Card inputs dual mic inputs

Allen & Heath M-MADI Dual port MADI card supports two streams of 64 channel bi-directional 24-bit 48kHz serial digital audio transmission using two 75 ohm coaxial cables per port. An additional AUX connector can be configured to mirror stream 1 outputs, pass thru stream 1 inputs, or as a word clock input or output.. Daisy chain or split signals to multiple devices, sync with either stream or an external word clock. The second port can be configured as an independent stream or as a redundant backup connection using a second cable. Signals from either stream can be routed to the iLive channels in blocks of 8. iLive and GLD outputs can be patched to MADI and appear at both stream outputs. M-MADI is one of a range of digital audio networking options available for iLive and GLD to enable integration with other systems, digital mic splitting, multi-track recording and system expansion. It can be fitted to the Port B expansion slot in iLive fixed format MixRacks (iDR-16, iDR-32, iDR-48, iDR-64) or expander (xDR-16), Port A/B in iLive modular MixRacks (iDR0, iDR10) and Port A of iLive modular surfaces if they are fitted with the new RAB-2 standard. It can also be fitted to the I/O Module expansion slot in a GLD-80 mixer.

Omega X-ac1 50w Dual 8" Speakers *b* 2 X 25w Rms Sound Power Output Dual 8" Woofers 2 X Piezoelectric Tweeters Dual Power Input Ac Or Dc 12v Fm Radio Bluetooth Connectivity Usb/aux/sd Card Inputs Dual Mic Inputs

Omega Op-82bt9 40w Party Speaker *m* 40w Rms 12" Speaker Piezoelectric Tweeters Full Spectrum Dj Light Show Fm Radio Bluetooth Connectivity Usb/aux/sd Card Inputs Dual Mic Inputs Additioanl Accessories In The Box Rechargable Battery

We provide free countrywide shipping. In 5-7 working days after payment Incredible JBL Sound with a Dazzling Light Show. Huge sound, dazzling lights and unbelievable power set this speaker apart from the crowd. The JBL PartyBox 310 packs a full party into a transportable, splashproof sound machine like no other. Turn up your favorite playlists anywhere, from get-togethers at home to dance parties on the beach. Bring big party vibes with 240 watts of JBL Pro Sound and a synced light show that grooves to the beat. Plug in and keep the fun going all night or wheel over to the campfire and take advantage of its impressive 18-hour battery life. Start a party with the JBL PartyBox 310. Features and Benefits Powerful JBL Pro Sound Around the block or across the beach, make your party heard with 240 watts of big JBL Pro Sound. Sing, rap, strum — then turn up the bass and watch the dance floor come alive. Light up the night Mesmerize your crowd with a dazzling, dynamic light show that dances to the beat. With subtle pulsing and powerful strobing effects, there's a setting for every vibe. Keep the party going* Go from the opening act till way past sunrise with 18 hours of music-blasting battery life. Want to party longer? Just plug the JBL PartyBox 310 into an outlet and dance the weekend away. Take it anywhere. Party everywhere! Who says only clubs have big sound? With a telescopic handle and built-in smooth-glide wheels, you can take the party from your patio to the park — and everywhere in between. Make a splash Take it from a backyard dance party to a poolside bash. Crafted with IPX4 splashproof protection, the JBL PartyBox 310 keeps the music going — rain or shine. Get loud. REALLY loud. Connect compatible speakers wirelessly via TWS (True Wireless Stereo using Bluetooth connection up to 2 party speakers) or wired via one Aux output to another. Sound effects get the party started Have even more fun with party sound effects that are impossible to ignore. Choose an air-horn, applause — even a "boo" — to get your guests cheering and laughing along. DJ in the dark The party doesn't stop when the sun goes down. The control panel on JBL PartyBox 310 has convenient built-in backlighting that activates in the dark. You'll be able to keep the tunes going, with no need for a flashlight. It's all in the app From the DJ booth to the chill-out area under the trees, control your party from your phone with the PartyBox app. Switch tracks, change up the light show, control karaoke features and more, all with a just a few taps and swipes. Take a stand. Up with great sound Take your party up a notch — literally. The JBL PartyBox 310 is compatible with most speaker stands, so you can raise it off the ground for more visibility and even better sound. (Speaker stand not included). Sing a solo — or a duet — with built-in karaoke mode It's your time to shine. Dual mic and guitar inputs turn any party into a karaoke party, while built-in vocal tuning makes your voice sound straight-up amazing. Stream your tunes, your way Songs. Playlists. DJ mixes. Play whatever you want, whenever you want, from your smart phone or other Bluetooth-enabled device. All you need is the music — and the desire to play it loud. Hit "Play" on your playlists Hear your favorite songs without having to make a request. Just pop your playlist on a thumb drive and plug it into the built-in USB port to play the tunes you love without the effort. Feel the electricity From backyard bashes to warehouse throwdowns, the PartyBox 310 plugs in wherever you have an outlet. Taking your party on the road? Hook it up to your car, RV, or party bus to keep the vibe going as long as your crowd can keep dancing. What's in the box What’s in the box: 1 x JBL Party Speaker 310 1 x Quick-Start Guide 1 x Warranty Card 1 x Safety Sheet 1 x AC Power Code (AC Plug varies by Region)

Dual port MADI card supports two streams of 64 channel bi-directional 24-bit 48kHz serial digital audio transmission using two 75 ohm coaxial cables per port. An additional AUX connector can be configured to mirror stream 1 outputs, pass thru stream 1 inputs, or as a word clock input or output.. Daisy chain or split signals to multiple devices, sync with either stream or an external word clock. The second port can be configured as an independent stream or as a redundant backup connection using a second cable. Signals from either stream can be routed to the iLive channels in blocks of 8. iLive and GLD outputs can be patched to MADI and appear at both stream outputs. M-MADI is one of a range of digital audio networking options available for iLive and GLD to enable integration with other systems, digital mic splitting, multi-track recording and system expansion. It can be fitted to the Port B expansion slot in iLive fixed format MixRacks (iDR-16, iDR-32, iDR-48, iDR-64) or expander (xDR-16), Port A/B in iLive modular MixRacks (iDR0, iDR10) and Port A of iLive modular surfaces if they are fitted with the new RAB-2 standard. It can also be fitted to the I/O Module expansion slot in a GLD-80 mixer.

The H5 Handy recorder from Zoom is a compact, portable handheld digital recorder that is capable of four-track recording and has an interchangeable, modular microphone system. The recorder ships with an XY microphone capsule and is compatible with the existing line of H6 modules including the optional shotgun mic and XLR/TRS input modules. The included XY stereo mic module provides two matched unidirectional condenser microphones set at a 90 degree angle, and features a built-in shockmount system and a maximum SPL of 140dB. Additionally, the recorder is equipped with two inputs for external sources, allowing you to record simultaneously with the included stereo XY mic for a total of four input channels. Each input is controllable by its own analog gain knob, and also has a -20dB pad. The recorder also has an LCD screen and a side-mounted toggle control for navigating through the menu options. It gives you fast access to transport functions, offering physical control buttons right underneath the screen, and conveniently stores its recorded audio to external SD cards. In addition to the detachable X/Y capsule, the recorder also ships with a foam windscreen, a 2GB SD card, two AA batteries, a USB cable, WaveLab LE (download), Cubase LE (download), and a hard plastic case. Features: Includes detachable X/Y capsule (XYH-5) with extended signal capacity and shockmounted microphones for reduced handling noise Compatible with Zoom H6 input capsules and optional capsules including the SGH-6 shotgun mic capsule and the EXH-6 dual XLR/TRS combo input capsule Four-track simultaneous recording Large backlit LCD display Records directly to SD and SDHC cards up to 32GB Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats Two mic/line inputs with XLR/TRS combo connectors, each with selectable phantom power and -20dB pad Analog-style gain controls for each input Protective "roll-bar" type covers prevent accidental movement of gain controls Plug-in power (2.5 volts) Built-in effects, including low-cut filtering, compression and limiting Chromatic tuner and metronome Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take MS decoding Multitrack to stereo internal mixdown Normalize, Divide and Trim editing Voice memo and up to 99 marks per recording A/B loop playback Variable playback speed and variable pitch without affecting playback speed Multichannel and stereo USB audio interface for PC/Mac/iPad with loop back function Mountable to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter Uses two standard AA alkaline or NiMH rechargeable batteries Over 15 hours of operation with alkaline batteries General Recording Media SD card: 16MB to 2GB SDHC card: 4GB to 32GB Display Backlit LCD (128 x 64 pixels) Power Requirements AA size (LR6) battery x 2 AC adapter (AD-17 (DC5V/1A/USB-type, optional) USB bus power I/O Inputs L/R [XYH-5 X/Y mic]: Mic Type: Unidirectional Sensitivity: -45 dB, 1 kHz at 1 Pa Input Gain: -¿ to 52 dB Max Sound Pressure Input: 140 dB SPL Mic/Line In: Connector: 1/8" stereo mini jack Input Gain: -¿ to 52 dB Input Impedance: 2 k¿ or more Plug-In Power: 2.5V supported Backup Recording: -12 dB lower than set L/R input gain Inputs 1/2: Connectors: XLR / TRS combo jacks (XLR: Pin 2 hot / TRS: Tip hot) Input Gain (PAD OFF): -¿ to 55.0 dB Input Gain (PAD ON): -¿ to 35.0 dB Input Impedance: 1.8 k¿ or more Max Input Level: +22 dBu (PAD ON) Phantom Power: +12V /+24V /+48V Equivalent Input Noise (EIN): -120 dBu or less Outputs Line Out: Connector: 1/8" stereo mini jack Rated Output Level: -10 dBm Output Load Impedance: 10 k¿ or more Phone Out: Connector: 1/8" stereo mini jack Output Level: 20 W + 20 W into 32 ¿ load Built-in speaker: 400 mw 8 ¿ mono USB Mass Storage Class Operation: Class: USB 2.0 high speed Audio Interface Operation: Multitrack Mode: Class: USB 2.0 high speed Sampling Frequency: 44.1/48 kHz Bit Rate: 16-/24-bit Inputs / Outputs: 4 / 2 Stereo Mode: Class: USB 2.0 full speed Sampling Frequency: 44.1/48 kHz Bit Rate: 16-bit Inputs / Outputs: 2 / 2 USB Bus Powered Operation: Yes iPad Operation: Supported in stereo mode only Recording Recording Formats Stereo Mode: WAV (BWF-compliant) Sampling Frequency: 44.1/48/96 kHz Bit Rate: 16-/24-bit (Stereo) Maximum Simultaneous Recording Tracks: 2 MP3 Sampling Frequency: 44.1 kHz Bit Rate: 48/56/64/80/96/112/32/160/192/224/256/320 kbps Multi-Track Mode: WAV (BWF-compliant) Sampling Frequency: 44.1/48 kHz Bit Rate: 16-/24-bit (mono/stereo) Maximum Simultaneous Recording Tracks: 6 (L/R + INPUT 1/2 + L/R backup) Physical Specifications Dimensions H5: 2.3 x 5.3 x 1.7" (66.8 x 135.2 x 42.1 mm) XYH-5 X/Y mic:2.6 x 2.4 x 1.6" (65.5 x 62.2 x 41 mm) Weight H5: 6.2 oz (176.0 g) XYH-5 X/Y mic: 3.3 oz (94.0 g) In The Box XYH-5 Microphone Capsule Plastic Case 2 GB SD Card Foam Windscreen USB Cable Steinberg WaveLab LE Software (Download) Steinberg Cubase LE Software (Download) 2 x AA Batteries Limited 1-Year Warranty

This classic dual function mixer offers a well thought out feature set built into a rugged, small footprint chassis ideal for flight casing and venue installation where space is tight. Uniquely at this level, the GL is equipped with 10 auxiliary sends - including a dedicated stereo aux - and using the 12x4 matrix,provides the ideal solution for IEM and stereo Recording. 8 audio groups andL,R and M busses are also provided, allowing for full dual functionality with 10mixes with faders, inserts and XLR drive GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ NB: RPS11 Power Supply to be Purchased separately. GL_24_Main RELATED PRODUCTS RB_LedLamp RB_ICE-16D FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp availableNB: RPS11 Power Supply to be Purchased separately.

GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ GL_24_Main RELATED PRODUCTS RB_LedLamp RB_ICE-16D FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp available NB: RPS11 Power Supply to be Purchased separately.NB: RPS11 Power Supply to be Purchased separately.

GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp available NB: RPS11 Power Supply to be Purchased separately.NB: RPS11 Power Supply to be Purchased separately.

GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ GL_24_Main FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp available NB: RPS11 Power Supply to be Purchased separately.NB: RPS11 Power Supply to be Purchased separately.

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48-input Digital Mixer! More channels. More inputs. The new TASCAM DM- has more of everything that made the DM-24 a pedigreed studio workhorse, plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing flexibility, easier and robust data backup/ restore, greatly expanded mix storage using compact flash media and much more. With the DM-, TASCAM brings the functionality of a big console to the world of DAWs. You can't go wrong with the DM-! TASCAM DM- At-a-Glance: Music Tracking Post Production and Game Production Live Sound and House of Worship Project Studio Recording Music Tracking When you're tracking a band in your studio, there are certain features that musicians and producers demand from a recording console. The DM- gives you eight aux sends so that you can give individual cue mixes to each musician and have some left over to buss to the two built-in effects. It has a professional control room section with talkback mic and slate functions as well as three playback source selection switches. For recording large ensembles you get 16 microphone preamps, each with analog insert, phantom power (selectable in groups of four) and a -20dB pad switch. Four assignable analog inputs are provided, for inserting your favorite tube compressor on a console channel, or you can use the 4-band EQ and dynamics found on every channel. When the sound is dialed in, send that channel to its own track with the Direct button or combine inputs to the 16 busses. There are plenty of digital and analog I/O options to combine stand-alone hard disk recorders (like the TASCAM X-48), analog tape recorders or computer-based DAW recorders. The affordable DM- handles all of the routing and bussing you need in a professional studio, allowing you to concentrate on running your session. Post Production and Game Production Mixing inside of a computer is difficult enough in stereo, and when you start working on surround projects, managing and monitoring all of the ins and outs becomes more like air traffic control. The DM- becomes your control center for mixing large projects with dozens of channels. It can mix your tracks with one snapshot, and with two button presses you're ready to transfer them to a dubber or video deck. Just connect your DAW interface, like Digidesign's 192 Digital I/O for Pro Tools, to one of the digital connections on the rear panel (or use our optional IF-FW/DM FireWire interface card). The DM- even acts as a HUI controller for Pro Tools, allowing you to mix some channels in the DAW and others in the console. The DM- is an outstanding choice for mixing in surround, with 5.1 and even 6.1 automated panning. The 16 busses become two surround busses in surround mode, allowing you to buss channels to discrete stems. The optional IF-SM/DM Surround Monitoring card provides downmixing to stereo, individual output solo/mute and bass management features to the console. Live Sound and House of Worship Like the DM-24, the DM- makes a reliable choice for sound reinforcement. Its 16 mic inputs give you plenty of channels for performances or services, and more mic inputs can be added as needed using external rackmount preamps with digital outputs. Each of the 32 channels features four-band parametric EQ, gating and compression processing. Two built-in effects processors can access a variety of great-sounding effects processors, including a reverb processor by TC Works. If you're the one installing the DM- into a facility, you can program a variety of settings and back up your programs to a Compact Flash card. Recalling snapshots is done using dedicated buttons on the front panel, so loading a mixer setting is as simple as changing channels on a TV remote. The rear panel of the DM- is well-stocked with balanced and digital I/O, allowing ample connectivity to crossovers, as well as CD and cassette recorders such as our popular CC-222 mkII. Project Studio Recording Add the optional IF-FW/DM interface card to the DM-, and it becomes the ultimate computer interface and mixing surface for your workstation software. The IF-FW/DM allows a single FireWire cable to transmit 32 channels from your computer to the DM- and another 16 channels back to the computer for recording. Using this expansion card, no other interface or hardware is needed for recording to a computer. The DM- has a fader layer, labeled 'Remote', that's dedicated to controlling the mixing facilities in your DAW software. There are two modes of control: Mackie Control and Mackie HUI emulation. The DM-'s solid transport keys can be mapped to your software in any fader layer, and adjustments to your software mixer is a fader layer away. The DM- + IF-FW/DM combination gives you the best of both worlds: computer recording and DAW control with world-class mixing, automation and monitoring features. Tascam DM- Features: 32 channels and 16 auxiliary returns for 48 total inputs 16 busses 8 Aux Sends 16 analog mic/line inputs with phantom power for condenser mics and analog inserts 24 channels of TDIF and 8 channels of ADAT built in 2 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog & TDIF cards Dedicated cascade port supports cascade of two DM-s Per channel LED ring encoders for pan, aux sends and EQ Built-in DAW control All inputs, effects and processing are available at 96k -- no features are sacrificed at full sampling rate Transport controls Powerful automation with touch-sensitive motorized faders EQ and compression on each channel Two built-in effects processors at k or k Flexible routing Offload data to convenient Compact Flash media using built-in CF slot Optional MU- meter bridge Stylish, professional design with rear panel I/O connections TASCAM Mixer Companion software

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So you want to mix off your IPAD and use the S16 for inputs, this will be the solution for you 40-input channel, 25-bus, 3U rack-mountable digital mixer for live and installed sound application 16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality 8 XLR outputs plus 6 additional line in/outputs, a phones connector and a talkback section with XLR mic input · 32 x 32 channel USB 2.0 audio interface · iPad* and iPhone* apps for professional remote operation available free of charge¿no host PC required · High-resolution 5" day-viewable Color TFT for easy viewing of workflow components and parameters · Main LCR, 6 matrix buses and all 16 mix buses each featuring inserts, 6-band parametric EQ's and full dynamics processing, plus 8 DCA and 6 mute groups · Virtual FX rack featuring 8 true-stereo FX slots include high-end simulations such as Lexicon 480L* and PCM70*, EMT250* and Quantec QRS* etc. · 40-Bit floating-point DSP features "unlimited" dynamic range with no internal overload and near-zero overall latency (0.8 msec) · Powerful scene management for convenient handling of complex productions · 48-channel Digital Snake ready*** via dual AES50 ports, featuring KLARK TEKNIK’s SuperMAC networking capability for ultra-low jitter and latency · USB type-A connector providing file storage and uncompressed stereo recordings plus show presets and system updates · ULTRANET connectivity for BEHRINGER's P16 Personal Monitoring System*** · Networked remote control via Ethernet for show setups with on-screen software editor · Built-in expansion port for audio interface cards or digital networking bridges · MIDI In/Out for remote scene recall or controlling other MIDI equipment · Future firmware updates, incl. new FX “Plug Ins”, downloadable from behringer.com free of charge 3-Year Warranty Program** · Conceived and designed by BEHRINGER Germany 40-Input Channel, 25-Bus Digital Rack Mixer with 16 Programmable MIDAS Preamps, USB Audio Interface and iPad/iPhone* Remote Control It can be your top-notch studio recording interface today, control a complex theater production tomorrow, or sit securely in your side-rack while you’re mixing your band’s club gig from your iPad. The X32 RACK is a revolutionary new product genre that combines finest analog I/O and powerful digital connectivity, with ample processing for 40 channels, 25 buses and up to 152 signal sources. While every parameter of your mix can be adjusted directly on the X32 RACK through its 800 x 480 graphic UI, networked remote control literally makes room for new possibilities. Several instances of our XControl PC/Mac application, XiControl app for iPad/iPad mini and XiQ app for Phone/iPod touch allow controlling the mix from exactly the place you find most suitable. 16 MIDAS-design mic preamps provide plenty of inputs¿and with its dual AES50 ports, X32 RACK can support up to six S16 digital snakes for massive I/O connectivity. 8 powerful stereo FX engines coupled with ultra-flexible routing options make the X32 RACK the ideal choice for handling audio now¿and as your needs grow.