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Adamson - Point 215i LF - 2x ND15-S, M20 threaded polemount support The Point 215 Sub has been designed to complement the larger Point Series 2-way enclosures; it encompasses 2x ultra powerful 15¿ Kevlar Neodymium LF Drivers, giving this enclosure an output of 136.3 dB (peak), enough SPL to match multiple 12¿ and 15¿ Point Series loudspeakers. The Point 215 Sub can also be used as a stand-alone product, paired with your existing system setup to supplement missing bottom-end. Be careful though, its size is deceiving and for best results use it with Point Series tops for any live and / or playback material. Even Blues, Hip-Hop, Rock¿n¿Roll or Metal are no challenge for this workhorse.

Adamson - Point 215 Subwoofer: LF - 2x ND15-S The Point 215 Sub has been designed to complement the larger Point Series 2-way enclosures; it encompasses 2x ultra powerful 15” Kevlar Neodymium LF Drivers, giving this enclosure an output of 136.3 dB (peak), enough SPL to match multiple 12” and 15” Point Series loudspeakers. The Point 215 Sub can also be used as a stand-alone product, paired with your existing system setup to supplement missing bottom-end. Be careful though, its size is deceiving and for best results use it with Point Series tops for any live and / or playback material. Even Blues, Hip-Hop, Rock’n’Roll or Metal are no challenge for this workhorse.

Avantone - CK-7 Large Capsule Multi-Pattern FET Condenser Microphone The Avantone "Cabernet (C-series)" mics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. The Avantone CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET micsbut at a fraction of their cost! Our rugged CK-6 microphone body and capsule assembly are precision machined of brass. Aesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. The transformerless Discreet Class A FET circuitry will yield pleasing professional results comparable to much more expensive designs. The CK-6 houses a 32mm gold-sputter thin Mylar capsule. The CK-6 in its normal stock version uses high grade Polystyrene and Metalized Polypropylene capacitors in the audio path. This represents our commitment to quality as these normally are the type of "upgrade" components that are implemented by microphone modders/hot-rodders! Any studio can proudly offer the CK-6 for instrumental and vocal mikingIt exudes class visually as well as sonically. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The versatile CK-6 mic is able to produce professional results with a clean sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. The CK-6 has separate -10 dB pad & 80 Hz LF roll off switches....The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. The 80Hz high-pass filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from "muddying up" the track.

Avantone - CK-6 Large Capsule Cardioid FET Condenser Microphone The Avantone "Cabernet (C-series)" mics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. The Avantone CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET micsbut at a fraction of their cost! Our rugged CK-6 microphone body and capsule assembly are precision machined of brass. Aesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. The transformerless Discreet Class A FET circuitry will yield pleasing professional results comparable to much more expensive designs. The CK-6 houses a 32mm gold-sputter thin Mylar capsule. The CK-6 in its normal stock version uses high grade Polystyrene and Metalized Polypropylene capacitors in the audio path. This represents our commitment to quality as these normally are the type of "upgrade" components that are implemented by microphone modders/hot-rodders! Any studio can proudly offer the CK-6 for instrumental and vocal mikingIt exudes class visually as well as sonically. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The versatile CK-6 mic is able to produce professional results with a clean sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. The CK-6 has separate -10 dB pad & 80 Hz LF roll off switches....The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. The 80Hz high-pass filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from "muddying up" the track.

Avantone - CK-1 Small-Capsule FET Pencil Microphone The Avantone "Cabernet (C-series)" mics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. The Avantone CK-1 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET micsbut at a fraction of their cost! Our rugged CK-1 microphone body and capsule assembly are precision machined of brass. Aesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. The CK-1 in its normal stock version uses high grade Polystyrene and Metalized Polypropylene capacitors in the audio path. This represents our commitment to quality as these normally are the type of "upgrade" components that are implemented by microphone modder/hot-rodders! The high quality FET circuitry will yield pleasing professional results comparable to much more expensive designs. Any studio can proudly offer the CK-1 for instrumental and percussion mikingIt exudes class visually as well as sonically. The CK-1 is equally at home on the stage for drum overheads, acoustic instruments and piano. The CK-1 includes (3) 19mm (3/4") interchangeable capsules to provide unlimited miking possibilities! Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The rugged CK-1 mic is able to produce professional results with a clean sonic character. The included SSM Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. The 3 capsules (cardioid, omni, and Hyper-cardioid) offer versatility for accommodating virtually any miking task. The CK-1 has separate -10 dB pad & 80 Hz LF roll off switches....The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. The 80Hz high-pass filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from "muddying up" the track.

Key Features Die-Cast Metal Body Cardioid Pickup Pattern 12AX7 Vacuum Tube Shock Mounted Capsule LF Roll Off Switch Suspension Mount, Windscreen, and Case Included Behringer T-47 Specs Capsule Condenser Diaphragm 0.63" / 16.0 mm Circuitry Tube Frequency Range 20 Hz to 20 kHz Maximum SPL 130 dB SPL Impedance 200 Ohms Load Impedance 1 Kilohms Sensitivity -40 dBV/Pa Dynamic Range 110 dB Weight 2.4 lb / 1.09 kg

The Blackline F12+ is a high power, compact two-way system with a new, vented-chassis, 12¿ (300mm) LF driver and a new 1¿ (25mm) exit compression driver mounted on a rotatable 80° x 50° constant directivity HF horn. The LF driver has a tough, water resistant cone and features a high BL motor with a flat-wire copper coil and an aluminium demodulating ring. This reduces intermodulation distortion and improves midrange performance when driven hard. Increased excursion is available by virtue of a triple roll surround and deep motor structure. The directivity of the LF driver has been matched to the HF horn in the crossover region by improved crossover design and cone profile optimisation, also the new HF compression driver utilises an ultra-lightweight Kapton diaphragm for extended high frequency response. A Martin Audio M3+ or DX1 Electronic Controller is available to provide F12+/subwoofer crossover and limiter facilities. FEATURES Compact two-way passive system User rotatable 80° x 50° horn Top hat fitting for speaker stand mounting Five year limited warranty APPLICATIONS Live club performance Floor monitor Club installs AV presentations