Surface tension

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Use in conjunction with any acrylic medium or acrylic color when increased flow and absorption and decreased film tension and friction are important. A flow enhancer that improves the flow, absorption and blending of any water-soluble paint (i.e. acrylic paint), medium, ink or dye. Minimizes brush marks by reducing friction of paint application. Does not contain binder. Over thinning of acrylic paint with Liquitex Flow-AidTM and applying to a non-absorbent surface (i.e. gessoed canvas) may result in poor adhesion. Always make a test piece for your particular application and surface. On non-absorbent surfaces, will increase the fluidity and open (drying) time of the paint. On absorbent surfaces, will act as a stain, dye or watercolor. Directions Liquitex Flow-AidTM is a concentrate. Dilute with water before mixing into paint. Distilled water is best, since quality of tap water varies. Minimum dilution: 1 part Liquitex Flow-Aid to 10 parts distilled water to achieve Flow-Aid Water. Normal dilution: 1 part Liquitex Flow-Aid to 20 parts distilled water to achieve Flow-Aid Water. Do not use undiluted. Using undiluted may result in poor paint adhesion, cause paint to crack, remain tacky and become water sensitive. Do not shake or rapidly stir. This will increase foaming of Liquitex Flow-Aid. Wait until foaming has subsided before using. Absorbent surfaces: Use as much Liquitex Flow-Aid as necessary. The Flow-Aid water/paint mixture will be absorbed by the support. Mix Liquitex Flow-Aid water into water based paint. Do not mix Liquitex Flow-Aid with turpentine or oil paint. Do not use Liquitex Flow-Aid in marbling, as this technique requires that the surface tension of the water film be maintained. Application Liquitex® Paint Additives are similar to acrylic mediums in that they are mixed into acrylic paint and acrylic mediums to change consistency, thickness, transparency, sheen, drying time and absorption rate. However, they are different in that they do not contain acrylic polymer emulsion and therefore have no binding qualities inherent in them. pdf=liqflows.pdf Liquitex Flow Aid Safety Data Features Summary Use in conjunction with any acrylic medium or acrylic color when increased flow and absorption and decreased film tension and friction are important. A flow enhancer that improves the flow...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 11 - 16 working days Finely translucent, very pure blue with a red tinge. In the Middle Ages, ultramarine was obtained from the semi-precious stone lapis lazuli. Not until the first third of the 19th century was it possible to produce ultramarine by synthetic means. Pigment: Ultramarine blueCI number: PB 29 Lightfastness: **** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Finely translucent, very pure blue with a red tinge. In the Middle Ages, ultramarine was obtained from the semi-precious stone lapis lazuli. Not until the first third of the 19th century was it possible to produce ultramarine by synthetic means...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 11 - 16 working days Imitation of cadmium yellow with inorganic pigment. High tinting power, semi-opaque, cadmium-free. Pigment: DisazopigmentCI number: PY155 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Imitation of cadmium yellow with inorganic pigment. High tinting power, semi-opaque, cadmium-free. Pigment: DisazopigmentCI number: PY155 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 11 - 16 working days Contains a modern, opaque pigment with high tinting power. Produces a reddish, slightly dull yellow. A chrome-free alternative to Medium Chrome Yellow. Pigment: Bismuth vanadate pigmentCI number: PY184 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Contains a modern, opaque pigment with high tinting power. Produces a reddish, slightly dull yellow. A chrome-free alternative to Medium Chrome Yellow...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 11 - 16 working days Imitation of the famous natural earths from Italy, which are barely obtainable today. It's name relates to the place where it was formerly found at the foot of Vesuvius. Slightly lighter and yellower than Pompeiian red, with high opacity and tinting power. Pigment: Red iron oxideCI number: PR 101 On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Imitation of the famous natural earths from Italy, which are barely obtainable today. It's name relates to the place where it was formerly found at the foot of Vesuvius...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 11 - 16 working days Imitation of cadmium red middle with organic pigments. High tinting power, opaque, cadmium-free. Pigment: DPP-QuinacridoneCI number: PR 242/PV 19 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Imitation of cadmium red middle with organic pigments. High tinting power, opaque, cadmium-free. Pigment: DPP-QuinacridoneCI number: PR 242/PV 19 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Corresponds to the basic colour magenta in subtractive colour mixture, produces a very good glaze effect. Produces brilliant, translucent violet shades when mixed with translucent cyan. Pigment: Quinacridone roseCI number: PR122 Lightfastness: **** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Corresponds to the basic colour magenta in subtractive colour mixture, produces a very good glaze effect. Produces brilliant, translucent violet shades when mixed with translucent cyan...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Pale, greenish, opaque yellow which imitates the original with inorganic pigments. Medieval yellow was the brightest yellow used by the Medieval painters. Pigment: Zinc oxide, Titanium dioxide, Rutil-nickel-tin-titaniumCI number: PW 4, PW 6, PY 53 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Pale, greenish, opaque yellow which imitates the original with inorganic pigments. Medieval yellow was the brightest yellow used by the Medieval painters...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Deep blue with very high tinting power. This colour used to be obtained from the indigo plant or woad; today, indigo is produced by synthetic means. Pigment: Synthetical indigoCI number: PB 66 Lightfastness: **** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Deep blue with very high tinting power. This colour used to be obtained from the indigo plant or woad; today, indigo is produced by synthetic means. Pigment: Synthetical indigoCI number: PB 66 Lightfastness: **** On the basis of many years of scientific experience in the field of artists' colours...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Gold Bronze: highly opaque brownish gold shade, genuine bronze pigments Pigment: Aluminium Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Gold Bronze: highly opaque brownish gold shade, genuine bronze pigments Pigment: Aluminium Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Particularly fine gas black with maximum depth of colour. This provides for high intensity and tinting power. On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Particularly fine gas black with maximum depth of colour. This provides for high intensity and tinting power. On the basis of many years of scientific experience in the field of artists' colours...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Finely translucent dark orange shade with pronounced red tinge. Ideal for mixing to produce very light red shades. Pigment: Diketo-Pyrrolo-PyrrolCI number: PO 71 Lightfastness: **** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Finely translucent dark orange shade with pronounced red tinge. Ideal for mixing to produce very light red shades. Pigment: Diketo-Pyrrolo-PyrrolCI number: PO 71 Lightfastness: **** On the basis of many years of scientific experience in the field of artists' colours...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Finely translucent colour, bluer than magenta. In ancient times, purple was obtained by means of a complicated process from the gland of a snail, and was much sought-after as a particularly valuable dye for artists' colours. Pigment: QuinacridoneCI number: PV 19 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Finely translucent colour, bluer than magenta. In ancient times, purple was obtained by means of a complicated process from the gland of a snail, and was much sought-after as a particularly valuable dye for artists’ colours...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Semi-opaque grey with green tinge, without black pigment. On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Semi-opaque grey with green tinge, without black pigment. On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Pure opaque red with high tinting power. Similar to vermilion red. Pigment: CadmiumsulphoselenideCI number: PR 108/ PW 21 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Pure opaque red with high tinting power. Similar to vermilion red. Pigment: CadmiumsulphoselenideCI number: PR 108/ PW 21 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Warm, finely translucent brownish orange. Pigment: Red iron oxide-Hydrated iron oxideCI number: PR 101/PY 42 On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Warm, finely translucent brownish orange. Pigment: Red iron oxide-Hydrated iron oxideCI number: PR 101/PY 42 On the basis of many years of scientific experience in the field of artists' colours...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Dark black blue which retains its blue character. Often appears in Byzantine frescos. In former times it was obtained primarily from azurite and a small fraction of coal. Composition of modern, light-fast pigments. Pigment: Indanthrone blue-Black iron oxide-Zinc oxideCI number: PB 60/PBk 11/PW 4 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Dark black blue which retains its blue character. Often appears in Byzantine frescos. In former times it was obtained primarily from azurite and a small fraction of coal...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Semi-translucent, gentle, yellow-tinged green, very similar to the ¿original¿ Schweinfurt green. Schweinfurt green was an important artists' colour in the 19th century, but was highly toxic on account of its arsenic content. Pigment: Zinc oxide-Bismuth vanadate-Hydrated chromium oxide greenCI number: PW 4/PY 184/PG 18 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Semi-translucent, gentle, yellow-tinged green, very similar to the “ original” Schweinfurt green. Schweinfurt green was an important artists’ colour in the 19th century...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Pleasant, warm dark grey with a ¿hint¿ of violet. On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Pleasant, warm dark grey with a “hint” of violet. On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Semi-opaque, clear blue with a slight red tinge. Pigment: Cobalt aluminateCI number: PB 28 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Semi-opaque, clear blue with a slight red tinge. Pigment: Cobalt aluminateCI number: PB 28 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Imitation of the toxic chrome orange with a non-toxic, modern, opaque organic pigment with high tinting power. A very deep, brilliantly fiery orange. Pigment: PyrazolochinazoloneCI number: PO 67 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Imitation of the toxic chrome orange with a non-toxic, modern, opaque organic pigment with high tinting power. A very deep, brilliantly fiery orange. Pigment: PyrazolochinazoloneCI number: PO 67 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Dull, olive-tinged, highly stable green, with high tinting power and opacity. Pigment: Chromium oxide greenCI number: PG 17 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Dull, olive-tinged, highly stable green, with high tinting power and opacity. Pigment: Chromium oxide greenCI number: PG 17 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Brilliant opaque yellow with high tinting power. Pigment: Cadmium-zincsulphideCI number: PY35 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Brilliant opaque yellow with high tinting power. Pigment: Cadmium-zincsulphideCI number: PY35 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days This warm, brownish red was found on the mural colourings in Pompeii. It is darker than Terra Pozzuoli. Pigment: Red iron oxideCI number: PR 101 On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary This warm, brownish red was found on the mural colourings in Pompeii. It is darker than Terra Pozzuoli. Pigment: Red iron oxideCI number: PR 101 On the basis of many years of scientific experience in the field of artists' colours...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Light stone grey, a ¿neutral¿ grey for the beholder. On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Light stone grey, a “neutral” grey for the beholder. On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days The classical royal blue was introduced under King Louis XIV of France, based on a cobalt pigment. The king's blue was light, corresponding roughly to a green tinged sky blue, similar to our royal blue light. Pigment: Zinc oxide-Titanium dioxide-Cobalt pigment combinationCI number: PW 4/PW 6/PB 36 Lightfastness: **** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary The classical royal blue was introduced under King Louis XIV of France, based on a cobalt pigment. The king’s blue was light, corresponding roughly to a green tinged sky blue...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Warm, opaque, almost ochre-coloured yellow. Previously produced from toxic lead pigment, now an imitation with inorganic, highly lightfast colours. Pigment: Chromium-antimonytitanium yellowCI number: PBr24 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Warm, opaque, almost ochre-coloured yellow. Previously produced from toxic lead pigment, now an imitation with inorganic, highly lightfast colours. Pigment: Chromium-antimonytitanium yellowCI number: PBr24 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Very finely translucent, brilliant turquoise blue; the phthalocyanine pigment with the most pronounced green tinge. Pigment: Phthalocyanine blueCI number: PB 16 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Very finely translucent, brilliant turquoise blue; the phthalocyanine pigment with the most pronounced green tinge. Pigment: Phthalocyanine blueCI number: PB 16 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days ¿Cool¿, inorganic black with a gentle tinge of charcoal. Produces a blue-tinged grey when mixed with white. On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary “Cool”, inorganic black with a gentle tinge of charcoal. Produces a blue-tinged grey when mixed with white. On the basis of many years of scientific experience in the field of artists' colours...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Very deep red with a blue tinge. High opacity and tinting power. Pigment: CadmiumsulphoselenideCI number: PR 108/ PW 21 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Very deep red with a blue tinge. High opacity and tinting power. Pigment: CadmiumsulphoselenideCI number: PR 108/ PW 21 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours...