Outputs

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. The Palmer PWT05 is the little brother of the Palmer PWT12. The PWT05 is a 9V power supply for pedal boards, and has 5 separate 9V DC outputs. Each of the five outputs can deliver up to 120 mA!This power supply can power five effects pedals whose current consumption is typically 20 mA. The power supply comes with a compact, rugged enclosure with IEC power receptacle (IEC connector), voltage selector and power switch. 5-Channel pedal board power supply5 x 9V DC outputs 120 mA maximum output current

1X8 (8 OUTPUTS) HDMI V1.3 POWERED SPLITTER - HDCP 1.2, HDMI V1.3 UP TO 1080P/1920X1080 RESOLUTIONS HDMI devices (any source / player, LCD, Plasma etc) have different results when inserting HDMI Repeater devices depending on the equipment you are using (a repeater device is any switch / splitter / extender etc). Please ensure to get confirmation from the manufacturer of your source / player / LCD that the specific player or LCD can communicate via a HDMI Repeater. Some source devices might not allow any HDMI device between itself and the LCD and will only function via a direct HDMI cable to the LCD. The opposite is also possible where the LCD needs a direct connection to the source / player and will not accept a regenerated signal from a HDMI Repeater device. Your display or source manufacturer can confirm if their product supports the functions required. This splitter is an one input, eight outputs HDMI splitter. It distributes the single HDMI input into eight identical outputs. These eight outputs are synchronized. Specifications: ● Splits the HDMI signal to 8 x HDMI display devices simultaneously ● Each port supports HDMI or DVI inputs ● 8dB receiver equalization to compensate for longer length HDMI cable signal losses ● 3dB driver pre-emphasis to compensate to PCB losses. ● HDMI v1.3a and HDCP 1.2 protocol compliant. ● Support deep color 36bit and signal retiming. ● Support digital audio split in HDMI, such as LPCM / Dolby-AC3 / DTS 7.1 / DSD / Dolby TrueHD / Dolby Master Audio. ● Full-HD 1080p cascaded above 3 layers --> Stack these 1 x 8 splitters to distribute to 8 x 8 x 8 (3-layers) displays e.g. distribute the audio and video from a single HDPVR / PS3 or other HDMI device to 512 LCD's / Plasma's or Projectors! ● LED Indication: When source device and the sink display devices work in HDCP status, the color of the LED relative to the sink will be blue. When source is Non-HDCP, the color of the LED relative to the sink will be red. ● Dimension(L x W x H): 320mm x 100mm x 36mm ● Data transfer speed: 2.25Gbps x 3 ● DC5V power supply

Rowin 8 Isolated 9V DC Outputs Mini Power Supply for Guitar Effects Pedal Product Description About Rowin Company Rowin music is the professional manufactures of guitar pedal & accessories with 8+ years experience. We are the supplier for most sellers on Amazon. Rowin is aim to develop top quality musical instruments accessories but come at an affordable price which everyone can get involved with. Buying from Rowin you will be guaranteed with more reliable quality and more professional after sale service. Features: Power supply with 8 isolated 9V DC outputs for guitar effects. Supports short-circuit protection function. Mini size and lightweight, easy to carry and store. Made of high-quality zinc alloy, durable and sturdy. With input and output LED indicator lights. Specifications: Material: Zinc alloy Power Input: 12V, 2A Power Output: 8 * 9V DC (Each max. 300mA) Total Output Current: max.2A from 8 channels Size:95(D)*45(W)*48(H)mm Weight:628g(With box) Package Includes: 1*8 Isolated power supply 1* 12v DC adapter (12v 2A) 8* 550mm Cables 2* 220mm polarity conversion cable (convert the polarity center negative to positive) 1* user manual (English and Chinese) | ￣ﾀﾐPOWER SUPPLY FOR PEDALS￣ﾀﾑPower supply with 8 isolated 9V DC outputs for guitar pedals. Meet the supply demand of most guitar effect pedals in the market. | ￣ﾀﾐSHORT-CIRCUIT PROTECTION￣ﾀﾑSupports short-circuit protection function. Works great and keeps your pedal board safe and quiet. | ￣ﾀﾐSOLID CONSTRUCTION￣ﾀﾑMade of high-quality zinc alloy, durable and sturdy. | ￣ﾀﾐMINI SIZE￣ﾀﾑSmall and exquisite,can save a lot of space on pedal board | ￣ﾀﾐPACKAGE INCLUDING￣ﾀﾑ1*mini power supply,1* 12v DC adapter (US plug),8* 550mm Cables,2* 220mm polarity conversion cable,1* user manual

CD4017BE CMOS Decade Counter with 10 Decoded Outputs CD4017B is a 5-stage Johnson counter having 10 decoded outputs. Inputs include a CLOCK, a RESET, and a CLOCK INHIBIT signal. Schmitt trigger action in the CLOCK input circuit provides pulse shaping that allows unlimited clock input pulse rise and fall times. This counter is an advanced one count at the positive clock signal transition if the CLOCK INHIBIT signal is low. Counter advancement via the clock line is inhibited when the CLOCK INHIBIT siganl is high. A high RESET signal clears the counter to its zero count. Use of the Johnson counter configuration permits high-speed operation, 2-input decode-gating and spike-free decoded outputs. Anti-lock gating is provided, thus assuring proper counting sequence. The decoded output are normally low and go high only at their respective decoded time slot. Each decoded output remains high for one full clock cycle. A CARRY-OUT signal completes on cycle every 10 clock input cycles in the CD4017B, and is used to ripple-clock the succeeding device in a multi-device counting chain. Features: Fully static operation Medium speed operation…10 MHz (typ.) at VDD = 10 V Standardized, symmetrical output characteristics 100% tested for quiescent current at 20 V 5-V, 10-V, and 15-V parametric ratings Meets all requirements of JEDEC Tentative Standard No. 13B, "Standard Specifications for Description of ’B’ Series CMOS Devices" Applications: Decade counter/decimal decode display (CD4017B) Binary counter/decoder Frequency division Counter control/timers Divde-by-N counting   This item is available in stock and is not drop shipped. This avoids delays, customs charges and extra VAT.

         Terms Of Sale Read the Sale Description Happy Buying! Please ask me questions - I'll gladly give you a hand!   Shipping Anywhere in SA Couriered to Your Door - R125(To most towns excluding outlying areas) *Please Add 3% for Insurance*       KORG DS DAC 100 1Bit DSD USB AUDIOPHILE DAC Compatible with Apple Mac OS-X or Windows PC An amazing DAC with superb sound and capabilities.   The DAC is in MINT CONDITION It comes in the original box with owners manual, USB cable and brass spike mounts   Comes with Korg Audiogate Software thats tailored for amazing DSD playback but the DAC works like any USB DAC with other software like JRiver, Foobar or just the stock Media or Video Player.   The Korg DS-DAC 100 is a hardware USB digital-to-analog converter that will allow anyone to play back audio with the highest possible fidelity. These interfaces provide high definition sound, whether on a home computer, or on-the-go with a laptop, even in the most critical listening situations. Headphone Output with ALPS Volume Control/Knob Balanced Outputs & RCA Outputs Asynchronous USB for Bit-Perfect conversion DSD2.8224MHz/5.6448MHz, 1bit PCM44.1kHz/48kHz/88.2kHz/96kHz/176.4kHz/192kHz, 16bit/24bit   Some Reviews on Amazon: www.amazon.com/Korg-DSDAC100 Full Specs & Details:  www.korg.com/us/products/audio/ds_dac_100/   The pics below are of the Actual Item !!What you see Below is what You Get!!     Please confirm Compatibility Before ordering!   *I cannot do Returns or Refunds on Correctly Supplied Items*  Or ask me a question, I'll gladly be of assistance!!   

         Terms Of Sale Read the Sale Description Happy Buying! Please ask me questions - I'll gladly give you a hand!       KORG DS DAC 100 1Bit DSD USB AUDIOPHILE DAC Compatible with Apple Mac OS-X or Windows PC An amazing DAC with superb sound and capabilities.   The DAC is in MINT CONDITION It comes in the original box with owners manual, USB cable and brass spike mounts   Comes with Korg Audiogate Software thats tailored for amazing DSD playback but the DAC works like any USB DAC with other software like JRiver, Foobar or just the stock Media or Video Player.   The Korg DS-DAC 100 is a hardware USB digital-to-analog converter that will allow anyone to play back audio with the highest possible fidelity. These interfaces provide high definition sound, whether on a home computer, or on-the-go with a laptop, even in the most critical listening situations. Headphone Output with ALPS Volume Control/Knob Balanced Outputs & RCA Outputs Asynchronous USB for Bit-Perfect conversion DSD2.8224MHz/5.6448MHz, 1bit PCM44.1kHz/48kHz/88.2kHz/96kHz/176.4kHz/192kHz, 16bit/24bit   Some Reviews on Amazon: www.amazon.com/Korg-DSDAC100 Full Specs & Details:  www.korg.com/us/products/audio/ds_dac_100/   The pics below are of the Actual Item !!What you see Below is what You Get!!     Please confirm Compatibility Before ordering!   *I cannot do Returns or Refunds on Correctly Supplied Items*  Or ask me a question, I'll gladly be of assistance!!   

Description As-Interface with 4-Digital Inputs and 4-Digital Outputs More Products View More Products

Flanger 10 Outputs DC 9V 12V 18V Guitar Effect Pedal Power Supply Description: Brand: Flanger Name: Guitar Effect Pedal Power Supply Power adapter: AC 100-240V Input: DC 18V Output 1-6: 9V 100mA Output 7-8: 9V 500mA Output 9: 12V 500mA Output 10: 18V 500mA Power for: 9V, 12V or 18V Pedal Weight: 530g Features: Ten isolated output. Isolated short circuit / overcurrent protection. Powers for 9V, 12V or 18V Pedal. Bright blue LED for Pedal Board lighting & short circuit indicated. Includes cables. Manual: Package Includes: 1 x Flanger Power Supply 1 x Power Adapter 10 x DC Power Cables 2 x Polarity Reversal Cables

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SD/HD-SDI to Analog Audio/Video The HD10CEA converts SD/HD-SDI video with embedded audio to analog video and 4-channel balanced analog audio. SD video outputs can be configured as YPbPr (Betacam or SMPTE/EBU-N10), RGB, composite or YC (S-Video). HD video outputs can be configured as YPbPr or RGB. Analog audio outputs are balanced. The 4 audio channels can be selected from group 1-4. Audio and video output connections are available on a 25 pin "D" subminiature connector (breakout cable supplied). All video/audio configuration is done by external dipswitch selection. This versatile, low-cost, miniature monitoring solution also outputs two loop-thru SDI/HD-SDI outputs. Features Digital to Analog Audio and Video Converter SD/HD-SDI with Embedded Audio Input SD Component or Composite Video Outputs (SD Input) HD Component Video Outputs (HD Input) 4-Channel Balanced Audio Output 2 Equalized, Loop-Thru SD/HD-SDI Outputs Selectable Audio Channel Pair/Group

Major I/O and British-style Sound for a Low Price! The Saffire PRO 40 is all about sounding great. And what else would you expect from Focusrite? This company makes some of the very best preamplifiers available. And with the Saffire PRO 40, they give project/home studio owners the best preamp possible in an affordable, I/O-packed box. Best yet, you don't get just one or two preamps with the Saffire PRO 40 ¿ you get a whopping eight amazing-sounding preamps, so you're ready for full-band recordings. Just plug your microphones in, use the handy front-panel gain control knobs, and keep your eye on the bright LED display ¿ you'll have pro-level sound pumping into your DAW via FireWire, no doubt about it. But what rockets the Saffire PRO 40 from awesome to near-legendary status is the flexibility beyond just the eight mic/line inputs. Over on the back panel, you've got dedicated outputs for your studio monitors plus a full eight outputs for configuring however you see best. Need to feed separate headphone mixes to each artist? Use the included router software and pipe any configuration of inputs into any configuration of outputs... without tapping into the power of your computer. Say you want to gear up for full 7.1 surround? These eight outputs are ready for it. All in all, the Saffire PRO 40 has built-in DSP to take care of your 18x16 routing needs. And if you ever decide eight preamps isn't enough, you'll be glad to know that you have ADAT inputs on the Saffire PRO 40 to bring another eight channels into service. Add in the S/PDIF input for two more channels, and you're golden for large-scale recording, up to 20-in/20-out flexibility. What else does the Saffire PRO 40 do for you? Well, if you have software already, it's ready to work with your Mac or PC DAW. But if you're new to recording, you can take advantage of its sweet software package that comes included. You've got compression, reverb, gating, and EQ plug-ins (VST/AU), so you can incorporate that Focusrite sound into your mixes and masters. To ignite your creativity, Focusrite also bundled in their established Xcite+ bundle, with Ableton Live Lite DAW software, Novation's Bass Station soft synth, and over 1GB of royalty-free samples. With its flexible I/O setup, room for expansion, majorly handy DSP routing capabilities, and professional plug-in suite, the Focusrite Saffire PRO 40 has you covered on nearly ever front you're going to face. Factor in the low price, and you've got a win-win situation with the Saffire PRO 40. All Focusrite FireWire interfaces are fully compatible with Thunderbolt using a simple FireWire to Thunderbolt adapter. Focusrite fully supports the use of Thunderbolt with its FireWire interfaces. Focusrite Saffire PRO 40 Features at a Glance: Eight High-quality Award-winning Focusrite Preamps High-quality 24-bit/96kHz FireWire Interface 20 Inputs and 20 Outputs Suite of Focusrite VST/AU plug-ins Two separate headphone buses Saffire PRO 40 Control Zero-latency DSP Mixer/Router Mac and Windows 2 Mic/Line/Inst Combo XLR (Inputs 1 and 2) 6 Mic/Line Combo XLR (Inputs 3-8) Automatic switching between inputs Stereo S/PDIF I/O on RCA 8 ADAT I/O Optical Connector, reduces to 4 I/O at kHz 8 TRS Jack (Outputs monitor mix outputs on TRS Jack (Outputs 1 and 2) Stereo S/PDIF output on RCA 2 6-pin Firewire sockets MIDI I/O

Product Description: Professional 3-channel amplifier with built-in active crossover and subwoofer processor. Can be used as a normal 2-channel amplifier. W total power: Satellite outputs (stereo): 2x450W rms @ 4Ω Subwoofer output (mono): 900W rms @4Ω Very compact housing, only 2U (88mm) high Built-in 24dB/oct. active crossover: Hz selectable crossover point Filters on satellite outputs can be switched on/off Built-in SUB BASS processor Limiters can be switched on/off Sub out phase inverter Soft starts Very efficient cooling DC fault protection High temperature protection Overload and short circuit protections Balanced inputs with combo connectors (jack + XLR) 3 Speakon® outputs: 2x Satellites + 1x Sub out. Technical Information: Power Satellite outputs @ 4Ω: 2x 450Wrms Power Satellite outputs @ 8Ω: 2x 300Wrms Power Subwoofer outputs @ 4Ω: 1x 900Wrms Power Subwoofer outputs @ 8Ω: 1x 600Wrms Freq. Resp. (+/-0.5dB): Hz Active crossover: Hz (24dB/oct. Linkwitz Riley) Input Sensitivity: 770mV Input impedance: 20 kΩ (bal) / 10kΩ (unbal) S/R ratio: >90dB Damping factor: >500 Cooling: dual speed fan cooling Inputs: balanced/unbalanced COMBO (XLR/Jack) Outputs: Speakon® Power supply: AC230V / 50Hz Dimensions (mm): 483x473xU) Weight: 24kg 1 year limited guarantee. For more info on this products please click here

DON’T COMPROMISE YOUR PEDALBOARD’S TONE Your pedalboard is the sum of all its parts. Power your pedals with the same high-quality materials that every HardWire pedal is built with. The CSA-Certified HardWire V-10 Power Block ensures ultimate tonal integrity, protection, and low noise for your pedalboard. The HardWire V-10 Power Block’s 10 fully-isolated DC outputs are arranged to provide the power your pedals need with four 9V 150mA outputs, two sets of 9V/12V outputs that can be merged to provide 300mA or 400mA, and two more variable outputs to starve voltage from 5V-9V for the drained battery tone. The V-10 Power Block powers anything from vintage fuzzes to modern power-hungry digital pedals, all with low-noise fully-isolated outputs. Power your pedalboard with the HardWire V-10 Power Block knowing that your pedals are protected and performing at the highest possible level night after night. And as expected, the HardWire V-10 comes with our exceptional 6-year warranty.10 fully isolated outputs eliminate ground loop buzz Shielded toroidal transformer eliminates interference Short circuit protection and filtering on each output 2 sets of merging outputs for power hungry digital pedals Heavy-gauge aircraft-grade aluminum for maximum heat dissipation Durable compact design mounts under Pedaltrain™ pedalboards 6 year manufacturer warranty

Now Hear This! Are you and your session players and bandmates tired of straining to hear underpowered headphones? We were too. That’s why Jim Odom and his jambalaya-fueled team of engineers designed 150 mW headphone amps for the HP4 headphone-distribution system. These headphone amps are not just loud enough for session and stage use, they’re loud enough to explode the oysters in a Po’ Boy sandwich. Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to hear—assuming they are capable of hearing. Be careful with that level control! Simplicity is the HP4’s hallmark. You get left and right line inputs, left and right line outputs with level control, and the four headphone outs. You can globally mute the headphone outs, adjust the overall headphone level, sum the stereo signals to mono, and mute the rear-panel Monitor outputs. The HP4 can sit on a tabletop or can be screw-mounted to a standard rack tray (not included), where it requires just 1/3 rackspace. And if your needs grow, you can use the line outputs to feed the inputs of a second HP4 or an HP60. Chain as many headphone systems as you need. So listen up! Quit struggling with mediocre headphone amps. Get the HP4 and hear everything loud and clear. You owe it to your musicInput/Output 4 screaming-loud (150 mW per channel) stereo ¼” headphone outputs (front panel) 2 balanced ¼” line outputs (monitor outputs) 2 balanced ¼” line inputs Meters, Controls, and Features Headphone level control for each channel Mono summing switch for each channel Monitor level control Monitor mute switch Daisy-chain multiple units via monitor outputs Physical Compact 1/3U rack-mount chassis Sealed, detented, metal rotary controls External 16 VAC power supply

The perfect all-in-one solution to secure your DMX-installations MERGER + SPLITTER + BOOSTER 100% electrical isolation between all in/outputs! 2 DMX-inputs + 6 DMX-outputs, each equipped with 3pin and 5pin XLR-connectors. The booster function analyses the incoming DMX-signal and builds it back up from scratch to make it perfect for further use. The merger function combines 2 DMX-signals in different ways: HTP: the highest value of 2 identical channels from 2 DMX-signals will have priority. Backup: when the DMX-signal on input A fails, the DMX-signal in input B takes over immediately. Merger: DMX-signals from 2 different controllers can be combined and send over 1 cable, you can choose the start address of the second controller. The splitter function distributes the DMX-signal(s) from the input(s) over 6 identical outputs that are 100% isolated from each other: problems that occur on 1 output will not influence the other outputs! The timing of the DMX-outputs can be adapted from 23ms to 45ms, increasing compatibility while connecting �slow� DMX-devices to �fast� DMX-controllers. Output behavior can be selected when suddenly both DMX-inputs fail: Null: no DMX signal on the outputs Hold: keep the last DMX values on the outputs. Clear: set the DMX values on all outputs to zero. Easy setup via 4digit LED display Power Input: 230Vac / 50Hz. DMX in/outputs: 3pin + 5pin XLR DMX refresh rate: 23ms (44Hz) to 45ms (22Hz) Size: 482 x 44 x 150mm (19�/1U) Weight: 2,9kg

64-input, 24-bus Digital Console/Control Surface with 24 Preamps TASCAM has a knack for observing trends in audio production and coming up with products that address at once, all of the issues that audio professionals face. The DM- is just such a product. This is the ultimate digital console for professional users who require a flexible, 64-input mix platform that configures to fit their needs. A "fat channel" strip in the center of the board provides instant access to 4-band parametric EQ, dynamics and aux controls available for the first 48 channels. Twenty-four studio-grade mic preamps provide enough inputs for a live event, and more can be added using expansion cards with external preamps. The standard compliment of analog and digital I/O is more than you'll find on consoles costing three times as much, and a completely configurable 24-buss routing system allows you to re-patch the board at the flick of a switch. TASCAM's DM- fits seamlessly into the modern recording environment based around a computer DAW. Its Remote layer provides 24-fader Mackie HUI or Mackie Control emulation for control of premiere workstations like Pro Tools, Logic, SONAR and Nuendo. The optional IF-FW/ DM mkII interface card provides 32 channels to and from a computer at 96kHz over a single FireWire cable. And the optional surround monitoring card provides downmixing, bass management and level control for mixing in up to 6.1 surround. No matter what your application, the TASCAM DM- adapts to the needs of any professional audio installation. TASCAM DM- Features: 48 channels and 16 returns for 64 total inputs 24 busses 12 Aux Sends 24 analog mic/line inputs with phantom power for condenser mics and analog inserts 24 channels of TDIF and 8 channels of ADAT built in 4 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog, TDIF and Surround Monitoring cards Dedicated cascade port supports cascade of two DM-s Channel Strip section for EQ, Dynamics and Aux control of selected channel Per-channel LED ring encoders for pan, aux sends and EQ Built-in DAW control layer compatible with Pro Tools, Logic Pro, SONAR, Cubase, Nuendo, and Digital Performer Assignable Transport controls Powerful automation with touch-sensitive motorized faders 4-band EQ, compression and gating on each channel Compression for each aux, buss and main output Two built-in effects processors, each able to run TC Reverb programs Flexible routing allows any input to be routed to any channel or output Offload data to convenient Compact Flash media using built-in CF slot Optional MU- meter bridge (as shown) Stylish, professional design with rear panel I/O connections TASCAM Mixer Companion software (WinXP/OSX) with Driverless USB connection to computer Backup/restore data via USB On screen timecode, transport and meter displays 24 XLR mic/line inputs with analog inserts plus phantom power for condenser mics " TRS Analog inserts 24 Balanced 1/4" TRS line inputs 3x 8-channel TDIF digital inputs and outputs 8-channel ADAT optical digital input and output 4 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog & TDIF cards (listed below) 2 Stereo AES/EBU digital inputs on XLR connectors 2 Stereo S/PDIF digital inputs on coaxial connectors 2 Stereo AES/EBU digital outputs on XLR connectors 2 Stereo S/PDIF digital outputs on coaxial connectors Stereo XLR balanced line outputs 1/4" Stereo TRS balanced Large Monitor outputs 1/4" Stereo TRS balanced Small Monitor outputs Stereo 1/4" TRS balanced Studio outputs Stereo RCA 2-Track input 8 1/4" TRS balanced Assignable Insert sends 8 1/4" TRS balanced Assignable insert returns RCA Timecode input MIDI In, Out and Thru connectors BNC Word Sync Input and Out/Thru with termination GPI output for parallel control RS-422 connector for device control USB 1.1 connector 1/4" Footswitch jack Dedicated cascade port supports cascade of two DM- mixers Connector for (optional) MU--channel meter bridge

Selling a Yamaha 03D Fully Automated Digital Mixer in good condition Including a TDIF 1 Expansion Card CASH ONLY - R Contact Paul - -Inputs and 18-Outputs with Highly Flexible Digital I/O The 03D's flexible configuration of analog and digital inputs and outputs makes it suitable for a wide range of professional mixing applications. Included are 24 input channels and a fully-featured stereo input - for a total of 26 inputs plus 4 bus outputs, 4 auxiliary effect sends, a main stereo bus and a solo bus. Stereo digital inputs and outputs, plus 8 digital inputs and outputs (optional, via a YGDAI slot), provide a total of 10 digital inputs and 10 digital outputs. Input channels Input channels 1-8 have mic preamps, XLR and balanced stereo 1/4" phone connectors, individual phantom power switches, and can accept input levels from -60dB to +10dB. Inputs 9-16 feature balanced stereo 1/4" connectors, support line level signals between -20 and +10dB. All 16 channel inputs feature input gain controls with 30 detents for precise and repeatable setting. Channels 1-2 include analog inserts for connecting external dynamics processors. Outputs Aux sends and bus outputs can be paired together for stereo operation and can be routed to the control room monitors for cue mixes, with onboard effects returns included. The four bus and four aux send signals are output via balanced stereo 1/4" connectors. Coaxial and AES/EBU Stereo Digital I/O Connectors Coaxial and AES/EBU stereo digital I/O connectors permit direct connection to DAT recorders and other compatible digital devices. The stereo digital input signals can be routed to the stereo bus for submixing, or to the stereo input channel for mixing and processing. The number of inputs can be increased by digitally cascading two 03D's together, with both sharing bus, aux, stereo and solo busses. The 03D can also be digitally cascaded with an 02R

The ultra-compact XB-10 is perfect for small radio or internet broadcast studios, college and university radio stations, podcasting, content creation and more. Despite its tiny footprint, XB-10 is packed with the kinds of specialised broadcast features that normally come at a much higher price. Radio-friendly tools include a telephone communication (telco) channel, mic channel ON switch sensing, stereo channel start/cue outputs for CD deck transport control and automatic muting of speaker outputs. A separate monitor mix can be created for operator and guest or presenter, and the operator can speak off-air to the studio or telephone callers using the Talk feature. XB-10s preamps use low noise discrete transistor circuitry to achieve high gain and excellent linearity. Each mic channel comes equipped with our innovative CompACT compressor to keep the dynamic range of a presenter microphone under control. A variable limiter on the main output ensures that the final mix to air does not saturate expensive broadcast equipment. The plug-n-play USB connection can be used for VoIP telephone calls, recording program material, playing jingles and more3 mic/line and 3 stereo inputs Telco channel with optional USB routing for VoIP CompACT compressors on mic channels ON switch logic on mic and telco channels Start/cue logic outputs on stereo channels Separate headphones mix and outputs Auto mutes on control room outputs Remote mute facility on mic channels Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out XLR main outputs with inserts and variable limiter Aux / Alt bus for external processing, recording or auditioning

XB-142 offers a host of specialised broadcast features that normally come at a much higher price, including telephone communication (telco) channels, mic channel ON switch sensing, stereo channel start/cue outputs for playback device control, automatic muting of speaker outputs and much more. XB-142 incorporates new features and styling based on feedback from the many broadcasters who have built their operations around the original XB-14. With a wealth of routing options, dual stereo channels for up to 7 stereo sources, and the addition of a dedicated Audition bus, enhanced microphone preamps and stereo channel gain range, XB-142 satisfies the demands of small radio and internet broadcasters as well as larger studios with multiple rooms. With no less than 27 logic I/O for remote control and 15 configuration switches, XB-142 is a highly flexible solution.3 mic/line and 3 stereo inputs Telco channel with optional USB routing for VoIP CompACT compressors on mic channels ON switch logic on mic and telco channels Start/cue logic outputs on stereo channels Separate headphones mix and outputs Auto mutes on control room outputs Remote mute facility on mic channels Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out XLR main outputs with inserts and variable limiter Aux / Alt bus for external processing, recording or auditioning

SD/HD Analog Composite or Component Video & 4-Channel Analog Audio to SD/HD-SDI with Embedded Audio The HD10AVA is a miniature, high-quality, audio/video, HD/SD A/D converter. The HD10AVA automatically detects the video input format and embeds the audio inputs in the SD/HD-SDI outputs. The HD10AVA is useful for adding an SD/HD-SDI audio/video output to tape decks or any professional video equipment with analog outputs. The HD10AVA is especially useful for adding HD-SDI outputs to most HDV cameras or decks by using the component outputs of such devices. The HD10AVA uses a breakout cable for audio/video inputs and provides 3 SD-HD-SDI outputs on BNCs. Features High-quality SD/HD audio/video A/D converter SD component, composite or Y/C video input HD analog component video input Four channel balanced analog audio input 3 SD/HD-SDI with embedded audio outputs 12-bit video, 24-bit audio A/Ds Automatic multi-standard External dip switch configuration 5-18V power

HD/SD Sync Generator The GEN10 is a cost effective and flexible SD/HD/AES sync generator. The GEN10 features 7 outputs including 2 groups of independently controlled SD/HD sync outputs and 1 AES-11 output. The SD outputs can be switched between Color Black or Color Bars. HD tri-level sync can be switched between 19 different HD formats including all that are in use today. The AES-11 output can be switched between SILENCE and TONE. All outputs are in sync with each-other and are sourced from an accurate master time base. Features HD Tri-level sync generation SD Color Black or Color Bars Two groups of independently switchable outputs allows simultaneous HD and SD sync generation AES-11 output switchable between silence and tone Multiple outputs can synchronize entire systems without requiring a Sync DA 5-18VDC Power External Dip Switch Configuration

Manage multiple audio sources and sets of monitor speakers, track using illegally loud headphone amplifiers, and talk back to your drummer—all from your desktop. Switch quickly and easily between up to four audio sources with a selection of input types. Audition your music with your choice of three stereo pairs of speaker outputs, each with separate level control. Four screaming-loud headphone outs and a talkback mic ensure your musicians hear every note—and your instructions—clearly. There’s more to managing a monitoring system than I/O, level controls, and talkback. The Monitor Station V2 offers powerful options that allow you to configure it for the way you like to work. With its ergonomic, intuitive layout; extensive features and I/O; and PreSonus’ famed sound quality, Monitor Station V2 provides a versatile, convenient, and affordable solution for managing your studio monitoring system from your desktop. So sashay down to your PreSonus® dealer and take control of your monitoring system the way the professionals do! Inputs and Outputs 2 Stereo pairs of ¼” TRS inputs 1 Stereo pair of RCA Aux inputs 1 Stereo S/PDIF coaxial (RCA) digital input (44.1/48/88.2/96 kHz) 3 Stereo pairs of ¼” TRS speaker outputs with level controls 1 Stereo pair of ¼” TRS Main outputs 1 Stereo pair of ¼” TRS Cue outputs 4 ¼” TRS screaming-loud stereo headphone outputs Controls Large Main level control 3 Individual Main Source (ST1, ST2, Aux) select switches 3 Individual Speaker Select switches Cue section with Source select (ST1, ST2, Aux) and output-level control Aux-S/PDIF Select switch Aux Input level control Main Mute, Mono, and Dim switches with variable Dim attenuation Additional Features 8-segment color LED input meters with selectable reference level Built-in electret-condenser talkback microphone with input-gain control and Talkback button Convenient desktop design Please confirm stock availability before purchasing

Focusrite Scarlett 18i8 USB Audio Interface - USB 2.0 audio interface with four Focusrite mic presets The new Focusrite Scarlett 18i8 18-in/8-out interface extends the Scarlett range of USB 2.0 interfaces from Focusrite, each of which offers a series of high-quality inputs and outputs for different recording requirements. With four Focusrite mic pres, Scarlett 18i8 is designed for producers and recording artists or bands who require the ability to record a significant number of sources at the same time including multiple mics/instruments, with expansion capability enabling it to handle multiple studio recording requirements. Scarlett 18i8 works on Mac, PC and iPad (Apple Camera Connection Kit required for iPad). Focusrite: Over 25 years of audio excellence Focusrite was commissioned to make its first ¿no-holds-barred¿ microphone preamps by Sir George Martin for his Air Studio facility in London. Over the following 25 years Focusrite has designed some of the finest mic preamps in the music industry, and in recent years has developed a series of best-selling audio interfaces for people who really care about sound. 18 separate inputs At the heart of 18i8 is a set of four Focusrite mic preamps with up to 60dB gain, designed specifically for Focusrite¿s computer audio interfaces. The first two offer Mic/Line/Instrument on universal XLR/TRS connectors while 3 and 4 offer Mic/Line capability on universal XLRs ¿ all four on the front panel with pads and 48V phantom power. Four more line inputs are provided on TRS connectors. An ADAT optical digital connector provides eight additional digital inputs that can also be used with external mic preamps like Focusrite's OctoPre Mk II to increase the number of mic inputs the 18i8 can handle to 12. A stereo S/PDIF coaxial input is also included. 8 independent outputs On the output side, there are two TRS monitor outputs, stereo S/PDIF coax, and two independent stereo headphone outputs, each with their own volume knob so artist and engineer can control their own personal monitoring. All analogue inputs and outputs have their own connectors, so no breakout cables are required, and all feature Focusrite precision 24-bit, 96kHz sampling A/D and D/A conversion to get the most accurate signal possible into and out of recording applications on Windows®, Mac® and now iOS® apps. Tough and innovative hardware Scarlett 18i8 is housed in a compact red unibody metal case to withstand the rigours of the road ¿ and the studio. Input level controls feature signal halos ¿ LED rings around the level control that give a simple and immediate go/no-go level indication: green means there is a recordable signal while red indicates overload. A large main monitor knob with mute button means that main monitor levels are always at your fingertips. Included software Included in the package is the Scarlett MixControl low-latency DSP-based software mixer and router, with intuitive one-click presets and a latency of under 1.4 ms. You¿ll also find the Scarlett plug-in suite for VST, AU and RTAS, offering EQ, gate, compression and reverb, plus Ableton Live Lite, the Novation Bass Station soft synth and a Loopmasters sample pack. Inputs and Outputs In

[embed]https://youtu.be/q33T2ucKbYU[/embed] The ultra-compact XB-10 is perfect for small radio or internet broadcast studios, college and university radio stations, podcasting, content creation and more. Despite its tiny footprint, XB-10 is packed with the kinds of specialised broadcast features that normally come at a much higher price. Radio-friendly tools include a telephone communication (telco) channel, mic channel ON switch sensing, stereo channel start/cue outputs for CD deck transport control and automatic muting of speaker outputs. A separate monitor mix can be created for operator and guest or presenter, and the operator can speak off-air to the studio or telephone callers using the 'Talk' feature. XB-10's preamps use low noise discrete transistor circuitry to achieve high gain and excellent linearity. Each mic channel comes equipped with our innovative CompACT compressor to keep the dynamic range of a presenter microphone under control. A variable limiter on the main output ensures that the final mix to air does not saturate expensive broadcast equipment. The plug-n-play USB connection can be used for VoIP telephone calls, recording program material, playing jingles and more. XB-10 FEATURES USB XB-10 comes with a full duplex USB soundcard built-in and many useful routing options for recording and broadcast applications. MUSIQ XB-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ with optimised slope for a variety of sources. OUTPUT LIMITER A variable limiter ensures the level does not exceed a pre-defined level. Back panel option switches allow the limiter to be bypassed. A trim pot is used to vary the threshold and an LED on the front panel indicates when the limiter has triggered. COMPACT COMPRESSOR XB-10 features our ComPACT compressor on each of its mic channels. CompACT (Adaptive Compression Technology) is a program-dependent audio leveller. Unlike other compressors, which are effective only at reducing loud sounds, CompACT combines both downward and upward compression with peak limiting. Low level signals are given a gain boost, mid level signals are mildly compressed with a soft knee response, and high level signals are limited. FEATURE SUMMARY 3 mic/line and 3 stereo inputs Telco channel with optional USB routing for VoIP CompACT compressors on mic channels ON switch logic on mic and telco channels Start/cue logic outputs on stereo channels Separate headphones mix and outputs Auto mutes on control room outputs Remote mute facility on mic channels Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out XLR main outputs with inserts and variable limiter Aux / Alt bus for external processing, recording or auditioning

The ultra-compact XB-10 is perfect for small radio or internet broadcast studios, college and university radio stations, podcasting, content creation and more. Despite its tiny footprint, XB-10 is packed with the kinds of specialised broadcast features that normally come at a much higher price. Radio-friendly tools include a telephone communication (telco) channel, mic channel ON switch sensing, stereo channel start/cue outputs for CD deck transport control and automatic muting of speaker outputs. A separate monitor mix can be created for operator and guest or presenter, and the operator can speak off-air to the studio or telephone callers using the 'Talk' feature. XB-10's preamps use low noise discrete transistor circuitry to achieve high gain and excellent linearity. Each mic channel comes equipped with our innovative CompACT compressor to keep the dynamic range of a presenter microphone under control. A variable limiter on the main output ensures that the final mix to air does not saturate expensive broadcast equipment. The plug-n-play USB connection can be used for VoIP telephone calls, recording program material, playing jingles and more. XB-10 FEATURES USB XB-10 comes with a full duplex USB soundcard built-in and many useful routing options for recording and broadcast applications. MUSIQ XB-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ with optimised slope for a variety of sources. OUTPUT LIMITER A variable limiter ensures the level does not exceed a pre-defined level. Back panel option switches allow the limiter to be bypassed. A trim pot is used to vary the threshold and an LED on the front panel indicates when the limiter has triggered. COMPACT COMPRESSOR XB-10 features our ComPACT compressor on each of its mic channels. CompACT (Adaptive Compression Technology) is a program-dependent audio leveller. Unlike other compressors, which are effective only at reducing loud sounds, CompACT combines both downward and upward compression with peak limiting. Low level signals are given a gain boost, mid level signals are mildly compressed with a soft knee response, and high level signals are limited. FEATURE SUMMARY 3 mic/line and 3 stereo inputs Telco channel with optional USB routing for VoIP CompACT compressors on mic channels ON switch logic on mic and telco channels Start/cue logic outputs on stereo channels Separate headphones mix and outputs Auto mutes on control room outputs Remote mute facility on mic channels Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out XLR main outputs with inserts and variable limiter Aux / Alt bus for external processing, recording or auditioning

The Saffire PRO 14 is an eight-in, six-out audio interface with legendary sonic performance and unmatched flexibility at a truly affordable price. The latest in Focusrites new generation of Firewire/Thunderbolt audio interfaces, the Saffire PRO 14 is designed to make home studio recording and mixing easy without sacrificing audio quality. Twenty-five years of mic pre excellence form the foundation of this new interface, with two award-winning Focusrite preamps. Combined with a host of additional I/O options, the Saffire PRO 14 helps you get the tracks you want without having to constantly re-patch your studio. Alongside the two high quality mic preamps, two additional analogue inputs, four analogue outputs, S/PDIF and MIDI open the door to true multi-track recording. Two Hi-Z instrument inputs let you plug straight in without the need to buy additional DI boxes, and two virtual 'loopback' inputs are also available for routing digital audio between software applications ideal for capturing online audio. Included with the PRO 14 is Saffire MixControl, an 18 x 6 DSP mixer. Offering a level of flexibility that is unparalleled at this price point, the MixControl software enables you to create six separate mixes without latency. Route any combination of input signals and sequencer outputs to any of Saffire PRO 14s outputs. Intuitive one-click configurations help you track, monitor and mix as quickly as possible. With Saffire PRO 14, sonic integrity is never compromised. The two Focusrite preamps ensure low noise and distortion, whilst quality digital conversion and JetPLL jitter elimination technology ensure pristine quality as your audio flows between the analogue and digital domains. Combined with the very latest in Firewire/Thunderbolt interfacing technology, excellent routing flexibility and rock-solid driver stability, the Saffire PRO 14 is the heart of the modern home studio.Key Features All of Focusrite's FireWire interfaces are fully compatible with Thunderbolt using simple FireWire to Thunderbolt adapter. Focusrite fully supports the use of Thunderbolt with our FireWire interfaces. For more details visit the answerbase. Two high-quality award-winning Focusrite preamps The best sounding interface in its class. Focusrite's 25-year legacy forms the foundation of this new interface, with two award-winning preamps. High-quality 24-bit/96kHz FireWire/Thunderbolt* interface Features professional conversion and JetPLL jitter elimination technology, guaranteeing pristine audio quality and reliable synchronization. Total I/O count of 8 inputs and 6 outputs A host of I/O options are provided, including a unique Loopback facility for routing audio between software applications via Saffire MixControl. Saffire MixControl ultra-low-latency DSP mixer/router Provides an 18 x 6 DSP mixer with excellent routing flexibility, intuitive one-click configurations, and lower than 1.4ms latency (less than the time it takes sound to travel two feet through air!). Focusrite VST/AU Plug-in Suite, for use in the mix Upgrade your standard sequencer effects and bring a touch of class to your session with Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins. Featuring a host of royalty-free loops and samples, a full-fledged soft-synth and Ableton Live Lite 8, providing an affordable upgrade path to Ableton Live. Two Hi-Z instrument inputs No need for a separate DI. The first two channels feature high-gain instrument inputs. Bus-powered for a tidy mobile recording rig Saffire PRO 14 can be powered via FireWire, or via its own power supply. Dedicated front-panel headphone bus Providing a fully customised monitor mix, with tactile level control available on the front panel. Tactile Monitor dial A front panel volume dial provides immediate control over the main stereo outputs. Switchable phantom power Across both mic pre inputs, globally switchable direct from the front fascia. Software PFL Allows the mix engineer to easily monitor a single mixer channel or complete mix.