230vac ring type daylight

Bring a more professional sound to your mix Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Features: Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expander/gates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mono operation Balanced inputs and outputs on 1/4" TRS and XLR connectors Side Chain insert Classic dbx® "Auto" mode Specifications: Input Connectors    1/4" TRS and female XLR (pin 2 hot) Input Type    Electronically balanced/unbalanced, RF filtered Input Impedance    40kΩ balanced/unbalanced Max Input    >+22dBu Balanced or Unbalanced Output Connectors    1/4" TRS, female XLR (pin 2 hot) Output Type    Impedance-balanced/unbalanced, RF filtered Output Impedance    +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced Max Output    >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω) Sidechain    1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) Sidechain Impedance    Tip = >10kΩ (Input), Ring = 2kΩ (Output) Sidechain Max Input Level    Tip = >+22dBu (Input) Sidechain Max Output Level    Ring = >+20dBu (Output) Compressor Threshold Range    -40dBu to +20dBu Compressor Threshold Characteristic    Selectable OverEasy® or hard knee Compressor Ratio    1:1 to Infinity:1 Compressor Attack Time    Scalable Program-Dependent AutoDynamic™ Compressor Release Time    Scalable Program-Dependent AutoDynamic™ Expander/Gate Threshold Range    -60dBu to +15dBu Expander/Gate Ratio    1:1 to 4:1 Expander/Gate Attack Time    Expander/Gate Release Time    Program-dependent Bandwidth    0.35Hz - 90kHz, +0/-3dB Frequency Response    Flat: 20Hz-20kHz, +0, -0.5dB Noise    THD+Noise    Typically IMD    Typically Dynamic Range    >114 dB, unweighted Interchannel Crosstalk    CMRR    >40dB, typically >55dB at 1kHz Stereo Coupling    True RMS Power Summing™ Power Consumption    15 Watts Maximum Operating Voltage    100VAC Hz; 120VAC 60Hz; 230VAC Hz Operating Temperature    0°C to 45°C (32°F to 113°F) Dimensions    1.75" x 5.75" x cm x 14.6 cm x cm) Unit Weight    4.84 lbs (2.19 kg) Shipping Weight    6.6 lbs (2.99 kg) Reference    0dBu = Vrms 1 year limited guarantee For more info on this product please click here

Canon Professional Camcorder XF305 CAMERA. Image Sensor Sensor 1/3 type 3CMOS System RGB Prism Total pixels per sensor 2.37 megapixels Effective pixels per sensor 2.07 megapixels Minimum illumination Full Auto (21dB gain), 50i/25p: 3.8 lux / 3.3 lux Manual mode (33dB gain), 50i/25p: 0.06 lux / 0.05 lux Horizontal Resolution 1000 TV lines or more (1920 x 1080i mode) Lens Zoom ratio 18x Focal length 4.1 - 73.8mm (35mm equivalent: 29.3 - 527.4mm) Minimum focus distance 1m; 20mm (MACRO) ND filter 3 glass filters: 1/4, 1/16, 1/64 Zoom control Ring, Rocker or Handle Zoom speed Zoom Rocker: Variable speed/Fixed speed (16 speed level settings available); Handle zoom: Fixed speed (16 speed level settings available) Focus control Manual ring or automatic (Instant AF, TV AF or Face Detection AF) Iris control Manual ring; Full Auto; Push Auto Iris Aperture range f1.6 - f22 Filter diameter 82mm Lens elements/groups 17/14 Image stabilization system Optical lens shift system (angle & vector movement detection); 3 modes: Dynamic, Standard, Powered Digital zoom 1.5X. Digital Teleconverter option Image Processor Type DIGIC DV III. RECORDING Back To Top. Video storage media Type 1 Compact Flash memory cards (2 card slots) Type UDMA4, 30MB/s or faster (40MB/s or faster for Fast/Slow recording) Recording time 32GB CF card: Up to 80mins (1080/50i @ 50 Mbps) Recording file format Material eXchange Format (MXF) Recording format MPEG-2 Long GOP 50Mbps CBR (4:2:2) MPEG-2 422P@HL; 35Mbps VBR (4:2:0) MPEG-2 MP@HL; 25Mbps CBR (4:2:0) MPEG-2 MP@H14 Recording frame rate 50Mbps: 1920 x 1080/50i, 25p; 1280 x 720/50p, 25p; 35Mbps: 1920 x 1080/50i, 25p; 1440 x 1080/50i: 1280 x 720/50p, 25p;¹ 25Mbps: 1440 x 1080/50i, 25p Slow/Fast motion YES. 720p: 12, 15, 18, 20, 21, 22, 23, 24, 25, 26, 27, 28, 30, 32, 34, 37, 42, 45, 48, 50fps 1080p: 12, 15, 18, 20, 21, 22, 23, 24, 25fps Interval Record YES. 2, 6 or 12 frames, 25 time intervals Frame Record YES. 2, 6 or 12 frames Pre Record (cache record) YES (3 seconds) Scan Reverse YES. Up/down, left/right image inversion Photo storage media SD/SDHC memory card Still quality During video recording: 1920 x 1080; During playback: 1920x1080, 1280 x 720. SYSTEM Back To Top. LCD Size 10.1 cm (4") Dots 1.23 million Image quality adjustments Brightness, contrast, colour, sharpness, backlight, black & white Adjustable Left/right switchable Waveform Monitor Waveform Monitor and Vectorscope Focus Assist Peaking; Magnifying; Edge Monitor (using waveform display) Peaking Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable for each) Zebra Level 1; Level 2; Both Output via HD-SDI or HDMI Markers On/Off (Aspect ratio, Aspect marker, Select area, Safe area, Grid, Horizontal, Centre) EVF Size 1.3cm (0.52") Dots 1.55 million Image quality adjustments Brightness, contrast, colour, sharpness, backlight, black & white Adjustable Vertical tilt Correction lens + 2.0 to -5.5 diopters Inputs/Outputs Audio in XLR inputs with 48V phantom power x 2 Headphone output 3.5mm stereo jack Video monitor output YES (BNC, composite Standard Definition video, output only) HDMI YES (Type A, output only) IEEE 1394 (Firewire) NO USB YES (Mini-B, USB 2.0 Hi-Speed, output only) HD/SD-SDI output YES (BNC, output only, embedded audio and time code) Time code YES (BNC, switchable input/output) Genlock YES (BNC, input only) Component out YES (D connector, output only) AV terminal 3.5mm mini jack (output only for video and audio) DC input YES Remote Control Terminal 2.5mm mini jack Colour Bars Type 1/Type 2 Misc Tally lamp YES (x2) Accessory shoe YES (hot shoe, EOS Flash units supported) Custom key YES (13 assignable buttons; select from 30 functions). SHOOTING FUNCTIONS Back To Top. Exposure Exposure metering Standard (centre weighted), Spotlight, Backlight Exposure range 50 - 100,000 lux Exposure compensation -2 to +2 EV (14 steps) Auto Exposure mode Full Auto Push Auto Iris YES Auto Gain Control setting Full Auto / AGC On / Manual Auto Gain Control limit 3dB; 6dB; 9dB; 12dB; 15dB; 18dB; (OFF/21 dB) Gain setting Assignable L, M, H switch positions (-6dB / -3dB / 0dB/ 3dB / 6dB/ 12dB / 18dB / 21dB / 33dB / TUNE (0.5 dB increments from 0 to 21 dB)) Shutter speed Control Modes 3 position switch: OFF (Full Auto) / ON / SEL (Auto; Speed; Angle; Clear Scan (CS); Slow Shutter (SLS)) Shutter speed 1/18 to 1/2000 depending on frame rate Shutter Angle 11.25º to 360º depending on frame rate Slow Shutter (SLS) 1/3, 1/6, 1/12, 1/25 Clear Scan 50i/p: 50 to 251.15Hz; 25p: 25 to 251.15Hz Custom Picture Stored Configurations 9 Storage Medium SD/SDHC memory card (all customisation data and metadata) Gamma 6 profiles Master Pedestal -50 to +50 Master Black -50 to +50 for each of R,G,B Black Gamma Adjustable height width and apex Low Key Saturation -50 to +50 adjusts colour saturation in low brightness area Knee Adjusts over exposure characteristic, start, slope, saturation Sharpness Adjustment for Detail level, Detail frequency, Coring, HV balance, Detail limit, Detail select, Knee aperture and Level dependent sharpness Noise reduction Off, Automatic, On (1 to 8) Skin detail Off, Low, Middle, High / Hue, Chroma, Brightness Selective Noise Reduction Off, Low, Middle, High / Hue, Chroma, Brightness Colour matrix -50 to +50 hue and gain R,G,B, in tandem with Gamma selection White balance -50 to +50 white balance offset for R,G,B Colour correction Area selection / area revision of two areas Setup level -50 to +50 On/Off Clip 100% IRE Limits output to 100% after setup adjustment Wi-Fi & GPS Specifications GPS Information (Optional Accessory) Latitude/Longtitude/Elevation, Coordinated Universal Time (UTC) White balance Auto YES Preset A, B, Preset (Daylight, Tungsten) Time code Countup system Regen, RecRun, FreeRun, External, Hold Start value setting “00:00:00:00”, Set/Reset selectable Audio Recording 16-bit 2ch (48 kHz) linear PCM Control Independent limiters and auto/manual settings Microphone attenuation YES Microphone level meter YES

67MM FLD Fluorescent Light Correction Filter Product Description: Since filters never actually add colour, but only absorb certain wavelengths to increase the relative proportion of others, the original light source must have the colours you want in it to start with. Some sources are totally deficient in certain wavelengths, which cannot be added back using only filters. This is particularly true of many types of metal halide lighting. With other lighting types, such as fluorescent, colour temperature measurements may not provide the correct filter requirements since colour temperature theory is based on having a continuous spectrum, meaning light at all wavelengths. It is possible for a light source to have a sufficient spectral distribution to emulate a correctable colour temperature when so measured, but its effect on film can be very different. Fluorescent lighting generally produces a greenish colour overcast. Each of the many lamp types varies in colour, and it can be difficult to know the precise correction even with a colour temperature meter, a set of CC filters, and running some tests. There is available, however, a filter type developed as an average correction for the most commonly encountered fluorescent lamps. This filter is called the FL-D, for use with daylight corrected media. It is designed to yield good-to-excellent colour under fluorescent, without the need for a meter and a variety of CC filters. Specifications: Metal ring. High resolution. Multi coated Quality accessory Package Includes: 1x 67mm FLD filter I ONLY POST TO ADDRESSES IN SOUTH AFRICA - NO INTERNATIONAL SALES  

52MM FLD Fluorescent Light Correction Filter Product Description: Since filters never actually add colour, but only absorb certain wavelengths to increase the relative proportion of others, the original light source must have the colours you want in it to start with. Some sources are totally deficient in certain wavelengths, which cannot be added back using only filters. This is particularly true of many types of metal halide lighting. With other lighting types, such as fluorescent, colour temperature measurements may not provide the correct filter requirements since colour temperature theory is based on having a continuous spectrum, meaning light at all wavelengths. It is possible for a light source to have a sufficient spectral distribution to emulate a correctable colour temperature when so measured, but its effect on film can be very different. Fluorescent lighting generally produces a greenish colour overcast. Each of the many lamp types varies in colour, and it can be difficult to know the precise correction even with a colour temperature meter, a set of CC filters, and running some tests. There is available, however, a filter type developed as an average correction for the most commonly encountered fluorescent lamps. This filter is called the FL-D, for use with daylight corrected media. It is designed to yield good-to-excellent colour under fluorescent, without the need for a meter and a variety of CC filters. Specifications: Metal ring. High resolution. Multi coated Quality accessory Package Includes: 1x 62mm FLD filter I ONLY POST TO ADDRESSES IN SOUTH AFRICA - NO INTERNATIONAL SALES