Tascam mc1 balanced

Tascam - DR-100MK2 Tascam Linear PCM Recorder The DR-100mkII from Tascam is portable stereo digital audio recorder designed with high-end recording features aimed at musicians and engineers. Four built-in microphones, two cardioid and two omnidirectional, deliver great sound via the high-gain and low-noise microphone preamps. A pair of XLR inputs can accommodate external microphones and provide switchable phantom power for use with condenser microphones. The 24-bit/96kHz linear PCM recorder features dedicated stereo mini balanced line in and out connectors in addition to an S/PDIF digital input. Also available is the ability to connect balanced line inputs via the locking XLR connectors. An upgrade to the DR-100, an already versatile unit, the rugged DR-100mkII extends the functionality of a professional portable recorder while improving the overall sound.

Tascam - LA-MC1 Balanced analogue input/output The optional LA-MC1 balanced analog input/output board can be installed into an MD-CD1 to enable it to be used in a balanced system.

Tascam US-428 USB Controller Interface TASCAM and Frontier Design Group have partnered together to create the first major innovation in USB-based audio. Start with a fully 24-bit front end, with two XLR inputs, two balanced 1/4" TRS inputs, two unbalanced 1/4" inputs (switchable to Hi-Z), and S/PDIF I/O. Four channels of audio in and two out simultaneously via USB. No opening your computer, no sound card to install - it's USB, so you can even hot-plug it.

Tascam - VLA-5 Studio Monitors(per pair) TASCAM'S latest breakthrough for home recording is the VL-A series, a value-priced lineup of great-sounding reference monitors. The VL-A5 is a 5" two-way reference monitor that's self-powered and employs balanced TRS/XLR combination inputs. A deep-cabinet design with front-mounted bass ports extends the low end beyond similarly priced units. High-and low-frequency controls on the VL-A5 allow the user to tailor the monitor's response to their own studio.

TASCAM and Frontier Design Group have partnered together to create the first major innovation in USB-based audio. Start with a fully 24-bit front end, with two XLR inputs, two balanced 1/4" TRS inputs, two unbalanced 1/4" inputs (switchable to Hi-Z), and S/PDIF I/O. Four channels of audio in and two out simultaneously via USB. No opening your computer, no sound card to install - it's USB, so you can even hot-plug it.

Tascam - SS-R200 Solid State Receorder The SS-R200 is a single-rackspace solid state recorder designed for applications that currently use a cassette, CD or MiniDisc recorder. The SS-R200 records to SD, CF or USB memory in WAV format ¿ or in MP3 format to achieve extended recording times. Solid State technology provides hours of recording to affordable and secure media, and recordings can be transferred quickly to computers for editing, archiving or publishing on the internet. The SS-R200 is equipped with balanced and unbalanced audio inputs and outputs, SPDIF coaxial digital in and out with sample rate converter, RS-232 serial and parallel control ports, a wired remote control and a computer keyboard input for folder/file naming and remote control. And, of course, users don¿t need to do without traditional features like pitch control, key control, auto cue, and many more.

Tascam LA-80 Converter For professional applications where balanced and unbalanced equipment need to be connected, the LA-80 and LA-81 will properly convert between the two levels, maintaining the highest possible quality.

64-input, 24-bus Digital Console/Control Surface with 24 Preamps TASCAM has a knack for observing trends in audio production and coming up with products that address at once, all of the issues that audio professionals face. The DM- is just such a product. This is the ultimate digital console for professional users who require a flexible, 64-input mix platform that configures to fit their needs. A "fat channel" strip in the center of the board provides instant access to 4-band parametric EQ, dynamics and aux controls available for the first 48 channels. Twenty-four studio-grade mic preamps provide enough inputs for a live event, and more can be added using expansion cards with external preamps. The standard compliment of analog and digital I/O is more than you'll find on consoles costing three times as much, and a completely configurable 24-buss routing system allows you to re-patch the board at the flick of a switch. TASCAM's DM- fits seamlessly into the modern recording environment based around a computer DAW. Its Remote layer provides 24-fader Mackie HUI or Mackie Control emulation for control of premiere workstations like Pro Tools, Logic, SONAR and Nuendo. The optional IF-FW/ DM mkII interface card provides 32 channels to and from a computer at 96kHz over a single FireWire cable. And the optional surround monitoring card provides downmixing, bass management and level control for mixing in up to 6.1 surround. No matter what your application, the TASCAM DM- adapts to the needs of any professional audio installation. TASCAM DM- Features: 48 channels and 16 returns for 64 total inputs 24 busses 12 Aux Sends 24 analog mic/line inputs with phantom power for condenser mics and analog inserts 24 channels of TDIF and 8 channels of ADAT built in 4 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog, TDIF and Surround Monitoring cards Dedicated cascade port supports cascade of two DM-s Channel Strip section for EQ, Dynamics and Aux control of selected channel Per-channel LED ring encoders for pan, aux sends and EQ Built-in DAW control layer compatible with Pro Tools, Logic Pro, SONAR, Cubase, Nuendo, and Digital Performer Assignable Transport controls Powerful automation with touch-sensitive motorized faders 4-band EQ, compression and gating on each channel Compression for each aux, buss and main output Two built-in effects processors, each able to run TC Reverb programs Flexible routing allows any input to be routed to any channel or output Offload data to convenient Compact Flash media using built-in CF slot Optional MU- meter bridge (as shown) Stylish, professional design with rear panel I/O connections TASCAM Mixer Companion software (WinXP/OSX) with Driverless USB connection to computer Backup/restore data via USB On screen timecode, transport and meter displays 24 XLR mic/line inputs with analog inserts plus phantom power for condenser mics " TRS Analog inserts 24 Balanced 1/4" TRS line inputs 3x 8-channel TDIF digital inputs and outputs 8-channel ADAT optical digital input and output 4 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog & TDIF cards (listed below) 2 Stereo AES/EBU digital inputs on XLR connectors 2 Stereo S/PDIF digital inputs on coaxial connectors 2 Stereo AES/EBU digital outputs on XLR connectors 2 Stereo S/PDIF digital outputs on coaxial connectors Stereo XLR balanced line outputs 1/4" Stereo TRS balanced Large Monitor outputs 1/4" Stereo TRS balanced Small Monitor outputs Stereo 1/4" TRS balanced Studio outputs Stereo RCA 2-Track input 8 1/4" TRS balanced Assignable Insert sends 8 1/4" TRS balanced Assignable insert returns RCA Timecode input MIDI In, Out and Thru connectors BNC Word Sync Input and Out/Thru with termination GPI output for parallel control RS-422 connector for device control USB 1.1 connector 1/4" Footswitch jack Dedicated cascade port supports cascade of two DM- mixers Connector for (optional) MU--channel meter bridge

New from TASCAM, the MD-CD1 combines CD playback and MiniDisc recording in a single rackmount unit designed to save rack space and installation budgets. Like all of TASCAM's products designed for fixed installation, the MD-CD1 is a reliable player designed for years of trouble-free use. The unit is stocked with features, such as 12% pitch control, MP3 CD playback, RS-232 control and an optional balanced I/O board that allow it to be spec'd into a wide variety of applications. The TASCAM MD-CD1 has a host of professional features like RS-232 control, digital I/O and an optional I/O board for balanced interfacing. CDs can be played back at up to 12% higher or lower, and can even be played back faster without changing the pitch for a "chipmunk" effect. Discs can be duplicated from CD to MiniDisc at up to 4x speed, and a wireless IR remote is included.

The  US- from  Tascam is a high-speed multi-channel USB 2.0 audio interface that's compatible with both Windows and Mac computers. It provides 16 inputs and 4 outputs in a single rack space, with both analog and digital audio I/O. Every input and output has a dedicated 5-segment LED meter on the front panel (a total of 100 LEDs), so you can always keep an eye on your audio signals. The 6 line-level 1/4" TRS inputs on the rear of the US- can be used simultaneously with all of the XLR inputs, and the digital S/PDIF inputs. The power to record 16 inputs at the same time makes the US- an excellent interface for recording large groups of musicians, multiple sources on a video or film set, etc. Phantom power is engaged in pairs on the US-, and it's provided on all 8 of the XLR inputs. You can adjust the volume levels of the headphone output and the main outputs separately. The included Cubase LE4 is a powerful audio and MIDI recording application that allows you to record and mix up to 48 audio tracks and 64 MIDI tracks. You can automate your mixes, sweeten the sound with an included assortment of plug-ins, and create elaborate MIDI sequences. Like the US-, Cubase LE4 is also fully compatible with both Windows and Mac computers. US--in / 4-out USB 2.0 audio interface 96kHz / 24-bit audio resolution 8 XLR microphone inputs with phantom power 6 TRS 1/4" balanced line inputs 4 TRS 1/4" balanced line outputs 2 instrument inputs (channels 7 & 8 on front panel "combi" jacks) Stereo S/PDIF digital in and out 100-LED meter bridge (5 segments for each input and output) Zero-latency direct monitoring with mono/stereo switch for each pair of inputs 1/4" balanced stereo monitor output with its own volume control 1/4" stereo high-powered headphone output Mac and Windows compatible Attractive aluminum case design Cubase LE4 48-track recording software Digital mixing with plug-ins and automation MIDI sequencing, notation layout and much more

48-input Digital Mixer! More channels. More inputs. The new TASCAM DM- has more of everything that made the DM-24 a pedigreed studio workhorse, plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing flexibility, easier and robust data backup/ restore, greatly expanded mix storage using compact flash media and much more. With the DM-, TASCAM brings the functionality of a big console to the world of DAWs. You can't go wrong with the DM-! TASCAM DM- At-a-Glance: Music Tracking Post Production and Game Production Live Sound and House of Worship Project Studio Recording Music Tracking When you're tracking a band in your studio, there are certain features that musicians and producers demand from a recording console. The DM- gives you eight aux sends so that you can give individual cue mixes to each musician and have some left over to buss to the two built-in effects. It has a professional control room section with talkback mic and slate functions as well as three playback source selection switches. For recording large ensembles you get 16 microphone preamps, each with analog insert, phantom power (selectable in groups of four) and a -20dB pad switch. Four assignable analog inputs are provided, for inserting your favorite tube compressor on a console channel, or you can use the 4-band EQ and dynamics found on every channel. When the sound is dialed in, send that channel to its own track with the Direct button or combine inputs to the 16 busses. There are plenty of digital and analog I/O options to combine stand-alone hard disk recorders (like the TASCAM X-48), analog tape recorders or computer-based DAW recorders. The affordable DM- handles all of the routing and bussing you need in a professional studio, allowing you to concentrate on running your session. Post Production and Game Production Mixing inside of a computer is difficult enough in stereo, and when you start working on surround projects, managing and monitoring all of the ins and outs becomes more like air traffic control. The DM- becomes your control center for mixing large projects with dozens of channels. It can mix your tracks with one snapshot, and with two button presses you're ready to transfer them to a dubber or video deck. Just connect your DAW interface, like Digidesign's 192 Digital I/O for Pro Tools, to one of the digital connections on the rear panel (or use our optional IF-FW/DM FireWire interface card). The DM- even acts as a HUI controller for Pro Tools, allowing you to mix some channels in the DAW and others in the console. The DM- is an outstanding choice for mixing in surround, with 5.1 and even 6.1 automated panning. The 16 busses become two surround busses in surround mode, allowing you to buss channels to discrete stems. The optional IF-SM/DM Surround Monitoring card provides downmixing to stereo, individual output solo/mute and bass management features to the console. Live Sound and House of Worship Like the DM-24, the DM- makes a reliable choice for sound reinforcement. Its 16 mic inputs give you plenty of channels for performances or services, and more mic inputs can be added as needed using external rackmount preamps with digital outputs. Each of the 32 channels features four-band parametric EQ, gating and compression processing. Two built-in effects processors can access a variety of great-sounding effects processors, including a reverb processor by TC Works. If you're the one installing the DM- into a facility, you can program a variety of settings and back up your programs to a Compact Flash card. Recalling snapshots is done using dedicated buttons on the front panel, so loading a mixer setting is as simple as changing channels on a TV remote. The rear panel of the DM- is well-stocked with balanced and digital I/O, allowing ample connectivity to crossovers, as well as CD and cassette recorders such as our popular CC-222 mkII. Project Studio Recording Add the optional IF-FW/DM interface card to the DM-, and it becomes the ultimate computer interface and mixing surface for your workstation software. The IF-FW/DM allows a single FireWire cable to transmit 32 channels from your computer to the DM- and another 16 channels back to the computer for recording. Using this expansion card, no other interface or hardware is needed for recording to a computer. The DM- has a fader layer, labeled 'Remote', that's dedicated to controlling the mixing facilities in your DAW software. There are two modes of control: Mackie Control and Mackie HUI emulation. The DM-'s solid transport keys can be mapped to your software in any fader layer, and adjustments to your software mixer is a fader layer away. The DM- + IF-FW/DM combination gives you the best of both worlds: computer recording and DAW control with world-class mixing, automation and monitoring features. Tascam DM- Features: 32 channels and 16 auxiliary returns for 48 total inputs 16 busses 8 Aux Sends 16 analog mic/line inputs with phantom power for condenser mics and analog inserts 24 channels of TDIF and 8 channels of ADAT built in 2 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog & TDIF cards Dedicated cascade port supports cascade of two DM-s Per channel LED ring encoders for pan, aux sends and EQ Built-in DAW control All inputs, effects and processing are available at 96k -- no features are sacrificed at full sampling rate Transport controls Powerful automation with touch-sensitive motorized faders EQ and compression on each channel Two built-in effects processors at k or k Flexible routing Offload data to convenient Compact Flash media using built-in CF slot Optional MU- meter bridge Stylish, professional design with rear panel I/O connections TASCAM Mixer Companion software

Building upon many of the features of the CD-RW900SL, the CD-RW901SL adds RS-232, XLR balanced I/O, a wired remote, AES/EBU digital I/O, and a timed track increment (selectable from 1 to 10 minutes) for adding CD track ID markers during recording. The CD-RW901SL has dedicated input level controls and its digital inputs are equipped with Automatic Sample Rate Conversion for compatibility with nearly any signal. Pitch Control (16% +/-) on playback is a standard feature along with Key Control, MP3 Audio Playback, and Power-on-Play. The front panel PS/2 keyboard input offers the ability to name tracks and provide the user one-key access to frequently accessed menu functions. The latest upgrade to the CD-RW901SL added continuous recording between two CD-RW901SLs, Index Search and New Time Skip functions on skip mode, Selectable Disc Reading Speed, and MP3 Action Setting (prevents accidental termination of continuous MP3 playback) to an already impressive list of features.

For professional applications where balanced and unbalanced equipment need to be connected, the LA-80 and LA-81 will properly convert between the two levels, maintaining the highest possible quality.

Features Recording to CD-R/RW or SD/SDHC memory card Uncompressed PCM recording (CD/SD) MP3 recording (SD) Long duration recording capabilities (MP3 format) Copy function dubs from SD card to CD, and from CD to SD card Four built-in high quality condenser microphones for 360-degree recording Built-in 10W stereo sound system Simple operation with dedicated knobs and keys Variable speed audition with key control Loop playback Metronome and chromatic tuner Over-dub recording Powered through 8 x AA batteries or AC power adapter 2 x XLR mic inputs with +48V phantom power Stereo pair of RCA line input jacks for connecting external devices Stereo pair of RCA line output jacks for connecting external devices Compatible with SD cards up to 2 GB in size and SDHC cards up to 32 GB in size Wireless remote control unit included Specifications Frequency response: kHz (±1 dB) Distortion (THD+N): 0.05 percent (1 kHz LPF 20 kHz) Signal to noise ratio: 85 dB (1 kHz, LPF 20 kHz A-weighted) Battery life (continuous operation): Up to 1.5 hours of CD playback Up to 2.5 hours of SD record/playback, speaker output mode Up to 4.5 hours of SD record/playback, headphone output mode Line input (L/R, unbalanced): Nominal input level: -10 dBV Maximum input level: + 6 dBV Minimum input level: -22 dBV Input impedance: 20 k¿ External mic (L/R, balanced): Connector: XLR-: GND 2: Hot 3: Cold) Nominal input level: -13 dBV Maximum input level: + 3 dBV Minimum input level: -55 dBV Input impedance: 2.4 k¿ Line output (L/R, unbalanced): Connector: RCA pin jack Nominal output level: -10 dBV Maximum output level: + 6 dBV Output impedance: 200 k¿ Speakers: 3 inches x 2 Amplifiers: 5W + 5W Dimensions: x 8.06 x 4.21 inches Weight: 7.5 pound

In excellent condition. Like new. Good build quality. Was bought for a house of worship but never saw more than 10 hours of use. Balanced audio outs, digital outs, and rack mountable. In perfect mechanical and cosmetic condition.