Robert chor und

1972 German DECCA pressing, release number SD 3010/1-2, of gate-fold double-album by ROBERT LAST, CHOR und ORCHESTER: Happy Years Are Here Again - The Best Of The Roaring Twenties And Swingin' Thirties. The track & other details are shown on the images, as provided. The records have a few extremely faint and barely visible, ineffective sleeve-scratches, are in a seldom played, excellent plus condition. The cover has very slightly scuffed corners, the lower right corner has a very light bump, plus a few light edge crinkles & some ring-wear, is in a very good plus shape. EX+/EX+ / VG+              

Hard to find, probably 1972 German DECCA pressing, release number SLK 16 750-P, of album by CHOR UND ORCHESTER ROBERT LAST: Happy Dancing. The track details are as shown on the images provided. The record has numerous ineffective sleeve-scratches & scuff-lines, otherwise still in a very good condition. The cover has lightly scuffed corners, some light edge crinkles, plus some minor lamination lifting in some places, otherwise in a very good plus shape.        

Probably mid 60s German DEUTSCHER SCHALLPLATTENCLUB pressing, release number J 200, of album CARL ORFF: Die Kluge (Auszug) - PHILHARMONIA ORCHESTER LONDON, Dirigent: WOLFGANG SAWALLISCH / Der Mond (Auszug) - PHILHARMONIA CHOR und ORCHESTER LONDON, Chorleiter: WILHELM PITZ; Dirigent: WOLFGANG SAWALLISCH. The track details are as shown on the images provided. The record has a few extremely faint and barely visible, ineffective sleeve-scratches, is in a hardly played, excellent plus condition. The cover has a few light edge crinkles, plus some very light ring-wear, otherwise in a near excellent shape.            

Buy Johannes Brahms: Werke Fur Chor Und Orchester (CD) for R330.00

  item condition: lp/vinyl:  vg (very good):very little wear:very light scuff and scratch marks cover:  vg+(very good plus):  sleeve: vg/vg+: is not torn in nice condition item information:  

1988 German PILZ HISTORY pressing, release number CD 78 002, of CD album Johannes Brahms: Schicksalslied, Op. 54; Akademische Festouvertüre, Op. 80; Variationen über ein Thema von Joseph Haydn, Op. 56A: Chor und Sinfonieorchester des Norddeutschen Rundfunks, Hamburg, Dirigent / conductor: Hans Schmidt-Isserstedt. The track details are as shown on the images provided.  The disc and packaging with inserts are as new.  

1994 Czechoslovakia CLASSICA D'ORO pressing, release number 1516.2009-2, of CD album LUDWIG VAN BEETHOVEN: Symphonie No. 9: GREAT FESTIVAL ORCHESTRA und CHOR, Directed by: ALBERTO LIZZIO. The track details are as shown on the images provided. The disc and packaging with inserts are as new.  

Early 60s very hard to find German 7inch 45rpm Extended Play single COLUMBIA pressing, release number C 50 484 / SELW 1555, of TEATRO ALLA SCALA: RUGGIERO LEONCAVALLO: 'DER BAJAZZO': MARIA CALLAS, TITO GOBBI, Chor und Orchester der Mailänder Scala, TULLIO SERAFIN. The record is in a practically unplayed, near mint condition, but it does have hardly visible sleeve-scratches on both sides. The cover shows very light ring-wear on both sides and the edges are strenghtened by adhesive tape, otherwise in very good shape. The tracks are, sung in Italian, with performing credits, SIDE ONE: Schaut her, ich bin's (Si pao) Prolog aus 'Der Bajazzo' (LEONCAVALLO): TITO GOBBI, Bariton, ORCHESTER DER MAILÄNDER SCALA, Dirigent: TULLIO SERAFIN, (Aufgenommen in Zusammenarbeit mit 'E. A. Teatro alla Scala', Milano). - SIDE TWO: Glockenchor (Don din) Wie flammte auf sein Auge - Hui! Hui! Wie die Vöglein schweben (Qual fiamma avea - Hui! Hui! Stridono lassu) Chorszene - Szene und Vogellied der Nedda aus 'Der Bajazzo' (LEONCAVALLO): MARIA MENEGHINI-CALLAS, Soprano, CHOR und ORCHESTER DER MAILÄNDER SCALA, Chorleiter VITTORE VENEZIANI, Dirigent: TULLIO SERAFIN, (Aufgenommen in Zusammenarbeit mit 'E. A. Teatro alla Scala', Milano).   

Probably 1972/3 German EMI - DIE STIMME SEINES HERRN - ERATO pressing, release number 1 C 063-28 272, of album MARC-ANTOINE CHARPENTIER: Te Deum - für Soli, Chor und Orchester / Grand Magnificat - für Soli, achtstimmigen Doppelchor und 2 Instrumentalchöre: MARTHA ANGELICI; JOCELYNE CHAMONIN; ANDRÉ MALLABRERA; RÉMY CORAZZA; GEORGES ABDOUN; JACQUES MARS; MAURICE ANDRÉ, Trompete (Te Deum); MARIE-CLAIRE ALAIN; CHORALE DES JEUNESSES MUSICALES DE FRANCE; ORCHESTRE JEAN-FRANÇOIS PAILLARD, Leitung: LOUIS MARTINI. The track details are as shown on the images provided. The record is in a hardly played, near mint condition. The cover has a lightly bumped bottom right corner, plus a fold indication at the upper left corner, otherwise still in a very good plus shape.      

1958 German MUSICAL MASTERPIECE SOCIETY pressing, release number MMS-2121, of gate-fold triple album by VARIOUS ARTISTS: WOLFGANG AMADEUS MOZART (1756-1791): Don Giovanni - Dramma giocoso in zwei Akten (italienisch gesungen), Text von Lorenzo da Ponte. Chor und Orchester der Badischen Staatsoper, Leitung: Alexander Krannhals. The track details are as shown on the images provided. The records all have very faint & ineffective small sleeve-scratches, otherwise in a hardly played, excellent condition. The cover has scuffed corners and edges, plus there are a number of stains at the back, which is otherwise blank, there is a red ballpoint pen-written name on the front, which blends in with the background colour anyway, at about the middle of the left side, otherwise in a very good shape. Please note: This item weighs 965 gram!                 

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 15 - 20 working days Features Contributors Georges Bizet, Giuseppe Sinopoli, Chor und Kinderchor der Bayerischen Staatsoper, Bayerisches Staatsorchester, Various Artists Format CD Release date 20120604

1958 German 7inch 45rpm Extended Play single POLYDOR pressing, release number 20 086 EPH, of a cross section from the operetta GRÄFIN MARIZA (COUNTESS MARIZA), composed by EMMERICH KALMAN, with performances by ANNY SCHLEMM, GRETT SCHÖRG, FRANZ FEHRINGER, PETER ALEXANDER, Grosser Chor und grosses OPERETTEN ORCHESTER, Gesamtleitung: FRANZ MARSZALEK. The record is in a practically unplayed, near mint condition. The cover has a few small scuffs along the edges, very lightly scuffed corners and has ring-wear showing at the back, otherwise in very good shape. The tracks are: Einleitung - Höre ich Zigeunergeigen - Sag' ja, mein Lieb', sag' ja - Ich möchte träumen - Einmal möcht' ich wieder tanzen - Braunes Mädel von der Puszta - Grüss' mir mein Wien - Eh' ein kurzer Mond - Schwesterlein - Komm mit nach Varasdin - Cancan - Komm Cigany. 

1969 Hard to find German CONCERT HALL pressing, release number SMS 2662, of BEETHOVEN: FIDELIO - Querschnitt (Auszüge) / Excerpts: HEINZ REHFUSS (Don Pizarro), GLADYS KUCHTA (Leonore), KARL KÜMMEL (Rocco), MELITA MUSZELY (Marzellline), HELMUT KRETSCHMAR (Jaquino), ROBERT BLAIS (1. Gefangener), HORST SELLENTIN (2. Gefangener), ERICH WENK (Don Fernando), JULIUS PATZAK (Florestan), NDR-Chor, NORD-DEUTSCHES SYMPHONIE-ORCHESTER, Leitung / Conductor: CARL BAMBERGER, Hamburg. The tracks are, SIDE ONE: 1. Ouvertüre / 2. Quartett “Mir ist so wunderbar” / 3. Arie “Ha, welch ein Augenblick!” / 4. Recitativ und Arie “Abscheulicher! Wo weilst du hin?” / 5. Chor “O welche Lust”. - SIDE TWO: 1. Introduction und Arie “Gott! Welch Dunkel hier” / 2. Terzett “Euch werde Lohn” / Quartett “Er sterbe! Doch er soll...” / 4. Duett “O namenslose Freude” / 5. Chor “Wer ein holdes Weib errungen”. The record is in a hardly played, near mint condition. The cover has a folded bottom right corner, a slightly bumped top left corner, and the signs of ring-wear, otherwise in very good shape. Please note: It is assumed to be a German pressing, even though the cover description and liner notes are in French and the German languages. However, the label text is in German. The back of the cover is of the flip-back type.   

Swiss mid to late 60s ELITE SPECIAL pressing, release numbern SOLPS-208, of TIROLER JODLERGRÜßE (Yodel greetings), by various artists. The tracks are, with performing credits, SIDE ONE: Jodler-Gruss: BASI ERHARDT, der jodelnde Wirt von Kaltenbrunn / In der Dorfschmiede: HOPFGARTNER-TRIO / 's Zeisele (Volkslied): Das SCHROLL-TRIO aus Tirol, Zitherbegleitung TONI SULZBÖCK / Und a Zeggerl muasst hab'n... (Volkslied): MÄDLCHOR WÖRGL, Leitung: HERMA HASELSTEINER / Am Steinbergkogel: Die LUSTIGEN KITZBÜHLER, Leitung: ANDREAS FELLER / Wenn in erster Morgenfrüh'...: Es jodeln und singen die PÖLL-DIRNDLN / Die Nachtigall (Volkslied): Das SCHROLL-TRIO aus Tirol, Zitherbegleitung TONI SULZBÖCK / Grashupfer-Polka: Die ISELBERGBUAM, Leitung: SEPP TANZER. - SIDE TWO: 's Baden (Volkslied): Die OBERPERFER SÄNGER, Leitung: ROBERT HUPFAUF / I steig' auf die höchsten Berg': Es jodeln und singen die PÖLL-DIRNDLN / Nachbarschaftswalzer: Die LUSTIGEN KITZBÜHLER, Leitung: ANDREAS FELLER / Schwarz wia die Kersch'n (Volkslied): MÄDLCHOR WÖRGL, Leitung: HERMA HASELSTEINER / Hoch am Wildkar: HOPFGARTNER-TRIO, Leitung: PETER EGGER / Beim Fensterln (Jodelwalzer): Das SCHROLL-TRIO aus Tirol, Zitherbegleitung TONI SULZBÖCK / Auf der Zitterer-Alm (Volkslied): JODLERDUO GASSER-PRENN / Am Iselberg (Ländler): Die ISELBERGBUAM, Leitung: SEPP TANZER. The record is only in a very good minus condition, as it has quite a number of scuff-lines and thin surface scratchmarks which are not very detrimental to the sound quality. The cover has minor scuffed top and bottom right corners, otherwise in an excellent condition. 

Possibly late 60s, or early 70s German EMI ELECTROLA pressing, release number 1 C 063-11 076, of: CHARLES GOUNOD: CÄCILIEN MESSE, Messe solonnelle für Soli, Chor, Orchester und Orgel (1855): PILAR LORENGAR, Sopran, HEINZ HOPPE, Tenor, FRANZ CRASS, Bass, CHOEURS RENE DUCLOS, ORCHESTRE DE LA SOCIETE DES CONCERTS DU CONSERVATOIRE PARIS, HENRIETTE PUIG-ROGET, Orgel, Dirigent / Conductor: JEAN-CLAUDE HARTEMANN. Seite / Side1: 1. Kyrie / 2. Gloria / 3. Credo. - Seite / Side 2: 1. Offertorium / 2. Sanctus / 3. Benedictus / 4. Agnus Dei / 5. Domine salvum (Priere de l'Eglise - Priere de l'Armee - Priere de la Nation). The record is in a hardly played, near mint condition. The cover has slightly bumped top and bottom corners, plus some barely noticeable ring-wear, otherwise in a very good plus condition.