Calculated risk stephanie

Buy General Mark Clark - Calculated Risk - His Personal Story Of The War In North Africa And Italy for R150.00

One of the greatest talents that Winston Churchill was blessed with was his extraordinary command of the English language. He would go on to write a prodigious 65 books in his lifetime. He was rewarded for this in 1953 when he was awarded the Nobel Prize for Literature. Yet in Britain his abilities as a writer were already widely recognized by the end of the 19th century. Yet oddly enough he had not excelled academically at school and it was only on his third attempt that he passed the entrance examination to the Royal Military Academy at Sandhurst. Before entering politics he went on to combine his military career with journalism and shortly after the outbreak of the South African War in 1899, he was contracted as a war correspondent for the Morning Post. He made his way to the Natal front where he was destined to become one of the highest-paid newspaper reporters in the world. Much has been made of Churchill’s heroism. The exceptional courage he displayed when defending the derailed armoured train at Chieveley in Natal made his reputation. Yet strictly speaking as a journalist he was a non-combatant, but on his capture, the Boers treated him as a combatant because of his actions at the armoured train. This was not an isolated incident of bravery for on other occasions, in Cuba, India and in Africa, his sometimes almost reckless courage had drawn widespread comment. On three different occasions during the Malakand campaign in India, he rode his pony along the skirmish line while everyone else was ducking for cover. He admitted that his actions were foolish, but playing for high stakes was a calculated risk. ‘Given an audience there is no act too daring or too noble’, he wrote to his mother, and concluded his letter by saying: ‘... without the gallery things are different.’ Scaling the wall surrounding the prison yard in Pretoria and making his way through enemy territory to Portuguese East Africa was not considered a particularly great feat by the British military. Yet his escape he was largely unknown to the British people until then was hailed by many as one of the greatest military escapes ever. His instant fame, to a large degree, came about because the war was going badly for the British Army at the time. A depressed British people needed a hero to bolster their sagging enthusiasm for the war, so Winston Churchill was their man. He had the need to stay in the limelight to fuel his political ambitions and the best way to achieve that was by returning to the front as a journalist and part-time soldier after his escape where he continued to captivate the readers of the Morning Post with his dispatches, writing convincingly about his own and other’s front-line experiences. His stories of how he miraculously escaped the bullets that whistled around him in Natal and the Orange Free State and how he rode a bicycle through enemy-held Johannesburg, ending with his triumphant returned to Pretoria where he helped to liberate his former fellow POW's from captivity, earned his newspaper a fortune. The fact that the adventures he described sometimes did not happen exactly the way he related them didn't seem to bother anyone. William Manchester wrote: ‘Virtually every event he (Churchill) described in South Africa, as in Cuba, on the North-West Frontier, and at Omdurman, was witnessed by others with whom recollections were consistent. The difference, of course, lay in the interpretation.’ I set out to discover the real Churchill in those early years of his life. During this process I discovered many facets to this complex and controversial man. At times I felt like a certain painter described by Cervantes. This sage artist was asked, as he was starting on a new canvas, what his picture was to be. ‘That’, he replied, ‘is as it may turn out.’ So this, my account of how the young and extraordinary Winston Churchill became a hero during the South African War, is how it turned out. Paperback, 268 pages. Published August 2008  

One of the greatest talents that Winston Churchill was blessed with was his extraordinary command of the English language. He would go on to write a prodigious 65 books in his lifetime. He was rewarded for this in 1953 when he was awarded the Nobel Prize for Literature. Yet in Britain his abilities as a writer were already widely recognized by the end of the 19th century. Yet oddly enough he had not excelled academically at school and it was only on his third attempt that he passed the entrance examination to the Royal Military Academy at Sandhurst. Before entering politics he went on to combine his military career with journalism and shortly after the outbreak of the South African War in 1899, he was contracted as a war correspondent for the Morning Post. He made his way to the Natal front where he was destined to become one of the highest-paid newspaper reporters in the world. Much has been made of Churchills heroism. The exceptional courage he displayed when defending the derailed armoured train at Chieveley in Natal made his reputation. Yet strictly speaking as a journalist he was a non-combatant, but on his capture, the Boers treated him as a combatant because of his actions at the armoured train. This was not an isolated incident of bravery for on other occasions, in Cuba, India and in Africa, his sometimes almost reckless courage had drawn widespread comment. On three different occasions during the Malakand campaign in India, he rode his pony along the skirmish line while everyone else was ducking for cover. He admitted that his actions were foolish, but playing for high stakes was a calculated risk. Given an audience there is no act too daring or too noble, he wrote to his mother, and concluded his letter by saying:... without the gallery things are different. Scaling the wall surrounding the prison yard in Pretoria and making his way through enemy territory to Portuguese East Africa was not considered a particularly great feat by the British military. Yet his escape he was largely unknown to the British people until then was hailed by many as one of the greatest military escapes ever. His instant fame, to a large degree, came about because the war was going badly for the British Army at the time. A depressed British people needed a hero to bolster their sagging enthusiasm for the war, so Winston Churchill was their man. He had the need to stay in the limelight to fuel his political ambitions and the best way to achieve that was by returning to the front as a journalist and part-time soldier after his escape where he continued to captivate the readers of the Morning Post with his dispatches, writing convincingly about his own and others front-line experiences. His stories of how he miraculously escaped the bullets that whistled around him in Natal and the Orange Free State and how he rode a bicycle through enemy-held Johannesburg, ending with his triumphant returned to Pretoria where he helped to liberate his former fellow POW's from captivity, earned his newspaper a fortune. The fact that the adventures he described sometimes did not happen exactly the way he related them didn't seem to bother anyone. William Manchester wrote: Virtually every event he (Churchill) described in South Africa, as in Cuba, on the North-West Frontier, and at Omdurman, was witnessed by others with whom recollections were consistent. The difference, of course, lay in the interpretation. I set out to discover the real Churchill in those early years of his life. During this process I discovered many facets to this complex and controversial man. At times I felt like a certain painter described by Cervantes. This sage artist was asked, as he was starting on a new canvas, what his picture was to be. That, he replied, is as it may turn out. So this, my account of how the young and extraordinary Winston Churchill became a hero during the South African War, is how it turned out. Paperback, 268 pages. Published August 2008  

Based in Kensington, Johannesburg Read once and now cluttering up my bookshelves. Cash sale only and sold per each but if you take 5 or more, we can negotiate a better price. The Collectors, Split Second, Last Man Standing, The Whole Truth (David Baldacci) The Righteous Men (Sam Bourne) Digital Fortress, The Lost Symbol,Angels and Demons, Deception Point (Dan Brown) Hello Darkness (Sandra Brown) Gemini (Mark Burnell) Without Fail, Bad Luck and Trouble (Lee Child) Stay Close (Harlan Coben) The Narrows, City of Bones, The Overlook, The Lovers (Michael Connelly) At Risk (Patricia Cornwell) A Maiden's Grave, The Cold Moon, The Devil's Teardrop, The Twelfth Card, Bloody River Blues, The Coffin Dancer (Jeffrey Deaver) Land of the Living, Secret Smile (Nicci French) Gone, The Other Daughter (Lisa Gardener) Accused (Mark Giminez) U is for Undertow, Q is for Quarry (2 copies) (Sue Grafton) Blood, Eyes (Joseph Glass) The Partner, The Street Lawyer (John Grisham) Better Than This (Stuart Harrison) Gone (Mo Hayder) Invisible Furies (Michiel Heyns) Dark Horse, Kill The Messenger (Tami Hoag) Cold Case, Stone Kiss, The Garden of Eden and Other Criminal Delights,Blindman's Bluff, Blood Games (Faye Kellerman) Tango One (Stephen Leather) Drawing Conclusions (Donna Leon) Blood Lines (Grace Monroe) The Four Courts Murder (Andrew Nugent) Body Work (Sara Paretsky) The Lake House, Cross, London Bridges, The Midnight Club, Violets Are Blue, The Big Bad Wolf, Cross Country, Double Cross, 1st To Die, Four Blind Mice (James Patterson) Judge and Jury (James Patterson & Howard Roughan) Not in the Flesh (Ruth Rendell) Fantasy in Death, Ceremony in Death (2 copies), Conspiracy in Death (JD Robb) Count To Ten (Karen Rose) The Increment (Chris Ryan) Faithless (Karin Slaughter) Rose (Martin Cruz Smith) The Devil's Feather, The Dark Room, The Tinder Box, Omnibus: The Ice House & The Sculptress (Minette Walters) River's End (Nora Roberts) Sam's Letters for Jennifer (James Patterson) The World Below (Sam Miller) Dark Rivers of the Heart, Mr Murder, Winter Moon, The House of Thunder, Dragon Tears, Strange Highways (Dean Koontz) The Dark Half, Nightmares and Dreamscapes (Stephen King) Notes from the Dementia Ward (Finuala Darling) The Host (Stephanie Meyer) The Dargonesti (Paul B Thompson & Tonya Cook) Angel (L.A. Weatherly) Raising Demons (Rachel Hawking) Ultraviolet (R.J. Anderson) City of Lost Souls (Cassandra Clare)