Cinema scope marry

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days Pam Evans' London saga brings the glamour of the cinema during the Blitz of the Second World War vividly to life. Sure to appeal to fans of Katie Flynn and Cathy Sharp. It is 1938 and the threat of war looms on the streets of London. But, when the lights go down in the cinema aisles, usherette Daisy Blake is transported to a world of glamour and romance. Among the staff there is much merriment and Daisy soon falls in love with the handsome organist, Al Dawson. Then war is declared and, just after Al leaves for the frontline, Daisy discovers she's pregnant. Her mother is distraught; she doesn't think Al is right for her daughter and when Daisy's letters to him go unanswered, her mother encourages her to marry John, the cinema's projectionist, to spare her further heartache. As the blitz rages over London and disaster strikes, Daisy's morale is boosted by her work and her young son, Sam, brings her comfort and joy in the troubled times ahead... Features Summary The glamour of the cinema heals the heartbreak of the Second World War in Pam Evans' new family saga. Perfect for fans of Katie Flynn, Kate Thompson and Annie Murray. Author Pamela Evans Publisher Headline Book Publishing Release date 20160317 Pages 336 ISBN 1-4722-1962-7 ISBN 13 978-1-4722-1962-6

(This title is available on demand: expected date of dispatch will be 4-7 working days once ordered) Federico Fellini (Italy, 1920-1993) is a major figure in the history of cinema, who created his own highly personal and baroque cinematic language. He had his first major success in 1954 with La Strada, in which his wife and favourite actress Giulietta Masina plays the unforgettable Gelsomina, an innocent clown who falls prey to the violence of the post-war period. With La Dolce Vita of 1960, Fellini turned his attention to modern life and the scene in which Marcello Mastroianni and Anita Ekberg embrace in the Trevi fountain has become a globally-recognized symbol of seduction. Psychoanalysis is a clear influence on 81/2 (1963), in which the character of the film-maker, played by Mastroianni, is a fantasy double of Fellini himself, while Fellini Roma (1972) and Amarcord (1973) are highly personal films, combining caricature, dreams and nostalgia. In the 1980s Fellini made Ginger and Fred (1986) and Intervista (1987), both melancholic reflections on the death of cinema. Through the prism of the director's own desires and obsessions, Fellini's work is universal in scope, dealing with modern humanity in all its contradictions. Format:Paperback Pages:104