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Allen and Heath ICE16 - ICE-16 records 16 tracks of audio directly to a USB key or hard drive. Just connect the 16 analogue inputs to any line level source (your mixer¿s direct outs are ideal), plug in your memory and press record to capture live shows, band rehearsals, conferences or services for mixing or playback afterwards.ICE-16 also functions as a 16 x 16 channel interface to your computer in the studio, streaming high quality digital audio at 24bit, up to 96kHz sample rate over FireWire or high speed USB 2.0. Units can be linked when streaming over FireWire to expand the channel count even further.Live or in the studio, ICE-16 makes multitrack recording easy.CONNECTMultiple units can be daisy-chained over the FireWire bus, or kept in sync using the DIN connectors when recording on multiple USB devices, making iCE-16 the perfect companion for both small and large analogue consoles such as our acclaimed ZED, MixWizard and GL mixers. Plug into your desk Direct Outs or use a mix of Groups and Aux sends to save on channels.RECORDThe USB DRIVE is automatically detected and checked by the system. Starting the recording is as simple as pushing a button. Remove and plug the key into a computer to access or transfer the WAV files to any DAW. INTERFACERemoving the USB stick or powering up the unit without one enables the USB / FireWire interface. Signals present at the inputs will be sent to the Mac or PC on channels 1-16. WDM/ASIO drivers and USB2.0 class compliance ensure full compatibility with most DAWs, including Logic, Sonar, Cubase and Pro Tools.PLAYFancy a ¿virtual soundcheck¿ or just need to play cues during a live gig? Tracks can be played back directly from the USB drive and full multichannel audio can be sent from the computer to the ICE-16 analogue Outputs.FEATURE SUMMARY16 analogue Inputs, 16 analogue OutputsFront USB socket for easy capture to USB storage devicesHybrid FireWire (IEE1394) / USB 2.0 16×16 audio interfaceIndustry standard wav file formatUp to 6 hours of 16 channel audio on a 32GB USB stickSignal Present and Peak LED metering on each channelMono headphone bus for Input or Output monitoringDaisy chain multiple units over FireWireFamiliar transport buttons and intuitive control *

Allen and Heath GLD080 - GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug n play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLives acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.GLD-80 FEATURESGLD-80 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag n drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 20 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixers local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.The GLD-80 connects to a range of plug n play I/O racks to build 28, 36 or 44 mic input systems. A primary AR2412 rack (24 XLR inputs, 12 XLR outs) and up to two AR84 expander racks (8 XLR inputs, 4 XLR outs each) can be connected over 120m CAT5 runs using A&Hs dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a connection for personal monitoring systems.GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heaths ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using GLDs extensive soft-patching.FEATURE SUMMARYCompact digital mixer with scalable, remote I/OSystems from 4 to 44 mics1Easy to use, quick to access, analogue style interfacedSNAKE Cat5 digital snakeup to 120m cable length8.4 inch colour touchscreen for graphical view and setup20 faders, 4 layers, 80 channel strips in a freely customizable layout48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs8 stereo RackFX engines* with dedicated short returns with 4-band PEQFull processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delayFull processing on all outputs including insert, PEQ, GEQ, compressor and delayLR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes16 DCAs / mute groupsBuilt-in Talkback, RTA and Signal GeneratorI/O module options for FOH/Monitor split, multitrack recording, link to iLive and moreMIDI In/Out and Ethernet Network portAviomTM Pro16 compatible Monitor port on main AudioRackHigh end 1dB step recallable mic/line preampsUser definable channel names and coloursEngineers mono Wedge and stereo IEM stripsInput, output and insert soft patchbaysQuick copy, paste and reset of mixes and parametersLibraries, Scenes and Show memories with USB transferGet started quickly with Template Shows.(020)

Allen & Heath GLD 80 Digital Mixer GLD, a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug n' play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs). At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLive's acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise. GLD-80 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag 'n drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 20 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixer's local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.

Allen & Heath - ZED60 10FX Mixer Live or in the studio, ZED60-10FX is an ultra-portable mixer for solo artists and small bands. Based on our top selling ZED-10FX, the new ZED60-10FX adds premium quality 60mm faders for that intuitive, tactile mixing experience. This mixer is a guitarist¿s dream. Two of the 4 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards. ZED60-10FX comes with configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX. Most important of all, ZED60-10FX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years. USB AUDIO FLEXIBILITY Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that¿s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:- SEND OPTIONS: 1) Main Mix Left + Right (Post master Level) 2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send) 3) Record Bus Left + Right (Separate stereo bus to Main Mix) RETURN OPTIONS: 1) To Playback input (through jack socket break contacts) 2) To Stereo 2 channel (through jack socket break contacts)

Allen & Heath ZED 420 Digital Mixer ZED-420 is excellent for bands, houses of worship, theatres or AV applications. It has a truly professional feature set, which will fit any sound reinforcement application and professional PA hire stock. ZED-420 has Configurable USB audio in/out makes it easy to capture stereo recordings, 16 mic or line inputs plus 2 dual stereo inputs, 4-band EQ with MusiQ, 4 sub-groups, 6 auxiliary sends and a 7x2 matrix.

Allen & Heath ZED 12 FX Digital Effects Mixer ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in/out makes it easy to capture stereo recordings.

Allen & Heath ZED 16 FX Digital Effects Mixer ZED-16FX is ideal for groups who need to travel light. It gives musicians, venues and hire companies access to 10 full mono channels, 3 stereo channels and a high quality FX unit in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings.

Allen & Heath - ZED16FX Mixer¿ ZED-16FX is ideal for groups who need to travel light. It gives musicians, venues and hire companies access to 10 full mono channels, 3 stereo channels and a high quality FX unit in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings. USB AUDIO FLEXIBILITY Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that¿s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:- SEND OPTIONS 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-4 RETURN OPTIONS 1) To Stereo 3 channel

Allen & Heath - ZED10 Mixer ZED-10 is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in/out making it easy to capture stereo recordings Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. USB AUDIO FLEXIBILITY Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:- SEND OPTIONS 1) Main Mix Left + Right (Post master Level) 2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send) 3) Record Bus Left + Right (Separate stereo bus to Main Mix) RETURN OPTIONS 1) To Playback input (through jack socket break contacts) 2) To Stereo 2 channel (through jack socket break contacts)

Allen & Heath - ZED1802 Mixer ZED-18 has an incredibly advanced feature-set for a mixer at this level – it gives musicians, venues and hire companies access to 10 full mono channels and 4 stereo channels in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings. USB AUDIO FLEXIBILITY Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:- SEND OPTIONS 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-4 RETURN OPTIONS To Stereo 3 channel

Allen & Heath - ZED2842 Mixer ZED-428 is excellent for bands, houses of worship, theatres or AV applications. It has a truly professional feature set, which will fit any sound reinforcement application and professional PA hire stock. ZED-428 has Configurable USB audio in/out makes it easy to capture stereo recordings, 24 mic or line inputs plus 2 dual stereo inputs, 4-band EQ with MusiQ, 4 sub-groups, 6 auxiliary sends and a 7×2 matrix. USB AUDIO FLEXIBILITY Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:- SEND OPTIONS 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 5-6 5) Matrix 1-2. RETURN OPTIONS 1) To Playback input 2) To Stereo 3 channel

Achieve the ultimate in control over your mix with the Allen & Heath ME-1 Personal Mixer. Each performer can tailor their monitor mix easily and quickly with this networked solution. The compact and smart design of the ME-1 makes operation and setup a breeze. Give your musicians control of up to a 40-source mix. A dimmable OLED is easy to read on both dark and bright stages. Connect multiple units together and to the source via Dante, EtherSound, or MADI. This unit also works with other personal monitoring systems, call your Sweetwater Sales Engineer to learn more. Allen & Heath ME-1 Personal Mixer at a Glance: Take control with a personal monitor mixer Easy-to-use controls Assignable keys for quick recall Take control with a personal monitor mixer Add a personal monitor system to your Allen & Heath iLive and GLD digital mixers with the ME-1 Personal Mixer. This lets you give the entire band control of their own monitor mixes. Simple to setup and operate, the ME-1 offers powerful control that's perfect for houses of worship, studios, rehearsals, stages of all sizes, and more. Standard PoE Ethernet hubs let you daisy chain these personal monitors together to give the entire band personalized control over what they hear. When set to compatibility mode the Allen & Heath ME-1 Personal Mixer integrates with Aviom monitor systems. Easy-to-use controls The Allen & Heath ME-1 Personal Mixer's large OLED screen displays all the info you need to tweak your mix to perfection. It clearly shows level and pan for each channel, system setup, and menus. You can navigate the functions and menus of the Allen & Heath ME-1 using a simple 1-knob control. This large rotary knob gives you access to all the functions you need including level, pan, master EQ, limiter, trim, and more. If you can turn a knob, you can use the Allen & Heath ME-1. Assignable keys for quick recall Customize the Allen & Heath ME-1 Personal Mixer your way with 16 backlight programmable keys. Each key can be assigned to a single mono/stereo source or to a group. Set up one key for the vocal mic, another for the entire drum kit, the entire rhythm section, or whatever you need to call up at a moments notice. Set up each button to recall the channels you want with the level, pan, and more set to your liking. You can save, transfer, and load your settings via a USB key for quick archiving and loading to other ME-1 personal mixers. Allen & Heath ME-1 Personal Mixer Features: Personal monitor mixer that will handle up to 40 sources (from GLD and iLive mixer) Simple 1-knob control over major functions Easy to read OLED screen 16 assignable keys Daisy chain mixers or use standard PoE Ethernet hub Built-in ambiance mic USB port for archiving and transferring user presets Compatibility mode integrates mixer with Aviom systems

Whether you're recording in the studio or mixing front of house, your mixer is the core of your operation. If it fights you, your work suffers. Many digital consoles are inscrutable on the surface, forcing you to descend into menu purgatory just to perform a simple function. The Allen & Heath Qu-24 Chrome Edition is designed with a clean, logical layout, so you can get to what you need, fast. Featuring audiophile sound quality, touchscreen control, 24 AnalogiQ preamps integrated with DSP, total recall, 25 flying faders, high-efficiency ARM core processing, studio-grade effects, an integrated multitrack USB recorder, and truckloads more, the Allen & Heath Qu-24 Chrome Edition will drastically improve both your workflow and your end product. Intuitive - and very comfortable to work on Having a mixer with massive processing power and sophisticated functionality is nice, but if you can't get to the controls you need instantly, it's all for naught. With the Qu-24, the digital console has evolved to the point where you forget that it's digital, and just get on with your session, fluidly and efficiently. Without menu diving. Allen & Heath put years of research into ergonomics and the hands-on mixing experience, resulting in digital consoles that deliver a natural, logical layout and workflow. Your most-used processing tools are presented clearly on the SuperStrip, with one function per physical control. Whether you're a digital novice or coming from years of analog mixing, you'll find the Qu-24 intuitive - and very comfortable to work on. Touchscreen control speeds up your workflow The Allen & Heath Qu-24 rocks a 16-million-color, 800 x 480 touchscreen with an integrated data encoder - the core of a user interface that gives you quick and easy access to all your settings. Designed for clarity, the user-friendly interface has dedicated keys and screen tabs that let you quickly get to your meter and RTA views, effects racks, channel processing, USB audio control, setup menus, scenes, and much more. AnalogiQ preamps and 24bit conversion, for warm, musical sound Allen & Heath fortified the Qu-24 with 24 of their superb AnalogiQ total-recall preamps. Featuring phantom power, zero crossing detection, and a unique padless 1dB-step gain stage, the preamps are married to the DSP for optimum transparency and gain accuracy. The analog signal is captured by high-quality, low-latency 24bit A-D converters matched to high-grade 24bit D-A converters. A&H has spent considerable time refining the AnalogiQ design so it gives you stellar transparency, with minimum distortion and a vanishingly low noise floor. But how do these preamps sound? Total-recall moving-fader automation supercharges your mixing We first saw moving faders on some of the high-end, large-format consoles of the late 1970s. With the advent of digital technology, "flying" faders later became fairly standard, albeit not on entry-level digital mixers. Fader automation is a must-have for efficient mixing, particularly when you're dealing with multiple monitor mixes. Simply push a mix key and the faders immediately fly to the send levels for that mix. The Qu-24 sports 25 motorized ALPS faders. The 24 channel faders are arranged over two layers, giving you instant access to all your channels and masters in a compact space. There's also a dedicated master fader which dynamically follows your mix selection. A third (custom) layer is available for the configurable user strip layout, where you can assign any combination of Inputs, FX Sends, FX Returns and Mix masters. Features: 24 AnalogiQ total-recall preamps integrated with DSP for optimum transparency and gain accuracy Ergonomic layout and workflow is comfortable, fluid, and intuitive Color touchscreen and dedicated data encoder give you quick and easy access to all settings Key processing tools are presented clearly on the SuperStrip, with one function per physical control 25 automated, motorized ALPS faders (24 arranged over two layers) speed up and enhance your mixing Four groups give you subgrouping flexibility to LR for level masters and/or processing Total recall lets you save and recall scenes (snapshots) at the press of a button Onboard studio-grade dynamics and FX algorithms derived A&H's iLive pro touring series Built-in interface streams multitrack audio to/from your Mac (OSX class-compliant) Plug-and-play with any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools Qu-Drive delivers 18 channels of 48kHz/24bit recording/playback to/from your USB hard drive Five dedicated cores of high efficiency ARM processing provide state-of-the-art processing Optional Qu-Pad app frees you to tweak monitors and PA from your iPad, onstage or around the venue Fully compatible with A&H's ME Personal Mixing System dSNAKE port lets you connect to a remote AR2412 or AR84 Stagebox via Cat 5e digital snake Matrix adds 2 further stereo outputs equipped with full processing to the console's extensive I/O 18 gauge, cold-rolled Zintec steel frame delivers strength rigidity, and distinctive looks

ZEDi-10 combines the robustness and hands-on control of an analogue mixer with a high quality 4 x 4 USB interface, making it a perfect all-round choice for musicians, recording artists and venues. Whether its bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZEDi-10 is a versatile companion for every step of the creative journey.The studio quality, 24-bit / 96kHz, 44 USB interface makes it easy to capture stunning multitrack recordings direct from the mixer to a Mac or PC without the need for any extra equipment. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. Guitarists will be pleased to know that two of ZEDi-10s mono channels feature Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.4 in, 4 out USB Audio Interface (24-bit/96kHz)Cubase LE Software includedCubasis LE App included4 Mic / Line Inputs with separate XLR and TRS jack sockets2 Stereo Inputs with TRS jack sockets2 Guitar DI high impedance inputs, eliminating the need for DI boxesLo-cut filter for cleaning up unwanted low frequency noise3 band EQ for easy creative and corrective tonal shapingFX out for connecting external effects unitsAux out for connecting a monitor speaker or in-ear / headphone monitoring60mm smooth travel fader on main mixXLR main outputsFlexible signal monitoring8 LED signal metering48V Phantom Power for condenser micsRobust internal power supply 4 in, 4 out USB Audio Interface (24-bit/96kHz)Cubase LE Software includedCubasis LE App included4 Mic / Line Inputs with separate XLR and TRS jack sockets2 Stereo Inputs with TRS jack sockets2 Guitar DI high impedance inputs, eliminating the need for DI boxesLo-cut filter for cleaning up unwanted low frequency noise3 band EQ for easy creative and corrective tonal shapingFX out for connecting external effects unitsAux out for connecting a monitor speaker or in-ear / headphone monitoring60mm smooth travel fader on main mixXLR main outputsFlexible signal monitoring8 LED signal metering48V Phantom Power for condenser micsRobust internal power supply (020)

Live or in the studio, ZEDFX is a compact, portable mixer that is ideal for small bands. This mixer is a guitarists dream. Two of the 8 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards. ZEDFX comes with configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX. Most important of all, ZEDFX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years8 mic/line inputs, 2 with Class A FET high impedance 60mm professional quality faders Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out 1 pre-fade Aux send 1 FX send 2 stereo inputs Separate 2-track record outputs 16 Internal Effects XLR main stereo outputs with inserts Comprehensive monitoring 48V microphone phantom power DI level switching with Gain Boost Neutrik XLRs and 1/4 inch jacks