Stage fs7850b guitar foot

On Stage FS7850B Guitar Foot Rest Product Description Ideal for classical or studio electric players, the FS7850B features five fixed-position height adjustments. Rubber end caps and non-slip rubber pad ensure stability while its lightweight, fold-flat design facilitates portability. | 5 Fixed height positions | Non-slip rubber pad | Folds flat

high quality multi effects and guitar amp and cabinet modelling device perfect alternative to noisy guitar amps at home has headphone and 1/4 inch stereo outs can be used live through stage or studio monitors as direct recording and performance interface realistic modelling of many famous guitar amps and speaker cabinets also go direct into your guitar amp by switching off cabinet modelling MIDI programmable and stores many presets huge range of all guitar effects onboard comes with foot pedal control and cat cable which I bought separately a very powerful, flexible recording tool its quiet and simple and user friendly

On Stage - FS7850B Foot Rest This convenient foot stool is height adjustable and features a black finish. It folds, making it easy for travel. An excellent item for classical guitarists. For nearly 20 years, The Music People! Inc. has been one of the nation's leading suppliers of microphones and pro audio equipment. The Music People! Inc. also owns and manufactures On-Stage Stands that support stands. Founded on a promise of quality, innovation and customer service, The Music People! Inc. is committed to the needs of music professionals throughout the world.

FBV Express MKII Hands-free channel switching and more for most Line 6 amps and POD processors 4 channel switches: A, B, C and D Full-sized volume/wah pedal features plenty of grip Chromatic tuner display Bright LEDs show active channel, tap tempo and volume/wah FBV Control software allows for easy and unlimited mapping of FBV controls via USB (Mac®/PC) Durable footswitches and chassis Self-powered via included locking RJ-45 cable USB jack and RJ-45 jack Compatible Products Spider V AMPLIFi Spider Valve™ MKII Spider® IV POD HD Pro X POD® HD Desktop POD HD Pro Spider III (including Spider Jam, Spider III 15 is not compatible with the foot controllers) Spider Valve™ Vetta™ Vetta™ II HD147® Flextone™ III Bass POD® XT Bass POD® XT Pro POD® 2.0 (FBV version) POD® XT POD® XT Pro POD® X3 POD® X3 Pro LowDown® (LowDown 110 is not compatible with foot controllers) ----------------------------------------------------------------------------------------------------------------------------------------- FBV EXPRESS MKII FOOT CONTROLLER Tough enough for arena stages yet small enough to fit in your backpack FBV Express™ MkII delivers a crucial collection of hands-free functionality that will keep you at the foot of the stage instead of tied to the front of your Line 6 amp or POD ®. FBV Express MkII delivers out-of-the box, plug-n-play connectivity. Stomp the four steel footswitches to quickly store and select channel presets synchronize your time-based effects with Tap Tempo, activate the chromatic tuner, and more. When paired with most Line 6 guitar amplifiers, the footswitches also give you total control of Quick Loop, the amps' built-in 14-second sound-on-sound looper. The burly, full-sized volume/wah pedal feels solid under your foot and features plenty of grip. Clicking the toe-switch toggles between volume and wah control (with an illuminated LED to match). The bright and easy-to-read LCD shows tap tempo, active channel and the chromatic tuner (when activated).

FBV Shortboard MkII isn't your average foot controller. It's a full-on remote control that keeps you at the foot of the stage instead of tied to the front of your Line 6 amp or POD. LUCKY 13 FBV Shortboard MkII delivers out-of-the box, plug-n-play connectivity. Stomp the 13 steel footswitches to quickly scroll and select channel presets, synchronize your time-based effects with Tap Tempo, activate effects, the chromatic tuner, and more. When paired with Spider IV and Spider Valve MkII guitar amplifiers, the footswitches can activate many on-board amp effects including Quick Loop, Pitch Glide and Smart Harmony, and provide up to 128 user-created presets. The burly, full-sized volume/wah pedal feels solid under your foot and features plenty of grip. Clicking the toe-switch toggles between volume and wah control (with an illuminated LED to match). Oversized and backlit, the LCD is big, bright and easy to read. It displays the active preset name and number, and the chromatic tuner (when activated).

A quality connection starts with a quality cable. Perfektion instrument cables are affordable, pro-level cables that will have you making music on even the tightest of budgets! This 6-pack of 12-inch patch cables offers a great value when multiple cables are needed. These right-angle 1/4" to right-angle 1/4" TS cables are color coded (yellow, red, green, blue, black and white) for easy channel identification. These cables can be used for recording studios, stage racks, keyboards, effects pedals (FX), pedal-boards, P.A. equipment, instruments and more. Clean up and organize your setup with these great cables. Perfektion cables provide the ultimate in quality and value.A great cable for a great price.

NUX - MIGHTY50X 50W Electric Guitar Amp The Mighty 50 is a 50W digital guitar amplifier that will give you the sound you need! By using 32bit DSP, 44.1KHz/24bit AD/DA converters and our TS/AC (True Simulation of Analog Circuit) technology, the Mighty-50 will supply amazing guitar amp and EFX sounds. Functions such as a built-in tuner, MP3/CD input, a foot switch jack and a Headphones/MIXER output help your practice and show to be perfect! A 12 inch custom speaker and 50 Watts of power create an amplifier that's small enough for your studio, yet loud enough for the stage.

G2.1u: Taking multi-effects to the next level Conventional floor-type multi-effect processors are designed to sound good when they are plugged into a guitar amp. Modeling processors are designed for recording in line. Until now, there was no product that could handle both scenarios with equal finesse. Introducing The G Series from Zoom. Each G Series Pedal offers two algorithms: One for live and one for recording. The sound you created at practice or in the studio can now be brought straight to the stage. Or take the sounds you worked out during a rehearsal and apply them seamlessly in the recording studio. Your creative scope has suddenly doubled. Features: 16 amp/stomp modeling/ 9 effect modules 54 effect types 40 user patch + 40 factory patch 6 bands EQ USB audio interface Built-on Expression Pedal Harmonized pitch shifter World fastest patch change/ Built-in PCM drum machine Technical Info: Effect Types: 54 Effect Modules: 9 Maximum Simultaneous Effects: 9 Patch Memory: User 40+Preset 40, Total 80 Sampling Frequency: 96kHz A/D Conversion: 24-bit, 64 times over-sampling D/A Conversion: 24-bit, 128 times over-sampling Input: 1/4 in. phone jack (Rated input level: -20dBm, Input impedance: 1M ohms) Output (Line / headphones combined): 1/4 in. stereo phone jack(Maximum output level: +5dBm, Output load impedance: 10k ohms or higher) Control Input: Expression pedal, Foot switch USB: Type B (Based on USB 1.1) Display: 2-digit 7-segment LED display, Parameter LED, Pedal assign LED Power Requirements: AA size(LR6)battery x 4(Optional), or AC adaptor DC9V/300mA/ Center minus type (AD- recommended) 1 year limited guarantee For more info on this product please click here

NUX PML-2 Mini Looper Portable Guitar True-bypass Line Selector Specifications:   Color: Black A/B signal looper External Pedal Jack for Remote Function True-bypass LED master level indicator Product size: 12 * 8.3 * 5cm / 4.7 * 3.3 * 2in Product weight: 363g / 12.8oz Features:   Compact design, durable housing. Offers two loops that can be switched by using an external foot pedal. If you are using two rigs on stage or studio that need to be switched often, you will find this portable PML-2 easily solves your problem and saves your time!  4 ways to connect this item with effects device. True bypass design, minimize loss of tone. Powered by DC 9V adapter(not included). Package Included: 1x NUX PML-2 Mini Looper 

A great amplifier made in USA by the top electric guitar maker in the world. Only slightly used and in excellent condition. 100 Watt solid-state amplifier with tube (valve) input stage to give that vintage sound. One Fender Special Design speaker with output for second speaker. Clean and Distortion channels each with three Tone controls to choose the perfect sound for you. Real spring Reverb unit gives that great realistic effect. With foot switches to change channels etc. Very rare - one of the great 90's amps!

Your price R.with guarantee. In-Store Price R. Building on the top-level tone and rock-solid reliability that’s made the CUBE name famous, the all-new CUBE-GX series turns up the heat with even more versatile operation and connectivity for Apple’s iPhone, iPad, and iPod touch. The flagship CUBE-80GX packs a punch with 80 big watts of power and a custom-designed 12-inch speaker, delivering first-class performance in a compact amp that’s ready for the stage. 11 COSM amp types and three independent channels—including a fully programmable SOLO channel—put a huge range of tones at your command, with remote control of channel switching, effects, and more via the optional GA-FC Foot Controller. i-CUBE LINK takes practice and mobile recording to a new level, providing a simple onboard audio interface for working with music apps on your favorite iOS devices.

PA12-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 12 input (8 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA12-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA12-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

PA20-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA20-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA20-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA12 is a robust, compact 12 input (8 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA12 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp Socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA28 is a robust, compact 28 input (24 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA28 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here