Characteristic

Characteristic: On-board TP4056 lithium battery charging management chip On-board micro USB head, can be directly connected with most of the smart phone charger as the input side to the lithium battery charging Reserved IN+ and IN- input port, convenient user DIY On-board charging status indicator Support charge discharge over current protection Chip with constant current and constant pressure, full automatic stop Supports simultaneous charging and discharging Parameter: Input voltage: DC5V Charge cutoff voltage: DC4.2V±1% Charge maximum output current: 1.2A Charging mode: linear charge Working environment temperature: -20-85 degrees Celsius Package included: 20 x Micro USB TP4056 Charge And Discharge Protection Module

Characteristic: 1/4 and 3/8 Screw hole It can be connected to any bracket with a diameter of about 1-5CM It can be easily and quickly clamped on the supporting object, with other photographic equipment, such as the support Maximum load-bearing 2KG General Material Metal Quantity 1 piece Specification Type Clip Bracket Retractable No Max.Load 2kg Dimensions & Weight Dimensions 0.79 in x 1.97 in x 3.74 in (2 cm x 5 cm x 9.5 cm) Weight 4.23 oz (120 g) Packing List 1 x Bracket

Characteristic:   Three high-resolution digital ECG channels with synchronized pacing output Anti-electromagnetic interference (EMI) input Low power consumption: 0.3mW per channel Input incoming noise: 7uVpp (40Hz bandwidth) Input bias current: 175pA Data rate: up to 25.6ksps Differential input voltage range: ± 400mV Analog supply voltage: 2.7 ~ 5.5V Digital input / output (I / O) Supply voltage: 1.65V ~ 3.6V Right leg drive amplifier AC and DC lead disconnection detection Wilson and Goldberger terminals ALARMB pin for interrupt-driven diagnostics Battery voltage monitoring Built-in oscillator and reference Flexible power-off and standby mode   Application:   Portable 1/2/3/5/6/7/8/12 Lead ECG Patient vital signs monitoring: Holter, events, stress and telemedicine. Package included: 1 x CJMCU-1293 ADS1293 Electrocardiogram (ECG) Physiological Signal Measurement

Characteristic: On-board TP4056 lithium battery charging management chip On-board micro USB head, can be directly connected with most of the smart phone charger as the input side to the lithium battery charging Reserved IN+ and IN- input port, convenient user DIY On-board charging status indicator Support charge discharge over current protection Chip with constant current and constant pressure, full automatic stop Supports simultaneous charging and discharging Parameter: Input voltage: DC5V Charge cutoff voltage: DC4.2V±1% Charge maximum output current: 1.2A Charging mode: linear charge Working environment temperature: -20-85 degrees Celsius Package included: 5 x Micro USB TP4056 Charge And Discharge Protection Module

The TLM 102 defines a new generation of Neumann studio microphones. This applies not only to the design of the microphone but also to the price. TLM 102 studio microphone The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102* attracts attention. The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording. Due to its price and flexible field of application, the TLM 102 is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority. Applications: Vocals and speech In particular, pickup of especially loud instruments: Drums, percussion, wind instruments and amps Home recording, project and broadcasting studios These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.. Large-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer) Compact, characteristic but smaller-scale Neumann design Very high maximum sound pressure level Slight presence boost above 6 kHz Transformerless circuitry Acoustical operating principle Pressure gradient transducer Directional pattern Cardioid Frequency range 20 Hz... 20 kHz Sensitivity at 1 kHz into 1 kohm 11 mV/Pa Rated impedance 50 ohms Rated load impedance 1 kohms Equivalent noise level, CCIR1) 21 dB Equivalent noise level, A-weighted1) 12 dB-A Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) 73 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) 82 dB Maximum SPL for THD dB Maximum output voltage 13 dBu Dynamic range, A-weighted dB Supply voltage (P48, IEC V 4 V Current consumption (P48, IEC mA Matching connector XLR3F Weight approx. 260 g Diameter 52 mm Length 116 mm Large-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer) Compact, characteristic but smaller-scale Neumann design Very high maximum sound pressure level Slight presence boost above 6 kHz Transformerless circuitry

ST4 The ST-4 pack is an offshoot of the ST-8 and has been designed for the type of acoustic setup you would expect to find in a jazz club, musical group or orchestra – for live and studio recording. The pack consists of 4 microphones: •x2 DYNAMIC MICS for bass and snare drums. •x2 ELECTROSTATIC A1 OVERHEAD MICS The ST-4 set is supplied in a durable carrying case and includes 2 SHIELDS and 2 HOLDER MOUNTS to use with the overheads.ST4 - SD •Transducer Principle: Dynamic •Frequency Response: 80Hz-12kHz •Directivity Characteristic: Cardioid •Sensitivity: -54±3dB 0dB=1V/Pa at 1kHz •Output Impedance: % (at1kHz) ST4 – KD •Transducer Principle: Dynamic •Frequency Response: 30Hz-12kHz •Directivity Characteristic: Cardioid •Sensitivity: -64±3dB 0dB=1V/Pa at 1kHz •Output Impedance: %(at 1KHz) ST4 - A1 •Transducer Principle: True Condenser •Directivity Characteristic: Cardioid •Frequency Response: 30Hz-20KHz •Sensitivity: -36±3dB 0dB=1V/Pa at 1kHz •Output Impedance: %(at1KHz) •Load Impedance: ≥Ω •Equivalent Noise Level: ≤22dB A IEC •Max. Input SPL: 130dB THD≤1.0% at 1KHz •Bass Filter: 12dB/octave at 100kHz •Power Requirement: 48V DC Phantom Power •Body Dimension: 22X132mm X1 •Net Weight: 112g The ST-4 set is supplied in a durable carrying case and includes 2 SHIELDS and 2 HOLDER MOUNTS to use with the overheads.

ST8 Claude Salmieri drum mic pack was designed to restore your playing with as much accuracy as possible. The pack consists of 8 microphones: •x1 NEXT GENERATION dynamic uni-directional bass drum mic that goes even further down into the bass notes for optimum recording and restitution. •x3 dynamic, unidirectional and ultra-versatile mics for toms – you can also use them with other percussion instruments such as congas, bongos, etc. •x1 dynamic uni-directional mic for the snare drum to accurately transcribe what is essential in playing snare drums - attack and finesse. •x3 microphones PROA1 overheads (static condenser mics) perfectly adapted to capture the different moods of drums and percussion instruments, but also ideal for the Charleston drum. You can also use them with any acoustic instrument. The ST-8 set is supplied in a durable carrying case and includes 3 SHIELDS and 3 HOLDER MOUNTS to use with the overheads.ST8 - SD (Snare Drum) •Transducer Principle: Dynamic •Frequency Response: 80Hz-12kHz •Directivity Characteristic: Cardioid •Sensitivity: -54±3dB 0dB=1V/Pa at 1kHz •Output Impedance: % (at1kHz) ST8 – KD (Kick Drum) •Transducer Principle: Dynamic •Frequency Response: 30Hz-12kHz •Directivity Characteristic: Cardioid •Sensitivity: -64±3dB 0dB=1V/Pa at 1kHz •Output Impedance: %(at 1KHz) ST8 - PRO A1 (Overhead) •Transducer Principle: True Electrostatic Condenser •Directivity Characteristic: Cardioid •Frequency Response: 30Hz-20KHz •Sensitivity: -36±3dB0dB=1V/Pa at 1kHz •Output Impedance: %(at1KHz) •Load Impedance: ≥Ω •Equivalent Noise Level: ≤22dB AIEC •Max. Input SPL: 130dBTHD≤1.0% at 1KHz •Bass Filter: 12dB/octave at 100 kHz •Power Requirement: 48V DC Phantom Power •Body Dimension: 22X132mm •Net Weight: 112g The ST-8 set is supplied in a durable carrying case and includes 3 SHIELDS and 3 HOLDER MOUNTS to use with the overheads.

Description: Chinese Knot is a kind of characteristic folk decorations of handicraft art,which has become elegant and colorful arts and crafts from its original practical use. The characteristic of Chinese Knot is that every knot is made of a single rope and named by its specific form and meaning. By combining different knots or other auspicious adornments skillfully, an unique auspicious ornament which represents beauty, idea and wishes is formed. People are fond of Chinese Knot for its characteristic form, colorfulness and profound meaning. This Chinese Knot is made of rope, can be used to decorate your house, potting or car. Chinese knot is a symbol of good luck, perfect for sending to your friends as gifts. Features & details: Material: Rope Length: 21cm Color: Yellow Quantity:10Pcs Package included: 10Pcs X Yellow Chinese knot

Description: Rated Voltage: 5.5V Frequency characteristic: low frequency Power characteristic: small power The use of anti-static packaging products, to avoid the potential harm of static electricity All products are tested for stability, consistency and reliability. Ensure product excellence. This product is widely used in product development, student experiments, maintenance, production, etc. Package included: 3 x Farad capacitor

TAKSTAR PCM6100 INSTRUMENT CONDENSER MICROPHONE Cardioid directivity characteristic for ideal sound capturing High sensitivity Wide frequency response range Rugged metal housing Natural and clear sound Built-in transistor amplifier Unique design Multiple surface treatments for durability Specifications  • Transducer Principle: Back Electret Condenser • Directivity Characteristic: Cardioid • Frequency Response: 30Hz-18kHz • Sensitivity: -38dB±3dB(0dB=1V/Pa at 1kHz) • Output Impedence: 100Ω±30%(at 1kHz) • Load Impedence: ≥1000Ω • Equivalent Noise Level: ≤27dB A(IEC 581-5) • Max.Input SPL:130dB(THD≤1.0% at 1kHz) • Power Requirement: 9-52V DC Phantom Power

Description: Rated Voltage: 5.5V Frequency characteristic: low frequency Power characteristic: small power The use of anti-static packaging products, to avoid the potential harm of static electricity All products are tested for stability, consistency and reliability. Ensure product excellence. This product is widely used in product development, student experiments, maintenance, production, etc. Package included: 5 x Farad capacitor

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days Live stage performance by British comedian Jack Dee recorded in London. Back on stage after a six-year hiatus, Dee returns with his characteristic deadpan humour and unwavering cynicism. Interactive Menus Features Summary Live stage performance by British comedian Jack Dee recorded in London. Back on stage after a six-year hiatus, Dee returns with his characteristic deadpan humour and unwavering cynicism. Studio Universal Pictures Format Blu-ray disc Release date 20131118 Contributors Jack Dee

TAKSTAR CM60 CONDENSER INSTRUMENT MICROPHONE Gold-plated diaphragm Cardioid directivity characteristic for ideal sound capturing High sensitivity and low self noise Suitable for high SPL environments Wide frequency response range and extended dynamic range Transformerless circuitry for noise reduction Low output impedance for long distance connection and high EMI resistance Built-in pre-amplifier circuitry for steady performance Optional bass filter to eliminate unwanted low frequency noise  Specifications • Transducer Principle: True Condenser • Directivity Characteristic: Cardioid • Frequency Response: 30Hz-20kHz • Sensitivity: -38dB±2dB (0dB=1V/Pa at 1kHz) • Output Impedance: 100Ω±30% (at 1kHz) • Load Impedance: ≥1000Ω • Equivalent Noise Level: ≤20dB A (IEC 581-5) • Max. Input SPL: 130dB (THD ≤1.0 at 1kHz) • Bass Filter: 12dB/octave at 100Hz • Power Requirements: 48V DC Phantom Power • Body Dimensions: Ø22 x 132mm • Net Weight: 112g

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. Denis Wick Silver Plated Tenor Horn Mouthpieces.The Tenor Horn (more correctly known as the alto Horn) is the smallest member of the Tuba/Saxhorn family. Traditional mouthpieces were always inferior in volume and presence to other more powerful band instruments. The carefully designed Denis Wick Tenor Horn mouthpieces give the instrument equality to its colleagues so that it can easily contribute its own special tone colour that is so characteristic of the brass band. These mouthpieces give Tenor Horns more projection Than anything else available and are essential for brass band use.All sizes are the same as the Heritage range.

The KMS 104 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems. The KMS 104 has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field. The user can thus select the version that is optimally suited to the specific application. Acoustic features The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. In spite of excellent pop protection, sibilants and S sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 vocal microphones when they are used with a stage sound system. Electrical features Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules. In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (-3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound. Mechanical features Microphones designed for use on stage require a particularly robust construction. The KMS 104 have thick-walled metal housings, which also provide effective protection against handling noise. The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters. Delivery Range The KMS 104 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.

Xone:22 effortlessly raises the bar on entry-level mixer design, offering top quality audio and a professional feature set usually only found in the booth of a top-rated club, all at a stunningly affordable price. Equipped with Allen & Heath’s characteristic sound and build quality, this is the first time a DJ mixer at this level has incorporated professional grade features, such as total kill EQ, accurate metering, balanced outputs, high quality faders and professional-standard audio headroom. And to top it all off, there’s a “lite” version of Xone’s now legendary VCF filter system.2 stereo channels with configurable dual phono/line inputs VCF system – low-pass and high-pass filters, frequency and resonance controls 3-band full cut EQ Soft-switched external FX loop 18dB pro standard headroom and low audio distortion Main mix output on balanced XLR, 25dBu maximum output level Signal monitoring with 10-segment LED meters and meter mode selection Cue mix control, and cue to master switch Dedicated local monitor output (booth output) Record output MIC input on balanced XLR, with 2-band EQ Crossfader curve switch Universal voltage external power supply

Estimated delivery time: working days (Imported from America) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. Introducing one of the newest members of Kala ukulele family, the limited edition Kala KAA-15S Satin Mahogany Soprano Ukulele. This gorgeous mahogany uke features a satin finish and premium Aquila Nylgut Strings along with a rosewood fingerboard and bridge. With full-bodied tone and characteristic sweet highs and mellow lows, you'll hear the Kala quality on the first strum. And the chrome die-cast tuners will keep your instrument in tune and sounding great. Pick up your own Austin Bazaar exclusive Kala uke before they're gone!

The new standard for home recording and the music industry. The mic for everyone who, despite budget limitations, does not want to do without the uncompromising Neumann sound. Cardioid directional characteristic and very low self-noise. The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget. By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear. The TLM 103 is available in satin nickel and matte black. Delivery includes an SG 1 metal swivel mount and a wooden jeweler's box. Applications Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios. Polar pattern The TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern — used in most recording situations — the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor. Acoustic features The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones.The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost. The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration. Electrical features With just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB (A-weighted). The letters TLM stand for "transformerless microphone". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal. Operational safety The entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz and thus even very low bass signals are reproduced without coloration. Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the elastic suspension EA 1 and the windscreen WS 87 are available as accessories. For close vocal use, the PS 15 or PS 20 a pop screens are recommended. The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.arge diaphragm cardioid microphone Pressure gradient transducer with with one-diaphragm capsule Transformerless circuitry Extremely low noise: 7 dB-A Includes swivel mount Straightforward handling for homerecording and professional studios High-quality professional equipment for limited budgets

Monster sound for such a small head Menacingly small, easily recognizable, this aggressive little amp comes with a mind-blowing sound which combines the Shape control of the Thunder series with the weight and size of the monster Terror family. This Frankenstein-like amp has creepy amounts of gain on tap with disturbingly pleasurable responsiveness. It is uncompromisingly brutal, doubtless unhinged, even ferocious! The Dark Terror rises from the depths to fulfill the every desire of the Heavy Metal and Rock guitar players. With its characteristic fearless Orange Amp looks, heavy duty construction and portability, guitar players everywhere will quickly become attuned to this scary dark force of nature. Hear its distinctive Orange Amp sound and you will feel this mysteriously attractive force pulling you into the shadow of the Dark Terror. It’s everything you want from a Black Orange Amp. Prepare to ride the Dark Terror storm. FEATURES AND SPECS: Features All valve 1.5mm Zintec chassis with vented steel top case High gain valve preamp Valve FX loop Controls Volume, Shape, Gain Output Power (Heads and Combos) 15 & 7 Watts Power Handling (Cabinets) NA Valves (Heads and Combos) Power amp: 2 xEL84 Preamp: 3 x Eccax7 FX Loop: 1 x Eccat7 Speaker Output options (Heads) 1 x 16 Ohm cabinet connected to the 16 Ohm output 1 x 8 Ohm cabinet connected to one of the 8 Ohm outputs 2 x 16 Ohm cabinets each connected to one of the 8 Ohm outputs Speakers (Combos and Cabinets) NA Impedance (Cabinets) NA Extension Cabinet Options (Combos) NA Unboxed Dimensions H (cm) 19 H (in) 7.48 W (cm) 30.3 W (in) D (cm) 15.3 D (in) 6.02 Unboxed Weight 5.65 KG

The 12x42 Monarch?¿5?¿Binocular from Nikon combines?¿fully multicoated?¿optics with a?¿rubber armored fogproof?¿housing to produce the image quality and handling?¿that is characteristic of?¿Monarch series binoculars.?¿This?¿iteration of?¿the Monarch?¿5 features?¿extra-low dispersion (ED)?¿lens?¿elements that?¿transmit bright images?¿with enhanced?¿color fidelity and?¿contrast. To?¿preserve the image quality of these high-transmission lenses, Nikon also outfitted this Monarch 5 with phase-corrected?¿roof prisms. Using?¿dielectric?¿coatings, these?¿prisms align incoming wavelengths of light and?¿render?¿well-defined edges with lifelike color. This?¿version?¿of the Monarch?¿5 all-terrain binocular?¿boasts the same weatherproofing and functionality as its predecessor.?¿The 12x42?¿configuration of the Monarch?¿5 has a 5?? angle of view and?¿can?¿focus?¿to?¿within?¿nine feet,?¿making this set of glasses well-suited for almost any glassing activity. A nitrogen-filled fogproof housing provides this set of?¿binoculars with the build quality needed to endure a long day of observation?¿in unforgiving conditions. Non-slip rubber armoring, twist-up eyecups, and a comfortable?¿15mm eye relief equip the Monarch?¿5 binocular with the?¿features?¿needed?¿for?¿reliable and?¿comfortable outdoor viewing. Prism Type Roof Magnification 12.0x Objective Lens Diameter 42 mm Angle of View 5?? (actual) Field-of-View yd / 87 m @ m Minimum Focus Distance m Exit Pupil Diameter Not Specified By Manufacturer Eye Relief 15.1?¿ mm Interpupillary Adjustment Not Specified By Manufacturer Dioptric Correction Not Specified By Manufacturer Focus Type Center Tripod Mount Not Specified By Manufacturer Dimensions 5.71 x 5.08 x x 12.9 x 5.4?¿ cm Weight oz?¿/?¿600 g

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. The Remo Buffalo drums have been inspired by the indigenous cultures of the Americas. They come with a rope handle, mallet and a choice of graphic or plain heads that can be self-decorated. All Remo Buffalo drums are manufactured with RemoIJs Fiberskyn® 3 drumheads and patented ACOUSTICONIJ drum shells. These drum shells produce the same tonal characteristic found on traditional wood shell drums with excellent projection and enhanced low-pitched fundamentals. You can play RemoIJs Buffalo drum in virtually any weather condition and they will keep their pitch sounding great.

Discover the Power of a Reinvented Classic Condenser! From the leading broadcast facilities world-wide to the recording studios and the performance stages that have hosted the top musical artists of all genres for more than 60 years, the AKG C 414 multi-pattern condenser microphone needs little introduction. There are few microphones that are as widely accepted as a de facto part of any professional engineer's mic locker as this famous microphone. Part of what has maintained the C 414 as an industry standard has been its impressive versatility, and AKG has pushed the envelope again with the addition of the C 414 XL II this famous line. The C 414 XL II (the successor of the famous C 414 B-TL II) differs from the C 414 XLS by offering a slight presence boost and by providing the spatial reproduction capability of the legendary AKG C 12 microphone. This characteristic response and spatial detailing makes lead vocals and solo instruments stand out, even in a densely packed mix. This signature up-front sound is also excellent for distant miking applications making the C 414 XL II ideal for classic music recording or drum ambience miking. And because of its 9-pattern design, leading-edge technology, state-of-the-art components, and reference-quality results, the AKG C 414 XL II ushers in a new standard in microphone versatility. The C414 XL II offers nine pickup patterns which enable you to choose the perfect setting for every application. In addition to the five patterns traditionally offered by the C 414 (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure eight), you also get four intermediate settings that let you dial in the best pattern to suite your environment. It also features an astoundingly low noise floor and a 152dB dynamic range, making the C 414 XL II ideal for any musical environment. A locking mode allows you to disable all of the C 414 XL II's controls for live-sound applications and permanent installations, and a special "Peak Hold" LED displays even shortest overload peaks. AKG C 414 XL II Multi-pattern Condenser Microphone Features at a Glance: Omni, wide cardioid, cardioid, hypercardioid, figure eight, and four intermediate pickup patterns Lock Mode disables all controls easily for live and installation use Incredible Dynamic Range of 152 dB Three different bass cut filters and three pre-attenuation levels Peak Hold LED even detects shortest overload peaks Includes carrying case, pop filter, windscreen, and spider-type shock mount Frequency range: Hz Sensitivity: 20 mV/Pa (-34 dBV) ± 0.5 dB Max. SPL: Pa = dB ( dB) for 0.5% THD Equivalent noise level: 6 dB-A (0 dB preattenuation) (IEC ) Signal/noise ratio: 88 dB Preattenuation pad: 0 dB, -6 dB, -12 dB, -18 dB, switchable Bass cut filter slope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz Impedance: Recommended load impedance: >= ohms Supply voltage: 48 V phantom power to DIN/IEC Powering: approximately 4 mA Connector: 3-pin XLR to IEC Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.) Net weight: 300g (10.6oz.)

The e 906 captures the guitar sound just as you want it to be: from clean to distorted, from gentle to aggressive. It provides a high-resolution, natural sound without unwanted coloration. The transient response of the e 906 convinces in every style: it even transmits riffs with an extremely hard punch directly and straightforward. The microphone features a switchable presence filter with three sound characteristic options: one to boost the presence range, one for "normal" presence and one to attenuate the presence range. Thanks to its flat shape, it can be positioned in front of the amp hanging from its cable

Dennis Chambers Signature Snare Drum As one of the world’s most respected international clinicians and session players, Dennis’ signature snare drum has outstanding sound and tonal dynamics. This top specification drum includes a wide range of features to help you achieve the perfect sound. Our Dennis Chambers Signature Series Snare Drums reflect the outstanding sound and tonal dynamics that are characteristic of every Dennis Chambers performance. Designed totally by Dennis and Pearl's development team, this drum offers two of our Multi-Trace Throw-Off Systems, the warm resonate tone of a ply Maple shell, with reinforcement rings at both top and bottom, and the stunning pearlescent beauty of our highly polished Opal White exterior finish. Dennis Chambers Signature Series Snare Drums will be outfitted with Evans heads (B14STD ST Dry batter and S14H30 snare head).

Light source: Light source: 7*15W RGBAW 5 in 1, RGBAW color mixing. Beam angle: 25 degree Characteristic: 1) strobe from fast to slow, adjusting 2) electronic dimmer ) pan 540o, pan 16bit 4) tilt 240o, tilt 16bit 5) pan and tilt speed adjusted 6) reset 7) LED digital display 8) 3 pin XLR-connection sockets Channel and control mode: Channel: 15 channels Control mode: DMX512, sound active, auto run Electric: Power: 75W Voltage: AC 100V-240V Hz

The Yamaha Portable Grand, DGX-520 is an 88-key portable keyboard with a piano focus. It includes piano-style keys that not only look like piano keys but also retain the characteristic size and shape, making it easier for a budding musician to move to an acoustic or digital piano. Other piano-centric features include a large wave ROM that includes high resolution Live! Grand and Live! Warm grand stereo piano samples, Portable Grand button and a decorative wooden stand that places the instrument at the correct height. Power adaptor and sustain pedal included.  1 Year limited guarantee. For more Info on this product please click here

Orange - ORDA15H DARK TERROR 15W CLASS A Guitar Combo Menacingly small, easily recognisable, this aggressive Orange DA15H Dark Terror W Tube Guitar Amp Head comes with a mind-blowing sound which combines the Shape control of the Thunder series with the weight and size of the monster Terror family. This Frankenstein-like amp has creepy amounts of gain on tap with disturbingly pleasurable responsiveness. It is uncompromisingly brutal, doubtless unhinged, even ferocious. The Dark Terror rises from the ethereal depths to fulfil the every desire of the Heavy Metal and Rock guitar players. With its characteristic fearless Orange Amp looks, heavy duty construction and portability, guitar players everywhere will quickly become attuned to this scary dark force of nature. The Dark Terror is highest gain Terror amp ever. Hear its distinctive Orange Amp sound and you will feel this mysteriously attractive force pulling you into the shadow of the Dark Terror. It’s everything you want from a Black Orange Amp. Prepare to ride the Dark Terror storm.

Orange - ORTB500C212 Smart Power Guitar Combo Orange have taken their breakthrough technology for the new SmartPower range of speakers and Terror Bass amp heads, and put them together to create an all-new Terror Bass Combo The Terror Bass 500w 2 x 12″ Bass Amp Combo features a 500 watt hybrid amplifier – as in the Terror Bass head – and comes with Tube Preamp and a Class D power section which drives two 12″ Neodineum speakers. Also available with black vinyl covering. This long-awaited new addition to the Terror family is a world-class quality combo with distinctive Orange sounds. The new Terror Bass Combo uses pioneering Smart Power Isobaric loudspeaker concept. This ground-breaking technology is achieved by mounting two lightweight Neodymium speakers within the cabinet, one immediately behind the other. This means a lower frequency can be delivered and more output realised with a smaller sized cabinet. In keeping with the Tiny Terror concept – small is the new big – this compact combo delivers more power, and more volume than any other currently on the market. The Terror Bass 500w 2 x 12″ Bass Amp Combo, with its characteristic Orange Amp looks, rugged construction, and portability, means that bass players everywhere can now be part of the elite Orange Terror Club.

Estimated delivery time: working days (Imported from America) - T&C's Apply This item includes free delivery within South Africa. Introducing one of the newest members of Kala ukulele family, the limited edition Kala KAA-15S Satin Mahogany Soprano Ukulele. This gorgeous mahogany uke features a satin finish and premium Aquila Nylgut Strings along with a rosewood fingerboard and bridge. With full-bodied tone and characteristic sweet highs and mellow lows, you'll hear the Kala quality on the first strum. And the chrome die-cast tuners will keep your instrument in tune and sounding great. Pick up your own Austin Bazaar exclusive Kala uke before they're gone!

Bring a more professional sound to your mix Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Features: Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expander/gates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mono operation Balanced inputs and outputs on 1/4" TRS and XLR connectors Side Chain insert Classic dbx® "Auto" mode Specifications: Input Connectors    1/4" TRS and female XLR (pin 2 hot) Input Type    Electronically balanced/unbalanced, RF filtered Input Impedance    40kΩ balanced/unbalanced Max Input    >+22dBu Balanced or Unbalanced Output Connectors    1/4" TRS, female XLR (pin 2 hot) Output Type    Impedance-balanced/unbalanced, RF filtered Output Impedance    +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced Max Output    >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω) Sidechain    1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) Sidechain Impedance    Tip = >10kΩ (Input), Ring = 2kΩ (Output) Sidechain Max Input Level    Tip = >+22dBu (Input) Sidechain Max Output Level    Ring = >+20dBu (Output) Compressor Threshold Range    -40dBu to +20dBu Compressor Threshold Characteristic    Selectable OverEasy® or hard knee Compressor Ratio    1:1 to Infinity:1 Compressor Attack Time    Scalable Program-Dependent AutoDynamic™ Compressor Release Time    Scalable Program-Dependent AutoDynamic™ Expander/Gate Threshold Range    -60dBu to +15dBu Expander/Gate Ratio    1:1 to 4:1 Expander/Gate Attack Time    Expander/Gate Release Time    Program-dependent Bandwidth    0.35Hz - 90kHz, +0/-3dB Frequency Response    Flat: 20Hz-20kHz, +0, -0.5dB Noise    THD+Noise    Typically IMD    Typically Dynamic Range    >114 dB, unweighted Interchannel Crosstalk    CMRR    >40dB, typically >55dB at 1kHz Stereo Coupling    True RMS Power Summing™ Power Consumption    15 Watts Maximum Operating Voltage    100VAC Hz; 120VAC 60Hz; 230VAC Hz Operating Temperature    0°C to 45°C (32°F to 113°F) Dimensions    1.75" x 5.75" x cm x 14.6 cm x cm) Unit Weight    4.84 lbs (2.19 kg) Shipping Weight    6.6 lbs (2.99 kg) Reference    0dBu = Vrms 1 year limited guarantee For more info on this product please click here