Digital pre

With eight channels of Focusrite microphone preamplification, eight VCA-based Red 3-derived compressors and built-in 24-bit / 96kHz digital inputs and outputs, OctoPre MkII Dynamic is Focusrites feature-rich expansion upgrade for any digital audio workstation. Its equally an ideal expansion for any analogue or digital console, or hard disk recorder. Digital inputs and outputs let you make the most of often-neglected ADAT I/O, ideal for expanding the number of mic pre inputs on your interface or for providing analogue monitoring from any digital ADAT feed. With this entire package fitting into a single 1U chassis complementing Focusrites Saffire PRO range, and all controls adjustable from the front fascia, OctoPre MkII Dynamic sets the standard for modern, compact, multi-channel recording expansions.

Buy IP65 Z Axis Zero Setter Tool Pre Setter 500.001mm Digital Display CNC Tool Sett for R2,247.63

New - USB PC Digital Electronic Roll up Drum Pads Kit with Sticks and Software * * * LOCAL  NEW STOCK * * * This USB Roll-Up Drum Kit had 6 x pads and drumsticks are included. Learn how to play with a 3-level learning feature. Use the play along option or drum to your own beat. Record your beats and share with friends and family via e-mail or facebook. Features:  Roll up drum mat to a small size, easy storage and packing Compatible with Windows XP//Vista Innovative interfaces allow all programming and sound to be activated on your computer  Create your own sets or choose from pre selected ones  Create your own beats and email to a friend  No Batteries required, powered by USB with cable. Play Functions: Percussion Instruments Non Percussion Instruments Tones, Pre-recorded Rhythms Program Function To Record Your Own Rhythm And Beats Pre-recorded Songs Tempo Adjustment ( Beats) Metronome adjustment Learning Feature (3 Levels) Play Along Option Record/ playback and program option Download your own music and play along to the songs Save and email to a friend Create your own sets or choose from our pre selected ones Description: Compatible with Windows , XP, Vista, and Windows 7 Drum mat is flexible and can be rolled up Includes 2 drumsticks Includes custom software (Windows only) No batteries required! Powered by your USB (1.1 or 2.0) port Dimensions: 340x 245mm (LxW) USB Cable Legth: 1.27M Net Weight: 300g Unit Package Weight: 412g Package size: 265 x 200 x 37 Package included:   1 x Drum Pad  2 x Drum Sticks  1 x CD Drum Kit    

DING SHINE HiFi Digital 6J1 Vacuum Tube Mini Stereo Audio DAC Pre Amplifier Package contains 1 X item of the smallest listed variant.

Buy SM Pro Audio ADDA 192-S Analog / Digital Audio Interface DAC Mic Pre for R1,799.00

NAD Master Series Pre b'&' Power Amp. All in good working order. To replace this set will set you back over R300k NAD M17 4K HDMI 5in/ 2out “Upgraded 4K HDMI Module” XLR b'&' RCA inputs Lots of other Digital inputs Touch Screen front display panel NAD M17 V2i retail is R175k https://www.audiosciencereview.com/forum/index.php?threads/review-and-measurements-of-nad-m17-v2-pre-pro.8998/ NAD M27 7x 180watts all channels driven 7x 300watts Dynamic power All channels driven XLR b'&' RCA inputs Trigger port This bad bad has enough juice to drive difficult speakers with easy while staying cool.

FAST AFFORDABLE COURIER SHIPPING TO SOUTH AFRICA Features: Small and light weight, easy to carry USB design, you can plug it into the computer, keep it in your pocket or strain it to your keys ring It can continue to record voice 30 hours Smart voice control recording, it works when there is voice and stops when there is noice, saving times and memory storages Smart time synchronization, it will named the voice file by recording time One button lossless voice recording, pushing up to record while pushing down to save voice file Long distance dynamic voice recording File encryption to protect your screct, you can encrypt the voice file through computer 360 degree HD microphone, support 192KBPS lossless voice record Support pre / next song, fast forward / fast backward, auto saving when running out of power Voice record format: WAV Music format: MP3, WAV, WMA Weight: 35g Size: 60 x 20 x 10mm Package Included: 1 x Newsmy V30 Voice Recorder Newsmy V30 8GB USB Digital Voice Control 30 Hour Voice Recorder Newsmy V30 8GB USB Digital Voice Control 30 Hour Voice Recorder Newsmy V30 8GB USB Digital Voice Control 30 Hour Voice Recorder

This course is designed to provide students with experience in all facets of digital film making and production, and foster creative confidence. Course Fees R The aim of the course is to shape students for the real world of film and television production and to simulate industry conditions as closely as possible. This course will cover 1. Script writing 2. Pre and Post production 3. Editing 4.Digital film making 5.Camera operation 6.Content production and Marketing We are happy that you want to gain as much knowledge and experience as possible, so join us today.

I am selling a used Canon LEGRIA FS406 Digital Video Camcorder in good working condition. I am also including 4 Verbatim 16GB SD Cards. The LEGRIA FS406 packs a host of features into a stylish, pocket-sized design. With a 41x Advanced zoom and Video Snapshot, it’s easy to shoot and share top-quality movies. Choice of three chic colours. - Single SDXC and Eye-Fi card slot; - Canon’s smallest digital camcorder; - 41x Advanced Zoom and Dynamic EIS; - Dual Shot mode; - 6.7cm Widescreen LCD; - Video Snapshot; - Night Scene mode; - Intelligent Li-ion battery; - Pre Record Feature; - PIXELA software supplied

Built on the topology of the original ISA 110 including the Lundahl L transformer and bespoke zobel network, the Focusrite ISA One is an excellent way to tap into the legacy of the legendary Forte console in an ultra-portable format you can take anywhere you need to record. Inputs for microphone, line-level, and direct instrument-level sources cover all of the bases. A variable impedance selector also lets you dial in the warmth you want without sacrificing the clarity you need. Plus, the ISA One's DI and microphone level inputs run in parallel, so you can blend the direct signal of the instrument with the sound of the miked up amplifier - a killer trick for getting bass sounds that are both fat and punchy. Focusrite ISA One Features: Single Channel Original ISA Series Pre Amp in a portable metal Chassis Selectable impedance, perfect for matching with any microphone Direct Instrument inputs including high and low impedance options to provide a comprehensive DI solution Classic VU meter, Ladder LEDs too-all manner of metering, at source Cue mix stereo inputs Certificate of origin hand-signed by Phil Dudderidge included 24 bit/192kHz A-to-D converter included

Full Feature List Handheld Portable Recorder Adjustable Stereo Condenser Microphones (XY or AB) Up to 96kHz/24-bit WAV (BWF) linear PCM recording Stereo MP3 recording from kbps bit rate Reverb effect Overdub recording mode Auto Record and Auto Mark functions Peak Reduction function, optimized for music recording, automatically sets the gain of while recording Limiter and low-cut filter to help prevent distortion Automatic or manual level setting Self timer recording starts recording 5 or 10 sec. after pressing the record button for waiting until you are ready Auto and manual track increment Variable speed playback (%) without changing the pitch Loop and repeat playback Level Align feature prevents uneven volume levels during playback Playback EQ settings Editing function (Divide and delete) Up to 99 mark points on each file Chromatic tuner 1/8" stereo mic/line input USB 2.0 port for transfer to PC and external power Up to 2-second pre recording buffer Jump back function returns to previous point with one action ( sec.) 1/8" headphone/line output Built-in speaker microSD (64MB - 2GB)/microSDHC (4GB - 32GB) card slot (2GB card included) Powered by 2 AA batteries, AC adapter (optional: PS-P515U), or USB bus power Tripod socket hole Dimensions: 2.2" W x 5.5" H x 1" D (55mm x 141mm x 26mm) Weight: 4.4 oz (125g)

Features: Small and light weight, easy to carry USB design, you can plug it into the computer, keep it in your pocket or strain it to your keys ring It can continue to record voice 30 hours Smart voice control recording, it works when there is voice and stops when there is noice, saving times and memory storages Smart time synchronization, it will named the voice file by recording time One button lossless voice recording, pushing up to record while pushing down to save voice file Long distance dynamic voice recording File encryption to protect your screct, you can encrypt the voice file through computer 360 degree HD microphone, support 192KBPS lossless voice record Support pre / next song, fast forward / fast backward, auto saving when running out of power Voice record format: WAV Music format: MP3, WAV, WMA Weight: 35g Size: 60 x 20 x 10mm Package Included: 1 x Newsmy V30 Voice Recorder

Focusrite Octopre MK II Dynamic Microphone Pre-Amp With eight channels of Focusrite microphone preamplification, eight VCA-based Red 3-derived compressors and built-in 24-bit / 96kHz digital inputs and outputs, OctoPre MkII Dynamic is Focusrite¿s feature-rich expansion upgrade for any digital audio workstation. It¿s equally an ideal expansion for any analogue or digital console, or hard disk recorder. Digital inputs and outputs let you make the most of often-neglected ADAT I/O; ideal for expanding the number of mic pre inputs on your interface or for providing analogue monitoring from any digital ADAT feed. With this entire package fitting into a single 1U chassis complementing Focusrite¿s Saffire PRO range, and all controls adjustable from the front fascia, OctoPre MkII Dynamic sets the standard for modern, compact, multi-channel recording expansions.

Pioneer SC-LX502 7.2 Channel Receiver THE RECEIVER LUXURY CLASS STARTS HERE Seven output stage channels with 220 watts each (4 ohm) in Pioneers high-end Direct Energy HD architecture lend the SC-LX 502 the dynamic sound authority one expects from a top-class receiver. Heat development and power consumption are unusually low Direct Energy HD works with minimal losses. With Dolby Atmos and dts:X, the new object-based 3D sound formats are available alongside HD sound in the form of Dolby TrueHD and dts HD Master Audio thanks to the new eARC also via the audio return channel that was previously excluded from HD audio. For imaging the six HDMI inputs support all UltraHD video standards including the latest extensions HDR10, HLG and Dolby Vision. The range of audio streaming functionality was expanded even further: native support for all leading music services is integrated with Deezer, Spotify and TIDAL, and all connection options to mobile devices are covered thanks to built-in Chromecast technology, Apple AirPlay and Bluetooth. Two manufacturer-independent standards for setting up multi-room networks are available with DTS PlayFi and FlareConnect. High-resolution audiophile downloads on the home NAS run readily with resolutions up to 24-bit/192kHz or quad-rate DSD (11.2MHz). A high-quality D/A converter from AKM guarantees that the high data quality results in premium sound. Pioneers automated calibration system MCACC with Reflex Optimizer ensures that all types of playback from purist stereo to fully-blown Atmos cinema sound realises its full potential in every living space. AUDIO FEATURES Channels: 7 Amplification Type: Class D (Direct Energy HD) 560 W Multi-ch Simultaneous Drive (8 ohms, 1 kHz, 1.0 % THD) 220 W/ch (4 ohms, 1 kHz, 1.0 % THD, 1ch Driven, IEC) 180 W/ch (6 ohms, 1 kHz, 1.0 % THD, 1ch Driven, IEC) Dolby Atmos ® /Dolby Surround DTS:X/DTS Neural:X Reflex Optimizer Dolby ®   TrueHD/Dolby Digital Plus DTS-HD Master Audio/DTS-HD High Resolution Audio/DTS 96/24/DTS-ES/DTS Express DSD Direct Playback via Network/USB (11.2, 5.6, 2.8 MHz/2ch) DSD Disc (SACD) Playback via HDMI (2.8 MHz/5.1ch, 2ch) Digital Core Engine with Cirrus Logic (Quad Core) x1 768 kHz/32-bit DAC (AK4458) HDMI Audio Return Channel (ARC) MCACC Auto Room Tuning Phase Control Subwoofer EQ Advanced Sound Retriever (2ch) Advanced Surround Modes Classical, Unplugged, Entertainment Show, Drama, Advanced Game, Action, Rock/Pop, Sports, Extended Stereo, Extended Mono, Front Stage Surround, Auto Surround Fan-less Cooler Design Anti-Standing Wave Insulator VIDEO FEATURES Ultra HD Pass-through with HDCP 2.2 (4K/60p/4:4:4/24-bit, 4K/24p/4:4:4/36-bit, 4K/60p/4:2:0/36-bit) High Dynamic Range (Dolby Vision, HDR10, HLG) Signal Passthrough Wide Color Gamut (BT.2020) Signal Pass-through Ultra HD Upscaling (1080p 4K) 3D Ready (Blu-ray Disc, Broadcast, and Games) Deep Colour (36-bit), x.v.Colour NETWORK FEATURES FlareConnect for Multi-room Audio Chromecast built-in DTS Play-Fi Ready Apple AirPlay Certified Spotify ®, TIDAL, and Deezer Music-Streaming Services Ready Internet Radio with TuneIn Hi-Res Audio File Playback via USB/Network Up to 192 kHz/24-bit ALAC, AIFF, FLAC, WAV 11.2 MHz Direct DSD and 5.6/2.8 MHz DSD Playback Dolby ®   TrueHD Playback (USB only) OPERATING FEATURES Built-in Wi-Fi ®   (Dual Band 5 GHz/2.4 GHz) Built-in Bluetooth ®   Wireless Technology (Version: 4.1+ LE, Profile: A2DP/AVRCP, Codec: SBC/AAC) Pioneer Remote App Ready (iOS/Android) User-Friendly GUI with System/Network Setup Menu Auto Power Off in HDMI Standby Through AM/FM Tuner 40 Presets Sleep Timer User-Friendly Simple Remote Control CONNECTIONS Front Terminals HDMI 1 In USB 1 In for USB Drive MCACC Setup MIC In Phones 1 Out Rear Terminals HDMI 6 In (4 Assignable) HDMI 2 Out (1 for MAIN, 1 for Zone 2/SUB) Ethernet 1 In AV (Component) 1 In (Assignable) AV (Composite) 2 In (Assignable) Audio 1 In (Assignable) Phono (MM) 1 In Digital Coaxial 1 In (Assignable) Digital Optical 2 In (Assignable) Subwoofer 2 Pre Out Zone 2 Pre/Line Out Speaker 9 ch Out (FRONT, CENTER, SURROUND, SURROUND BACK/ZONE 2/Bi-AMP, HEIGHT/SP B) IR 1 In/1 Out 12 V Trigger 2 Out/RS-232C FM/AM Antenna DIMENSIONS & WEIGHT Dimensions (W x H x D): 435 x 185 x 395 mm Weight: 12.1 kg

The Saffire PRO 14 is an eight-in, six-out audio interface with legendary sonic performance and unmatched flexibility at a truly affordable price. The latest in Focusrites new generation of Firewire/Thunderbolt audio interfaces, the Saffire PRO 14 is designed to make home studio recording and mixing easy without sacrificing audio quality. Twenty-five years of mic pre excellence form the foundation of this new interface, with two award-winning Focusrite preamps. Combined with a host of additional I/O options, the Saffire PRO 14 helps you get the tracks you want without having to constantly re-patch your studio. Alongside the two high quality mic preamps, two additional analogue inputs, four analogue outputs, S/PDIF and MIDI open the door to true multi-track recording. Two Hi-Z instrument inputs let you plug straight in without the need to buy additional DI boxes, and two virtual 'loopback' inputs are also available for routing digital audio between software applications ideal for capturing online audio. Included with the PRO 14 is Saffire MixControl, an 18 x 6 DSP mixer. Offering a level of flexibility that is unparalleled at this price point, the MixControl software enables you to create six separate mixes without latency. Route any combination of input signals and sequencer outputs to any of Saffire PRO 14s outputs. Intuitive one-click configurations help you track, monitor and mix as quickly as possible. With Saffire PRO 14, sonic integrity is never compromised. The two Focusrite preamps ensure low noise and distortion, whilst quality digital conversion and JetPLL jitter elimination technology ensure pristine quality as your audio flows between the analogue and digital domains. Combined with the very latest in Firewire/Thunderbolt interfacing technology, excellent routing flexibility and rock-solid driver stability, the Saffire PRO 14 is the heart of the modern home studio.Key Features All of Focusrite's FireWire interfaces are fully compatible with Thunderbolt using simple FireWire to Thunderbolt adapter. Focusrite fully supports the use of Thunderbolt with our FireWire interfaces. For more details visit the answerbase. Two high-quality award-winning Focusrite preamps The best sounding interface in its class. Focusrite's 25-year legacy forms the foundation of this new interface, with two award-winning preamps. High-quality 24-bit/96kHz FireWire/Thunderbolt* interface Features professional conversion and JetPLL jitter elimination technology, guaranteeing pristine audio quality and reliable synchronization. Total I/O count of 8 inputs and 6 outputs A host of I/O options are provided, including a unique Loopback facility for routing audio between software applications via Saffire MixControl. Saffire MixControl ultra-low-latency DSP mixer/router Provides an 18 x 6 DSP mixer with excellent routing flexibility, intuitive one-click configurations, and lower than 1.4ms latency (less than the time it takes sound to travel two feet through air!). Focusrite VST/AU Plug-in Suite, for use in the mix Upgrade your standard sequencer effects and bring a touch of class to your session with Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins. Featuring a host of royalty-free loops and samples, a full-fledged soft-synth and Ableton Live Lite 8, providing an affordable upgrade path to Ableton Live. Two Hi-Z instrument inputs No need for a separate DI. The first two channels feature high-gain instrument inputs. Bus-powered for a tidy mobile recording rig Saffire PRO 14 can be powered via FireWire, or via its own power supply. Dedicated front-panel headphone bus Providing a fully customised monitor mix, with tactile level control available on the front panel. Tactile Monitor dial A front panel volume dial provides immediate control over the main stereo outputs. Switchable phantom power Across both mic pre inputs, globally switchable direct from the front fascia. Software PFL Allows the mix engineer to easily monitor a single mixer channel or complete mix.

12 channel PA-mixing console with very low noise architecture ALT 3-4 bus (2 subgroups) Internal 24bit DSP-effect unit with 100 presets & foot switch USB in/out for direct recording to PC 8 balanced input channels, 4 Mono + 4stereo: Input gain Inserts on mono channels Peak indication @ -5dB High pass filter @ 75Hz 3band equalizer (12kHz/2,5kHz/80Hz) AUX send with pre/post switch EFX send for effects section (post) PAN/BAL control ALT 3-4 / Channel mute button LEVEL with 60mm fader control 48V Phantom power on all balanced micros Use of external effects possible Balanced Main L/R output control Headphone and control room output 2x 10section LED VU-meters External power transformer 19''brackets voor rack mounting included Free recording software available: Audacity Max output level (0.5% thd @ 1kHz): +26dB (MAIN L/R) +20dB (ALT 3/4, AUX/EFX, CTRL ROOM) +20dB (INSERT) More than 100mW (HEADPHONES) @33Ohm T.H.D: dB 20Hz~20kHz (MIX L/R, ALT 3/4, AUX/EFX SEND, CTRL ROOM) @10kOhm Frequency response: 20Hz~20kHz, +1/-2dB (MIX L/R, ALT 3/4, AUX/EFX SEND, CTRL ROOM) @10kOhm Hum and Noise (average Rs=150Ohm): -127dB equivalent input noise -95dB residual noise (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) -88dB (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) Master fader at nominal level and all channel volumes at minimum. Maximum Voltage Gain: 74dB MIC IN TO MAIN L/R 74dB MIC IN TO ALT dB MIC IN TO AUX (PRE) 76dB MIC IN TO AUX (POST) 76dB MIC IN TO EFX 80dB MIC IN TO CONTROL ROOM L/R 52.2dB IN TO REC L/R 54dB LINE IN TO MAIN L/R 54dB LINE IN TO ALT dB LINE IN TO AUX (PRE) 56dB LINE IN TO AUX (POST) 60dB LINE IN TO CONTROL ROOM L/R 44dB STEREO IN TO MAIN L/R 44dB STEREO IN TO ALT dB AUX RETURN IN TO MAIN L/R 20dB TAPE IN TO MAIN L/R Crosstalk (@ 1kHz): -70dB between input channels -70dB between input/oputput channels Gain Control (mono input channel) 44dB Variable (-50dB ~ -6dB) (-30dB ~ +14dB) Gain Control (combined mono/stereo input channel) 40dB Variable (-20dB ~ +20dB)p Input channel Equalization: HIGH: 12kHz shelving MID: 2.5kHz peaking LOW: 80Hz shelving *Turnover/roll off frequencies: located 3dB below max. boost/cut LED Meters: 2x 10 segment LED for MAIN L/R, ALT3/4, TAPE IN or PFL Internal Digital Effect: 100 selectable presets FOOT Switch control (ON/OFF) Channel indicators: Peak: an indicator for each channel turns on when the pré-channel fader signal is 5dB below clipping Phantom Power (balanced input): +48V DC Power Supply: AC 230 V, 50Hz Power consumption: 36W Weight: 4,6 kg Dimensions: 328(W) x 90(H) x 420(D) mm

In absolute mint condition. Pre amps haven't even been used. It was only used for stereo playback. Not a scratch and in perfect working condition. 8 channels of premium 24-bit/192kHz A/D/A conversion 4 75dB-gain microphone preamps 2 fully balanced inserts on mic pre channels 4 Hi-Z instrument inputs capable of handling high level instruments 2 individual, controllable and assignable high level headphone outputs 2, 6 or 8 channel monitor outputs 8 channels of ADAT I/O FireWire 400 I/O, compatible with OS X Core Audio (no driver required) 2 channels of SPDIF I/O Soft Limit for maximum digital input level without overs UV22HR for superior dither of 24-bit resolution down to 16-bit Advanced, dual-stage Intelliclock Precision digital encoders Complete integration and control with Apple's Logic Pro Software Apogee Control Panel screens accessible from within Logic Pro Compatibility with any CoreAudio software application This unit works with the Apple firewire to thunderbolt cable, as confirmed by Apogee support. Retailed for more than R20k

Xone:4D is a unique DJ workstation combining a high quality analogue DJ mixer with extended software controller functionality. The 20-channel USB2 soundcard provides multiple routing options, enabling vast capabilities for live recording, sampling and playback. For the DJ who requires extended MIDI control of up to 4 software decks simultaneously, 4D is a luxurious hybrid controller to elevate your performance.Mixer: 4 multi-input stereo channels Switchable phono or line input stages, RIAA preamps on 3 channels Soundcard output routing switches for each channel 3-band total kill EQ +6dB to off 2 FX sends, FX1 with pre/post selection 2 analogue VCF filters low, band & high-pass, resonance, frequency and on switch 2 stereo returns BPM LED display Headphone monitor (3.5mm and 1/4″ sockets) with mix/cue control Assignable LFO editable waveform Mic input on XLR with level control and 2-band EQ, routable directly to soundcard USB 2.0 Soundcard: 20 channel 96 kHz/24-bit USB 2.0 PC and Mac drivers 10 in/10 out (4 analogue + 1 digital stereo inputs and outputs) Soundcard inputs fed from mic, FX1, FX2, main mix or stereo channels 1-4 pre or post fade MIDI Control: Total of 227 mappable MIDI messages can be sent from select mixer controls Shift mode function for double layer Compatible with any software that has MIDI assignable functions 105 MIDI controls, including dedicated MIDI sections containing: 8x60mm linear faders 16 detented rotary pots 50 switches 2 jog wheels 8 illuminated push switches

Premium 22-Input 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, KLARK TEKNIK Multi-FX Processor, Wireless Option and USB/Audio Interface Premium ultra-low noise, high headroom mixer 8 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps 8 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound Ultra-high quality KLARK TEKNIK FX processor with LCD display, dual-parameters, Tap function and storable user parameter settings "Wireless-ready" for high-quality BEHRINGER digital wireless system (not included) Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com Neo-classic "British" 3-band EQs with semi-parametric mid band for warm and musical sound Channel inserts on each mono channel for flexible connection of outboard equipment 3 aux sends per channel: 1 pre fader for monitoring, 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send) Clip LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels 2 subgroups with separate outputs for added routing flexibility; 3 multi-functional stereo aux returns with flexible routing Balanced main mix outputs with ¼" jack and gold-plated XLR connectors, separate control room, headphones and stereo rec outputs Control room/phones outputs with multi-input source matrix; rec inputs assignable to main mix or control room/phones outputs Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls "Planet Earth" switching power supply for maximum flexibility (100  - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving Conceived and designed by BEHRINGER Germany

Free Shipping and Insurance for deliveries inside the borders of South Africa Designed by a German designer. The CA-WB1012 is a high quality white balance card made of special optical materials. Whilst your camera is switched to manual focus mode, you only need to place the WB card snugly in front of the lens and it instantly blurs all light sources which helps the camera to detect correct white balances for the current environment. The white balance card is an ideal partner for digital photography and video recording. The CA-WB1012 accurately restores true colours of a photo when the auto White Balance of a camera fails to perform its duties under abnormal lighting conditions. Easy handling is ensured through its handy design. This is one of the best tools to have in your camera bag to ensure you achieve correct light temperature. It is light, weighs less than 40 grams, dimensions are approximately 120mm X 100mm, so it is very compact and comes with a durable canvas protective bag. Instructions: Canon: Place your subject in the required position, take a picture with appropriate exposure to facilitate the setting of custom White Balance. Place the CA-WB1012 snugly in front of he lens, set the lens to manual focus(MF) since it will not be able to focus with this type of White Balance Card, so you will not be able to take a picture. Press and hold the shutter button to take a picture. White Balance can now be set in your Canon EOS Camera; navigate to your WB menu and select "Custom White Balance" Press "SET", the picture taken with the White Balance card in front of the lens will appear, press "SET" again to set custom White Balance. Press "MENU" to exit white balance setting. Press "WB" to complete Custom White Balance Setting; Now you can enjoy photos withe exact correct temperature. Nikon: Place your subject in the required position Take a picture with appropriate exposure to facilitate the setting of custom White Balance. In shooting mode, press and hold "WB". Simultaneously, set "WB" to "PRE" status by adjusting the knob to the right. Hold "WB" for 3 seconds until "PRE" status starts blinking. As it blinks, focus on the White Balance Card and press the shutter release button. If white balance is set, the word "Good" appears on the LCD screen. Note: If the shutter fails to release, please set you lens and/or camera to manual focus.

  XENYX QX2222USB Premium 22-Input 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, KLARK TEKNIK Multi-FX Processor, Wireless Option and USB/Audio Interface Premium ultra-low noise, high headroom mixer 8 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps 8 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound Ultra-high quality KLARK TEKNIK FX processor with LCD display, dual-parameters, Tap function and storable user parameter settings "Wireless-ready" for high-quality BEHRINGER digital wireless system (not included) Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com Neo-classic "British" 3-band EQs with semi-parametric mid band for warm and musical sound Channel inserts on each mono channel for flexible connection of outboard equipment 3 aux sends per channel: 1 pre fader for monitoring, 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send) Clip LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels 2 subgroups with separate outputs for added routing flexibility; 3 multi-functional stereo aux returns with flexible routing Balanced main mix outputs with ¼" jack and gold-plated XLR connectors, separate control room, headphones and stereo rec outputs Control room/phones outputs with multi-input source matrix; rec inputs assignable to main mix or control room/phones outputs Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls "Planet Earth" switching power supply for maximum flexibility (100  - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving 3-Year Warranty Program* Designed and engineered in Germany

The Focusrite Saffire PRO 24 DSP is a 16 in / 8 out FireWire/Thunderbolt audio interface, featuring real-time DSP-powered tracking and mixing solutions tailor-made for the modern home studio environment. Alongside DSP-powered compression and EQ for ultra-low-latency tracking and ‘comfort’ reverb, is VRM; a Virtual Reference Monitoring technology that lets you hear your mix in different environments, through different speakers and from different positions, all just using headphones. Click here to hear VRM for yourself using our online demo. VRM makes Saffire PRO 24 DSP the only interface capable of simulating over one hundred different monitoring scenarios through your headphones. VRM overcomes the major obstacle for mixing with headphones by giving you multiple perspectives on your mix, as if you were listening through speakers. Indeed, noise levels from mixing through speakers can make it impossible for most to mix at home, especially late at night; with VRM, you can mix anytime, anywhere. Using any pair of monitoring headphones, VRM let’s you choose your mixing environment from a living room, a bedroom studio, or a professional studio. You then simply choose where you are positioned in that room and what speakers you listen through. Saffire PRO 24 DSP draws on twenty-five years of mic pre excellence. The two Focusrite preamps capture every subtle nuance of your sound whilst ensuring low noise and distortion. Meanwhile, high-quality digital conversion and JetPLL™ jitter reduction technology ensure pristine audio quality as your audio flows between the analogue and digital domains. Saffire PRO 24 DSP’s other real-time DSP-powered effects also exhibit Focusrite’s uncompromised approach to audio quality. EQ, compression and ‘Comfort’ reverb sonically derived from the ‘Focusrite Plug-in Suite’ (also included as VST/AU plug-ins) are all integrated within the Saffire MixControl software, providing professional ultra-low-latency tools for tracking and monitoring. Alongside the two Focusrite preamps are a host of I/O options; two additional analogue inputs, six analogue outputs, ADAT inputs (for expanding the interface with, for example, Focusrite’s OctoPre), stereo SPDIF I/O and two virtual 'loopback' inputs for routing digital audio between software applications — ideal for capturing online audio. Front panel five-step LED metering for each analogue input offers accurate viewing of levels. Saffire MixControl, the ultra-low-latency 16 x 8 DSP mixer/router software provided with Saffire PRO 24 DSP, sets a new standard at this price point for audio interface control. It features flexible output routing and monitoring, as well as intuitive one-click set-up solutions designed to help you track, monitor and mix as easily as possible. Saffire PRO 24 DSP combines two award-winning Focusrite preamps and a host of other I/O with VRM Virtual Reference Monitoring, integrated real-time tracking and monitoring effects, and easy-to-use mix control software. Together, they deliver the most comprehensive professional compact music-recording interface to date.Key Features All of Focusrite's FireWire interfaces are fully compatible with Thunderbolt using simple FireWire to Thunderbolt adapter. Focusrite fully supports the use of Thunderbolt with our FireWire interfaces. For more details visit the answerbase. Virtual Reference Monitoring (VRM) Hear your mix in different environments, through different speakers and from different positions, just using headphones The best sounding interface in its class. Focusrite's unparalleled preamp legacy forms the foundation of this new interface, with two award-winning Focusrite preamps. Onboard DSP-powered, ultra-low-latency tracking and mixing tools Classic Focusrite EQ and Compression for tracking, as well as ‘comfort’ reverb to place across your monitor mixes. Features high-quality A-D / D-A conversion and JetPLL™ jitter reduction technology; pristine audio quality and reliable synchronisation are guaranteed. Total I/O count of 16 inputs and 8 outputs A host of I/O options are provided, including a unique 'loopback' facility for routing audio between software applications via Saffire MixControl. Routing flexibility and intuitive one-click set-up solutions; Saffire MixControl provides an 16 x 8 DSP mixer with excellent output routing Featuring a host of royalty-free loops and samples, a full-fledged Novation soft-synth and Ableton Live Lite 8, providing an affordable upgrade path to Ableton Live. Focusrite VST/AU Plug-in Suite, for use in the mix Upgrade your standard sequencer effects and bring a touch of class to your session with all-new Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins. Front panel 5-LED metering LED metering for each of the analogue inputs offers accurate viewing of levels direct from the front fascia. Two dedicated front-panel headphone busses Providing two fully customised monitor mixes, with tactile level control available on the front panel. Bus-powered for a tidy mobile recording rig Saffire PRO 24 DSP can be powered via FireWire, or via its own power supply

Specifications in detail Video System Recording Formats MP4 / AVCHD Recording Medium SDXC / SDHC Flash-Air compatible Max Recording Time Variable total, depending on memory card size1 64GB SDXC card (not supplied): AVCHD mode, 24hrs 30mins2 MP4 Mode, 34hrs 45mins Sensor Type 1/4.85 type full HD CMOS sensor Total Pixels 3.28 megapixel Effective Pixels: Movie 2.07 megapixels34 Effective Pixels: Still 2.07 megapixels (16:9) Filter Bayer pattern filter Lens Advanced Zoom 57x Optical Zoom 32x Digital zoom 1140x Focal Length 2.8mm - 89.6mm 35mm Equivalent Focal Length 32.5mm - 1853mm / (38.5mm-1232mm: Advanced zoom off) Maximum Aperture f1.8 - f4.5 Minimum focusing distance 10mm Image stabilizer Optical Image Stabiliser: Intelligent IS with Advanced Dynamic Mode Wide Attachment Included No Lens Cover Integrated Image Processor Image Processor DIGIC DV 4 Face Detection Technology Yes Screen Screen size 7.5cm (3.0") Touchscreen LCD, 100% view Vari-Angle Yes Pixels 230,000 dots Touchscreen Yes - capacitive type touch panel Touch Focus Yes Manual adjustment Brightness, backlight Wi-Fi Function WiFi No (but Flash-Air compatible) Remote Control & Streaming No Web Service No Baby Mode Baby Mode YES - register up to 3 children External HDD Storage Direct storage to external HDD No Minimum Illumination Minimum Lux. 4 lux Night Mode Low Light (0.4 lux) Auto Gain Control Limit Adjustment No Focus Auto/Manual Yes / Yes Control Auto: • Face Detection AF • V AF Manual: • Touchscreen LCD • Touch focus Manual Focus Assist Yes (magnification) Creative Features Slow Motion Recording 1/2 speed Fast Motion Recording 2x, 4x, 10x, 20x, 60x, 120x, 300x, 600x, 1200x Fast Motion Conversion No Video Snapshot Yes Touch Decorations Yes Cinema-Look Filters Yes AE Mode Smart Auto Yes (38 Scenes) Program AE Auto M Mode: P, Scn, (Portrait, Sports, Snow, Beach, Sunset, Night, Low Light, Spotlight, Fireworks) Cinema Mode: P Baby Mode Backlight Compensation Backlight Compensation Yes (automatic or user control) White Balance Type TTL Auto Yes Set/Preset Daylight, Tungsten Shutter Speed Maximum 1/2000sec Slow 1/2sec (low light mode) Custom Control Custom Control Yes (touch panel operations) Still Image Capture Image Size 1920x1080 (not cinema mode) Simulaneous Photo Recording Yes Photo Button Touchscreen LCD Self Timer Self Timer 10 sec Recording Mode Recording format MP4 and AVCHD Recording Mode Four AVCHD recording quality modes56 50P: 1920 x 1080, 28Mbps; MXP 50i/PF25: 1920x1080, 24Mbps; FXP 50i/PF25: 1920x1080, 17Mbps; LP 50i/PF25: 1440x1080, 5Mbps Four MP4 quality recording modes78 50p: 1920 x 1080, 35Mbps; 25p: 1920 x 1080, 24Mbps, 25p: 1920 x 1080, 17Mbps, 25p: 1280 x 720, 4Mbps Progressive Shooting Mode 50p, 25p Slow and Fast Motion Recording Yes, with flexible speed during record Highlight Priority Mode Yes, with backlight correction Video Snapshot Yes Pre REC Yes Search Date Yes Memory Card Secure Digital Card SD / SDHC / SDXC Movie Recording Yes Audio System Dolby Digital 2ch AC3 2ch Audio Scene Select Yes Zoom Microphone No Manual Rec. Level Control Yes Terminal Headphone Yes Microphone No USB Yes (Mini-B, Hi-Speed USB - Output Only) AV Yes (output only) Component No HDMI YES (HDMI™ Mini Connector: output only) Built-in Charger Yes Tripod Mount Yes Smart Features Framing Assist Yes, manual and automatic Quick Start Yes (using LCD screen) File Lock Yes Battery Pack Type Lithium Ion Intelligent Battery System Yes Battery Included in the Kit BP-727 Max Recording Time (Included Battery) 3hrs 15mins9 Dimensions W x H x D 53 x 58 x 116 Weight 235g

In Soundcraft Launched the Spirit FX16 Which Immediately Became Popular With its 16 Direct Outputs and Built-In Effects Unit In Wide Ranging Applications. 10 Years Later Soundcraft Has Given The FX16 an Overhaul Bringing it in Line With the Soundcraft Professional Range Using the Latest 24-bit, Digital Lexicon® Effects Processor and Creating the Soundcraft FX16ii™. The Soundcraft FX16ii mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level. The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from. The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space. Key Features: 26 inputs 16 mono microphone channels. 4 stereo returns 4-bus architecture, with sub-group routable to mix Built-in 24 bit Lexicon digital effects processor 32 FX settings Tap Tempo 3 FX parameter adjust rotaries User FX settings store function Direct outputs for multi-track recording individually switch-able for pre-post-fade operation Inserts on all mono channels Inserts on stereo mix output Classic Soundcraft 3-band EQ with swept mid-band Stereo 18dB/octave 100Hz high-pass filter Dual global +48V phantom power split channels 1-8 and 9-16 Channel Mute control 10-segment tri-coloured metering Two sub-group outputs Separate mono sum output Integral universal power supply   1 year limited guarantee. For more info on this product please click here  

Canon Professional Camcorder XF305 CAMERA. Image Sensor Sensor 1/3 type 3CMOS System RGB Prism Total pixels per sensor 2.37 megapixels Effective pixels per sensor 2.07 megapixels Minimum illumination Full Auto (21dB gain), 50i/25p: 3.8 lux / 3.3 lux Manual mode (33dB gain), 50i/25p: 0.06 lux / 0.05 lux Horizontal Resolution 1000 TV lines or more (1920 x 1080i mode) Lens Zoom ratio 18x Focal length 4.1 - 73.8mm (35mm equivalent: 29.3 - 527.4mm) Minimum focus distance 1m; 20mm (MACRO) ND filter 3 glass filters: 1/4, 1/16, 1/64 Zoom control Ring, Rocker or Handle Zoom speed Zoom Rocker: Variable speed/Fixed speed (16 speed level settings available); Handle zoom: Fixed speed (16 speed level settings available) Focus control Manual ring or automatic (Instant AF, TV AF or Face Detection AF) Iris control Manual ring; Full Auto; Push Auto Iris Aperture range f1.6 - f22 Filter diameter 82mm Lens elements/groups 17/14 Image stabilization system Optical lens shift system (angle & vector movement detection); 3 modes: Dynamic, Standard, Powered Digital zoom 1.5X. Digital Teleconverter option Image Processor Type DIGIC DV III. RECORDING Back To Top. Video storage media Type 1 Compact Flash memory cards (2 card slots) Type UDMA4, 30MB/s or faster (40MB/s or faster for Fast/Slow recording) Recording time 32GB CF card: Up to 80mins (1080/50i @ 50 Mbps) Recording file format Material eXchange Format (MXF) Recording format MPEG-2 Long GOP 50Mbps CBR (4:2:2) MPEG-2 422P@HL; 35Mbps VBR (4:2:0) MPEG-2 MP@HL; 25Mbps CBR (4:2:0) MPEG-2 MP@H14 Recording frame rate 50Mbps: 1920 x 1080/50i, 25p; 1280 x 720/50p, 25p; 35Mbps: 1920 x 1080/50i, 25p; 1440 x 1080/50i: 1280 x 720/50p, 25p;¹ 25Mbps: 1440 x 1080/50i, 25p Slow/Fast motion YES. 720p: 12, 15, 18, 20, 21, 22, 23, 24, 25, 26, 27, 28, 30, 32, 34, 37, 42, 45, 48, 50fps 1080p: 12, 15, 18, 20, 21, 22, 23, 24, 25fps Interval Record YES. 2, 6 or 12 frames, 25 time intervals Frame Record YES. 2, 6 or 12 frames Pre Record (cache record) YES (3 seconds) Scan Reverse YES. Up/down, left/right image inversion Photo storage media SD/SDHC memory card Still quality During video recording: 1920 x 1080; During playback: 1920x1080, 1280 x 720. SYSTEM Back To Top. LCD Size 10.1 cm (4") Dots 1.23 million Image quality adjustments Brightness, contrast, colour, sharpness, backlight, black & white Adjustable Left/right switchable Waveform Monitor Waveform Monitor and Vectorscope Focus Assist Peaking; Magnifying; Edge Monitor (using waveform display) Peaking Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable for each) Zebra Level 1; Level 2; Both Output via HD-SDI or HDMI Markers On/Off (Aspect ratio, Aspect marker, Select area, Safe area, Grid, Horizontal, Centre) EVF Size 1.3cm (0.52") Dots 1.55 million Image quality adjustments Brightness, contrast, colour, sharpness, backlight, black & white Adjustable Vertical tilt Correction lens + 2.0 to -5.5 diopters Inputs/Outputs Audio in XLR inputs with 48V phantom power x 2 Headphone output 3.5mm stereo jack Video monitor output YES (BNC, composite Standard Definition video, output only) HDMI YES (Type A, output only) IEEE 1394 (Firewire) NO USB YES (Mini-B, USB 2.0 Hi-Speed, output only) HD/SD-SDI output YES (BNC, output only, embedded audio and time code) Time code YES (BNC, switchable input/output) Genlock YES (BNC, input only) Component out YES (D connector, output only) AV terminal 3.5mm mini jack (output only for video and audio) DC input YES Remote Control Terminal 2.5mm mini jack Colour Bars Type 1/Type 2 Misc Tally lamp YES (x2) Accessory shoe YES (hot shoe, EOS Flash units supported) Custom key YES (13 assignable buttons; select from 30 functions). SHOOTING FUNCTIONS Back To Top. Exposure Exposure metering Standard (centre weighted), Spotlight, Backlight Exposure range 50 - 100,000 lux Exposure compensation -2 to +2 EV (14 steps) Auto Exposure mode Full Auto Push Auto Iris YES Auto Gain Control setting Full Auto / AGC On / Manual Auto Gain Control limit 3dB; 6dB; 9dB; 12dB; 15dB; 18dB; (OFF/21 dB) Gain setting Assignable L, M, H switch positions (-6dB / -3dB / 0dB/ 3dB / 6dB/ 12dB / 18dB / 21dB / 33dB / TUNE (0.5 dB increments from 0 to 21 dB)) Shutter speed Control Modes 3 position switch: OFF (Full Auto) / ON / SEL (Auto; Speed; Angle; Clear Scan (CS); Slow Shutter (SLS)) Shutter speed 1/18 to 1/2000 depending on frame rate Shutter Angle 11.25º to 360º depending on frame rate Slow Shutter (SLS) 1/3, 1/6, 1/12, 1/25 Clear Scan 50i/p: 50 to 251.15Hz; 25p: 25 to 251.15Hz Custom Picture Stored Configurations 9 Storage Medium SD/SDHC memory card (all customisation data and metadata) Gamma 6 profiles Master Pedestal -50 to +50 Master Black -50 to +50 for each of R,G,B Black Gamma Adjustable height width and apex Low Key Saturation -50 to +50 adjusts colour saturation in low brightness area Knee Adjusts over exposure characteristic, start, slope, saturation Sharpness Adjustment for Detail level, Detail frequency, Coring, HV balance, Detail limit, Detail select, Knee aperture and Level dependent sharpness Noise reduction Off, Automatic, On (1 to 8) Skin detail Off, Low, Middle, High / Hue, Chroma, Brightness Selective Noise Reduction Off, Low, Middle, High / Hue, Chroma, Brightness Colour matrix -50 to +50 hue and gain R,G,B, in tandem with Gamma selection White balance -50 to +50 white balance offset for R,G,B Colour correction Area selection / area revision of two areas Setup level -50 to +50 On/Off Clip 100% IRE Limits output to 100% after setup adjustment Wi-Fi & GPS Specifications GPS Information (Optional Accessory) Latitude/Longtitude/Elevation, Coordinated Universal Time (UTC) White balance Auto YES Preset A, B, Preset (Daylight, Tungsten) Time code Countup system Regen, RecRun, FreeRun, External, Hold Start value setting “00:00:00:00”, Set/Reset selectable Audio Recording 16-bit 2ch (48 kHz) linear PCM Control Independent limiters and auto/manual settings Microphone attenuation YES Microphone level meter YES

A Modern Classic. Samson’s VR88 Velocity Ribbon Microphone combines traditional ribbon technology with the precision and versatility of advanced active electronics. It’s perfect for capturing warm, natural audio in a variety of live and studio applications, such as miking vocals, acoustic instruments, electric guitars and even overhead miking drums. The VR88 features a low mass, 2.5-micron aluminum ribbon suspended within an intense neodymium field, producing a warm and natural response that is silky smooth from top to bottom. The microphone is equipped with a bidirectional (figure-8) pickup pattern with excellent off-axis rejection. The VR88’s FET amplifier and transformer provide the high output and stabilized source impedance necessary for compatibility with any mic pre amplifier. In addition, The VR88 produces a smooth, extended frequency response and is capable of handling high SPLs of up to 137dB, making it an excellent choice for miking vocals, acoustic instruments and even electric guitars. The quality of the VR88 compares to the most highly regarded classic ribbon microphones found in top recording studios. For this reason, its rugged die cast constructed body, as well as a shockmount, comes in a protective carry case. With a sharp new look and superior sound reproduction, the VR88 Velocity Ribbon Microphone represents Samson’s commitment to bringing you the very best microphones.Low mass, 2.5-micron aluminum ribbon microphone Ideal for miking soft, delicate sounds or warming up digital recordings Strong neodymium magnets, precision electronics provide increased sensitivity, low self-noise Bidirectional (figure-8) pickup pattern with excellent off-axis rejection Smooth, extended frequency response of 20Hz-20kHz Handles high SPLs of up to 135dB FET amplifier and transformer provide increased output, stabilized source impedance for compatibility with any mic preamp Rugged die-cast construction Includes shockmount and carry case

8 channel PA-mixing console with very low noise architecture Internal 24bit DSP-effect unit with 100 pre-sets & foot switch USB in/out for direct recording to PC 4 balanced microphone input channels, 2 mono line + 3 stereo line: Input gain Inserts on mono channels Peak indication @ -5dB High pass filter @ 75Hz 3band equalizer (12kHz/2,5kHz/80Hz) AUX send for monitoring (pre) EFX send for effects section (post) PAN/BAL control LEVEL with rotary control 48V Phantom power on all balanced micros Use of external effects possible Balanced Main L/R output control Headphone and control room output 2x 10section LED VU-meters External power transformer Free recording software available: click the logo to start download. Max output level (0.5% thd @ 1kHz): +26dB (MAIN L/R) +20dB (INSERT) T.H.D: Frequency response: 20Hz~20kHz, +1/-2dB (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) Hum and Noise (average Rs=150Ohm): -127dB equivalent input noise -95dB residual noise (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) -88dB (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) Master fader at nominal level and all channel volumes at minimum. Maximum Voltage Gain: 66dB MIC IN TO MAIN L/R 60dB MIC IN TO AUX 66dB MIC IN TO EFX 76dB MIC IN TO CONTROL ROOM L/R 58.2dB IN TO REC L/R 46dB LINE IN TO MAIN L/R 46dB LINE IN TO AUX 46dB LINE IN TO EFX 56dB LINE IN TO CONTROL ROOM L/R 36dB STEREO IN TO MAIN L/R 6dB AUX RETURN IN TO MAIN L/R 16dB TAPE IN TO MAIN L/R Crosstalk (@ 1kHz): -70dB between input channels -70dB between input/oputput channels Gain Control (mono input channel) 44dB Variable (-50dB ~ -6dB) (-30dB ~ +14dB) Gain Control (combined mono/stereo input channel) 40dB Variable (-20dB ~ +20dB) Input channel Equalization: HIGH: 12kHz shelving MID: 2.5kHz peaking LOW: 80Hz shelving *Turnover/roll off frequencies: located 3dB below max. boost/cut LED Meters: 2x 10 segment LED for MAIN L/R Internal Digital Effect: 100 selectable presets FOOT Switch control (ON/OFF) Channel indicators: Peak: an indicator for each channel turns on when the pré-channel fader signal is 5dB below clipping Phantom Power (balanced input): +48V DC Power Supply: AC 230 V, 50Hz Power consumption: 25W Weight: 3,4 kg Dimensions: 249(W) x 75(H) x 295(D) mm

Soundcraft FX16 II Spirit Mixer In Soundcraft Launched the Spirit FX16 Which Immediately Became Popular With its 16 Direct Outputs and Built-In Effects Unit In Wide Ranging Applications. 10 Years Later Soundcraft Has Given The FX16 an Overhaul Bringing it in Line With the Soundcraft Professional Range Using the Latest 24-bit, Digital Lexicon® Effects Processor and Creating the Soundcraft FX16ii. The Soundcraft FX16ii mixer uses the same AudioDNA processor featured in many of the Digitech and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level. The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from. The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space.

The flagship of the XENYX QX USB Series is the QXUSB with 10 state-of-the-art, XENYX-powered mic inputs, 4 stereo channels, 4 Aux Sends, 4 stereo Aux Returns, plus our easy to use one knob compressors on all mono channels. Other features exclusive to the QXUSB are: four subgroups for mixing flexibility; L/R Main Inserts (the ideal path for connecting graphic equalizers or compressor/limiters); and 8 each Direct Outs and Sub Outs for analog recording purposes. Enjoy the freedom of wireless mic functionality, thanks to the built-in ULM receiver port. No task is too big or too small for the XENYX QXUSB! Outstanding Value No matter what your audio mixing needs are, BEHRINGER QX Series USB mixers provide the performance and features to take your talent to the next level, at a price sure to amaze you. Try one on todaywe've got one in your size! Compose. Record. Mix. Share. TRACKTION 4 puts the fun back into the creative process, so were including it free of charge with select BEHRINGER products. This powerful, yet easy-to-use music production software is unlike anything youve seen before, putting everything youll need on your desktop, on a single-screen without the sea of drop down and hidden menus common to most other DAWs. And TRACKTION doesnt limit the number of tracks you can record, or the number of effects you can use. In fact, the only limitation is your Mac or PC computers processing power. Recording and editing couldnt be easier; simply drag, drop, cut, copy or paste. Once your magnum opus is finished, share it with other Tracktioneers so they can listen, collaborate and edit. Here are just a few of TRACKTION 4s outstanding features: Native FX plug-ins ranging from dynamics to modulation, reverb and more Support for available third party AU, VST and VSTi plug-ins Mix Automation Safe Record Loop Recording 64-bit, 192 kHz Mix Engine Audio Clip manipulation MIDI Editor Filters Volume / Pan, Level Meter, 4-Band EQ, Aux Send & Return and FX Export to a variety of formats such as.wav,.aif, and.mp3Premium ultra-low noise, high headroom mixer 10 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps 8 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound Ultra-high quality KLARK TEKNIK FX processor with LCD display, dual-parameters, Tap function and storable user parameter settings "Wireless-ready" for high-quality BEHRINGER digital wireless system (not included) Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com Neo-classic "British" 3-band EQs with semi-parametric mid band for warm and musical sound Channel inserts and direct outputs on each mono channel plus main mix inserts for flexible connection of outboard equipment 4 aux sends per channel: 2 pre/post fader switchable for monitoring/FX applications, 2 post fader (for internal FX or as external send) Clip LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels 4 subgroups with separate outputs for added routing flexibility; 4 multi-functional stereo aux returns with flexible routing Control room/phones outputs with multi-input source matrix; rec inputs assignable to main mix or control room/phones outputs Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls "Planet Earth" switching power supply for maximum flexibility ( V~), noise-free audio, superior transient response plus low power consumption for energy saving High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

Single SDXC and Eye-Fi card slot Canon’s smallest digital camcorder 41x Advanced Zoom and Dynamic EIS Dual Shot mode 6.7cm Widescreen LCD Video Snapshot Night Scene mode Intelligent Li-ion battery Pre Record Feature PIXELA software supplied