Akg high bass microphone

AKG CK99L Clip-On Microphone Low-profile, cost efficient clip-on microphone for applications including houses of worship, lecturers, etc. Connects to AKG bodypack transmitters. The CK 99 L provides a natural sound, with a slight rise above 10 kHz for added clarity. Its cardioid polar pattern and bass rolloff combine to suppress unwanted ambient noise.

AKG Perception 120 Condenser Microphone The P120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications. Backed by AKG's six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.

GIMME SOME BASS for kick drum, deep brass and bass amp miking The Perception P2 high-performance dynamic bass microphone delivers a profound, high-energy low end for use on kick drums, trombones and bass amps. Its cardioid polar pattern reduces feedback and crosstalk coming from other instruments behind the microphone. The Perception P2 comes in a rugged, all-metal housing to withstand tough on-the-road conditions. An integrated stand adapter makes the microphone very easy to use. The package also includes a carrying case for safe transport and storage.Powerful sound with profound bass range especially tuned for low-pitched instruments High-performance capsule withstands extreme sound pressure levels Built-in hum compensation coil rejects EMC noise for the cleanest sound Rugged wire-mesh cap and sturdy die-cast metal body withstand tough day-to-day stage use Integrated stand adapter for easy mounting on mic stand

GIMME SOME BASS for kick drum, deep brass and bass amp miking The Perception P2 high-performance dynamic bass microphone delivers a profound, high-energy low end for use on kick drums, trombones and bass amps. Its cardioid polar pattern reduces feedback and crosstalk coming from other instruments behind the microphone. The Perception P2 comes in a rugged, all-metal housing to withstand tough on-the-road conditions. An integrated stand adapter makes the microphone very easy to use. The package also includes a carrying case for safe transport and storage.

A SOUND INVESTMENT FOR EVERY STUDIO a studio and on-stage standard for vocals, guitar, drums and brass instruments The C high-performance, large-diaphragm condenser microphone has been a standard for live applications and studio recording for almost two decades. It is an excellent choice for vocals, electric and acoustic guitars, drum overhead and brass instrument miking. The switchable attenuation pad and low-cut filter enable high SPL up to 150dB and eliminate proximity effect. The redesigned C presents itself as a cost-effective, rugged workhorse with a sleek and classy finish.Proven performance for more than 15 years the standard for live applications and studio recording Ultralow-noise electronics and switchable attenuation pad enable high dynamic range and allow SPL up to 150dB Switchable low-cut filter eliminates proximity effect Classic sound made affordable gold-sputtered one-inch capsule tuned in the tradition of AKG´s sonic expertise Heavy-duty die-cast metal housing provides maximum protection on stage and in the studio

MELLOW FELLOW the best-kept secret for thin vocals and instruments The C is a high-performance multipattern large-diaphragm microphone with exceptionally high headroom and extremely low self-noise. It is among the condenser microphones with the widest dynamic range available today, and it will give equally excellent results in the studio and on stage. Due to its warm and dark-sounding character, it is known in the pro-audio world as an insider’s tip for thin vocals, bright brass instruments and acoustic guitars. Beyond that, it is designed for miking a broad range of instruments from electric guitar to kick drum.Genuine one-inch dual-diaphragm condenser transducer for a warm and dark-sounding character Selectable polar patterns (cardioid, hypercardioid and omni) for a wide range of applications due to dual-capsule design One of the quietest condenser microphones available today by the use of ultralow-noise electronic components Transformerless electronic design for high SPL capability and low distortion Switchable 10dB attenuation pad allows close-in miking at extremely high sound pressure levels

A SOUND INVESTMENT FOR EVERY STUDIO a studio and on-stage standard for vocals, guitar, drums and brass instruments The C3000 high-performance, large-diaphragm condenser microphone has been a standard for live applications and studio recording for almost two decades. It is an excellent choice for vocals, electric and acoustic guitars, drum overhead and brass instrument miking. The switchable attenuation pad and low-cut filter enable high SPL up to 150dB and eliminate proximity effect. The redesigned C3000 presents itself as a cost-effective, rugged workhorse with a sleek and classy finish.

OVERVIEW: CLEAR. ACCURATE. AFFORDABLE. For project studios, home recording and stage The P120 is a 2/3-inch diaphragm true condenser microphone that offers solidly built quality, outstanding performance and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail for vocals, speech and instrument recording in project studios and for home recording. Rugged all-metal body and robust design withstands tough day-to-day use Switchable bass-cut filter eliminates rumble or footfall noise Switchable attenuation pad for high SPL applications up to 150 dB SPL.

A SOUND INVESTMENT FOR EVERY STUDIOa studio and on-stage standard for vocals, guitar, drums and brass instrumentsThe C3000 high-performance, large-diaphragm condenser microphone has been a standard for live applications and studio recording for almost two decades. It is an excellent choice for vocals, electric and acoustic guitars, drum overhead and brass instrument miking. The switchable attenuation pad and low-cut filter enable high SPL up to 150dB and eliminate proximity effect.The redesigned C3000 presents itself as a cost-effective, rugged workhorse with a sleek and classy finish. (020)

Discover the Power of a Reinvented Classic Condenser! From the leading broadcast facilities world-wide to the recording studios and the performance stages that have hosted the top musical artists of all genres for more than 60 years, the AKG C 414 multi-pattern condenser microphone needs little introduction. There are few microphones that are as widely accepted as a de facto part of any professional engineer's mic locker as this famous microphone. Part of what has maintained the C 414 as an industry standard has been its impressive versatility, and AKG has pushed the envelope again with the addition of the C 414 XL II this famous line. The C 414 XL II (the successor of the famous C 414 B-TL II) differs from the C 414 XLS by offering a slight presence boost and by providing the spatial reproduction capability of the legendary AKG C 12 microphone. This characteristic response and spatial detailing makes lead vocals and solo instruments stand out, even in a densely packed mix. This signature up-front sound is also excellent for distant miking applications making the C 414 XL II ideal for classic music recording or drum ambience miking. And because of its 9-pattern design, leading-edge technology, state-of-the-art components, and reference-quality results, the AKG C 414 XL II ushers in a new standard in microphone versatility. The C414 XL II offers nine pickup patterns which enable you to choose the perfect setting for every application. In addition to the five patterns traditionally offered by the C 414 (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure eight), you also get four intermediate settings that let you dial in the best pattern to suite your environment. It also features an astoundingly low noise floor and a 152dB dynamic range, making the C 414 XL II ideal for any musical environment. A locking mode allows you to disable all of the C 414 XL II's controls for live-sound applications and permanent installations, and a special "Peak Hold" LED displays even shortest overload peaks. AKG C 414 XL II Multi-pattern Condenser Microphone Features at a Glance: Omni, wide cardioid, cardioid, hypercardioid, figure eight, and four intermediate pickup patterns Lock Mode disables all controls easily for live and installation use Incredible Dynamic Range of 152 dB Three different bass cut filters and three pre-attenuation levels Peak Hold LED even detects shortest overload peaks Includes carrying case, pop filter, windscreen, and spider-type shock mount Frequency range: Hz Sensitivity: 20 mV/Pa (-34 dBV) ± 0.5 dB Max. SPL: Pa = dB ( dB) for 0.5% THD Equivalent noise level: 6 dB-A (0 dB preattenuation) (IEC ) Signal/noise ratio: 88 dB Preattenuation pad: 0 dB, -6 dB, -12 dB, -18 dB, switchable Bass cut filter slope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz Impedance: Recommended load impedance: >= ohms Supply voltage: 48 V phantom power to DIN/IEC Powering: approximately 4 mA Connector: 3-pin XLR to IEC Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.) Net weight: 300g (10.6oz.)

AKG P2 Dynamic Instrument Microphone Great for kick drums, bass cabinets and trombones Dynamic microphone designed for low-pitched instruments Powerful sound with great bass range Handles highest sound pressure levels Integrated stand adapter Rugged all-metal body withstands typical tough stage use Humbucking coil rejects EMC noises Complete with carrying case Rugged all metal microphone for bass instruments such as bass drum, trombone or bass amplifier. It delivers powerful sound with a high energy low end. Polar pattern cardioid Frequency range 20 to Hz Sensitivity 2.5mV/Pa Max. SPL 157 dB SPL Recommended load impedance >= ohms

AKG P4 Dynamic Instrument Microphone Great for kick drums, bass cabinets and trombones The AKG P 4 dynamic cardioid instrument microphone boasts a solid metal case to handle typical stage use (and abuse). It features an integrated stand adapter and a mounting bracket for highly versatile use on drums, percussions, wind instruments and guitar amps. AKG P 4 Features: ¿ Dynamic microphone designed for drums and percussions, wind instruments and bass guitar amps as well as trombones ¿ Response tailored for neutral reproduction of instrument sounds ¿ Integrated stand adapter and external bracket ¿ Rugged all-metal body withstands typical tough stage use ¿ Humbucking coil rejects EMC noises ¿ Complete with carrying case

AKG - AKGP-CK33 Screw-on hypercardioid microphone capsule module The AKG CK 33 Hypercardioid Mic Head. High quality screw-on capsule for all AKG GN gooseneck modules and the AKG HM 1000 hanging module. The AKG CK 33 is a hypercardioid capsule designed for use with AKG Discreet Acoustics Modular Series products. Due to the narrow 95° pickup angle, the hypercardioid polar pattern is a good choice for all situations when noise typically arrives from the sides (especially in places of worship), where people talk into the microphone from greater distances, or where several talkers are grouped side by side. The body is identical to that of the CK 31 and CK 32.

AKG - AKGP-CGN99 CS Cardioid condenser microphone The CGN99 C/S and CGN99 C/L, part of the DAC Series, are condenser gooseneck microphones with a cardioid polar pattern. They are specially designed for inexperienced speakers who talk into the microphone from widely varying angles. The rugged gooseneck is available in two different lengths (C/S: 30cm (12in); C/L: 50cm (20in) and ideal for fixed and mobile installations. CGN99 C/S and CGN99 C/L come with an integrated XLR phantom power adapter with 250Hz bass rolloff. The phantom power adapter connects to any standard mixer input with 9V to 52V power supply.

AKG -AKGW-WMS470 P Wireless bodypack microphone system WMS470 is a professional multichannel wireless microphone system with pilot tone transmission to prevent unwanted noise. The Sport Set includes a PT470 body-pack transmitter in a compact and rugged housing. The package also enclose a C544 L condenser head-worn microphone featuring a cardioid polar pattern and an external shock mount for high mechanical-noise rejection. Its moisture shield ensures a high degree of humidity protection for the microphone.