Comparison

GARMIN eTrex30 - R3000 This Garmin eTrex30 was bought and used once and I then immediately upgraded after using it for about 30 minutes to a Garmin Oregon 650. So this item is pretty much so to say brand new and in Mint Condition. See attached pictures of actual item... This item has been discontinued and has been replaced with the Garmin eTrex 30x that retail for R4449. And its basically the same item there is no big differences besides more memory and more pixels on the screen. Have a look at the below video that shows side by side the Garmin eTrex30 and eTrex30x - it shows that they are the nearly identical and that the old eTrex30 seems to the same speed in loading stuff compared to the upgraded more memory eTrex30x. Quite ironic...:) Comparison video: https://www.youtube.com/watch?v=GcFQ4uHhWBg Comparison list: http://www.tramsoft.ch/gps/garmin_etrex2_en.html Retail price new is R3699. I want R3000 for it. It comes with the original box, manuals, cables etc as it was bought. To give you an idea of the good value of this item...a new updated eTrex 35 Touch is retailing new for R5099. And a eTrex10 is retailing new for R2349. And a eTrex20x is retailing new for R3849. And a eTrex30x is retailing for R4449. Therefore taking the above prices into consideration this eTrex 30 is a great deal at R3000. Here is a link with detail specifications of the device: https://buy.garmin.com/en-US/US/into-sports/discontinued/etrex-30/prod87774.html Here is a nice comparison chart for all the Garmin GPS products: http://www.garmin.co.za/images/compare/garmin_outdoor_chart.pdf Here is a link with prices of each of the handheld Garmin GPS products: http://www.garmin.co.za/outdoor_products_handheld.php

At the NAMM show thousands of players, media and dealers crammed into a small demo room inside the Peavey exhibit, one after another, where our engineers set up a blind A/B comparison between their new invention and a real tube amp. No one could tell the difference between the two. Some "golden ears" even thought the TransTube Bandit was the real tube amp. But How? In devising the TransTube Circuitry, our engineers studied every aspect of how a tube amp works. We learned that recreating tube tone isn't merely a question of gain structure. It's about the entire component chain and how each one interacts with the others. It's about damping factor and the corresponding speaker response. It's about power amp compression. How the amp breaks up when driven hard, harmonic structure and non-linear gain stages. It's about cabinet size, bracing, wood and thickness. But most importantly, it's about what it's not. Those other manufacturers' half-hearted attempt at tube emulation failed because they focused on the wrong elements. So we concentrated on emulating the tone characteristics we all recognize and love about tubes and 86'd the rest. It's a deceptively simple concept, but it took three U.S. Patents to map the entire process for the history books. Set up a comparison at your Peavey dealer and discover the TransTube difference for yourself. No marketing hype needed. You won't believe your ears!•10" Blue Marvel® speaker •High and Low Gain inputs •TransTube tube emulation circuitry •Footswichable Clean and Lead channels •3 band passive EQ on each channel •3 position EQ/Gain Voicing switch on each channel •Reverb with level control •Footswitchable Boost with level control •¼" stereo Speaker Simulated Direct Out jack •Headphone jack •Footswitch optional •40 Watts (rms) •Weight Unpacked: lb( kg) •Weight Packed: lb( kg) •Width Packed: cm) •Height Packed: cm) •Depth Packed: cm)

At the NAMM show thousands of players, media and dealers crammed into a small demo room inside the Peavey exhibit, one after another, where our engineers set up a blind A/B comparison between their new invention and a real tube amp. No one could tell the difference between the two. Some "golden ears" even thought the TransTube Bandit was the real tube amp. But How? In devising the TransTube Circuitry, our engineers studied every aspect of how a tube amp works. We learned that recreating tube tone isn't merely a question of gain structure. It's about the entire component chain and how each one interacts with the others. It's about damping factor and the corresponding speaker response. It's about power amp compression. How the amp breaks up when driven hard, harmonic structure and non-linear gain stages. It's about cabinet size, bracing, wood and thickness. But most importantly, it's about what it's not. Those other manufacturers' half-hearted attempt at tube emulation failed because they focused on the wrong elements. So we concentrated on emulating the tone characteristics we all recognize and love about tubes and 86'd the rest. It's a deceptively simple concept, but it took three U.S. Patents to map the entire process for the history books. Set up a comparison at your Peavey dealer and discover the TransTube difference for yourself. No marketing hype needed. You won't believe your ears!•100 Watts (rms) into 4 Ohms (w/external speaker) •12" Blue Marvel® speaker •High and Low Gain inputs •TransTube tube emulation circuitry •Footswitchable Clean and Lead channels •3 band passive EQ on each channel •3 position EQ/Gain Voicing switch on each channel •Reverb with level control •Footswitchable Boost with level control •¼" stereo Speaker Simulated Direct Out jack with level control •Footswitch optional •80 Watts (rms) into 8 Ohms •Weight Unpacked: lb( kg) •Weight Packed: lb( kg) •Width Packed: cm) •Height Packed: cm) •Depth Packed: cm)

At the NAMM show thousands of players, media and dealers crammed into a small demo room inside the Peavey exhibit, one after another, where our engineers set up a blind A/B comparison between their new invention and a real tube amp. No one could tell the difference between the two. Some "golden ears" even thought the TransTube Bandit was the real tube amp. But How? In devising the TransTube Circuitry, our engineers studied every aspect of how a tube amp works. We learned that recreating tube tone isn't merely a question of gain structure. It's about the entire component chain and how each one interacts with the others. It's about damping factor and the corresponding speaker response. It's about power amp compression. How the amp breaks up when driven hard, harmonic structure and non-linear gain stages. It's about cabinet size, bracing, wood and thickness. But most importantly, it's about what it's not. Those other manufacturers' half-hearted attempt at tube emulation failed because they focused on the wrong elements. So we concentrated on emulating the tone characteristics we all recognize and love about tubes and 86'd the rest. It's a deceptively simple concept, but it took three U.S. Patents to map the entire process for the history books. Set up a comparison at your Peavey dealer and discover the TransTube difference for yourself. No marketing hype needed. You won't believe your ears! Features: 100 Watts (rms) into 4 Ohms (w/external speaker) 12" Blue Marvel® speaker High and Low Gain inputs TransTube tube emulation circuitry Footswitchable Clean and Lead channels 3 band passive EQ on each channel 3 position EQ/Gain Voicing switch on each channel Reverb with level control Footswitchable Boost with level control ¼" stereo Speaker Simulated Direct Out jack with level control Footswitch optional 80 Watts (rms) into 8 Ohms Weight Unpacked: lb( kg) Weight Packed: lb( kg) Width Packed: cm) Height Packed: cm) Depth Packed: cm) 1 year limited guarantee For more info on this product please click here

At the NAMM show thousands of players, media and dealers crammed into a small demo room inside the Peavey exhibit, one after another, where our engineers set up a blind A/B comparison between their new invention and a real tube amp. No one could tell the difference between the two. Some "golden ears" even thought the TransTube Bandit was the real tube amp. But How? In devising the TransTube Circuitry, our engineers studied every aspect of how a tube amp works. We learned that recreating tube tone isn't merely a question of gain structure. It's about the entire component chain and how each one interacts with the others. It's about damping factor and the corresponding speaker response. It's about power amp compression. How the amp breaks up when driven hard, harmonic structure and non-linear gain stages. It's about cabinet size, bracing, wood and thickness. But most importantly, it's about what it's not. Those other manufacturers' half-hearted attempt at tube emulation failed because they focused on the wrong elements. So we concentrated on emulating the tone characteristics we all recognize and love about tubes and 86'd the rest. It's a deceptively simple concept, but it took three U.S. Patents to map the entire process for the history books. Set up a comparison at your Peavey dealer and discover the TransTube difference for yourself. No marketing hype needed. You won't believe your ears! Features: 10" Blue Marvel® speaker High and Low Gain inputs TransTube tube emulation circuitry Footswichable Clean and Lead channels 3 band passive EQ on each channel 3 position EQ/Gain Voicing switch on each channel Reverb with level control Footswitchable Boost with level control ¼" stereo Speaker Simulated Direct Out jack Headphone jack Footswitch optional 40 Watts (rms) Weight Unpacked: lb( kg) Weight Packed: lb( kg) Width Packed: cm) Height Packed: cm) Depth Packed: cm) 1 year limited guarantee For more info on this product please click here

At the 1995 NAMM show thousands of players, media and dealers crammed into a small demo room inside the Peavey exhibit, one after another, where our engineers set up a blind A/B comparison between their new invention and a real tube amp. No one could tell the difference between the two. Some "golden ears" even thought the TransTube Bandit was the real tube amp. But How? In devising the TransTube Circuitry, our engineers studied every aspect of how a tube amp works. We learned that recreating tube tone isnt merely a question of gain structure. Its about the entire component chain and how each one interacts with the others. Its about damping factor and the corresponding speaker response. Its about power amp compression. How the amp breaks up when driven hard, harmonic structure and non-linear gain stages. Its about cabinet size, bracing, wood and thickness. But most importantly, its about what its not. Those other manufacturers half-hearted attempt at tube emulation failed because they focused on the wrong elements. So we concentrated on emulating the tone characteristics we all recognize and love about tubes and 86d the rest. Its a deceptively simple concept, but it took three U.S. Patents to map the entire process for the history books. Set up a comparison at your Peavey dealer and discover the TransTube difference for yourself. No marketing hype needed. You wont believe your ears! - 100 Watts (rms) into 4 Ohms (w/external speaker) - 12" Blue Marvel® speaker - High and Low Gain inputs - TransTube tube emulation circuitry - Footswitchable Clean and Lead channels - 3 band passive EQ on each channel - 3 position EQ/Gain Voicing switch on each channel - Reverb with level control - Footswitchable Boost with level control - ¼" stereo Speaker Simulated Direct Out jack with level control - Footswitch optional - 80 Watts (rms) into 8 Ohms

Overview At the 1995 NAMM show thousands of players, media and dealers crammed into a small demo room inside the Peavey exhibit, one after another, where our engineers set up a blind A/B comparison between their new invention and a real tube amp. No one could tell the difference between the two. Some "golden ears" even thought the TransTube Bandit was the real tube amp. But How? In devising the TransTube Circuitry, our engineers studied every aspect of how a tube amp works. We learned that recreating tube tone isn't merely a question of gain structure. It's about the entire component chain and how each one interacts with the others. It's about damping factor and the corresponding speaker response. It's about power amp compression. How the amp breaks up when driven hard, harmonic structure and non-linear gain stages. It's about cabinet size, bracing, wood and thickness. But most importantly, it's about what it's not. Those other manufacturers' half-hearted attempt at tube emulation failed because they focused on the wrong elements. So we concentrated on emulating the tone characteristics we all recognize and love about tubes and 86'd the rest. It's a deceptively simple concept, but it took three U.S. Patents to map the entire process for the history books. Set up a comparison at your Peavey dealer and discover the TransTube difference for yourself. No marketing hype needed. You won't believe your ears! Features 10" Blue Marvel® speaker High and Low Gain inputs TransTube tube emulation circuitry Footswichable Clean and Lead channels 3 band passive EQ on each channel 3 position EQ/Gain Voicing switch on each channel Reverb with level control Footswitchable Boost with level control ¼" stereo Speaker Simulated Direct Out jack Headphone jack Footswitch optional 40 Watts (rms) Weight Unpacked: 24.00 lb(10.886 kg) Weight Packed: 29.00 lb(13.154 kg) Width Packed: 12.87"(32.6898 cm) Height Packed: 24.25"(61.595 cm) Depth Packed: 18.87"(47.9298 cm) Please confirm stock availability before purchasing We are an authorized dealer of the best sound, dj equipment, studio equipment and lighting Free delivery anywhere in the country on orders over a R1000 Delivery 24-48 hours to all major cities 48-72 hours to outlying areas Warranty Type: Authorized Dealer 12 Months Warranty. All goods are subject to supplier discretion Replacement Guarantee: 30 Days: All goods are subject to supplier discretion Our Shop Shop F2 Second Level The Conservatory at Lakefield 106 Lakefield Avenue Lakefield Square Benoni Contact us at 110 - show phone - Tian - 718 - show phone - /Whatsapp Carlo - 844 - show phone - /Whatsapp Trading Hours: Monday - Friday 9:00am - 17:00pm Saturday 9:00am - 15:00pm If you can't find what you are looking for give us a call and we will gladly assist you

Overview At the 1995 NAMM show thousands of players, media and dealers crammed into a small demo room inside the Peavey exhibit, one after another, where our engineers set up a blind A/B comparison between their new invention and a real tube amp. No one could tell the difference between the two. Some "golden ears" even thought the TransTube Bandit was the real tube amp. But How? In devising the TransTube Circuitry, our engineers studied every aspect of how a tube amp works. We learned that recreating tube tone isn't merely a question of gain structure. It's about the entire component chain and how each one interacts with the others. It's about damping factor and the corresponding speaker response. It's about power amp compression. How the amp breaks up when driven hard, harmonic structure and non-linear gain stages. It's about cabinet size, bracing, wood and thickness. But most importantly, it's about what it's not. Those other manufacturers' half-hearted attempt at tube emulation failed because they focused on the wrong elements. So we concentrated on emulating the tone characteristics we all recognize and love about tubes and 86'd the rest. It's a deceptively simple concept, but it took three U.S. Patents to map the entire process for the history books. Set up a comparison at your Peavey dealer and discover the TransTube difference for yourself. No marketing hype needed. You won't believe your ears! Features 100 Watts (rms) into 4 Ohms (w/external speaker) 12" Blue Marvel® speaker High and Low Gain inputs TransTube tube emulation circuitry Footswitchable Clean and Lead channels 3 band passive EQ on each channel 3 position EQ/Gain Voicing switch on each channel Reverb with level control Footswitchable Boost with level control ¼" stereo Speaker Simulated Direct Out jack with level control Footswitch optional 80 Watts (rms) into 8 Ohms Weight Unpacked: 40.00 lb(18.144 kg) Weight Packed: 48.00 lb(21.772 kg) Width Packed: 15.75"(40.005 cm) Height Packed: 28.37"(72.0598 cm) Depth Packed: 23.87"(60.6298 cm) Please confirm stock availability before purchasing

At the 1995 NAMM show thousands of players, media and dealers crammed into a small demo room inside the Peavey exhibit, one after another, where our engineers set up a blind A/B comparison between their new invention and a real tube amp. No one could tell the difference between the two. Some "golden ears" even thought the TransTube Bandit was the real tube amp. But How? In devising the TransTube Circuitry, our engineers studied every aspect of how a tube amp works. We learned that recreating tube tone isnt merely a question of gain structure. Its about the entire component chain and how each one interacts with the others. Its about damping factor and the corresponding speaker response. Its about power amp compression. How the amp breaks up when driven hard, harmonic structure and non-linear gain stages. Its about cabinet size, bracing, wood and thickness. But most importantly, its about what its not. Those other manufacturers half-hearted attempt at tube emulation failed because they focused on the wrong elements. So we concentrated on emulating the tone characteristics we all recognize and love about tubes and 86d the rest. Its a deceptively simple concept, but it took three U.S. Patents to map the entire process for the history books. Set up a comparison at your Peavey dealer and discover the TransTube difference for yourself. No marketing hype needed. You wont believe your ears! - 10" Blue Marvel speaker - High and Low Gain inputs - TransTube tube emulation circuitry - Footswichable Clean and Lead channels - 3 band passive EQ on each channel - 3 position EQ/Gain Voicing switch on each channel - Reverb with level control - Footswitchable Boost with level control - ¼" stereo Speaker Simulated Direct Out jack - Headphone jack - Footswitch optional - 40 Watts (rms)

DJI MAVIC PRO PLATINUM FLY MORE COMBO With enhanced endurance and quieter flight, the Mavic Pro Platinum is DJI's best portable drone yet. The Mavic Pro Platinum features a sleek design and compact body that is both powerful and alluring. A new and improved 30-minute flight time coupled with 60% noise power reduction makes the Mavic Pro Platinum DJIs best portable drone yet. Enhanced Endurance, Quieter Flight Aircraft noise has been reduced by up to 4dB* (60% noise power) and extended flight time to 30 minutes with new FOC sinusoidal driver ESCs and 8331 propellers for a quieter, more enjoyable flight experience.   Noise Reduction Noise Comparison Current Wave Comparison Mavic Pro Mavic Pro Platinum With a brand-new aerodynamic design, the 8331 propellers give the Mavic Pro Platinum an impressive noise control performance, and the new FOC ESC drivers offer sinusoidal current for increased stability.   Specs AIRCRAFT Folded H83mm x W83mm x L198mm Diagonal Size (Propellers Excluded) 335 mm Weight (Battery & Propellers Included) 1.62 lbs (734 g) (exclude gimbal cover) 1.64 lbs (743 g) (include gimbal cover) Max Ascent Speed 16.4 ft/s (5 m/s) in Sport mode Max Descent Speed 9.8 ft/s (3 m/s) Max Speed 40 mph (65 kph) in Sport mode without wind Max Service Ceiling Above Sea Level 16404 feet (5000 m) Max Flight Time 30 minutes (no wind at a consistent 15.5 mph (25 kph)) Max Hovering Time 27 minutes (no wind) ESC(Electronic Speed Controller) FOC Max Total Travel Distance (One Full Battery, No Wind) 9.3 mi (15 km, no wind) Operating Temperature Range 32 to 104 F (0 to 40 C) Satellite Positioning Systems GPS / GLONASS Hover Accuracy Range Vertical: +/- 0.1 m (when Vision Positioning is active) or +/-0.5 m Horizontal: +/- 0.3 m (when Vision Positioning is active) or +/-1.5 m Operating Frequency FCC: 2.4-2.4835GHz; 5.150-5.250 GHz; 5.725-5.850 GHz CE: 2.4-2.4835GHz; 5.725-5.850 GHz SRRC 2.4-2.4835 GHz;5.725-5.850 GHz Transmitter Power (EIRP) 2.4GHz FCC: 5.2 GHz FCC: 5.8 GHz FCC: REMOTE CONTROLLER Operating Frequency 2.4 GHz to 2.483 GHz Max Transmission Distance FCC Compliant: 4.3 mi (7 km); CE Compliant: 2.5 mi (4 km) SRRC Compliant: 2.5mi (4 km) MIC Compliant: 2.5 mi (4 km) (Unobstructed, free of interference) Operating Temperature Range 32 to 104 F (0 to 40 C) Battery 2970mAh Transmitter Power (EIRP) FCC CE SRRC: MIC: Operating Current/Voltage 950mA @ 3.7V Supported Mobile Device Size Thickness Supported:6.5-8.5mm Max length: 160mm Supported USB port types: Lightning, Micro USB(Type-B),USB(Type-C) GIMBAL Controllable Range Pitch: -90 to +30 Roll: 0 or 90 (Horizontally and vertically) Stabilization 3-axis (pitch, roll, yaw) VISION SYSTEM Vision System Forward Vision System Downward Vision System Obstacle Sensory Range Precision measurement range: 2 ft (0.7 m) to 49 ft (15 m) Detectable range: 49 ft (15 m) to 98 ft (30 m) Operating Environment Surface with clear pattern a

This brand new Macro Extension Tube Set for film & Digital SLR includes 3 extension tubes - 13mm, 21mm, 31mm adapters and a male & female adapter. You may mount the tubes between lens and camera body to get your choice of macro ranges. There are totally 8 combinations. Use this set will not downgrade the optical quality of your lens with auto focus. Key Features: Canon Mount: Fit for Canon EF/EF-S Lens and DSLR Body. It moves the lens farther from the film or digital sensor. The farther away the lens is, the closer the focus, the greater the magnification. This extension tube does not affect image quality as there is no optics inside. In comparison, a close up filters are often blamed for degrading image quality. Brand new, never used; Colour: black Package Contain:    Brand New Extention Tube x1   (plastic)   I ONLY POST TO ADDRESSES IN SOUTH AFRICA - NO INTERNATIONAL SALES  

The KMS 104 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems. The KMS 104 has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field. The user can thus select the version that is optimally suited to the specific application. Acoustic features The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. In spite of excellent pop protection, sibilants and S sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 vocal microphones when they are used with a stage sound system. Electrical features Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules. In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (-3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound. Mechanical features Microphones designed for use on stage require a particularly robust construction. The KMS 104 have thick-walled metal housings, which also provide effective protection against handling noise. The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters. Delivery Range The KMS 104 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.

The CEQ215 is a 19in rack mounted dual 15-band graphic equaliser, which allows the adjustment of labelled frequencies via the individual cut/boost faders. Up to 12dB of cut or boost for frequencies ranging from 25Hz to 16kHz for accurate audio spectrum control. 2 x 15-band 2/3 octave ISO spacing RF filtered servo-balanced inputs Constant Q each band Bypass switch for EQ comparison Low-cut switch each channel Gain control each channel LED VU meters 19" rackmount 1U

The Canon 60Da features a modified infrared blocking filter allowing the camera’s sensor to capture up to three times more of the hydrogen-alpha rays in comparison to the standard 60D or contact www. camera2lenz. com

Replacement Standard Lens Module For The Mobius Action Sport Camera Shipping Weight 10g   Description: Item name: Standard Lens Module The Lens Module is only suitable for Mobius ActionCam Standard Lens Lens comparison: Mobius standard lens = 87 degrees (approx.) Mobius Wide Angle Lens = 116 degrees (approx.) Package Included: 1 x  

Replacement Wide Angle Lens Module For The Mobius Action Sport Camera  Shipping Weight 100g Description: Item name: Wide Angle Lens Module The Lens Module is only suitable for Mobius ActionCam Wide Angle Version Lens comparison: Mobius standard lens = 87 degrees (approx) Mobius Wide Angle Lens = 116 degrees (approx) Package Included: 1 x Wide Angle Lens

Available in grey, black or white. The Titan 12 is lightweight and powerful, it looks great and the price is extremely attractive. We are pleased to announce the first in a new generation of products from Wharfedale Pro - the Titan Series. With a moulded polypropylene enclosure, the Titan 12 is lightweight and powerful, it looks great and the price is extremely attractive. The Titan 12 is a 12" passive 2 way loudspeaker combining superior components with a multitude of features (and extras) that make this loudspeaker ideal for live and install - anywhere where a hight standard of audio reproduction is required. The Titan 12 features the new Elliptical Waveguide Horn (EWG). In comparison to a conventional horn, the Elliptical Waveguide offers superior control over HF coverage, with reduced distortion, greater output and smoother frequency response. The Elliptical shape means that there are not corners or parallel surfaces to distort, diffract or reflect the sound. This is twinned with a 1.75" titanium compression driver to provide exceptional clarity, high power handling capability and maximum efficiency. The 12" heavy duty driver is custom built for the Titan 12. The crossover in the Titan 12 is a built in 24dB per octave Linkwitz-Riley crossover that provides a flat frequency response throughout the crossover point without any colouration. The Titan 12 also features a HF boost switch which provides a flat response for larger venues and longer throw applications. Technical Specifications: Loudspeaker Type: 12" 2-Way Frequency Response (±3dB): kHz Sensitivity (1W@1M): 98dB HF Coverage (H X V): 90° X 60° Peak SPL: 120dB System Impedance: 8ohm Power Handling Capability: Continuous: 250W Music: 500W Peak: W Low Frequency Drive: Size: 305mm/12" Coil Size: 51.6mm/2" High Frequency Drive: Type: Compression Driver Coil Size: 44mm/1.75" Exit Size: 25mm/1" Diaphragm Material: Titanium HF Driver Protection: DTF™ (Dynamic Thermal Filament) HF Peak Indicator: Peak LED ring in horn throat HF Long-Throw EQ Compensation: 3dB boost (long-throw) / Flat (near-field) High Frequency Horn: Type: EWG™ - Elliptical Waveguide Throat Size: 25mm/1" Crossover: Type: 2-way Frequency/Filter: 2.4 kHz / Linkwitz-Riley Enclosure: Shape: Trapezoidal for vertical array and horizontal stage monitor applications Material: Polypropylene In/Out Panel: Input Connectors: (2) 1/4" jacks & (2) NL4 connectors Dimensions: Height: 556mm/" Width Front: 384mm/15.1" Width Back: 180mm/7.1" Depth: 312mm/12.3" Weight: Net Weight: 12kg/26.4lbs Gross Weigh: 14kg/30.8lbs Rigging: (9) M8 threaded rigging points for safe flown applications (4) M8 threaded rigging points on bottom in OmniMount® 60.0-type footprint Speaker pole-mount receptacle with lock screw Optional wall-mount bracket Optional dual-unit array speaker stand hardware 1 year limited guarantee. For more info on this product please click here

Axis 206 the smallest network megapixel (IP address) camera in the world. Excellent image used by SAPS in airports etc. See photo with match box for size comparison. 7 cameras (6 adaptors). Easy installation. Software and installation guide available on internet, just Google for it. Extremely hard to find 2nd hand. PLUS D-link 24-port switch. Will throw in a wall mount, lockable metal and perspex switch box for R200

Panasonic Xmos Camera. Top Quality HD up to 50p, mic input and shoe adaptor. Execeptional p high quality, view online comparison tests against bigger cameras. Complete with full aluminium handle mount Excellent condition, Charger, Spare Extended battery and SD Card. No Timewasters please. Contact via email with your contact number. Thanks

Hi have a brand new Quadmaster Mower for sale. There is no comparison to it in the market. Closest you will get a Slasher and would require a Tractor. With this machine you can comfortably pull it behind a Quadbike making it very user friendly. It has a 10.5cc Briggs and Stratton Engine with 2 blades. Height adjustable up to 210mm. This is a heavy duty machine. Just pull it and everything in it's patch gets cut. ideal for tall grass reeds and bushy areas. It has not been used yet. still brand new with balance of warranty. New list price is R 36 000. I am selling at a give away price. Call Martin

Mint spotless black in color. Selling due to upgrade. This is a fantastic 200W at 8Ohms power amp. Left picture is for size comparison only. http://www.ultrasound.co.za/cambridge-audio-azur-851w-power-amplifier.

The CYBERJOY HC, is an Android powered device, with infinite potential, that turns any TV...SMART. With Cyberjoy you are able to Stream, Watch, Play, Listen, Chat, Interact, Shop an everything you need in 1 simple Stylish user friendly device. Stream for free or paid content including the latest music, movies and entertainment straight to your TV screen. Watch your favourite videos on your favourite devices on the big screen, with an easy seamless Screen Mirror connection. FREE VOIP (coming soon) calls and a UNIQUE Cyberjoy E-wallet allowing you to buy goods through your TV screen (coming soon) On any comparison, the Cyberjoy Home Computer (HC) or Android Mini –PC is the Highs rated device on its category. Please compare, as are many similar Android so call boxes that they are advertise offering similar functions but their technical specifications are far inferior to our Cyberjoy HC-100. * Make your TV smart in just a few minutes with the Cyberjoy HC-100. * Get all the benefits of the intuitive and friendly Android 4.4 operating system * Watch all your videos in great HD quality thanks to the support of 2160P * Enjoy convenient playback control with the AM-100 Cyberjoy air mouse. * Remote live support directly to your TV screen. The Cyberjoy HC-100 comes with 12 months’ warranty. Where hardware service backup is local by swopping or servicing the device as the quickest time possible. Manufacturer Specifications: - OS Version: Android 4.4 - CPU:ARM Cortex-A9 Quad Core - Processor Speed (max): 2 GHz - RAM: 2GB - Internal Memory: 16GB - Wi-Fi:802.11 ac Dual-Band Wi-Fi (2.4GHz/5GHz) - Bluetooth 4 - 4K UHD - 1080P - Google Play - Default preload Android apps, including free and open source apps download from the google play store browser and the internet browser. Ports: - HDMI OUT - 3.5 mm A/V out port - 3x USB - DCIN - LAN - Optical Audio - Internal Microphone Languages: - Bahasa Indonesia, Bahasa Melayu, German, English, Spanish, Filipino, French, Italian, Magyar, Dutch, Portuguese (Brasil), Portuguese (Portugal), Vietnamese, Turkish, Greek, Russian, Hebrew, Arab, Thai, Korean, Chinese (Simp), Chinese(Trad), Japanese Media Formats: * Video: RM, PMP, AVC, FLV, VOB, MPG, DAT, MPEG, H.264, MPEG1, MPEG2, RMVB, MPEG4, WMV, TP, AVI, DIVX, MKV, MOV, HDMOV, MP4, M4V * Audio: MP3, WMA, APE, FLAC, OGG, AC3, DTS, AAC * Graphic: JPEG, BMP, PNG, GIF, TIFF, JPS(3D), MPO(3D) * eBook: PDF, TXT Product Notes: The Android OS version on this device cannot be upgraded or flashed and any attempts to modify the default OS will void the warranty. Package Contents: - Cyberjoy Home Computer (HC) - Cyberjoy AM-100 air mouse + receiver - HDMI cable - Power Adaptor - Micro USB Cable - Remote Control (Powered by 2 x AAA Batteries, Not Included) - User Manuals Certification: - Certification: ICASA, SABS, CE, FCC, RoHS

Disc has only been watched a few times. Disc and packaging are in perfect condition. Special features: Commentaries: Audio Commentary by Director Stephen Sommers and Editor Bob Ducsay Audio Commentary by Actor Brendon Fraser Audio Commentary by Actors Oded Fehr, Kevin J. O'Conner and Arnold Vosloo Extras: Deleted Scenes (2:21) "The Mummy: Tomb of the Dragon Emperor Sneak Peek" Featurette (3:01) Visual and Special Effects Formation - City of Thebes - - Plate Photography (0:38) - - Visual Effect Elements (3:30) - - Composited Shot (0:55) - - Final Feature Sequence (0:44) - Scarab Burial - - Plate Photography (0:13) - - Visual Effect Elements (0:26) - - Composited Shot (0:12) - - Final Feature Sequence (0:14) - Serious Trouble - - Plate Photography (0:07) - - Visual Effect Elements (0:37) - - Composited Shot (0:04) - - Final Feature Sequence (0:15) - Imhotep Eats Scarab - - Plate Photography (0:17) - - Visual Effect Elements (0:42) - - Composited Shot (0:10) - - Final Feature Sequence (0:13) - Rick Rescues Evelyn - - Plate Photography (0:22) - - Visual Effect Elements (0:47) - - Composited Shot (0:18) - - Final Feature Sequence (0:32) "An Army to Rule the World, Part 1" Featurette (4:02) "Unraveling the Legacy of The Mummy" Featurette (8:07) "Building a Better Mummy" Documentary (49:55) Storyboard to Final Film Comparison - Anubis Chamber (1:40) - Desert Sandstorm (1:59) - The Sahara (1:53) - Final Fight (0:49) - Hangman's Noose (1:45) - Scarab Run (0:51) - Trouble in Cairo (1:05) Photograph Montage (4:18) Theatrical Trailer (2:19) "U-Control: Picture-in-Picture" Feature Disc is region free

Elixir Electric NW HV 0.12 0.52 Elixir ® Strings deliver the presence, punch, and detail of traditional electric guitar strings. But when it comes to tone life, there is no comparison. Players report with Elixir Strings their tone lasts longer than any other string, uncoated or coated. Elixir Strings for electric guitar are available with NANOWEB® or POLYWEB® Coating.

The iBeam Active pairs the iBeam with an all-discrete Class A endpin preamp with soundhole volume control. The sweet and ultra-quiet audiophile-grade preamp faithfully amplifies every nuance of the pickup. Superior sound and performance is built in for easy plug-and-play performance. An auxiliary passive channel is also available for adding a secondary pickup. The iBeam Active is also great for direct studio or home recording. Comparison tests have demonstrated that the fidelity of this system is a great alternative to studio microphones.

The KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems. The KMS 104 has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field. The user can thus select the version that is optimally suited to the specific application. Acoustic features The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. In spite of excellent pop protection, sibilants and S sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 vocal microphones when they are used with a stage sound system. Electrical features Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules. In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (-3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound. Mechanical features Microphones designed for use on stage require a particularly robust construction. The KMS 104 have thick-walled metal housings, which also provide effective protection against handling noise. The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters. Delivery Range The KMS 104 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.

Elixir Electric NW LI 0.10 0.46¿ Elixir ® Strings deliver the presence, punch, and detail of traditional electric guitar strings. But when it comes to tone life, there is no comparison. Players report with Elixir Strings their tone lasts longer than any other string, uncoated or coated. Elixir Strings for electric guitar are available with NANOWEB® or POLYWEB® Coating.

Alto -TS212 Truesonic 2 12"Active Speaker¿ The new Truesonic TS2 product range is the result of a clean-sheet approach to designing professional speakers that strike an ideal balance between no-compromise acoustic performance, the complete array of features that users demand and outstanding ergonomics and utility¿all coupled with a stunning new industrial design. Our TS2 family builds upon the amazing success and wide acceptance of our current TS1 series. The current Truesonics established a benchmark for clarity, high output, flexible I/O options and value that has made them the worldwide standard of comparison. Now, with the TS2¿s, we¿ve significantly eclipsed that level of achievement.

Alto - TS210 Truesonic 10"Active Speaker¿ The Truesonic TS210 professional speakers strike an ideal balance between no-compromise acoustic performance, a complete array of features, and outstanding ergonomics and utility. They distinguish themselves through clarity, high output, flexible I/O options and a value orientation that has made them a standard of comparison. The amplifier is rated at 550 watts continuous, 1,100 watts peak¿a significant increase over the previous line. This higher power capability ensures greater output for use in larger spaces, with increased clarity, since the amplifiers won¿t distort the way less powerful units will. The TS210 has two integrated handles, making them easy to pick up in either H or V orientation. It also employs professional-grade M10 rigging/suspension points. The tough, durable cabinets have excellent acoustic properties, while their light weight makes them easy to transport. Higher performance, unsurpassed utility and flexible I/O options, easy transportability and unparalleled value¿you¿ll find it all in the Alto Professional TS210.

Varta Professional Lithium 4x AAA Size,Batteries,1100 mAh,1.5V-4 Pack, Retail Box Lithium batteries are the ideal choice for all digital high-performance products Product Overview The Varta Professional Lithium AAA series is a new innovation offering professional energy solutions for a world of digital applications. The premium range is the perfect solution for high drain devices such as digital cameras, portable audio players and game controllers as power last up to 5 times longer in digital cameras than standard alkaline batteries, Weighing up to 38% less than a standard alkaline battery, using the Varta Professional Lithium batteries makes handling your device more comfortable and these batteries are always ready to power your devices. Lithium technology, cells can be stored up to 10 years, even in your devices, without with risk of leaking. Features • Lasts up to five times longer in digital camera than usual Alkaline • Perfect solution for high drain devices-digital cameras, portable audio players,handheld games also for outdoor sensors • Reduced weight in comparison to Alkaline • Works outstandingly at extreme temperatures from -20°C up to +60°C • Can be stored up to 10 years without leakage Applications • Game controllers • Digital Cameras • Flash Lights • MP3 Players • Outdoor Sensors Specifications Stock Code- 4008496680436 Description- Varta Professional Lithium 4x AAA Size,Batteries,1100 mAh,1.5V-4 Pack Varta Type-06103 Electrochemical System -Primary Lithium CardPower (LI/IRON DI) Battery Size-AAA Capacity-1100 mAh Voltage -1.5 V Height- 50.5 mm Diameter -14.5 mm Weight -14.5g Content -4 pc(s) per Card Alternative battery types LR03, AAA, LR3, AM4M8A, AM4, S, MN2400, 824, E92, LR03N, 24A, K3A, R3, R03, 7526, UM4, Micro, V2500PX