it's time to listen back to your mixes, that same USB cable sends 16-bit, 44.1 or 48 kHz, stereo audio from computer to your M1Active 520 USBs. No more complicated interfaces and messy cable tangles. *

  ZED-24 has an incredibly advanced feature-set for a mixer at this level – it has 23 independent sources to the mix, 10 independent outputs, 4 aux sends, Configurable USB audio in/out makes it easy to capture stereo recordings, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-24 is so packed full of great features that you’d think it would cost much, much more!   ZED-24 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ – with optimised slope (or Q factor) for equalising individual instruments.   16 mono channels Neutrik mic XLR Neutrik 1/4 inch jacks Channel insert Super wide gain ‘DuoPre’ mic line input 3 band EQ with MusiQ 4 auxes Illuminated mute Sound image pan Illuminated PFL & peak warning indicator  ALPS 100mm faders 4 stereo channels with 2-band EQ and inputs for extra sources Stereo returns & playback All inputs with level control 12 bar meters Mono/stereo function on auxes 1&2 Monitor output section Alt stereo output source Configurable USB stereo audio in/out Cakewalk SONAR LE bundled with mixer