Kick cd

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 4 - 8 working days Features Contributors Inxs, Chris Thomas, David Edwards, Inxs (Performer) Format CD Release date 20110725

Buy The Smashing Pumpkins Kick Start 96 CD, Unofficial Release for R50.00

1. Ain't That a Kick in the Head 2. Night and Day 3. Witchcraft 4. Something Stupid 5. That's Life 6. I've Got You Under My Skin 7. Baby It's Cold Outside 8. I've Got the World on a String 9. I Get a Kick Out of You 10. Fly Me to the Moon 11. My Way

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 10 - 15 working days Walt Disney Records is set to release the soundtrack to Phineas and Ferb Across: The 1st and 2nd Dimensions. The album features 7 new songs (Everythings Better With Perry, Brand New Best Friend, Summer (Where Do We Begin?), Taking Care Of Things, Mysterious Force, Robot Riot,) and the end credit track Kick It Up a Notch, the Phineas and Ferb collaboration with legendary guitarist Slash. The soundtrack also includes 15 songs from the hit animated series. The Disney Channel Original Movie "Phineas and Ferb: Across the 2nd Dimension premieres in November on Disney XD Features Summary Walt Disney Records is set to release the soundtrack to Phineas and Ferb Across: The 1st and 2nd Dimensions. The album features 7 new songs (Everythings Better With Perry... Format CD Release date 20130710

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 4 - 8 working days Crossover dancehall artist Shaggy started churning out hits in the early 1990s when his distinctive baritone voice and penchant for hooky, pop-inflected dancehall grooves struck a chord. Those early hits, "Boombastic" and a cover of the Folkes Brothers' "Oh, Carolina," kick off this best-of set. In fact, THE BEST OF SHAGGY sticks to the artist's early work, so those looking for hits from the 2000s, like "It Wasn't Me" and "Angel," won't find them. Even so, the 12 tracks that make up this compilation represent Shaggy's fun, bouncy, good-time music as it boomed from jeeps and clubs in Brooklyn and elsewhere in the `90s. Features Summary Crossover dancehall artist Shaggy started churning out hits in the early 1990s when his distinctive baritone voice and penchant for hooky, pop-inflected dancehall grooves struck a chord... Contributors Shaggy Format CD Release date 20080717

New. Sealed. Ships within 48 hours of cleared payment.   SIMPLE MINDS - The Best Of Simple Minds Label: Virgin / Universal Catalogue#: CDVIR 573 Bar Code: 6002140995028 Format: CD Country: SOUTH AFRICA Released: 2001   Track Listing: Disc 1       1. Don't You Forget About Me     2. Promise You A Miracle     3. Waterfront     4. Alive & Kicking     5. Glittering Prize     6. All The Things She Said     7. Sanctify Yourself     8. Someone Somewhere (In Summertime)     9. Ghostdancing     10. Up On The Catwalk     11. Speed Your Love To Me     12. Theme For Great Cities     13. Love Song     14. The American     15. Sweat In Bullet     16. Life In A Day     17. I Travel   Disc 2       1. Let There Be Love     2. This Is Your Land     3. Kick It In     4. Let It All Come Down     5. See The Lights     6. Stand By Love     7. Real Life     8. She's A River     9. Hypnotised     10. Glitterball     11. War Babies     12. Mandela Day     13. Biko     14. Belfast Child     15. Real Life

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 4 - 8 working days Walt Disney Records is set to release the soundtrack to Phineas and Ferb Across: The 1st and 2nd Dimensions. The album features 7 new songs (Everythings Better With Perry, Brand New Best Friend, Summer (Where Do We Begin?), Taking Care Of Things, Mysterious Force, Robot Riot,) and the end credit track Kick It Up a Notch, the Phineas and Ferb collaboration with legendary guitarist Slash. The soundtrack also includes 15 songs from the hit animated series. The Disney Channel Original Movie "Phineas and Ferb: Across the 2nd Dimension premieres in November on Disney XD Features Summary Walt Disney Records is set to release the soundtrack to Phineas and Ferb Across: The 1st and 2nd Dimensions. The album features 7 new songs (Everythings Better With Perry... Format CD Release date 20130710

1. Catch Alight 2. The Runaround 3. Cut-throat Tongue and Razor 4. Kick Me 5. So Close 6. Holding On 7. All In The Wind 8. Weak Man's World 9. Any Other Way 10. First Brush 11. Red Blooded Years 12. The Sleeping Sound

Unforgettable Jannie En Corlea You¿ll Never Find Cant Help Falling in Love Always On My Mind Love Changes Everything E Piu Ti Penso I Want To Spend My Lifetime Loving You All I Know Of Love Quando Quando Quando Merry Widow Waltz Run Endless Love Annie's Song You Are The Song Swing Medley: Fly Me To The Moon/Ain't That A Kick In The Head/Come Fly With Me

1. Warped 2. Aeroplane 3. Deep Kick 4. My Friends 5. Coffee Shop 6. Pea 7. One Big Mob 8. Walkabout 9. Tearjerker 10. One Hot Minute 11. Falling Into Grace 12. Shallow Be Thy Game 13. Transcending

1. No Scrubs 2. Waterfalls 3. Damaged 4. If I Was Your Girlfriend 5. Diggin' On You 6. In Your Arms Tonight 7. Ain't 2 Proud To Beg 8. Over Me 9. Creep 10. Silly Ho 11. I'm Good At Being Bad 12. Kick Your Game 13. Get It Up

1. Easy To Love 2. Late Afternoon And You 3. I Get A Kick Out Of You 4. You’re The Top 5. Just One Of Those Things 6. Snow 7. C’est Magnfique 8. Get Out Of Town 9. I Concentrate On You 10. In The Still Of The Night 11. What Is this Thing Called Love? 12. Miss Otis Regrets 13. New Year’s Eve Song, The

1.What A Difference A Day Made 2.These Are The Days 3.Singin’ In The Rain 4.Twentysomething 5.But For Now 6.Old Devil Moon 7.I Could Have Danced All Night 8.Blame It On My Youth 9.I Get A Kick Out Of You 10.All At Sea 11.Wind Cries Mary 12.Lover, You Should Have Come Over 13.It’s About Time 14.Next Year Baby 15.Everlasting Love 16.Frontin’ 17.Can’t We Be Friends? 18.High & Dry – Live

PA12-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 12 input (8 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA12-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA12-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

PA20-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA20-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA20-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA12 is a robust, compact 12 input (8 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA12 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp Socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA28 is a robust, compact 28 input (24 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA28 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

Original 2004 SOUTH AFRICAN pressing of "INXS Original Sin The Collection" CD. The CD is used. The CD disc has a few hairline scratches and some storage dust but the CD plays wonderfully.    INXS Original Sin The Collection Label: Universal Music Catalogue#: BUDCD 1228 Bar Code: 6009143122833 Format: CD Country: SOUTH AFRICA Released: 2004   Track Listing: 1Just Keep Walking 2In Vain 3Learn To Smile 4Underneath The Colours 5Horizons 6Barbarian 7Don't Change 8Spy Of Love 9Here Comes 10Original Sin 11Melting In The Sun 12Johnson's Aeroplane 13Listen Like Thieves 14Same Direction 15Biting Bullets 16Devil Inside 17Wild Life 18Calling All Nations   Tracks 1-3 from 'INXS' 1980   Tracks 4-6 from 'Underneath The Colours' 1981  Tracks 7-9 from 'Shabooh Shoobah' 1983  Tracks 10-12 from 'The Swing' 1984   Tracks 13-15 from 'Listen Like Thieves' 1985   Tracks 16-18 from 'Kick' 1987  

If you're looking for old-school analog handling in a package armed to the teeth with modern reliability, the search is over. This mixer's British EQ, 24 mic inputs (each with its own built-in studiograde XENYX preamp), 8 stereo inputs and 8 buses give you enough leeway to craft the recording of your dreams or create the perfect mix for a live show. What the Heck is "British EQ"? British EQ is a smashing thing to have on your side when you start reaching for those channel equalization knobs at a live concert or in the studio. The EQ's on British consoles from the 60s and 70s are what many engineers believe does their sound the best justice. When it comes to tweaking your sound, they're kind, gentle and above all, musical. It's like drinking a fine scotch instead of fortified wineor maybe receiving a warm hug instead of a kick to the crotch. British EQ's distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled. The Ins and Outs Some manufacturers make what they call 32-input mixers that count features like CD/TAPE IN as an input. But the SX really gives you 24 mono channels and four stereo channels (with two 1/4" inputs apiecean additional 8 inputs), making it easy to accommodate a wide variety of studio or live performance configurations. That means you can connect up to 24 microphones or other mono instruments and up to four stereo instruments (keyboards, for example). You also get eight buses, allowing you to assign multiple channelssay all the mics on a drum kit or all the backup singers' micsto a single fader. Best of all, you don't need a black belt in engineering to operate the SX. The mono channels are grouped along two-thirds of the board, featuring dials in uniform primary colors (Gain in white; EQ in blue; AUX in red; Pan in black). Sub groups are located next door to the Main and Mono faders in the bottom right corner. Directly above, there's a handy built-in talkback mic that sends signal to your AUX 1-2 monitors via a push button, as well as a multi-purpose 13-LED master level meter to give you a dynamic visual gauge of the selected output. The SX's intuitive patch bay makes it equally at home in the club or studio. You get two balanced XLR MAIN outputs as well as a two 1/4" TRS MAIN outs. There's also a 1/4" MONO OUT (perfect for a subwoofer output). Eight SUBGROUP OUT jacks allow you to send your buses to an external recording device. This section also includes AUX SEND jacks for connection to monitors, CD/ TAPE input and output jacks, and FX send/return jacks for use with outboard effects processors. Directly below, you'll fi nd the 1/4" headphone/ control room out jack. A Million Ways To Change The Channel At the top of each mono channel, you'll find both a balanced XLR input with a XENYX mic preamp and a 1/4" input. A phantom power switch located on the back near the main power switch accommodates condenser mics. Each mono channel has a 3-band EQ with semi-parametric mids (giving you control of the Mid level and a sweepable frequency with a boost or cut of 15dB) and a Trim control for adjusting input gain via a Level Set LED. A Low Cut button eliminates the frequencies where unwanted infrasonics such as mic handling noise occur. The eight AUX dials control the volume of the AUX SEND 1/4" output signals (more on that below). Stereo channels feature the same functions, but a with dual 1/4" inputs and a different EQ. Instead of sweepable mids, stereo channels feature High Mid and Low Mid dials, both with bell center frequencies set at 8 kHz and 800 Hz, respectively. This is especially useful for EQ'ing the critical midrange frequency content found in keyboard signals. Near every mono channel's fader you'll find a and MAIN button. By engaging the MAIN button, the signal is sent to the main mix. Or, if you engage the 1-2 button, the channel becomes part of a bus. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. The same principle applies to the and 7-8 buttons. A Mute button with accompanying LED cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free post-EQ signal. The Solo button on individual channels routes the subgroup signal to the solo bus or Pre-Fader Listendepending on whether the signal has been included in a subgroup. Finally, each of the eight buses feature an independent fader, Solo switch, and Left and Right buttons to assign them to Left or Right stereo channels. Buy it now. Teach your great grandkids how to run it. BEHRINGER mixers last and last. We use top quality parts such as longwear faders, sealed rotary controls and premium circuit boards. We have 20 years of experience figuring out how to compensate for clumsy loadins, spilled drinks, crazed guitarists and millions of road miles. The result is a mixer you can count on day after day and night after night. Hitch Your Art to the AUX The SX has eight AUX SEND outputs as well as eight AUX return inputs, giving you more routing options than a Los Angeles road map. AUX SEND 1-8 allow you to send the signal governed by an individual channel to an outboard FX unit or EQ. Meanwhile, the AUX returns can be thought of as eight extra line inputs working as four stereo pairs. You can apply up to 20 dB of gain to these inputs. AUX returns 1, 2, 7 and 8 allow returning FX to be sent to tape, and, along with 5 and 6, are also good for cuing artists via headphones. AUX returns 3 and 4 are always assigned to the main bus. Take On The World Not every town on the planet uses the same voltage common in yours. Unfortunately, this sometimes doesn't occur to jet-setting sound technicians until they're miles from home. With the SX, this is never an issue. The internal auto-range power supply can run on anything from 100 to 240 V with noise-free audio, top-quality transient response and low power consumption. Why Do You Need This Mixer? Built-in pristine XENYX mic preamps British-style EQ dials give you the sound and control preferred by top studio engineers Awesomely complete I/O everything from bus inserts to mono output Product Features: Behringer SX Mixer

KONTROL IT ALL Take your mix to new heights. TRAKTOR KONTROL S4 is the acclaimed all-in-one 4-channel DJ system that puts all TRAKTOR software features at your fingertips. INTEGRATED AUDIO INTERFACE TRAKTOR KONTROL S4 includes a versatile, wide-frequency response audio interface. Connect turntables, CD decks, instruments, MIDI gear ¿ anything you need to kick your performance up a notch. title="" alt="" src="http://images-ec.native-instruments.com/typo3temp/pics/img-ce-traktor_kontrol_s4_overview_03_integratedaudiointerface_2x-469d317e9bdaebb4d0a-d.jpg" />

Product Features: Five-piece electronic drum set with XD60-USB sound module 110 studio-grade drum, cymbal, and percussion sounds 15 programmable drum sets Realistic feeling, natural playing trigger pads Dual-zone snare pad for rim-click and rim shot capability Includes XD60-USB sound module; kick pedal, pad and stand; hi-hat trigger pedal; 8” dual-zone pad; (3) 8” single-zone pads; (3) 12” cymbals; drum rack with mounting hardware (preset for quick setup); multi-pin breakout audio cable snake for easy set up; pair drumsticks; drum key; Quickstart guide and assembly instructions Works with iPad / iPhone via Apple USB Adaptor (sold separately) USB / MIDI output for use with drum module software Seamlessly connects directly to your iPod, iPhone, iPad, or CD player via 1/8” input for play along use All sounds are velocity sensitive for natural dynamic response Ships ready to rock with everything you need to start immediately High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany Warranty Type: Manufacturer 12 Months Warranty. All goods are subject to supplier discretion Replacement Guarantee: 30 Days: All goods are subject to supplier discretion Free delivery on orders over a R in Gauteng. Delivery 1-3 days depending on area

SEALED, IN STOCK and in mint condition. Immediate dispatch after cleared payment   Red Hot Chili Peppers - One Hot Minute   Label: Gallo Catalogue#: WBCD 1818 Bar Code: 6001491343021 Format:  CD  Country: South Africa Released: 25/09/1995   Tracklisting:        1.      Warped                 2.      Aeroplane                 3.      Deep Kick                 4.      My Friends                 5.      Coffee Shop                 6.      Pea              7.      One Big Mob              8.      Walkabout              9.      Tearjerker              10.      One Hot Minute              11.      Falling Into Grace              12.      Shallow Be Thy Game              13.      Transcending